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Blue Mountains, pixelshifted, K-1 with the old legacy Pentax-A 24/2.8 glass.

Linhof Technikardan S45

Schneider-Kreuznach Super Angulon XL 5.6/72

Schneider-Kreuznach Center ND Filter IVb

19mm front rise

f22

1/4 second

Ilford FP4+ (EI 80)

Gitzo GT3532LS

Arca-Swiss Z1

Self developed in Pyrocat-HD 1:1:100 at 22 °C for 13 mins (minimal agitation) using a modified Paterson Orbital

Digitised using 16-shot pixel-shift capture

Toned

 

(best viewed fullscreen in the lightbox)

FA43, Agfa Scala 200 (chrome).

As seen from Fortress Ridge Trail, Blue Mountains.

 

I did a small bushwalk last week and wanted to compare the F28/2.8 vs the HD DA 20-40 (but in full frame mode on the K-1).

 

This shot is with the HD DA 20-40, set initially at 24mm and cropped in to approximate the same FoV as the F28. This was done to help work around the vignette issue that would have existed had I used 28mm to start with. So this shot is only 24.6mp. For what it's worth I could have had a lot more of the shot in the frame (and still avoided vignette issues), but I wanted a really tight comparison with the F28.

I waited a far while for this guy to budge but he did not. However, he was still enough to pull off this 5 bracketed super resolution hdr shot! Haha! :D

As seen at sunset, looking north from near Friar's Crag.

 

Linhof Technikardan S45

Linhof Techno Rollex 6x12 back

Fujinon A 9/240

Heliopan Slim High Transmission SH-PMC CPL

f25

4 seconds

19mm front rise

Gitzo GT3532LS

Arca-Swiss Z1

Fuji Provia 100F

Lab developed

Digitised using 16-shot pixel-shift capture with a 99 CRI light source and an IT8-calibrated custom profile.

 

(best viewed fullscreen in the lightbox)

I started using a piece of anti newton ring glass on top of an open enlarger negative carrier and it seems to give the best result yet for film flatness. The glass does introduce a little extra dust. I will have to try medium format this way soon as it suffers more from the flatness issue.

At the Blue Mountains, processed with Topaz, LR, PS and DxO Filmpack5 using Fuji Astia 100F Filter.

A quiet stretch of the Cullasaja River. This part of the mountains nearly qualifies as temperate rain forest.

 

Pentax K-1 (pixel-shift mode)

Pentax-A 50/1.2

Polarizer

Iridient Developer

A lovely and thoughtful Christmas gift from my mum this year. She took one of my images I took of the steam locomotive 3642 passing through the Blue Mountains and turned it into a Jigsaw via the company 'Wentworth Wooden Puzzles'!

 

The pieces are made of wood and smell absolutely delightful, a real treasure to keep indeed. Some of the pieces are even cut into 'xmassy' shapes hehe :D

 

www.wentworthpuzzles.com

  

Clear Creek wash, Zion National Park. My last image from day 1 of our 3-day swing through the park. A sunlit wall a few yards behind the camera provides strong reflected light into the scene. The beauty of this kind of reflected light is not just the warm color, but also the shape, direction, and softness of it.

 

Pentax K-1 with Mirex tilt/shift adapter and Pentax-A 645 55/2.8 lens. I used a bit of tilt for Scheimpflug focusing. Pixel-shift resolution image converted from raw in Iridient Developer.

This is the first slide that the Pentax K-1 struggled with regarding dynamic range, though I like the result. May need to look into enabling the HDR mode or manually combining different exposures for these type of shots, but they are rare - I think it's the combination of sunny snow and shaded lantern that caused it.

 

I liked the look of the border so I left it in on this one, at the moment I am using plastic slide mounts, as the glass enlarger negative carrier I tried was causing newton rings as well as having a few scratches. Even without perfect film flatness, the f/10 aperture seems to give enough depth of field. But I will try a glassless enlarger negative carrier next so I don't have to keep cutting and mounting each frame.

195:365 - Blue: Mix ice, a wineglass, blue LEDs, and add macro. Take a few shots, and observe the results.

 

R: Hoya R72, f/8, 1/25

G: Tiffen Green 58, f/8, 1/100

B: Tiffen Blue 47, f/8, 1/100

Pixelshift Aufnahme

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