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R. Stevens' excellent Pixel Heart Socks, produced by Portland company Sock It To Me.
Model: Annie W.
Hair and makeup: Lindsey Watkins
Photography: Libby Bulloff
fresh chipset superior cameras. What more could one ask for?
visit here : www.headllinetoday.com/2022/10/google-pixel-7-and-pixel-7...
NW 6th and NW 32nd, Wynwood, Miami, FL
Pixel Pancho - Turin, Italy
Website - www.behance.net/PIXELPANCHO
Instagram - instagram.com/pixelpancho
Twitter - twitter.com/pixel_pancho
Flickr - www.flickr.com/photos/pixelpancho/
Event - Art Basel 2014
Website - www.artbasel.com
slurl.com/secondlife/Pixel Dreams/128/128/24
Shoes, clothing, nails, skins, hair, rolller skates, old school, town, fishing,bridge, park,field, wheat,farm, heels,boots [PM
7 Seas Fishing]
I needed better icons for the Audio/MIDI tool in OS X (the included ones are too generic) so I made pixel versions of my equipment. Not everything is to scale and there are a few omissions but I'm happy with the end result.
ANDREAS SÖDERBERG
"Ecological Apple" 2009
1280 X 720 PIXEL HD PAL VIDEO
IMAGING THE APPLE
AC INSTITUTE [DIRECT CHAPEL]
547 W27th St. 5th and 6th floors
New York 10001
New York
Curated by:
JOHN R. NEESON
ELIZABETH GOWER
Exhibition dates:
MARCH 25 - MAY 1, 2010
imagingtheapple.com/pages/pressrelease1
IMAGING THE APPLE
PRESS RELEASE
Forty-eight artists have been invited to exhibit responses to IMAGING THE APPLE.
The exhibition is scheduled from March 25 to May 1, 2010 at AC Institute [Direct Chapel] 547 West 27th Street, 5th & 6th floors, New York. www.artcurrents.org
IMAGING THE APPLE is a development of a successful show that toured the Eastern states of Australia in 2004 . 2005. The original exhibition was organized by artist/curator John R. Neeson who is co-curating the New York version with Elizabeth Gower also a Melbourne based artist/curator.
The New York show includes Artists from Stockholm, Beijing, Pittsburg, New York, Toledo, Hollywood, Auckland, Plymouth, Melbourne and Sydney; and in the case of Billy Tjampijinpa Kenda from an area in Central Australia as geographically remote from New York City as it's possible to get.
The Artists represent a cross generational group, with established and well known Artists such as Yoko Ono and Billy Apple, exhibiting alongside mid-career and emerging Artists, using a diverse range of media including text, photography, installation, video, sound and painting.
The conceptual basis for IMAGING THE APPLE references Paul Cézanne's ambition to 'astound Paris with the painting of a single apple'.
The apple has been a significant and reoccurring emblem in factual stories, legends and myths throughout western history.
Never actually identified as the guilty 'fruit of temptation' in the Garden of Eden, an apple nevertheless has been universally represented as the culprit for twenty centuries.
The 'apple' features in the Judgment of Paris from Ancient Greece; in the various legends of William Tell and Snow White and the poison apple from central Europe, in Isaac Newton's revelation on gravity from England, in the origin of the Granny Smith apple from Australia, and from America, Johnny Apple seed.
There is also considerable mythology surrounding why New York City became known as the .big apple.. One story is, that in the jargon of US jazz musicians a gig was an .apple. and a gig in New York City, the big apple. A second tale. dating from the 19th Century concerns a high-class bordello, run by Eve, who had the best .apples. in town.
In colloquial Australian "she'll be apples" translates, as "it will be fine" while 'an Apple a day keeps the doctor away', 'an apple for the teacher' and 'the apple of my eye' are epithets common in the English-speaking world that associates the apple with health and goodness.
Finally 'apple' has become an enduring contemporary icon associated with the legendary Beatles company, the personal computers and ipod.
All these associations resonate in various degrees of intensity through the forty-eight responses in IMAGING THE APPLE.
IMAGING THE APPLE is accompanied by a catalogue, documenting the works, and including a project essay by John R.Neeson. It is published by AC Institute and distributed by Amazon and Barnes & Noble.
IMAGING THE APPLE has received a grant through the Dame Joan Sutherland Fund from the Australian American Association and in-kind sponsorship from Chapman & Bailey, an Australian based Art materials company.
Artists presenting responses: -
Billy Apple, Peter Burke, Jon Campbell, Ross Coulter, Holly Crawford, Penelope Davis, Kate Daw, Kim Donaldson, Janenne Eaton, Steve Ellis, Andrew Erdos, Juan Ford, Sue Ford, Clark V. Fox, Timothy Gaewsky, Martin Gantman, Michael Georgetti, Elizabeth Gower, Denise Green, Hao Guo & Thea Rechner, Jayne Holsinger, Natasha Johns-Messenger, Kate Just, Larry Kagan, Billy Tjampijinpa Kenda, Sardi Klein, Richard Kostelanetz, Kevin Laverty, Deven Marriner, Ben Matthews, Rob McKenzie & Kain Picken, My Dog Sighs, John R. Neeson, Yoko Ono, Mary Lou Pavlovic, Amy Pivak, Paul Ross, Andreas Söderberg, Spoonbill, Charles Tashiro, Brie Trenerry, Nico Vassilakis, Dan Waber, Cara Wood-Ginder, Max Yawney, Anne Zahalka.
Contact:
theappleprojects@gmail.com
info@artcurrents.com
slurl.com/secondlife/Pixel Dreams/128/128/24
Shoes, clothing, nails, skins, hair, rolller skates, old school, town, fishing,bridge, park,field, wheat,farm, heels,boots [PM
7 Seas Fishing]
Okay, I pixelated this poor grand piano to death. But even so, it's gorgeous.
Check out those pins in the pin block. Those babies are about 2 inches long, and are really heavy. The reason I bring it up is because every time I see the the pin block of the piano, I think about the time that my dad was in charge of the men's dorm back in college. They had an old upright piano in the fourth story, and after years of relentless pounding from college boys, the piano was dead. They tried to remove it, but in the years since it had been taken up to the fourth story, the stairwells had been narrowed and they couldn't get the piano down.
My dad always had a flair for the dramatic (he was a fantastic preacher) and he decided to make a college event out of removing that poor dead piano.
On the following Saturday, all the students gathered beneath the men's dorm, four stories below on the ground. The door at the end of the hallway of the fourth floor was opened up. Down the hall came four strapping college boys, rolling that baby towards oblivion. When they stopped on the edge of the fire escape, the piano made its maiden voyage out into the wild blue yonder.
My dad said that when the piano hit the concrete, the sound was unlike anything he'd ever heard. I'm sure.
What he didn't know was that each one of the strings had approximately 120 pounds of tension on them. At the end of each one of those strings was a 2" turning pin, almost as heavy as a 50 caliber World War II bullet. Dad said that they found very few of those tuning pins. Nobody died, at least that we know of...
David Sprunger