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Performance by Martin Campillo at Erg (École de Recherche Graphique), Brussels, October 20, 2016.
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Erg (École de Recherche Graphique), Arts Numériques-Atelier, 2016-2017.
Professor : Marc Wathieu.
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Estátua viva é uma performance artística em locais públicos de um artista de rua, imitando uma estátua com movimentos estáticos. Pausas sem movimento, controle sobre o corpo e técnicas e mímicas podem prender a atenção dos espectadore
By Patang (Singapore) at the Esplanade Outdoor Theatre during Kalaa Utsaram - Indian Festival of Arts.
Ludus Danielis,
liturgical drama according to a script from the 12th century from the cathedral in Beauvais, performed by the Schola Teatru Węgajty.
Dominican church, Krakow, Poland
Zemzemeh juxtapose ancient Persian music with modern electronica creating a rich, contemporary, cross-cultural zeitgeist.
Siyavash Doostkhah & Greta Kelly explore sufi poetry and mystical music of Iran through acoustic traditions infused with concepts of love and harmony. Their work also brings issues of contemporary Iran to the fore through rap and electronica, and dance tunes with beats and samples
Last night at 'It's Still a Secret', South Brisbane.
Native American Flute Performance by Nino Reyos at the Intermountain Regional Office on 11/14/2019 for Native American Heritage month. USDA photo by Charity Parks.
Latitudes and Attitudes on 19 February, at LASALLE College of the Arts. Featuring performances by Shaun Sankaran and Kai Lam, sound walk by Song-Ming Ang, curated by Bani Haykal and Joleen Loh.
Kochi, Kathakali performance
Kathakali is a stylized classical Indian dance-drama noted for the attractive make-up of characters, elaborate costumes, detailed gestures and well-defined body movements presented in tune with the anchor playback music and complementary percussion. It originated in the country's present-day state of Kerala during the 17th century and has developed over the years with improved looks, refined gestures and added themes besides more ornate singing and precise drumming. The themes of the Kathakali are religious in nature. They typically deal with the Mahabharata, the Ramayana and the ancient scriptures known as the Puranas. This is performed in a text which is generally Sanskritised Malayalam.
Traditionally, a Kathakali performance is usually conducted at night and ends in early morning. Nowadays it isn't difficult to see performances as short as three hours or fewer. Enactment of a play by actors takes place accompanied by music (geetha) and instruments (vadya). A distinguishing characteristic of this art form is that the actors never speak but use hand gestures, expressions and rhythmic dancing instead of dialogue (but for a couple of rare characters).
A Kathakali actor uses immense concentration, skill and physical stamina, gained from regimented training based on Kalaripayattu, the ancient martial art of Kerala, to prepare for his demanding role. The training can often last for 8–10 years, and is intensive. In Kathakali, the story is enacted purely by the movements of the hands (called mudras or hand gestures) and by facial expressions (rasas) and bodily movements. The expressions are derived from Natyashastra (the tome that deals with the science of expressions) and are classified into nine as in most Indian classical art forms. Dancers also undergo special practice sessions to learn control of their eye movements.
(source: en.wikipedia.org/wiki/Kathakali)