View allAll Photos Tagged perception
For some this photo may seem like a glass with some stripes and a light illuminating it.But look carefully, can you see a human face? If not, look at the below photo...
Shot at IIIT-Bangalore
Thoughts become perception, perception becomes reality. Alter your thoughts, alter your reality ~ William James
Kyle brings his canvas outside to take advantage of the beautiful weather and soft natural lighting. He enjoys painting outside in nature.
The trio indicate the selective perception. To see my emotions, one needs to look beyond the surface. Just like reading between the lines in a book. Linocut seemed to be the perfect technique to convey this idea because the carvings partly show the mono print in the background. I made 3 different art pieces to show how the illusion can differ even when the same colors are used.
50x70 Schoeller paper & acrylic, printing ink
essay by MLG in Filmwaves 14, 2001, p. 14-18
In cinematic time there is a complex interplay between present perception, memory and expectation. This process is a kind of "layering" of symbolic events across time structured through memory and the cyclic, rhythmic resonances of the spectator. Such an experience is not possible without an immersive, captive duration - it does not happen in the fleeting attention given to a work we pass in a gallery.
The convention of cinema, shared with theatre, that the spectator (collectively the audience) gives time - invests a short period of life - to an unfolding event is essential to my artistic desires. I am dissatisfied by an art of concept and idea which has its completion in understanding. Instead I remain engaged in presence and experience coupled with a fascination for a language" of symbolic latency and uncertainty.
I chose to take the photo like this so it would look like Colin is standing on Vic's head. There is not much emotion conveyed in this photo; but I primarily focused on making both subjects look like they were in the same ground, and one was not in the background. I took this at a shutter speed of 1/60, an ISO of 100, and an aperture of f/16. I used a wider aperture to make the back and foreground look clear and closer together.
As earth consciousness continues its journey toward extremes...
This has more to do with massive earth changes than true conflicts...
We are a refection on our earth with its series of loops and changes; and our earth, a mirror of evolution...
View VIDEO CLIP from Wilrijkse Plein, Antwerpen... Which is the closest thing I could find to the type of running script which finds us indulging in the perceptive ciaos that we call reality.
And read some astounding Predictions
The forest, whatever its geolocation, consists of different layers.
The main and most notable is the tree layer that comprises trees with tall trunks, forming, through the continuity of their crowns, a vast canopy of green that restricts the amount of sunlight reaching the ground.
The next layer, which supports the biodiversity, is the undergrowth. Accustomed to reduced light, the plants form a dense carpet preserving humidity.
Together, they are essential and mutually necessary – the trees protect the undergrowth from the sun and drought, while the undergrowth helps tree seeds to grow, helping to keep the soil and subsoil rich in nutrients essential to trees. It is a true symbiosis between the plant strata that permits the continuity of forests.
This garden seeks to reproduce the forest in a reduced area, exuberantly, with miniature trees that develop on an upper layer, contrasting with the forest undergrowth, which is on a real scale. The view is disrupted and divided by natural soil covered in vegetation and by a miniature forest.
On entering the plot, visitors discover a forest of bonsais planted on a platform at eye level to help us view and understand it.
On the ground, visitors observe a dense flora characteristic of undergrowth. The trunks emerge from the base supporting the miniature forest that, in turn, provides the necessary shade for the development of the lower level of plants.
The ecosystem recreated here shows living organisms and the symbiosis of the micro and macro scales, offering visitors an ideal place to contact nature and gain inspiration. The back and forth between the two continuous scales – the reduced scale of the trees and the real scale of the undergrowth – disrupt the visitor’s perception of the forest.
It is a play of dimensions, representations and contrasting relations of the two realities that appear together in the forest.
I can see a cat, a horse, 2 different crocodiles plus others. Have fun there are loads.
Uploaded on behalf of Philip Hague by www.ukplus.co.uk/uk/photos/competition as an entry to their current photo competition.
He's heating to soften for shaping, with hammering and snipping, a heart of glass. But from this angle it's he who seems aflame, from a torch that appears to blaze from his chest towards his face. Through emotional equivalents of burning, hammering, and cutting, our hearts perhaps are likewise being smoothed and formed.
In a picture, the compression of 3 dimensions of space into 2 creates optical illusions. But who knows how many dimensions have been compressed to create the 4 we experience of time and space and who knows all the illusions that will be dispelled when our perception includes other dimensions?
DAY 011/365: "Perception"
"Intercepted deceptions, falsify a universal accepted direction,
To reject neglected objection, & allow an infected complexion perception... "
Open your eyes, really open your eyes. Don't let obstacles & road blocks force you to close your eyes, simply open your eyes wider to find a way around it. Don't let the rain & thunder make you close your eyes, simply just wipe it away & keep lookin' forward. The worst thing you could possibly do is to shut your eyes to the things you don't want to see. There is a lot more to what you see, then what your eyes show you... Think about it. Your eyes don't really work how you think they do. All your eyes do is look at what you're lookin' at, all it does is send the signals to your brain. But it's up to you on what you decide to make of those signals. There's a difference between actually lookin', & overlookin'.
MAY 31 © 2010 SUPREMACII
Photo Credit: Ian T.C. Acuna
Sculpted pumps with a black leather body and patent trimmings.
Special for 50L$ Frenzy Week 7 (March 20, 2012)
I can't see very well when I'm not wearing some kind of corrective lens (damn!) and thought I'd make this penultimate photography project about perception of vision :)
She was smiling as were the people in the background. As I took several photos of our favorite Farmer's Market vendor I realized I cropped my shot too low but I think it still works.
BitCube by Colin O'Donnell
from: San Francisco, CA
year: 2023
BitCube is an interactive installation that transforms 224 standard IBC water totes into single pixels in a massive low-resolution cube display towering 30 feet over the desert. The installation creates a minimalist, abstract visual narrative that defies the ubiquity of hi-res displays. BitCube embraces the limitations of a low-res medium and encourages viewers to find beauty in simplicity. The installation’s audio-reactive capabilities reflect the collective heartbeat of the Burning Man community. Light patterns range from abstract shapes to minimalist representations of life and energy, resonating with Burning Man’s spirit of creativity, self-expression, and community in a stripped-down interplay of light, space, and perception.
Contact: bitcube@crimewav.club
Its funny how our perception of what's home and what's near and dear to us changes over time.
At one point, this sunset which used to be a highlight of my day is now a mere distant memory.
" Pictures are just a way
To hold on to what you knew,
Cos even if the memories don't change,
The people in them often do. "