View allAll Photos Tagged perception
For some this photo may seem like a glass with some stripes and a light illuminating it.But look carefully, can you see a human face? If not, look at the below photo...
Shot at IIIT-Bangalore
Storcks, of course. But center rear you can see yellow bill of a young Great American Egret. Bird with orange bill and spread wings is a Cattle Egret as is the bird with rust crest lower center. It has a nest right there.
And dozens of Ibis roost at night in the tall trees behind this.
Kyle brings his canvas outside to take advantage of the beautiful weather and soft natural lighting. He enjoys painting outside in nature.
Created 3.19.06 by Robert Vreeland with Shape Shade Studios.
Digital painting. The first created. Self portrait.
• E exists for show.
• E exists for sure!
• E exists for 4 show(s)
• For E, there's 4 show(s).
Folded from a single uncut square, this model reveals different symbols depending on your angle — English E, mathematical ∃ (“there exists”), Cyrillic ш (“sh”), Georgian ო (“o”).
Each viewer insists their view is correct, trapped in a deadlock of perception. Yet all emerge from the same source — the same square.
It’s a reflection on how meaning, identity, and language are shaped by perspective and limited knowledge.
Inspired by ideas from Advaita Vedanta, Buddhist śūnyatā, Spinoza’s monism, Berkeley’s idealism, and a touch of postmodern relativism (language games, signs/symbols) — suggesting that beneath all interpretations and creases lies a single uncut truth: the sheet itself. Hence the need for empathetic understanding and tolerance.
I didn’t expect it to go so deep — I was simply trying to fold a visual pun, like the 6 vs 9 meme. But it turned into my most layered model ever, blending origami with semiotics, philosophy, and linguistics. I've butchered the logical syntax for the sake of art though.
Designed and folded by me from a single uncut square of tracing paper.
Sheet size: 25 cm x 25 cm
Final size: 5 cm x 5 cm
32-grid BP
Inspired by Wahid Aüfi Zammu's work
Very happy with the result.
If this symbol has any other interpretation for you, please share! (Apart from English W or number 3)
Could be linguistic or anything else.
Hope you all like it too.
{Please note: my understanding of these concepts is naive at best — I’m just playing with ideas here!}
I chose to take the photo like this so it would look like Colin is standing on Vic's head. There is not much emotion conveyed in this photo; but I primarily focused on making both subjects look like they were in the same ground, and one was not in the background. I took this at a shutter speed of 1/60, an ISO of 100, and an aperture of f/16. I used a wider aperture to make the back and foreground look clear and closer together.
As earth consciousness continues its journey toward extremes...
This has more to do with massive earth changes than true conflicts...
We are a refection on our earth with its series of loops and changes; and our earth, a mirror of evolution...
View VIDEO CLIP from Wilrijkse Plein, Antwerpen... Which is the closest thing I could find to the type of running script which finds us indulging in the perceptive ciaos that we call reality.
And read some astounding Predictions
I can see a cat, a horse, 2 different crocodiles plus others. Have fun there are loads.
Uploaded on behalf of Philip Hague by www.ukplus.co.uk/uk/photos/competition as an entry to their current photo competition.
He's heating to soften for shaping, with hammering and snipping, a heart of glass. But from this angle it's he who seems aflame, from a torch that appears to blaze from his chest towards his face. Through emotional equivalents of burning, hammering, and cutting, our hearts perhaps are likewise being smoothed and formed.
In a picture, the compression of 3 dimensions of space into 2 creates optical illusions. But who knows how many dimensions have been compressed to create the 4 we experience of time and space and who knows all the illusions that will be dispelled when our perception includes other dimensions?
DAY 011/365: "Perception"
"Intercepted deceptions, falsify a universal accepted direction,
To reject neglected objection, & allow an infected complexion perception... "
Open your eyes, really open your eyes. Don't let obstacles & road blocks force you to close your eyes, simply open your eyes wider to find a way around it. Don't let the rain & thunder make you close your eyes, simply just wipe it away & keep lookin' forward. The worst thing you could possibly do is to shut your eyes to the things you don't want to see. There is a lot more to what you see, then what your eyes show you... Think about it. Your eyes don't really work how you think they do. All your eyes do is look at what you're lookin' at, all it does is send the signals to your brain. But it's up to you on what you decide to make of those signals. There's a difference between actually lookin', & overlookin'.
MAY 31 © 2010 SUPREMACII
Photo Credit: Ian T.C. Acuna
Sculpted pumps with a black leather body and patent trimmings.
Special for 50L$ Frenzy Week 7 (March 20, 2012)
I can't see very well when I'm not wearing some kind of corrective lens (damn!) and thought I'd make this penultimate photography project about perception of vision :)
Its funny how our perception of what's home and what's near and dear to us changes over time.
At one point, this sunset which used to be a highlight of my day is now a mere distant memory.
" Pictures are just a way
To hold on to what you knew,
Cos even if the memories don't change,
The people in them often do. "
Young people from the START Programme at Lisburn YMCA had a day of media training and research workshops exploring the media, perceptions and portrayals of young people. The day was facilitated by Include Youth's communications officer Sharon Whittaker and QUB's Dr Faith Gordon, who is involved in an ESRC knowledge exchange project.
This photograph is my coming to terms with my ancestors and cultural practices. Somalia has always been “the other” to me, and as a teenager, anything other seemed like what kept me from belonging. Little did I realize that I had an entire world, an entire ancient cultural practice, that I belonged to that surpassed any religion.
The necklace in this photo belongs to my grandmother. The dress is my mothers'. I am looking away from the camera because in my own way, I’m still finding my footing. I’m not quite here, or there. I’m learning. But I’m where I need to be.