View allAll Photos Tagged pegboard
[4/14/14: NOTE: another copy of this same image in this same size has recently been acquired that is in very slightly better condition. Therefore, this particular copy is offered on eBay or via a private transaction (preferred method) - - - SOLD - - -. Contact me via FlickrMail if you are interested in owning one of only 4 known copies (3 are in my collection) of this 1971 Milton Glaser advertising poster. Serious inquiries only. This poster actually has less fading in the brown lower half than the newer one that I am keeping.]
- - - 1 OF ONLY 4 KNOWN COPIES. - - -
33"x20" poster by Milton Glaser
There is a minor amount of paper loss on the left edge and a stain in the bottom left and bottom right corners.
This was folded at some point and it was displayed stapled to a wall in the Midwest for decades so there are small holes in all 4 corners, but I'd say it fared exceptionally well considering the circumstances.
The dimpling pattern you see up close is from the pegboard vacuum table used during the photo shoot. Being much smaller than the billboard panels I built the device for, the suction was higher which caused the temporary dimpling.
An ad like the one the original owner would have used to order it can be seen in the link below (Design #9 in the yellow poster offer from 1972.). This image was listed as available in all 4 sizes. Original cost: for this small size was $0.75. The subway or bus stop size was $1.50. It's escalated to $1,500 since then:
www.flickr.com/photos/30559980@N07/5809333595/in/set-7215...
www.dpvintageposters.com/cgi-local/content.cgi?sc=3
Although VERY RARE, other copies of this poster do exist in more than one size. At this time I only know of two 60"x36" and two 33"x20" copies total anywhere. Three of the 4 are in my collection.
60"x36" version ($1.50 in 1972) of the same image (with more info):
www.flickr.com/photos/30559980@N07/7951119176/in/photostream
These color renditions are very close to the actual poster.
TV ad on YouTube opening with this image:
www.youtube.com/watch?NR=1&v=WkaPrAGX4dQ
Learn more details about giant 7Up UnCola billboards and posters like this in my "7Up Billboard" set (right, or link below):
www.flickr.com/photos/30559980@N07/sets/72157623502964435/
The artist was Milton Glaser who co-founded Push pin Studios. In March, 2014 he issued the promotional poster for the final Season 7 of Mad Men (see my other photos). Documentation that this image was done by Milton Glaser: www.miltonglaser.com
See page 59 for verification:
www.glaserarchives.org/fa/mgfa.pdf
He also created the famous "I [heart] NY" logo 6 years after this illustration along with a long list of other accomplishments.
www.youtube.com/watch?v=Ck3MRdeph5o
Another album on Flicker of Glaser's sketches for 7Up (posted by Milton Glaser Design Study Center and Archives):
www.flickr.com/photos/mgdsca/sets/72157649197849840
Here's a page from an early 1970's magazine showing a billboard version of this image pasted on a wall:
www.flickr.com/photos/30559980@N07/5343730408/in/set-7215...
Please let me know if you have have any UnCola images. I am always interested in expanding my collection or trading away extra copies. Please provide me a "first look" at any UnCola posters you might be about to market in return for my research, purchase & sharing of these images.
3/8/14: Here's the only other 7Up UnCola billboard that was done by Milton Glaser - "Like No Cola Can":
www.flickr.com/photos/30559980@N07/13024755023/in/set-721...
Here's my little haven, formerly my son's bedroom. Space is at a premium, but as long as I keep things in order, it functions nicely. Wall on right is covered w/ flannel (same color as walls, just tacked w/ thumb tacks at top and sides), perfect for designing. Pegboard, also painted to match walls, keeps tools and thread handy. My son's old student desk is pushed up against sewing machine for added quilting surface.
The walled-up entry to the former Beechmont Mall was located on the left side of this photo, where the pegboard shelves with the pink sign are.
Displayed in meticulous detail inside the Smithsonian’s National Museum of American History in Washington, D.C., Julia Child’s Kitchen is one of the most iconic and beloved museum installations dedicated to American culinary heritage. These photographs offer a vivid, immersive view into the very kitchen where Child filmed three of her acclaimed cooking shows between 2000 and 2001—including Julia’s Kitchen Wisdom—before donating the entire room, including its structure, tools, and appliances, to the Smithsonian Institution.
Originally installed in her Cambridge, Massachusetts home, the kitchen reflects Child’s philosophy that cooking should be joyful, personal, and accessible. It was custom-designed in the early 1960s by her husband Paul Child, who raised the counters to suit Julia’s 6-foot-2 height and helped build an environment that encouraged her intuitive approach to cooking and teaching.
These images reveal the kitchen from multiple vantage points: the familiar pegboards of copper pots and pans arranged precisely by Paul’s hand-painted outlines; walls lined with bookshelves holding Julia’s well-loved cookbooks and scripts; and mid-century appliances such as the Garland gas stove and vintage wall oven. The famous yellow Formica table is surrounded by mismatched chairs, and even the utensils appear to be mid-recipe, frozen in time.
Every item is authentic—from the mixing bowls and whisks to the timers, mixers, and notes taped to the fridge. The Smithsonian took great care in preserving the kitchen exactly as Julia last used it, reassembling it piece by piece to maintain its sense of vibrancy and lived-in creativity. The installation doesn’t just honor a legendary chef; it tells a story about mid-20th-century domestic life, media, and the democratization of food knowledge.
Julia Child wasn’t just a cook—she was a teacher, television pioneer, and cultural bridge between French culinary traditions and American home kitchens. This space stands as a monument to her legacy. Through these photographs, viewers can experience the intimacy of her creative environment, where camera crews once roamed, and where generations of viewers learned to be fearless in the kitchen.
Visually, these photos are warm, detailed, and filled with layered textures—from the golden glow of the lighting to the shadowplay of ladles and strainers, the tight focus on domestic tools, and the careful arrangement of the mise-en-place. The images evoke not just a physical space, but the personality and purpose that filled it.
Whether you're a food historian, a museum enthusiast, or a longtime admirer of Julia Child, these images serve as a portal into one of the most influential kitchens in American culture.
don't know how those browns and orangey patches got in there. the pegboard backing is all painted with a uniform school bus yellow.
This weekend, we started settling into our new art studio and bringing it to life, with the help of our maker art friends. Sarah moved boxes with art supplies, Mark helped set up the pegboards, Howard filled them with tools, Natalina decorated the shed, Jean set up an art bench and Phyllis treated us to fresh fruit.
It felt like an old-fashioned community barn raising! I am very lucky to have such a supportive group of friends, and am really grateful for all their hard work and creative touches.
Our new backyard makerspace is a wooden 12’ x 10’ Tuff Shed, made to order, opening into our patio. It will be a great place to make art with friends, prepare for my classes and work on new ‘pataphysical projects.
I’m so happy to finally have an open space to create in, after decades of clutter in my overcrowded office. Can’t wait to start making cool things in it!
View more photos of our art studio as it develops:
www.flickr.com/photos/fabola/albums/72157670244673286
Learn more about my maker art projects:
This weekend, we started settling into our new art studio and bringing it to life, with the help of our maker art friends. Sarah moved boxes with art supplies, Mark helped set up the pegboards, Howard filled them with tools, Natalina decorated the shed, Jean set up an art bench and Phyllis treated us to fresh fruit.
It felt like an old-fashioned community barn raising! I am very lucky to have such a supportive group of friends, and am really grateful for all their hard work and creative touches.
Our new backyard makerspace is a wooden 12’ x 10’ Tuff Shed, made to order, opening into our patio. It will be a great place to make art with friends, prepare for my classes and work on new ‘pataphysical projects.
I’m so happy to finally have an open space to create in, after decades of clutter in my overcrowded office. Can’t wait to start making cool things in it!
View more photos of our art studio as it develops:
www.flickr.com/photos/fabola/albums/72157670244673286
Learn more about my maker art projects:
OMG. I don't know why but this "little" became my "biggie"! My brain was going nuts trying to figure this space out.
I ended up making the paper rack in the middle of the pegboard because I just couldn't afford the plastic bins. So I used "hobby board" strips from Home Depot. I plan to make another one for the forward facing book display on another wall.
The baskets are attached with pegboard hooks and were from the thrift store (yay!). My favorite part is the thimble display case (thrift store again!) holding the alphabet stamps. LOVE it.
Left to right, top to bottom:
Dry erase lined strips, letter and list paper, writing books, basket with cards and faux stamps (a freebie from a fundraising group) and envelopes, dry erase pens/crayons and wipe, stamp pads, key vocabulary cards, story papers, dry erase pages from HWT (thanks Mariah!) alphabet stencils and dry erase letter and number books. HWT chalkboards (great!), dry erase alphabet book, HWT chalkboard supplies, rock crayons and art caddy. To the right is the thimble display case with alphabet stamps. Below the desk is a file for work in progress.
UGH. My head hurts.
The kids are literally fighting over this space and squeeze all three in at once. It has been a very exciting addition. Thanks for the motivation and wonderful ideas. :)
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Newest scientifically designed "Store on a Stand" Plastichrome Merchandisers give as much as 3 to 5 times the profit from the same floor space
Features new exclusive Top Basket for top ticket items
Long lean pegboard drum for mass color impact
A/T All-Tom Corporation
Arlington, Texas
Social distancing turning toward shapes and contrasts. Tried not to stop down past f4 or so with the Canon 7 and 'dream' lens. Easier given I was using Acros II EI100.
When I sold the old Toledo Washington place, I left behind the workbench that I built into the corner of the shop, sold the power equipment, and seriously downsized.
Finally, over the summer of 2022, I built these 2x4 foot workbenches and put them on locking casters so they are easily moveable. Most recently, got a pegboard up and unpacked my hand tools. All that remains is to put up a few hooks to hang handsaws, straight edges, and level.
Yes, I miss the old workshop, but this is more suited for me to putter around as I get older. It makes me feel good just to look at it.
Displayed in meticulous detail inside the Smithsonian’s National Museum of American History in Washington, D.C., Julia Child’s Kitchen is one of the most iconic and beloved museum installations dedicated to American culinary heritage. These photographs offer a vivid, immersive view into the very kitchen where Child filmed three of her acclaimed cooking shows between 2000 and 2001—including Julia’s Kitchen Wisdom—before donating the entire room, including its structure, tools, and appliances, to the Smithsonian Institution.
Originally installed in her Cambridge, Massachusetts home, the kitchen reflects Child’s philosophy that cooking should be joyful, personal, and accessible. It was custom-designed in the early 1960s by her husband Paul Child, who raised the counters to suit Julia’s 6-foot-2 height and helped build an environment that encouraged her intuitive approach to cooking and teaching.
These images reveal the kitchen from multiple vantage points: the familiar pegboards of copper pots and pans arranged precisely by Paul’s hand-painted outlines; walls lined with bookshelves holding Julia’s well-loved cookbooks and scripts; and mid-century appliances such as the Garland gas stove and vintage wall oven. The famous yellow Formica table is surrounded by mismatched chairs, and even the utensils appear to be mid-recipe, frozen in time.
Every item is authentic—from the mixing bowls and whisks to the timers, mixers, and notes taped to the fridge. The Smithsonian took great care in preserving the kitchen exactly as Julia last used it, reassembling it piece by piece to maintain its sense of vibrancy and lived-in creativity. The installation doesn’t just honor a legendary chef; it tells a story about mid-20th-century domestic life, media, and the democratization of food knowledge.
Julia Child wasn’t just a cook—she was a teacher, television pioneer, and cultural bridge between French culinary traditions and American home kitchens. This space stands as a monument to her legacy. Through these photographs, viewers can experience the intimacy of her creative environment, where camera crews once roamed, and where generations of viewers learned to be fearless in the kitchen.
Visually, these photos are warm, detailed, and filled with layered textures—from the golden glow of the lighting to the shadowplay of ladles and strainers, the tight focus on domestic tools, and the careful arrangement of the mise-en-place. The images evoke not just a physical space, but the personality and purpose that filled it.
Whether you're a food historian, a museum enthusiast, or a longtime admirer of Julia Child, these images serve as a portal into one of the most influential kitchens in American culture.
This is a sprite from "My Little Pony Crystal Princess: The Runaway Rainbow" on GBA.
It is 9.5" wide by 9.25" high. It used 1,298 beads and 4 pegboards.
It is made with Perler/Hama/Nabbi fuse beads.
I made it on October 24, 2010.
(Setup shot.)
Lighting/Setup Info
- SB600 at 24mm zoom and 1/64 power level, bare with red gel. Positioned camera-right about 6-inches from lens. (Effect Light)
- SB600 at 24mm zoom and 1/2 power level, bare with green gel. Positioned camera-left about 3-feet high and about 2-feet from pegboard and about 5-feet from subject. (Key/Effect Light)
- SB80DX at 24mm zoom and 1/32 power level, gridded wit 2 sheets of full CTB gel. Positioned camera-left about 5-feet high and about 6-feet from subject. (Rim Light)
- Cybersyncs.
A little self-promotion... Seeing as how I do so many self-portraits, I decided to take part in a self-portrait competition. If you have a chance to stop out there and rate the portfolio I posted, I would be extremely grateful. I'm pretty sure I won't win the "viewer's choice" award because I just can't compete with the "following" that many other people have, but who knows. Anyway... if you do take the time to give me a rating, thank you so much.
(Setup shot.)
Lighting/Setup Info
- SB80DX at 24mm zoom and 1/2 power level, bare and shooting through pegboard. Positioned camera-right about 4.5-feet high and about 2-feet from pegboard. Pegboard is about 6-feet from subject. (Key Light)
- Cybersyncs.
We're Here! looking at brickwork, and especially brick walls.
Looking into the dark recesses of my garage, behind the hot water tank and furnace, is the back brickwork of my fireplace and chimney. And I also found a sheet of long-forgotten pegboard! I think I need to find some blue paint and make some art!
This weekend, we started settling into our new art studio and bringing it to life, with the help of our maker art friends. Sarah moved boxes with art supplies, Mark helped set up the pegboards, Howard filled them with tools, Natalina decorated the shed, Jean set up an art bench and Phyllis treated us to fresh fruit.
It felt like an old-fashioned community barn raising! I am very lucky to have such a supportive group of friends, and am really grateful for all their hard work and creative touches.
Our new backyard makerspace is a wooden 12’ x 10’ Tuff Shed, made to order, opening into our patio. It will be a great place to make art with friends, prepare for my classes and work on new ‘pataphysical projects.
I’m so happy to finally have an open space to create in, after decades of clutter in my overcrowded office. Can’t wait to start making cool things in it!
View more photos of our art studio as it develops:
www.flickr.com/photos/fabola/albums/72157670244673286
Learn more about my maker art projects:
Clocks from the Renwez Forest Museum gift shop we visited in the Ardennes. Their animal is the Wild Boar... there is delicious beer with wild boar on the label and restaurants seem to have at least one taxidermied boar head on the wall...
This weekend, we started settling into our new art studio and bringing it to life, with the help of our maker art friends. Sarah moved boxes with art supplies, Mark helped set up the pegboards, Howard filled them with tools, Natalina decorated the shed, Jean set up an art bench and Phyllis treated us to fresh fruit.
It felt like an old-fashioned community barn raising! I am very lucky to have such a supportive group of friends, and am really grateful for all their hard work and creative touches.
Our new backyard makerspace is a wooden 12’ x 10’ Tuff Shed, made to order, opening into our patio. It will be a great place to make art with friends, prepare for my classes and work on new ‘pataphysical projects.
I’m so happy to finally have an open space to create in, after decades of clutter in my overcrowded office. Can’t wait to start making cool things in it!
View more photos of our art studio as it develops:
www.flickr.com/photos/fabola/albums/72157670244673286
Learn more about my maker art projects: