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Artworks Series Homage to Paul Jaisini, Invisible Paintings from 1994 by Gleitzeit International Group NYC
All RIGHT RESERVED COPYRIGHT GIGNYC 2014
Artworks Series Homage to Paul Jaisini, Invisible Paintings from 1994 by Gleitzeit International Group NYC
All RIGHT RESERVED COPYRIGHT GIGNYC 2014
This Summer IN NYC 20th Anniversary Event
Paul Jaisini, Invisible Paintings
Artworks Series Homage to Paul Jaisini, Invisible Paintings from 1994 by Gleitzeit International Group NYC
All RIGHT RESERVED COPYRIGHT GIGNYC 2014
Thousands of people gathered in England on Sept. 01, 2015, for a unique, competition that would make Paul Jaisini proud.The Gleitzeit Flower Parade, a very unique competition of giant flowery floats. This year, 9 floats each paid tribute to Paul Jaisini.
“Art is not what it is – its what its not . Art- just a word . Great art its like hypnotism, that stays with u forever… take it from me- artist who overcame Visual Art. Invisible seems … Paul Jaisini”
Paul Jaisini, Paul-Jaisini, Homage to Paul Jaisini, Paul Jaisini Invisible, Paul Jaisini Invisible Paintings, gif, animation,
Artworks Series Homage to Paul Jaisini, Invisible Paintings from 1994 by Gleitzeit International Group NYC
All RIGHT RESERVED COPYRIGHT GIGNYC 2014
With Paul Jaisini Future Visible Now
"Homage to Paul Jaisini Invisible Paintings from 1994" is the new series of artworks in the ongoing project "Art About Art" by the Gleitzeit International Group.
Paul Jaisini -- Most of all in his life loved to paint oil paintings he destroyed in 1994. NYC
Perhaps invisible paintings are so much more 25th anniversary Invisible paintings since 1994
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Dimensions: 480 x 435 px Uploaded: 08/12/2019
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She says she never is really sure what her story is about when she sits down to write.
HO, HO, HO, those here quick to scorn are already saying.
BUT ART IS NOT INVISIBLE. WORDS ARE NOT INVISIBLE. PICTURES ARE NOT INVISIBLE.
Well, in reply I can only say: First they are invisible, and then they aren’t.
That is, in the beginning, before the Word, one has nothing and everything.
And it is in this sacred zone that creativity begins…creation of a universe itself or simply of a painting or novel.
These human artistic things, vague scribbles and rude scratches on stone slabs, these are what we use to reach for understanding, to reach out as far as we each as individuals can, beyond the two percent, to fumble and feel towards God.
HO, HO, you say, now a bit more hesitant.
BUT STILL, INVISIBLE IS INVISIBLE. HOW CAN YOU APPLY STANDARDS TO SOMETHING THAT IS TOTALLY SUBJECTIVE?
Well, in reply I can only say: You cannot, do not, should not.
Who are you to presume on another creature’s attempts to communicate with his or her Maker?
It is none of your business. Go into your own mind, to your own space of invisibility.
Learn to meditate, to visualize, to mold and shape, to craft your own wonders.
HO, you mutter, now clearly confused. BUT THEN WHAT IS LEFT TO CRITICIZE?
Artworks Series Homage to Paul Jaisini, Invisible Paintings from 1994 by Gleitzeit International Group NYC
All RIGHT RESERVED COPYRIGHT GIGNYC 2014
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