paul-jaisini photos on Flickr

#underwater-mermaid-art-photography-design-jaisini-stelly-riesling-collection by Santorria

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…we went upstairs into a spacious studio. The invigorating, nutty smell of

oil paint delighted my senses. It seemed as if I had stepped inside of the

painting. The enormous room dissolved the concentrated scent of oil paints and transformed into Asian perfume. Stepping inside an artist’s studio every time put me into the position of Alice in Wonderland. Surrounded by scattered paintings, brushes, pallets, paint tubes, roles of canvases, and sketch pads, I was searching for the special conversational piece. If I could only find the right piece, which would be the artist’s favorite, I knew it

would break the ice. The first painting that caught my attention put me suddenly under hypnosis and I don’t recall for how long I was staring at it, whether it was a minute or an hour. This is not, in any way, an exaggeration but a real-live experience.

Evidently, Jaisini noticed that I was trapped by one of his paintings and broke the silence.

-Do you like that piece, or are you looking for a starting point to criticize it?

However it is, I welcome your criticisms rather than flattery.

-Your painting develops in my mind like photosensitive paper in a developer. On second thought, I sense an aesthetic pleasure from just the color harmony, but I still need more time-I said.

-No problem, take your time while I finish a sketch.

I had to postpone the interview in order to get a better look at the painting

that captured me. The artist put on some classical music. I began taking notes about what I had seen while he was silently sketching. As time flew

by, it was getting dark outside and the music ended long ago. I glanced at

the watch and realized that 4 hours had already elapsed and I didn’t even start the interview.

Jaisini was still concentrating on his work and it was obvious that I should’ve called it a day. Setting the convenient time for tomorrow I left.

…we met at the café.

I could tell that Jaisini was in a good mood and the interview has a better chance today. Perhaps his work went well, I thought. Jaisini greeted me as someone he had already befriended….

…-Positively, the painting I was contemplating in your studio sticks to my mind

Jaisini answered;

-It happens to many. I like this cafe. It is always so picturesque. The people

here make it colorful. For example, do you see that waitress?

-The small blond in her late thirties?

-Yes, her name is Nancy. Three years ago she told me that she wanted to become famous and in her free time she writes a script for a movie, convincing me that it will be the first script of its kind, a love story based on

her memoir.

Jaisini smiled charmingly, adding: -Oh, no, I am not joking. I believe in her. Once I invited her to the studio, as

she seemed like such a peculiar person. I was just finishing my painting called “Organ Grinder”. She declared frankly and firmly: ”I want this picture. How much?”

I explained to her that I don’t sell paintings.

Then I experienced certain chemistry. When such a “simple” person, but still

the one who writes the script, says: “I want the “Organ Grinder”, it was the

strangest thing. I didn’t like the painting one bit and after that, all of a sudden, I started seeing it in a different light of something very pure and

divine. She wanted so badly to own the picture that she induced her desire on me. I think that to create this “divine” we have to get down with people, declass to become simple and understand art with awe. Even though Gleitzeit is not for regular people, it can be understood by a mailman who asked me for an autograph, by an immigrant who came to the US to earn

money, or by a priest from England who told me that this art is for intellectuals, not for ambitious people who say, “I understand this art while others don’t.”.

-Do you think that your pictures relate to people as if they are puzzles of human life?

-When a man is awake, a man is asleep; everything encloses. And when you enclose your line you create the reality in which the man truly exists not knowing that he is entrapped in a secluded world of his own doing which he cannot escape. The enclosed line may provoke the desire to breakout, to find an exit.

-The question arises, what is fine art now and who needs it? The elite?

-Yes, but people crave art too if a mailman asked me for my autograph on a postcard after I had to explain him about the picture he saw. Before I explained the painting the man felt scared of breaking his head over it. It is understandable when in schools art is taught as an entertainment, not as a psychological significance, a process of growth, a visualization of today’s reality, an analysis of social life and ancient history, or the world’s history that brought people to the technical progress.

- To build a family is more important for that man.

-Yes, he understands his purpose of trying to build a family of five with eighteen grandchildren. A man’s genetic structure is of a turtle’s and is directed to one, laying eggs by any means and returning in a year through six thousand miles across the ocean to lay eggs again at the same place. But pay attention that bravado of the civilized world brings a realization that everything is a sham. Real is what is encoded by nature; real is when you see a beautiful ocean, a beautiful sunrise, or the grace of a horse. This is real.

- Then what is fine art? Is fine beautiful or good?

-Beautiful. It began from nature, from the copying of beautiful bodies of people and horses…. My main direction in art is most progressive, to achieve in composition the grace of color combinations, an intellectual color climax, tone, contrast, and so on. The idea of the painting unites in itself everything we see in the real world, but in an intricate, puzzle-like concept.

-Art in America is a tendency for immediate recognition. The remembrance is strictly visual since there was no comprehension. First they want to see that it’s different. What about Gleitzeit, how do you see this visual effect expressed?

-A regular person, either a lady florist, my tennis partner, or a teenage cowboy comes to my studio and says: “I don’t understand this art and

I don’t want to see it, it’s not mine. When the lady florist starts seeing some figures in a painting, she shouts, “I see! Look! Look! I see it now!” like a child. A man denies what he doesn’t understand as an immediate reaction. An everyday man is brought up on the understanding of natural grace. He doesn’t assimilate it in an abstract

way. He sees an egg and a hen and points out which are the egg and the hen. In my picture he can’t say that this is an egg and this is a hen at first. Moreover, he can’t say what came first, the egg or the hen. He sees something very simple or very complicating. The man refuses to do an effort. Slowly, not even slowly, but pretty quickly the man can

transform if he learns.

-Do you want to change the process of art cognition? The judgment is not based on the appearance since ‘we’ve seen all there is to see’ with and without philosophy, like when they sell us Coca-Cola they tell us about the transcendental. We are understanding folks. Do you want this “flat” cognition to change?

- A man is looking for an escape. I try to attach him to a thread in the picture, which is twisted, to untangle it. What is next? Did he learn something? Yes, and he also begins to understand abstraction after the knot is undone. This is flexitime. Will the work turn blank? No, since it still has an idea. If it would be an automated drawing by a schoolchild that may look like something there is no concept. In my art you have an idea and mastership. The key is the artist’s mastership. A weak painting will not survive. What is left to the spectator is aesthetic pleasure and confidence.

-What if people ask you for a simpler art? Why do they have to untangle your art?

- I answer simply. It’s not my doing and decision. I didn’t decide it. The art critics said so, they who studied art all their life and read volumes of books. They say that they analyzed it and it has this and that meaning, non other. That an artist is a reflection of society.

- Do you consider yourself a reflection?

-No, I don’t. Philosophers try to understand what is art and life. I only

insist that grace will not diminish in value.

… and I caught myself on a thought that I wanted to know how the story with the scriptwriter waitress ended. If the painting is still in the artist’s holdings I would like to see it to know why she wanted it so badly. And I asked…From 48 hours of the Interview with Paul Jaisini in his New York studio

geo-room-animated-gif-homage-series-paul-jaisini-mind-voyager-futuristic by yustas k. gottlieb

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frpgstory by Art About

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WET DREAM, Oil painting by Jaisini

Wet Dream, an oil painting by Jaisini, in terms of exploration of own sexuality, dreams, or nightmares, belongs to a human traditional need for personal revelations. The imagery of the work is of a usually Jaisinesque theme that is not to be a statement or an illusion, but which summons the emotions.

In Wet Dream, the feelings of morning euphoria and desire create a new formula of early life’s passion. Jaisini delivers a high sensory level through the graduate, almost hypnotic step by step desire awakening.

The work precedes the Reincarnation series. As in all of his paintings, Jaisini pursues a metamorphosis of the physical and mental states. In his works, the concept and the material are enclosed and inserted within each other. The essential visual vehicle is in a line, that emphatically has a life of its own and could be perceived as an automatic release. The enclosure of the line is not only graphical, but also symbolic of the connection between the picture’s elements which await their disclosure.

In the years of cubism, Andre Masson created his series of erotic drawings. In his works, Masson portrayed pure erotica with total absorption in the act, orgiastic, uncomplicated, and a little banal. The lack of diversity in such a subject matter as eroticism resulted in the Masson’s scenes of pairs, trios, or even dozens of naked women interacting in a sexual way with one another. Masson filled these scenes with a Rubensian appreciation of the flesh and its pleasures, the very quality which impoverishes the otherwise fruitful area of human psyche.

Jaisini, on the contrary, uses the sensual overtones to enrich and explore the mysterious realm of mind potential. So, instead of creating automatically, similarly, and limited, Jaisini employs his mind to complicate and develop the subject of desire.

In Masson’s erotic series, the only sentiment is the libidinous desire. Jaisini reflects a different time and epoch that is not satisfied with the simple approach. Jaisini combines together the physical with psychological, which becomes nearly a game.

The expressionistic line swirls flow in the open canvas ground and embrace the canvas in expansive loops. The work is airy.

The artist’s thought transfers line into an image of a contraposto torso with a liplike part on the neck cut. Another female images express their physical and emotional concerns. The bottom lean figure indicates the young age of this female. In turn, that may explain the desperate pose for the erotic fulfillment. The third blond woman at the upper right corner appears to be more sexually mature. She holds a big breast that belongs to another female with a face that has only big red lips and flowing down hair lines. Here, we find a profile of a man who seems to sniff the aroma of the female bodies not without pleasure. In the center, there is another gasping profile. The curvilinear forms enhance the overall impression of a fluid movement, which so well corresponds to the erotic sensation. A phallic finger touches a soft pillow and charges erotic energy in all other phallic configurations in Wet Dream.

All images link in their conscious-unconscious, figurative-abstract condition.

The cycle of desire goes on endlessly and is at the core of human existence. In Wet Dream, Jaisini liberates the desire from the self. In this well born work of art the desire is taken for a model. The work demonstrates what we know of creation to be a combination of already existing things into newer forms. That being so, the desire of man must have been in an endless existence and will continue to dwell in bodies and in works of art to which Wet Dream is an example.

Yustas Kotz-Gottlieb

Review of “Wet Dream” by Paul Jaisini

sparkles, butterflies by gleitzeit NYC 2014

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DO NOT MISTAKE CAMOUFLAGE CONCEPT FOR PAUL JAISINI'S INVISIBLE PAINTINGS. THEY ARE DIVIDED BY TWO DIVERGENT CATEGORIES. CAMOUFLAGE -- VISIBLE, MATERIAL, PHYSICAL REALITY. INVISIBLE PAINTINGS -- UNREAL NON--MATERIAL REALITY.

- Interview with Paul Jaisini, "New Times" 1997

..."However, so many artists is not only trying to be innovative, influenced by Paul Jaisini's very provocative and confusing Invisible Paintings... interactive sculptures, Legend in the making, invisible artist Paul Jaisini. Remember his name

paintings are still pretty visible. Too many creators for over 20 years influenced by "Vision Impossible" of Paul Jaisini. Here is one of the attempts to "redirect own vision".;) These sculptures are fun and offer more of a project for Tombstone for the Paul Jaisini grave, than admiration for Paul's genius. To be continued..."?

Abraham Lincoln said it first. Screw it... here is the Paul Jaisini's version - "The future will always predict us unless we will invent new humans". - P.Jaisini, from interview 1997

Warned-out vision can be replaced" - P.Jaisisni. interviewed by E.ipolito. New York Times 1996

Gleitzeit Manifesto 1994

ART WOULD ENTER THE HOURS OF WORK AND AFFECT THE MIND OF A WORKER

GLEITZEIT ART ACTION TAKES PLACE

GLEITZEIT MANIFESTO 2015

PAUL JAISINI INVISIBLE PAINTING SINCE 1994

Paul Jaisini is a legendary artist in the making and will be super famous one day, a household name, which he deserves for his mind-imploding talent, extraordinary vision of the future, genius concepts and innovative approach to art as well as the world and human race that's far ahead of our times...heck, I fear it might be too next level for our times.

Paul Jaisini creates invisible paintings. You gotta not see it to believe it!

Still not getting the message? Yeah, didn't think so... This will take a while to sink in, if evercontemporary craftsman aka ARTISTS don’t know how to do fine art, but “super-intellectuals” and “moneybags” do know how to do the virgin brains. i call it art of witchcraft. PAUL JAISINI

Who made up the rules

We follow them like fools

Who are they, where are they

How can they possibly know all this

Kneel down before the great and powerful Black Cat God, almighty ruler of the cat universe and plotting to take over ours! Pray that your pathetic soul shall be spared from his vicious wrath! You might just be way too lame and miserable for his taste and get lucky!

"If I may put forward a slice of personal philosophy, I feel that man has ruled this world as a stumbling demented child-king long

enough! And as his empire crumbles, my precious [Black

Cat God] shall rise as his most fitting successor!"

Cat caught in blue fire, ice fire. Where are those damn firefighters???

Hypno cat wants your soul! Muahahaaa

You can click each one to enlarge for better detail.

Animated coolness wink emoticon

This quite a moving, powerful piece when you see the original in better detail.

You can enlarge each of these creations by clicking them. The links I post here are ALWAYS 100% SAFE and only cost a second of your time to open grin emoticon

Only the best for our fans! You rock! heart emoticon

Crazy in love with this stunning animated art work by GIG!!! heart emoticon

Stunning art work by one of the main contributors to GIG (Gleitzeit International Group) - a young female artist who wishes to remain anonymous for now. I'm a huuuuuuge fan of her sublime art!

Everything is better with hearts and sparkles! kiki emoticon

Fine Art by GIG (Gleitzeit International Group)

This is an artwork by a young female artist from NYC who is part of GIG (Gleitzeit International Group) and allegedly is about a horrible incident in her life that traumatized her. She was sexually harassed by a photographer after modeling her painted body for another artist who hired that photographer. It's a sad fact that in the modeling industry, photographers get away with such abominable, inhuman acts all the time because the model victims are often too ashamed to come forward or too scared of the consequences.

One of GIG's trademarks, the bad/evil/villain kitty! Whenever you see his face, you know it's us.

Want a taste? tongue emoticon Delicious fine art with confetti animation by GIG (Gleitzeit International Group)

If this is indeed the man himself, Paul Jaisini... WOOF!!

Sorry for any re-posts. I can't remember half the things I post here and don't have the time or internet speed for all that scrolling.

FYI - Paul Jaisini is one of the greatest internet "mindfucks" since the dawn of the internet itself practically. All these years gone by and no one can still figure him/it out to this very day. And the deeper you dig, the more bizarre it gets I tell ya. Sometimes I wish I never became entangled in this cyber adventure mystery, yet other times I shudder at how much duller my life would be!!!

Trippy kitties! GIG makes some of the funkiest creations I've ever seen!

There's a special place in my mind where kitties from outer space or an outer dimension start having these crazy-ass color seizures. I'm like mad metal, man. sunglasses emoticon

A photo from my vacation at a beach resort on Mars. Best time ever!! sunglasses emoticon

The invisible artist Paul Jaisini swallowed some police lights to make all the druggies & dealers in his path scamper off when he walks down the street. Only way to walk the streets over here baby!

Wicked kitties don't you play your wicked games with me!

Upon seeing this stunning artwork, it struck me... where does the expression "feeling blue" come from? Why that particular color and not, say, "feeling black" to express a sad state, which I think sounds more apt, black being the color of darkness... So I hit up my best bud Google for the answer! Ain't learning fun? Looky what I found:

The noun blues, meaning "low spirits," was first recorded in 1741 and may come from blue devil, a 17th-century term for a baleful demon, or from the adjective blue meaning "sad," a usage first recorded in Chaucer's Complaint of Mars (c. 1385). The idiom may have been reinforced by the notion that anxiety produces a livid skin color.

uber by neoproantipost

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No Comments Artwork by Stelly'15 Homage to Paul Jaisini, who paints Invisible Paintings since 1994 by David Wright

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tr4334 by Art About

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