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HOMAGE TO PAUL JAISINI INVISIBLE PAINTINGS FROM 1994” IS A NEW ART COLLECTION OF UNIQUE ARTWORKS FROM THE SUPREMELY GIFTED TOP YOUNG TALENTS IN THE CONTEMPORARY ART WORLD -- WIDE. THE SPECTACULAR NEW ARTWORKS, WRITINGS, ANIMATED GIF SERIES AND DOCUMENTARIES ARE INSPIRED BY THE STORY OF PAUL JAISINI, THE GENIUS PAINTER AND NEW YORK LEGEND, 20 YEARS AGO HE DESTROYED ALL OF HIS BEAUTIFUL ARTWORKS. EVER SINCE PAUL JAISINI PAINTS THE ENIGMATIC INVISIBLE PAINTINGS. THE ONGOING ART PROJECT UNDER META CATEGORY IS TITLED: “ART ABOUT ART
The Oriental mystics—and Harry knows this, though he is loath to share—these great thinking men of the Far East have been able to levitate their consciousness to levels somewhat beyond the miserable two percent. No, they are not conscious of all that is. Surely, you would have to be God Himself to attain that sort of perception. The art of visualization has come late to Western Civilization. If any of you nibbled at the expensive and tres chic 1970’s lessons taught by Werner Erhard’s EST, by Lifestream or PSI, you will recognize that, none-the-less, some droplets of enlightenment have begun to leak in through the walls of Western resolve. Perhaps you received a mantrum from the Maharishi, perhaps learned to meditate from a loose-lipped Jesuit or a kid from Philly who lost himself for a decade in Tibet. And, perhaps not. I’ve been re-re-re-reading the “complete” short stories of Flannery O’Conner. Flannery, like Stephen King, is very generous in talking about the writing process (I would refer you to the introduction to his short story collection titled “Night Shift”) There is a zone of receptivity, an area of awakening, a place where writers and artists are when they create. It is the area of the completely possible, a sort-of place where chaos takes definition and unknown things come into the light. The great Flannery is quoted as describing her process as one of discovery.
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MANIFESTO GLEITZEIT 2014
"Hey, Jaisini! It meant to be like your invisible paintings. If you can see beyond the black square (canvas), keep it." Kazimir's cat
OPEN YOUR EYE!
Paul Jaisini destroyed all art.
Paul Jaisini He Paints Invisible Paintings Since 1994
20 years ago Paul Jaisini destroyed all of his critically acclaimed art.
VISION REDIRECTED
Paul Jaisini. HE PAINTS INVISIBLE PAINTINGS
IN THE KINGDOM OF BLIND THE ONE--EYED IS THE KING.
PAINTING OIL WAS HIS LIFE'S JOY. PERHAPS INVISIBLEPAINTINGS ARE MUCH MORE.
Wipe Out Rainbow!
YOU WILL LIKE WHAT I SEE.
MESSAGE SENT MESSAGE RECEIVED.
VISION BEYOND VISIBLE.
HOMAGE TO PAUL JAISINI.
INVISIBLE? ARE YOU BLIND OR EVEN DAEP? WHAT A TRAGEDY.
DONT NEED EYES SEE PAUL JAISINI'S INVISIBLE PAINTINGS.
I'M FAKIN TRIPPIN IT'S BREATHLESS!
Paul Jaisini is an artist and an occasional photographer. His invisible paintings are spectacularly ahead of our time.
Paul Jaisini It's Time Get Down To Earth.
"I WAS POSSESED BY THE VERY THOUGHT START PAINT THE NEW INVISIBLE PAINTINGS I HAVE NO REGRETS OF WHAT I DID CUZ I DON'T EVEN REMEMBER... MY NEW INVISIBLE MUSE. PAUL JAISINI"
Paul Jaisini The Man Who Can See Future.
"Don’t be mad at me… I just finished my beautiful invisible painting .I ‘m so dirty /paint all over/ . If u can c it let me know what can u c in it?" Paul Jaisini
"SOMEONE LOOKING AT -- SOMEONE SEEING THAT." Paul Jaisini
You asked me: PHOTOGRAPHY is to catch a moment. One photographer was asked how do you manage to do such photos, to which he replied, if you would walk around the world several times by foot and shoot thousands of rolls, you wouldn't ask, how I got few good shots. To catch a moment before digital era, with no softwares, people were risking lives. Now to realize any idea on photo paper enough to do several layers of elemets by software. Add them to the base image. But genius film photographers in my opinion are the people who using lenz through their mindwork created paintings. These are few you can count on your fingers. Contemporary photography IMHO is nothing but technical explorers, not artists. They don't own camera, camera owns them. Paul Jaisini.
THE UNBELIEVABLE LIFE AND ADVENTURES OF PAUL JAISINI
FUTURE FOLLOWS PAUL JAISINI
Worn Out Vision Replaced.
To The Extraordinary Enigmatic Man Mr. Paul Jaisini.
The Man Who Can See Future
Art gif series homage to Paul Jaisini 25th years anniversary. Paul Jaisini destroyed his artworks to paint invisible paintings in 1994
paul-jaisini-gleitzeit:
Interior requires an emotional consensus of the area. A man can not be satisfied by perception of usefulness of what surrounds him, as in his existence feelings are no less important than common sense. And notwithstanding the complex approach of the interior arrangement, this question, especially in the aspect of emotional effect of color, is not investigated enough. In Gleitzeit art space has borderlinear curves together with color development in connection of compositional idea, uniting all the principles in unison and embodying so as logic also the sensuous essence. Scientifically was proven necessity of constant flow of information, including color. Otherwise color hunger can develop. Sometimes achromatic color is reasonable and necessary. As it is the idea background for viewing paintings, carpets, tapestries in museums, art galleries or art studious. When in residential interior color over saturation created nausea and decreased sensibility and color fatigue. It’s important not to forget that human adaptation to nerve stress typical to contemporary life condition is not easy process often concurrent with negative outcome. Therefore the interior of art gallery of art studio has a new meaning in the interior make-up. Even to art studio type of color harmony people can have different responses. Color activity in Gleitzeit works is achieved not only by color loads but by color ratio with rules of limitation. Paul Jaisini achieves with color high level of emotional urgency without violation of color measure. The justification of color in his work is dedicated by the idea and demands of each composition. In painting for instance, yellow color is almost adversary to artistic harmony and I found in Gleitzeit many examples of complete new role of this color, that can be not adversary to harmony but its integral highlight. P. Jaisini reaches color activity within skillful proportioning of limited amount of color used. Here I want to point our that P. Jaisini’s color is pure and sound as he never mixes colors until the mud condition. He uses color open spectrum in the pallet but never mixes more than two colors to solemnize purity of color as an important artistic objective.
20 Years Ago Paul Jaisini Destroyed All Of His Artworks Turning Over The Last Page Of The Art History. Painting Oil Was His Life's Prime Joy. Perhaps Invisible Paintings Are Much More.
Spark bring fire
Jaisini Gleitzeit Supermodernity Manifesto (Short version) Jaisini Gleitzeit Circa 1994
Gleitzeit style based on depiction of visual flexibility with theoretical flexibility.
A painting which purpose is to achieve composition of enclosure.
Art based on the depiction of a circle evolution of understanding and seeing.
A kind of art which draws upon imagery and seeks to reveal and abstract idea of the connection within.
It's flexible because it has multiple principles.
Paintings with a capacity to change visually by the artistic magic changing your subconscious mind.
It is a session of Hypnosis that controls you by a disorganized absolute harmony of everything expected from a "nonexistent" picture.
It depends upon the pattern of line as a primal creator of whatever associated or disassociated from the theme.
The artist's mind is the superior beginning of the line, but the line is free and emancipated.
Flexi is a new neo-pro-anti-post.
GIGroup International 2015 NEW YORK USA