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To Remake the World
After the World’s Remake
Early Period
W x H (“) 35 x 35; 35 x 35
Signed
Oil on Linen
Among several personages of “Dum Spiro Spero” there is an executioner.
In spirit of American “matter of factness” he is decapitating sphinx.
Another personage is a scientist shown as a moonwalker stepping on a head of a tied up man, the third personage who must signify incapacitated humanity.
While the blindfolded scientist carries a light lantern dark powers unfold apocalypse.
Blindfolding used to be a symbol of moral or spiritual blindness in religious art. Still the light from the lantern offers faith symbolic.
The incorporated saying in Latin “While Live Hope” I like an anchor of life that enters through the veil.
Paul Jaisini concludes by this work one of his paradox, uniting two sides of the coin into one, giving another perspective to the theme of creation and destruction.
The artist embodied his work with saturated hyperreal color of unnatural purple heat.
In the second work that was conceived as a diptych or pair to “Dum Spiro Spero” Jaisini shows the notion of what will the world look like after the apocalypse.
The work is titled “After the World’s remake”.
Here the color is wintry cold.
It almost causes crystallized effect of a world beyond.
The world that is free of heat, free of human warmth and its living energy.
The metaphysical color-heat of the first work impacts the cold color effect of the second painting.
In ancient Egypt Sphinx (The Strangler) was a symbol of power and vigilance represented as lion with human head.
The decapitated sphinx in Dum Spiro Spero could be a significant sign of great cataclysm that is shown in the second work with incorporated aphorism: “When people will understand why the stars are shining sphinx will smile and life on earth would stop.”
Paul Jaisini draws viewer’s attention the paintings’ symbol systems and stylistic experimentation, hence the emphasis on the connection of ideas and the artist’s mandatory denotation system of line enclosure.
This continuous line composition builds a self-ruling decorative pattern.
The final composition is almost independent of the picture’s content being decorative.
The manifestation of the connected composition subdues all the elements to one law that is the circuit of interaction of idea with visual representation.
The two paintings are emotionally engaging, eye-catching, and memorable. Perhaps to serve the humanistic idea and assist the artist to create his enclosure that he always needs to accomplish.
#infinite #dreams #high #dmt #cosmos #lsd #trippy #d rugs #acid #trip #hippie #wonder #imagine #quest #moon
#STELLYRIESLING #DAVINCI #ARTSHOW #NEW #FOLLOW #FUTUREFOLLOWS #PERSPECTIVE #FANTASTIC #GALAXY
#art, #new, #art-news, #paul-jaisini, #pussy, #pussy-cat, #toy, #gif, #colorful, #style, #new-york, #neo-vision-club, #paul-jaisini, #contemporary-art, #homage-to-paul-jaisini, #artist, #inspiring, #creative, #design, #infographic,
The Enigmatic New York Artist. 20 Years Ago He Declared Invisible Era. He Started Painting Invisible Paintings. The Zone Of Unfamiliar And Unknown. Paul Jaisini Destroyed His 200 Paintings. Once He Was Blind But Now We All Are He Declined Offers Of Major Art Museums
1994 He Started New Invisible Vision In Art
This Is How It All Begins by Stelly 2014
The hardest thing of all to find a black cat in a dark room especially if there's no black cat
The corporate genius who is scanning for intel is taking each word from this opus and implements it in business uploading my brain on his hard drive just in case if it would come up with more interpretations of the Invisibility that in terms of Mempire is M --invisibility of course)
Don't you bother, there's plenty of ancient philosophers, and since 3-D printer can recreate anything from a picture, do yourself a favor, get the Aristotle's brain uploaded, nothing to it, the machine would calculate his DNA by one-liner, ok, maybe by the whole chapter of the philosopher's own writing, it is free to public since reading books is still what everyone learn in school.
M-emperor takes Safari in Africa with subscription to his monthly phone service of free 90,000,000,0000,00000 minutes. comes in a package, hologram projector is installed in the phone, same as m-ovie and m-usic maker and 3-d printer. Full experience of true life safari adventures without leaving your favorite arm-air-chair.
Any adventure if you think of it. Not just African jungle. Best selling adventures are Oscar night in Hollywood, and you are the winner of the best m -- ovie of the eternity, year (the unknown number) Such adventure requires 20 digestible coins for the 1st award. next might cost more or one would work for it (alarmed by the phone to collect the cash coins when they are released by the adventure's benefit wheel)
More fancy adventures include those known as best photo ops. In strangely old-fashioned way it remains to be a vacation to Cancun, shopping spree in New York, etc.
New is the full convenience of the experience and instant broadcast of m-adventures universe -- wide as far as to Andromeda galaxy, with the new trillion subscribers to me-tube's channels where m-usic is m-ovies are watched and discussed by the Andromedeans who spread the word to their near by black hole planets.
The corporate genius is trying desperately to phone me.
Don't bother, I don't use the phone. He needs me to answer his most important question. Here, just stop dialing the number since it was listed before yellow books ceased their existence.
The most important question of me-oney. Where me-emperor earns me-oney to pay for the phone-service, since m-empire there is very little of products that 3-d printer can't produce therefore no need for anything except the m-phone.
MONDAY FUN READ! THE drunken muse
The story "Drunken Muse" was audio recorded on a hidden voice recorder during the conversations about two decades ago. The story-teller didn't know or consent to the recording. The audio tapes on compact cassettes were never used. The records were partially damaged and lost. www.slideshare.net/PaulJaisini/drunken-muse
www.flickr.com/photos/eykg/24043037946/in/pool-14779806@N23/
AVATAR 3 INTERGALACTIC EARTH LIVE PLANET DATE 13430070620840 AD EARTH DEAD PRECONCLUSIVE DATES 9000 B.C UBER 4
Island Princess writes on 3/8/00 re: Marble Lady that she went out onto the net to see the paintings and couldn’t find them only found the reviews everywhere. “I am a writer and very often if I find a piece of art will build a poem around it…”
#comment #photocopy #marble lady #gleitzeit
I wish you would become more like your invisible art!
Yustas - go away! Yustas: This will be my first and only words directed to you I wish you would become more like your invisible art!
#comment #invisible art #invisible
The photo above is found at jaisini.artbabyart.net/.
Sometimes in first years of 2000 the website artbabyart asked for more content to upload the second page. First page with the essays was loaded around 1998-99.
The photos were added for presentation (tag #NewYorkcodepink) The way I know it is that Paul Jaisini is not the creator of the photos found at jaisini.artbabyart.net site. They signature JAISINI signifies he agreed to have some images on the website since the request for images was so massive. There’s no information on how these photos were created. On jaisini.artbabyart.net site they are called N-city photos and appear under a title “Who is Artist Paul Jaisini.” I know that placing visual images under such page name was on behalf of the webmasters erroneous assumption. Rick Santiago or whoever was in charge to upload content had seen what he thought was a signature of Paul Jaisini on the photos. That is how I understand why the photos are placed under a page titled “Who is Artist Paul Jaisini.” Fact is that the group of people together with Yustas Kotz-Gottlieb (Ellen Yustas K. Gottlieb) were involved with Gleitzeit outreach now and at that time. The name on the photos might signify that Paul Jaisini agreed with the images to appear on the Internet for presentation reason. I can’t say for sure that this is exactly what happened. As to how the webmaster of artbabyart site misplaced the photos is easy to assume that he/she wanted to make it easier for the visitors to navigate the site.
#outreach #newyorkcodepink #photo #nyc
something called The Theory of Invisible Art
Well, folks, what if there actually was something called The Theory of Invisible Art? What then? Whether you agree with it, or disagree…whether you like Yustas or hate her (we have some real haters here)… whether you understand it or you don’t… whether you choose to laugh at it or you don’t…what if there really was something called The Theory of Invisible Art? Okay, you don’t believe it, won’t believe it, your mind is closed on the subject. I can’t really believe that. If you’re not willing to set aside disbelief for even a moment to consider another point of view, you can’t be a serious writer. Come on now, assume for a moment that there just may be some serious thinking cast in this direction by a divergent group of fairly successful and prominent people in our society, including scientists, artists and sociologists. Now walk with me a little ways on this one…what if these thinking people were interested in the process of creating art, in how it went from chaos to beauty, from unformed to formed, from nothing to something, from invisible to visible? Can’t you see how such a thread deserves a bit more consideration than many of you have given it? I’m proud of the few of you who have been thoughtful enough to at least ponder possibilities and potential implications in terms of your own work. What, the scoffers say, might such a preposterous theory have to do with writers? Open your eyes, friend—just a few days ago, a writer posted complaining of writer’s block. And aren’t we always trying to evaluate good ideas, how to acquire them and turn them into novels, screenplays, short stories, essays? Well, along comes a theory that just might help some of you intellectualize the raw process…take another look. You don’t have to see a painting by Paul Jaisini to understand what Yustas is trying to tell you. Look for the sense, the meaning, the ideas that might help you to become a better writer and artist.
DONT NEED EYES SEE PAUL JAISINI'S INVISIBLE PAINTINGS I'M FAKIN TRIPPIN IT'S BREATHLESS Meta category: "Homage to Paul Jaisini" Art Series Collection. Gleitzeit International Group. The Ongoing art project: "ART ABOUR ART" Category: Artwork, Painting, Photograph, Photo-Manipulation, Drawing, Mixed Tecnique, Subcategory: Gif Tag: Manifesto, Image, Representational, Abstract, Gleitzeit Manifesto, Words, Color, Black And White, Face, Figure,
DONT NEED EYES SEE PAUL JAISINI'S INVISIBLE PAINTINGS
I'M FAKIN TRIPPIN IT'S BREATHLESS
On the right side of the picture there is one of the three heads. It seems that this is a severed head.
The two surgical scars run vertically over the face crossing the eyes, bloody and shut.
He opens his moth as if screaming the written words: "I am faking trippin."
The words in yellow color lined towards the second personage -- another HEAD COVERED by a CAPTURE or BONDAGE HOOD.
His mouth is OPEN WIDE showing bad teath.
The third personage is also a "severed" head on the left.
It appears to be tightly wrapped in a greenish cloth tightened with a string that goes over the eyes area.
The cloth cover is stained RED from the blood underneath.
The words written backwards spread from the head to the picture's center: "ITS BREATHLESS."
On the foreground it reads: "DONT NEED EYES SEE PAUL JAISINI'S INVISIBLE PAINTINGS"
Background is an art canvas painted in gray with green and rusty shades, spotted with red blood stains.
#longcomment #comment #invisible art #theory of invisibility #art
“Well, folks, what if there actually was something called The Theory of Invisible Art?”
— One among many questions asked as a result of reading essays about Paul Jaisini.
#comment #? #Invisibility #theory of invisibility #invisible
Ron, Neil Klaw & Yustas are the same person.
Another Conspirator Theory Booooooog Ron, Neil Klaw & Yustas are not the same person. Pay attention, Neil doesn’t even like me. He said we are members of a “cloyingly narcissistic mutual admiration schtick” or words to that effect, and that is stiff business, coming from such as he. Klaw
But the real problem is that the entire thing is an auto-fellating sack of shit as description or criticism… I don’t think I’ll be buying the print or the book… That being so,” the desire of man must have been in an endless existence and will continue to dwell in bodies and in works of art to which Wet Dream is an example.”
Okay Yustas, let’s get a few things straight. It is clear that you have issues, and you are attempting to drag this into a pointless gutter fight – as you have attempted to do with so many others. You are well known to operate for your own ends under several pseudonyms. Indeed, well over 12 months ago your writing and photographic practices were detailed at the club’s chronic journal . Indeed you do have questionable practices… I’m sure one or two celebs would be interested to see the manipulated images you have generated. But your calls for submission… That interested me! I have now discovered that you have spammed this request so often that Google identifies that you have pushed out the exact same post on more than 62000 occasions. Indeed in the club people have been extraordinarily tolerant of your practices…
#comment #gleitzeit
you have pushed out the same post on more than 62000 occasions.
From the previous post: “That interested me! I have now discovered that you have spammed this request so often that Google identifies that you have pushed out the exact same post on more than 62000 occasions.”
1997- ongoing statistics on Paul Jaisini, Marble Lady, Narcissus, Manifesto, etc. gleitzeit “hits” - number of page views, posts on the Internet, Internet searches, comments, emails, readership accounts to a substantial number. Documenting Gleitzeit is not done to acquire the exact number of Internet hits if it’s ten million hits or a hundred million. In the course of posting here the samples of how the Gleitzeit art mission formed the ideas I do see various numbers when google search fetches results on the keywords. Somewhere I saw “page view” counts in other places there’s sitemeters with over two million hits or 20,000. Most of the sites with essays could be found online or already removed since the websites now are non-functional and some content is archived some content is gone. As high as the numbers could go is not the concern.
Very interesting even mystifying for me to understand the human reaction and its mechanics of how and why people react certain way as they did and continue to react. The reaction manifests same way now as it did years ago so long as the formula remains the same: the receiver/reader is presented with the verbal description in a form of essay about oil painting by Paul Jaisini and no image of the artwork.
#outreach #invisible #Invisibility #theory of invisibility #invisible art
“I may not be able to tell you what good invisible art is, but I know it when I see it.”
#comment #invisible #invisible art
Schmoostis: get some help Do you really have nothing better to do than stir up problems on a board where no one wants you? Haven’t you figured it out yet? Don’t you see you are pushing your idiotic writing and pseudo-philosophy on people who couldn’t care less? Please—do yourself a favor and go somewhere else. We don’t care about your stupid art interest, your crappy writing or your need to puff up your own ego by sucking attention by stirring up decent people. You add nothing here, do you understand that? Your obnoxiousness has made you hated, don’t you see that? Please, before you are dragged out of your flee-bitten apartment by the scruff of your neck to the local mental institution, get some strong psychotropic medication! Leave these good people alone—find your attention someplace else. You don’t want to end up as just another bum muttering to himself in the New York gutter—you know—like Steve Martin in “The Jerk”— sitting in a bathtub mambling to yourself: “I used to be a well-known art critic and novelist and now I’m a basket case in the gutter.” Reach out and get some help before it’s too late.
#comment #invisible art #art #theory of invisibility
Catherine writes in regards to M/C Reviews Bio: Yustas has sent me some biographical info for M/C Reviews, which I’ve condensed to form the following: “Yustas Kotz-Gottlieb begun studying the piano at the age of 6, but when stage-fright prevented a career in music, she decided to concentrate on art. After a spell in Europe, where she was trained academically in painting, she found her true calling as a writer and art critic. Yustas is now working on a book about Paul Jaisini, the inventor of Gleitzeit art.”
#comment #photocopy #yustas kotz-gottlieb
I think the heart of what you are describing is the creative process, the act of carving, sculpting, bringing to life, something out of nothing. Gary/Harry was at his best when he made the comment about which side is up. But he became thin skinned when he thought I was laughing at (rather than with) him. Such a theory as you are involved with is easily misunderstood, and I think you are perhaps often misunderstood as well because you have no patience with fools. But if you take everything I said, in the context I said it, my musings in this area go some way to explain or at least to question just how man creates. I think you might do a screenplay about your experiences. It could be funny. Maybe you are right, maybe a book on art is the way to go. Or maybe, you could do an autobiographical book on your experiences. After all, in a sense, the poster is invisible. You are describing the experiences of an essentially invisible person in the electronic age. Have you noticed how differently people respond to you when you mail than when you talk? When people reply in writing, they tend to be boastful, arrogant, cruel, flaming… take Harry/Gary for instance. As a responder, he is often openly mean, snobbish and cruel. You saw him in real time, he is timid, uncertain and repressed.
#comment #invisible #invisible art
Ken writes regarding Manifesto Gleitzeit 3/21/00: You have the wrong number. There’s no one here with that neo pro anti (or whatever) anything. Copyright 2001 A Spacy Odyssey, (long version)
#comment #photocopy #gleitzeit
Ice writes on 3/3/00 the he enjoyed the Paul Jaisini Manifesto thing.
James writes re: Narcissus 3/3/00 Fortunately, the story is just that… a myth.
OPEN LETTER TO PAUL JAISINI
IF THERE’S GOD OR PAUL JAISINI
DEAR PAUL:
Please give us all hope for the new resurrection of the invisible and visible after the terror of the visual is overpowering and had removed all the essential human qualities.The visual had enslaved all human race into submission, we need the new INVISIBLE premises to be free of the visual terror to return to the DESIRE to possess to cherish. We had lost the desire with the possession of the images, of the unlimited choices. For example… I will SEE enough juice for my memory to keep me for craving it - my daily dose of the search — and the resources are vast - images of the imaginable future girlfriends I could had chosen but have no interest in… Another day of looking and processing. Same as the old girl who calls it: ALWAYS LOOKING AT AND ALWAYS JUDGING. I think I am now not a man — the visual terror had done me in. I turned into “the eyes”.
I can possess the images of so many young girls that in the end of the possession I forget my initial interest.
My voyage had one direction — I was looking for a treasure, but in the process I had forgotten all about the trip and reduced my purpose to the mere observation. I had even forgotten my normal routine and had changed personally. No longer do I want to hold the treasure. I am happy with the process. I don’t ever want to end it. And its something in my imaginable control. I can freely continue to consume the given information (the female images) as a collection of my new memory that stores these images to just process and not to choose.
That is why i value above all so that Paul Jaisini stops me from this if he could I need his help! nobody would help me, I continue with what is left for me to do as my testosterone is as low as the estrogens in the girls who never want to be with the man… Looking with no intention to possess. I assure you when the human kind was facing poverty and diseases it was better than the era of the realized paradise. We live in the paradise, yes, we had SEEN IT ALL! I had seen it all, every men had seen it all.. And no longer desired it at all!
The issue such as what I mention is not the MAINSTREAM of course! Not that anyone knows there’s an issue or that its serious. I don’t know maybe I am under the weather to make such claim of being unwell from the daily consumption of photographic info of choice, in my case as i wrote its the tons of pictures I will see on a daily basic, the girls and their instant environment, as someone had commented, the primitive realism. Nothing more or less. More technical means bring less content that is reduced to the bare surface.
If there’s God or Paul Jaisini — I don’t care, give me hope to escape because my freedom to see is killing me. The visual terror had turned me into a very submissive and quiet slave. I am the voyeur but without sexual pleasure that is gone. When in my previous lives I didn’t earn enough money to be the man I found ways of earning. When I was sick I found ways of getting well. Nothing however seem to motivate me now to find the remedy
Summer-diary-by-Stelly-Riesling-2010-homage-2-PaulJaisini-homage green-nature art fine fineart still life
PAUL JAISINI INVISIBLE PAINTING SINCE 1994
Paul Jaisini is a legendary artist in the making and will be super famous one day, a household name, which he deserves for his mind-imploding talent, extraordinary vision of the future, genius concepts and innovative approach to art as well as the world and human race that's far ahead of our times...heck, I fear it might be too next level for our times.
Paul Jaisini creates invisible paintings. You gotta not see it to believe it!
Art by Gleitzeit International Group © All Rights Reserved. Are you invisible? Get invisible....
WET DREAM, Oil painting by Jaisini
Wet Dream, an oil painting by Jaisini, in terms of exploration of own sexuality, dreams, or nightmares, belongs to a human traditional need for personal revelations. The imagery of the work is of a usually Jaisinesque theme that is not to be a statement or an illusion, but which summons the emotions.
In Wet Dream, the feelings of morning euphoria and desire create a new formula of early life’s passion. Jaisini delivers a high sensory level through the graduate, almost hypnotic step by step desire awakening.
The work precedes the Reincarnation series. As in all of his paintings, Jaisini pursues a metamorphosis of the physical and mental states. In his works, the concept and the material are enclosed and inserted within each other. The essential visual vehicle is in a line, that emphatically has a life of its own and could be perceived as an automatic release. The enclosure of the line is not only graphical, but also symbolic of the connection between the picture’s elements which await their disclosure.
In the years of cubism, Andre Masson created his series of erotic drawings. In his works, Masson portrayed pure erotica with total absorption in the act, orgiastic, uncomplicated, and a little banal. The lack of diversity in such a subject matter as eroticism resulted in the Masson’s scenes of pairs, trios, or even dozens of naked women interacting in a sexual way with one another. Masson filled these scenes with a Rubensian appreciation of the flesh and its pleasures, the very quality which impoverishes the otherwise fruitful area of human psyche.
Jaisini, on the contrary, uses the sensual overtones to enrich and explore the mysterious realm of mind potential. So, instead of creating automatically, similarly, and limited, Jaisini employs his mind to complicate and develop the subject of desire.
In Masson’s erotic series, the only sentiment is the libidinous desire. Jaisini reflects a different time and epoch that is not satisfied with the simple approach. Jaisini combines together the physical with psychological, which becomes nearly a game.
The expressionistic line swirls flow in the open canvas ground and embrace the canvas in expansive loops. The work is airy.
The artist’s thought transfers line into an image of a contraposto torso with a liplike part on the neck cut. Another female images express their physical and emotional concerns. The bottom lean figure indicates the young age of this female. In turn, that may explain the desperate pose for the erotic fulfillment. The third blond woman at the upper right corner appears to be more sexually mature. She holds a big breast that belongs to another female with a face that has only big red lips and flowing down hair lines. Here, we find a profile of a man who seems to sniff the aroma of the female bodies not without pleasure. In the center, there is another gasping profile. The curvilinear forms enhance the overall impression of a fluid movement, which so well corresponds to the erotic sensation. A phallic finger touches a soft pillow and charges erotic energy in all other phallic configurations in Wet Dream.
All images link in their conscious-unconscious, figurative-abstract condition.
The cycle of desire goes on endlessly and is at the core of human existence. In Wet Dream, Jaisini liberates the desire from the self. In this well born work of art the desire is taken for a model. The work demonstrates what we know of creation to be a combination of already existing things into newer forms. That being so, the desire of man must have been in an endless existence and will continue to dwell in bodies and in works of art to which Wet Dream is an example.
Yustas Kotz-Gottlieb
Review of “Wet Dream” by Paul Jaisini
MONDAY FUN READ! THE drunken muse
The story "Drunken Muse" was audio recorded on a hidden voice recorder during the conversations about two decades ago. The story-teller didn't know or consent to the recording. The audio tapes on compact cassettes were never used. The records were partially damaged and lost. www.slideshare.net/PaulJaisini/drunken-muse
the "adult content" Artwork: "Cyber Doll" Work By Stelly Riesling 2013 www.artlimited.net/image/en/514240