OPEN LETTER TO PAUL JAISINI

IF THERE’S GOD OR PAUL JAISINI

DEAR PAUL:

Please give us all hope for the new resurrection of the invisible and visible after the terror of the visual is overpowering and had removed all the essential human qualities.The visual had enslaved all human race into submission, we need the new INVISIBLE premises to be free of the visual terror to return to the DESIRE to possess to cherish. We had lost the desire with the possession of the images, of the unlimited choices. For example… I will SEE enough juice for my memory to keep me for craving it - my daily dose of the search — and the resources are vast - images of the imaginable future girlfriends I could had chosen but have no interest in… Another day of looking and processing. Same as the old girl who calls it: ALWAYS LOOKING AT AND ALWAYS JUDGING. I think I am now not a man — the visual terror had done me in. I turned into “the eyes”.

I can possess the images of so many young girls that in the end of the possession I forget my initial interest.

My voyage had one direction — I was looking for a treasure, but in the process I had forgotten all about the trip and reduced my purpose to the mere observation. I had even forgotten my normal routine and had changed personally. No longer do I want to hold the treasure. I am happy with the process. I don’t ever want to end it. And its something in my imaginable control. I can freely continue to consume the given information (the female images) as a collection of my new memory that stores these images to just process and not to choose.

That is why i value above all so that Paul Jaisini stops me from this if he could I need his help! nobody would help me, I continue with what is left for me to do as my testosterone is as low as the estrogens in the girls who never want to be with the man… Looking with no intention to possess. I assure you when the human kind was facing poverty and diseases it was better than the era of the realized paradise. We live in the paradise, yes, we had SEEN IT ALL! I had seen it all, every men had seen it all.. And no longer desired it at all!

The issue such as what I mention is not the MAINSTREAM of course! Not that anyone knows there’s an issue or that its serious. I don’t know maybe I am under the weather to make such claim of being unwell from the daily consumption of photographic info of choice, in my case as i wrote its the tons of pictures I will see on a daily basic, the girls and their instant environment, as someone had commented, the primitive realism. Nothing more or less. More technical means bring less content that is reduced to the bare surface.

If there’s God or Paul Jaisini — I don’t care, give me hope to escape because my freedom to see is killing me. The visual terror had turned me into a very submissive and quiet slave. I am the voyeur but without sexual pleasure that is gone. When in my previous lives I didn’t earn enough money to be the man I found ways of earning. When I was sick I found ways of getting well. Nothing however seem to motivate me now to find the remedy

The Enigmatic New York Artist. 20 Years Ago He Declared Invisible Era. He Started Painting Invisible Paintings. The Zone Of Unfamiliar And Unknown. Paul Jaisini Destroyed His 200 Paintings. Once He Was Blind But Now We All Are He Declined Offers Of Major Art Museums

1994 He Started New Invisible Vision In Art

This Is How It All Begins by Stelly 2014

The hardest thing of all to find a black cat in a dark room especially if there's no black cat

The corporate genius who is scanning for intel is taking each word from this opus and implements it in business uploading my brain on his hard drive just in case if it would come up with more interpretations of the Invisibility that in terms of Mempire is M --invisibility of course)

Don't you bother, there's plenty of ancient philosophers, and since 3-D printer can recreate anything from a picture, do yourself a favor, get the Aristotle's brain uploaded, nothing to it, the machine would calculate his DNA by one-liner, ok, maybe by the whole chapter of the philosopher's own writing, it is free to public since reading books is still what everyone learn in school.

M-emperor takes Safari in Africa with subscription to his monthly phone service of free 90,000,000,0000,00000 minutes. comes in a package, hologram projector is installed in the phone, same as m-ovie and m-usic maker and 3-d printer. Full experience of true life safari adventures without leaving your favorite arm-air-chair.

Any adventure if you think of it. Not just African jungle. Best selling adventures are Oscar night in Hollywood, and you are the winner of the best m -- ovie of the eternity, year (the unknown number) Such adventure requires 20 digestible coins for the 1st award. next might cost more or one would work for it (alarmed by the phone to collect the cash coins when they are released by the adventure's benefit wheel)

More fancy adventures include those known as best photo ops. In strangely old-fashioned way it remains to be a vacation to Cancun, shopping spree in New York, etc.

New is the full convenience of the experience and instant broadcast of m-adventures universe -- wide as far as to Andromeda galaxy, with the new trillion subscribers to me-tube's channels where m-usic is m-ovies are watched and discussed by the Andromedeans who spread the word to their near by black hole planets.

The corporate genius is trying desperately to phone me.

Don't bother, I don't use the phone. He needs me to answer his most important question. Here, just stop dialing the number since it was listed before yellow books ceased their existence.

The most important question of me-oney. Where me-emperor earns me-oney to pay for the phone-service, since m-empire there is very little of products that 3-d printer can't produce therefore no need for anything except the m-phone.

find-black-cat-homage-2-jaisini-pink-neon-gif

www.artlimited.net/28738/art/image-portrait-of-paul-jaisi...

Island Princess writes on 3/8/00 re: Marble Lady that she went out onto the net to see the paintings and couldn’t find them only found the reviews everywhere. “I am a writer and very often if I find a piece of art will build a poem around it…”

#comment #photocopy #marble lady #gleitzeit

I wish you would become more like your invisible art!

Yustas - go away! Yustas: This will be my first and only words directed to you I wish you would become more like your invisible art!

#comment #invisible art #invisible

The photo above is found at jaisini.artbabyart.net/.

Sometimes in first years of 2000 the website artbabyart asked for more content to upload the second page. First page with the essays was loaded around 1998-99.

The photos were added for presentation (tag #NewYorkcodepink) The way I know it is that Paul Jaisini is not the creator of the photos found at jaisini.artbabyart.net site. They signature JAISINI signifies he agreed to have some images on the website since the request for images was so massive. There’s no information on how these photos were created. On jaisini.artbabyart.net site they are called N-city photos and appear under a title “Who is Artist Paul Jaisini.” I know that placing visual images under such page name was on behalf of the webmasters erroneous assumption. Rick Santiago or whoever was in charge to upload content had seen what he thought was a signature of Paul Jaisini on the photos. That is how I understand why the photos are placed under a page titled “Who is Artist Paul Jaisini.” Fact is that the group of people together with Yustas Kotz-Gottlieb (Ellen Yustas K. Gottlieb) were involved with Gleitzeit outreach now and at that time. The name on the photos might signify that Paul Jaisini agreed with the images to appear on the Internet for presentation reason. I can’t say for sure that this is exactly what happened. As to how the webmaster of artbabyart site misplaced the photos is easy to assume that he/she wanted to make it easier for the visitors to navigate the site.

#outreach #newyorkcodepink #photo #nyc

something called The Theory of Invisible Art

Well, folks, what if there actually was something called The Theory of Invisible Art? What then? Whether you agree with it, or disagree…whether you like Yustas or hate her (we have some real haters here)… whether you understand it or you don’t… whether you choose to laugh at it or you don’t…what if there really was something called The Theory of Invisible Art? Okay, you don’t believe it, won’t believe it, your mind is closed on the subject. I can’t really believe that. If you’re not willing to set aside disbelief for even a moment to consider another point of view, you can’t be a serious writer. Come on now, assume for a moment that there just may be some serious thinking cast in this direction by a divergent group of fairly successful and prominent people in our society, including scientists, artists and sociologists. Now walk with me a little ways on this one…what if these thinking people were interested in the process of creating art, in how it went from chaos to beauty, from unformed to formed, from nothing to something, from invisible to visible? Can’t you see how such a thread deserves a bit more consideration than many of you have given it? I’m proud of the few of you who have been thoughtful enough to at least ponder possibilities and potential implications in terms of your own work. What, the scoffers say, might such a preposterous theory have to do with writers? Open your eyes, friend—just a few days ago, a writer posted complaining of writer’s block. And aren’t we always trying to evaluate good ideas, how to acquire them and turn them into novels, screenplays, short stories, essays? Well, along comes a theory that just might help some of you intellectualize the raw process…take another look. You don’t have to see a painting by Paul Jaisini to understand what Yustas is trying to tell you. Look for the sense, the meaning, the ideas that might help you to become a better writer and artist.

PAUL JAISINI INVISIBLE PAINTING SINCE 1994

Paul Jaisini is a legendary artist in the making and will be super famous one day, a household name, which he deserves for his mind-imploding talent, extraordinary vision of the future, genius concepts and innovative approach to art as well as the world and human race that's far ahead of our times...heck, I fear it might be too next level for our times.

Paul Jaisini creates invisible paintings. You gotta not see it to believe it!

Art by Gleitzeit International Group © All Rights Reserved. Are you invisible? Get invisible....

imgur.com/gallery/A1iYrsp

HomageTo-paulJaisini-by-Stelly'15

WET DREAM, Oil painting by Jaisini

Wet Dream, an oil painting by Jaisini, in terms of exploration of own sexuality, dreams, or nightmares, belongs to a human traditional need for personal revelations. The imagery of the work is of a usually Jaisinesque theme that is not to be a statement or an illusion, but which summons the emotions.

In Wet Dream, the feelings of morning euphoria and desire create a new formula of early life’s passion. Jaisini delivers a high sensory level through the graduate, almost hypnotic step by step desire awakening.

The work precedes the Reincarnation series. As in all of his paintings, Jaisini pursues a metamorphosis of the physical and mental states. In his works, the concept and the material are enclosed and inserted within each other. The essential visual vehicle is in a line, that emphatically has a life of its own and could be perceived as an automatic release. The enclosure of the line is not only graphical, but also symbolic of the connection between the picture’s elements which await their disclosure.

In the years of cubism, Andre Masson created his series of erotic drawings. In his works, Masson portrayed pure erotica with total absorption in the act, orgiastic, uncomplicated, and a little banal. The lack of diversity in such a subject matter as eroticism resulted in the Masson’s scenes of pairs, trios, or even dozens of naked women interacting in a sexual way with one another. Masson filled these scenes with a Rubensian appreciation of the flesh and its pleasures, the very quality which impoverishes the otherwise fruitful area of human psyche.

Jaisini, on the contrary, uses the sensual overtones to enrich and explore the mysterious realm of mind potential. So, instead of creating automatically, similarly, and limited, Jaisini employs his mind to complicate and develop the subject of desire.

In Masson’s erotic series, the only sentiment is the libidinous desire. Jaisini reflects a different time and epoch that is not satisfied with the simple approach. Jaisini combines together the physical with psychological, which becomes nearly a game.

The expressionistic line swirls flow in the open canvas ground and embrace the canvas in expansive loops. The work is airy.

The artist’s thought transfers line into an image of a contraposto torso with a liplike part on the neck cut. Another female images express their physical and emotional concerns. The bottom lean figure indicates the young age of this female. In turn, that may explain the desperate pose for the erotic fulfillment. The third blond woman at the upper right corner appears to be more sexually mature. She holds a big breast that belongs to another female with a face that has only big red lips and flowing down hair lines. Here, we find a profile of a man who seems to sniff the aroma of the female bodies not without pleasure. In the center, there is another gasping profile. The curvilinear forms enhance the overall impression of a fluid movement, which so well corresponds to the erotic sensation. A phallic finger touches a soft pillow and charges erotic energy in all other phallic configurations in Wet Dream.

All images link in their conscious-unconscious, figurative-abstract condition.

The cycle of desire goes on endlessly and is at the core of human existence. In Wet Dream, Jaisini liberates the desire from the self. In this well born work of art the desire is taken for a model. The work demonstrates what we know of creation to be a combination of already existing things into newer forms. That being so, the desire of man must have been in an endless existence and will continue to dwell in bodies and in works of art to which Wet Dream is an example.

Yustas Kotz-Gottlieb

Review of “Wet Dream” by Paul Jaisini

imgur.com/gallery/sBjJNgE

muse-gif-artwork-neon-effect-paul-jaisini

www.artlimited.net/image/en/518222 Below is a comment written by Yustas Kotz-Gottlieb that was copied to be a part of someone’s writings during the exchange about Gleitzeit Art by Paul Jaisini

Let’s say that art is better then weapons and if artists were allowed to create maybe even Hitler wouldn’t be the maniac and just exhibit his works. But when artists are ostracized it could get ugly. Possibly that is why there is a postmodern art that is an open statement of how much artists started to hate society

I like commercial art if it’s good. Some commercials on television are more creative then Broadway shows for tourists that denounce theatre.

I know a New York writer who has to work as a laborer moving furniture to earn a living writing for newspapers.

Social change would also contribute to what is considered valuable in art thus what is paid for with a lot of money would turn into classic art.

Postindustrial society Is not going to be changed into paradise any time soon due to the mentality of the people.

I have many of my personal conclusions and thoughts in a novel that at the same time could be deemed commercial having murder, sex and futurism.

The art book about Paul Jaisini is art for art’s sake therefore I have to publish it probably not as a writer but as a publishing house so it seems.

thank you for your contribution to the dialogue.

the "adult content" Artwork: "Cyber Doll" Work By Stelly Riesling 2013 www.artlimited.net/image/en/514240

MANIFESTO GLEITZEIT 2014

"Hey, Jaisini! It meant to be like your invisible paintings. If you can see beyond the black square (canvas), keep it." Kazimir's cat

OPEN YOUR EYE!

Paul Jaisini destroyed all art.

Paul Jaisini He Paints Invisible Paintings Since 1994

20 years ago Paul Jaisini destroyed all of his critically acclaimed art.

VISION REDIRECTED

Paul Jaisini. HE PAINTS INVISIBLE PAINTINGS

IN THE KINGDOM OF BLIND THE ONE--EYED IS THE KING.

PAINTING OIL WAS HIS LIFE'S JOY. PERHAPS INVISIBLEPAINTINGS ARE MUCH MORE.

Wipe Out Rainbow!

“Paul Jaisini The Man Who Can See Future by GIG Berlin 2014”

“Much of the art I create is for a special, important cause— a new movement in art called Gleitzeit that I believe is the answer to all our prayers. I believe in it like in a whole new and improved religion; a radical concept for the future that is not discussed in depth because the followers have decided to keep it on the DL for now, waiting patiently for the right moment to strike and move in full force. right now it is a spark waiting to ignite the gas that has been seeping into the cyber air slowly but surely. I promise it‘ll be something spectacular and so worth the wait! Stelly Riesling”

Stelly Riesling: there's a subtle anti-consumerism statement in this work,

which is perfect for the holiday shopping craze, so i might as well mention it

here. much of what we own is made of plastic that is consumed ravenously,

thanks to super cheap labor overseas, so all the digital gadgets are as

accessible to the poor as the rich, and both are deceiving themselves in

believing their lives have more significance carrying these "mini super

computers" and being "connected" at all times to the rest of the world; giving

them a false sense of security; filling a massive void of loneliness in their

lives and hearts through an unrelenting need to be engaged in constant

activity to help escape the horror of reality, i.e. socializing... ironic

isn't it. So why are girls allowed to get away with bikinis vs lingerie...

i've seen plenty bikinis expose waaaaay more femininity than underwear and

bras, and i've seen girls strike poses more scandalous than cute yoga

stretches in their bikinis. it's the come-hither look that makes this "adult

content" - otherwise she's just a girl showing off her flexibility with the

whimsical idea that she hasn't grown out of her infancy when she did the same

exact thing shown here. why must artists ALWAYS take the heat for others'

dirty minds... by constantly discussing things that bother them in a highly

subjective manner, they're part of the problem in making everything wrong and

taboo by blowing things out of proportion, actively searching for black cats

in dark rooms where they don't exist and actually finding them.i simply had to

address an issue that has become a thorn in my side because so many people

can't or won't look beyond the 2-dimensional plane to which they're so

accustomed in society and media. i wish they would at least try to have a

semi-intelligent discussion with me instead of outright attack me or my work.

DO NOT MISTAKE CAMOUFLAGE CONCEPT FOR PAUL JAISINI'S INVISIBLE PAINTINGS. THEY ARE DIVIDED BY TWO DIVERGENT CATEGORIES. CAMOUFLAGE -- VISIBLE, MATERIAL, PHYSICAL REALITY. INVISIBLE PAINTINGS -- UNREAL NON--MATERIAL REALITY.

- Interview with Paul Jaisini, "New Times" 1997

..."However, so many artists is not only trying to be innovative, influenced by Paul Jaisini's very provocative and confusing Invisible Paintings... interactive sculptures, Legend in the making, invisible artist Paul Jaisini. Remember his name

paintings are still pretty visible. Too many creators for over 20 years influenced by "Vision Impossible" of Paul Jaisini. Here is one of the attempts to "redirect own vision".;) These sculptures are fun and offer more of a project for Tombstone for the Paul Jaisini grave, than admiration for Paul's genius. To be continued..."?

Abraham Lincoln said it first. Screw it... here is the Paul Jaisini's version - "The future will always predict us unless we will invent new humans". - P.Jaisini, from interview 1997

Warned-out vision can be replaced" - P.Jaisisni. interviewed by E.ipolito. New York Times 1996

Gleitzeit Manifesto 1994

ART WOULD ENTER THE HOURS OF WORK AND AFFECT THE MIND OF A WORKER

GLEITZEIT ART ACTION TAKES PLACE

GLEITZEIT INTER GROUP ALL RIGHTS RESERVED

GLEITZEIT MANIFESTO 2015

PAUL JAISINI INVISIBLE PAINTING SINCE 1994

PAUL JAISINI INVISIBLE PAINTING SINCE 1994

Paul Jaisini is a legendary artist in the making and will be super famous one day, a household name, which he deserves for his mind-imploding talent, extraordinary vision of the future, genius concepts and innovative approach to art as well as the world and human race that's far ahead of our times...heck, I fear it might be too next level for our times.

Paul Jaisini creates invisible paintings. You gotta not see it to believe it!

Art by Gleitzeit International Group © All Rights Reserved. Are you invisible? Get invisible....

Still not getting the message? Yeah, didn't think so... This will take a while to sink in, if evercontemporary craftsman aka ARTISTS don’t know how to do fine art, but “super-intellectuals” and “moneybags” do know how to do the virgin brains. i call it art of witchcraft. PAUL JAISINI

Who made up the rules

We follow them like fools

Who are they, where are they

How can they possibly know all this

Kneel down before the great and powerful Black Cat God, almighty ruler of the cat universe and plotting to take over ours! Pray that your pathetic soul shall be spared from his vicious wrath! You might just be way too lame and miserable for his taste and get lucky!

"If I may put forward a slice of personal philosophy, I feel that man has ruled this world as a stumbling demented child-king long

enough! And as his empire crumbles, my precious [Black

Cat God] shall rise as his most fitting successor!"

Cat caught in blue fire, ice fire. Where are those damn firefighters???

(The art and text featured on this page is by Gleitzeit International Group © All Rights Reserved.)

Hypno cat wants your soul! Muahahaaa

You can click each one to enlarge for better detail.

(The art and text featured on this page is by Gleitzeit International Group © All Rights Reserved.)

Animated coolness wink emoticon

Art by Gleitzeit International Group © All Rights Reserved.

This quite a moving, powerful piece when you see the original in better detail.

Art by Gleitzeit International Group © All Rights Reserved.

Every image and text on this page belongs to Gleitzeit International Group © All Rights Reserved.

You can enlarge each of these creations by clicking them. The links I post here are ALWAYS 100% SAFE and only cost a second of your time to open grin emoticon

(All images & text are by Gleitzeit International Group © All Rights Reserved.)

Only the best for our fans! You rock! heart emoticon

Art work by Gleitzeit International Group © All Rights Reserved

Crazy in love with this stunning animated art work by GIG!!! heart emoticon

Gleitzeit International Group © All Rights Reserved

Stunning art work by one of the main contributors to GIG (Gleitzeit International Group) - a young female artist who wishes to remain anonymous for now. I'm a huuuuuuge fan of her sublime art!

Everything is better with hearts and sparkles! kiki emoticon

Fine Art by GIG (Gleitzeit International Group)

This is an artwork by a young female artist from NYC who is part of GIG (Gleitzeit International Group) and allegedly is about a horrible incident in her life that traumatized her. She was sexually harassed by a photographer after modeling her painted body for another artist who hired that photographer. It's a sad fact that in the modeling industry, photographers get away with such abominable, inhuman acts all the time because the model victims are often too ashamed to come forward or too scared of the consequences.

One of GIG's trademarks, the bad/evil/villain kitty! Whenever you see his face, you know it's us.

Want a taste? tongue emoticon Delicious fine art with confetti animation by GIG (Gleitzeit International Group)

If this is indeed the man himself, Paul Jaisini... WOOF!!

Sorry for any re-posts. I can't remember half the things I post here and don't have the time or internet speed for all that scrolling.

FYI - Paul Jaisini is one of the greatest internet "mindfucks" since the dawn of the internet itself practically. All these years gone by and no one can still figure him/it out to this very day. And the deeper you dig, the more bizarre it gets I tell ya. Sometimes I wish I never became entangled in this cyber adventure mystery, yet other times I shudder at how much duller my life would be!!!

Trippy kitties! GIG makes some of the funkiest creations I've ever seen!

There's a special place in my mind where kitties from outer space or an outer dimension start having these crazy-ass color seizures. I'm like mad metal, man. sunglasses emoticon

(Art by Gleitzeit International Group © All Rights Reserved.)

A photo from my vacation at a beach resort on Mars. Best time ever!! sunglasses emoticon

(Art by Gleitzeit International Group © All Rights Reserved.)

The invisible artist Paul Jaisini swallowed some police lights to make all the druggies & dealers in his path scamper off when he walks down the street. Only way to walk the streets over here baby!

Wicked kitties don't you play your wicked games with me!

(Art by Gleitzeit International Group © All Rights Reserved.)

Upon seeing this stunning artwork, it struck me... where does the expression "feeling blue" come from? Why that particular color and not, say, "feeling black" to express a sad state, which I think sounds more apt, black being the color of darkness... So I hit up my best bud Google for the answer! Ain't learning fun? Looky what I found:

The noun blues, meaning "low spirits," was first recorded in 1741 and may come from blue devil, a 17th-century term for a baleful demon, or from the adjective blue meaning "sad," a usage first recorded in Chaucer's Complaint of Mars (c. 1385). The idiom may have been reinforced by the notion that anxiety produces a livid skin color.

(Art by Gleitzeit International Group © All Rights Reserved.)

MONDAY FUN READ! THE drunken muse

The story "Drunken Muse" was audio recorded on a hidden voice recorder during the conversations about two decades ago. The story-teller didn't know or consent to the recording. The audio tapes on compact cassettes were never used. The records were partially damaged and lost. www.slideshare.net/PaulJaisini/drunken-muse

WET DREAM, Oil painting by Jaisini

Wet Dream, an oil painting by Jaisini, in terms of exploration of own sexuality, dreams, or nightmares, belongs to a human traditional need for personal revelations. The imagery of the work is of a usually Jaisinesque theme that is not to be a statement or an illusion, but which summons the emotions.

In Wet Dream, the feelings of morning euphoria and desire create a new formula of early life’s passion. Jaisini delivers a high sensory level through the graduate, almost hypnotic step by step desire awakening.

The work precedes the Reincarnation series. As in all of his paintings, Jaisini pursues a metamorphosis of the physical and mental states. In his works, the concept and the material are enclosed and inserted within each other. The essential visual vehicle is in a line, that emphatically has a life of its own and could be perceived as an automatic release. The enclosure of the line is not only graphical, but also symbolic of the connection between the picture’s elements which await their disclosure.

In the years of cubism, Andre Masson created his series of erotic drawings. In his works, Masson portrayed pure erotica with total absorption in the act, orgiastic, uncomplicated, and a little banal. The lack of diversity in such a subject matter as eroticism resulted in the Masson’s scenes of pairs, trios, or even dozens of naked women interacting in a sexual way with one another. Masson filled these scenes with a Rubensian appreciation of the flesh and its pleasures, the very quality which impoverishes the otherwise fruitful area of human psyche.

Jaisini, on the contrary, uses the sensual overtones to enrich and explore the mysterious realm of mind potential. So, instead of creating automatically, similarly, and limited, Jaisini employs his mind to complicate and develop the subject of desire.

In Masson’s erotic series, the only sentiment is the libidinous desire. Jaisini reflects a different time and epoch that is not satisfied with the simple approach. Jaisini combines together the physical with psychological, which becomes nearly a game.

The expressionistic line swirls flow in the open canvas ground and embrace the canvas in expansive loops. The work is airy.

The artist’s thought transfers line into an image of a contraposto torso with a liplike part on the neck cut. Another female images express their physical and emotional concerns. The bottom lean figure indicates the young age of this female. In turn, that may explain the desperate pose for the erotic fulfillment. The third blond woman at the upper right corner appears to be more sexually mature. She holds a big breast that belongs to another female with a face that has only big red lips and flowing down hair lines. Here, we find a profile of a man who seems to sniff the aroma of the female bodies not without pleasure. In the center, there is another gasping profile. The curvilinear forms enhance the overall impression of a fluid movement, which so well corresponds to the erotic sensation. A phallic finger touches a soft pillow and charges erotic energy in all other phallic configurations in Wet Dream.

All images link in their conscious-unconscious, figurative-abstract condition.

The cycle of desire goes on endlessly and is at the core of human existence. In Wet Dream, Jaisini liberates the desire from the self. In this well born work of art the desire is taken for a model. The work demonstrates what we know of creation to be a combination of already existing things into newer forms. That being so, the desire of man must have been in an endless existence and will continue to dwell in bodies and in works of art to which Wet Dream is an example.

Yustas Kotz-Gottlieb

Review of “Wet Dream” by Paul Jaisini

WET DREAM, Oil painting by Jaisini

Wet Dream, an oil painting by Jaisini, in terms of exploration of own sexuality, dreams, or nightmares, belongs to a human traditional need for personal revelations. The imagery of the work is of a usually Jaisinesque theme that is not to be a statement or an illusion, but which summons the emotions.

In Wet Dream, the feelings of morning euphoria and desire create a new formula of early life’s passion. Jaisini delivers a high sensory level through the graduate, almost hypnotic step by step desire awakening.

The work precedes the Reincarnation series. As in all of his paintings, Jaisini pursues a metamorphosis of the physical and mental states. In his works, the concept and the material are enclosed and inserted within each other. The essential visual vehicle is in a line, that emphatically has a life of its own and could be perceived as an automatic release. The enclosure of the line is not only graphical, but also symbolic of the connection between the picture’s elements which await their disclosure.

In the years of cubism, Andre Masson created his series of erotic drawings. In his works, Masson portrayed pure erotica with total absorption in the act, orgiastic, uncomplicated, and a little banal. The lack of diversity in such a subject matter as eroticism resulted in the Masson’s scenes of pairs, trios, or even dozens of naked women interacting in a sexual way with one another. Masson filled these scenes with a Rubensian appreciation of the flesh and its pleasures, the very quality which impoverishes the otherwise fruitful area of human psyche.

Jaisini, on the contrary, uses the sensual overtones to enrich and explore the mysterious realm of mind potential. So, instead of creating automatically, similarly, and limited, Jaisini employs his mind to complicate and develop the subject of desire.

In Masson’s erotic series, the only sentiment is the libidinous desire. Jaisini reflects a different time and epoch that is not satisfied with the simple approach. Jaisini combines together the physical with psychological, which becomes nearly a game.

The expressionistic line swirls flow in the open canvas ground and embrace the canvas in expansive loops. The work is airy.

The artist’s thought transfers line into an image of a contraposto torso with a liplike part on the neck cut. Another female images express their physical and emotional concerns. The bottom lean figure indicates the young age of this female. In turn, that may explain the desperate pose for the erotic fulfillment. The third blond woman at the upper right corner appears to be more sexually mature. She holds a big breast that belongs to another female with a face that has only big red lips and flowing down hair lines. Here, we find a profile of a man who seems to sniff the aroma of the female bodies not without pleasure. In the center, there is another gasping profile. The curvilinear forms enhance the overall impression of a fluid movement, which so well corresponds to the erotic sensation. A phallic finger touches a soft pillow and charges erotic energy in all other phallic configurations in Wet Dream.

All images link in their conscious-unconscious, figurative-abstract condition.

The cycle of desire goes on endlessly and is at the core of human existence. In Wet Dream, Jaisini liberates the desire from the self. In this well born work of art the desire is taken for a model. The work demonstrates what we know of creation to be a combination of already existing things into newer forms. That being so, the desire of man must have been in an endless existence and will continue to dwell in bodies and in works of art to which Wet Dream is an example.

Yustas Kotz-Gottlieb

Review of “Wet Dream” by Paul Jaisini

Мистер Поль Жезини! Кота, которого вы так упорно ищите, здесь, увы, вы не найдете - Я лично проверял неоднократно. Однако ваша Инвизибл живопись не дает мне покоя вот уже 20 лет. К. Малевич

"Hey, Jaisini! It meant to be like your invisible paintings. If you can see beyond the black square (canvas), keep it." Kazimir's cat

1 OPEN YOUR EYE

Paul Jaisini destroyed all art.

Paul Jaisini He Paints Invisible Paintings Since 1994

20 years ago Paul Jaisini destroyed all of his critically acclaimed art.

2 VISION REDIRECTED

Paul Jaisini

HE PAINTS INVISIBLE PAINTINGS

IN THE KINGDOM OF BLIND THE ONE--EYED IS THE KING.

PAINTING OIL WAS HIS LIFE'S JOY. PERHAPS INVISIBLEPAINTINGS ARE MUCH MORE.

4 Wipe Out Rainbow

5 YOU WILL LIKE WHAT I SEE

6 MESSAGE SENT MESSAGE RECEIVED

7 PAUL JAISINI VISION BEYOND VISIBLE

HOMAGE TO PAUL JAISINI

INVISIBLE? ARE YOU BLIND OR EVEN DAEP? WHAT A TRAGEDY.

8 DONT NEED EYES SEE PAUL JAISINI'S INVISIBLE PAINTINGS

I'M FAKIN TRIPPIN IT'S BREATHLESS

Paul Jaisini is an artist and an occasional photographer. His invisible paintings are spectacularly ahead of our time.

9 Paul Jaisini It's Time Get Down To Earth.

10

I WAS POSSESED BY THE VERY THOUGHT START PAINT THE NEW INVISIBLE PAINTINGS I HAVE NO REGRETS OF WHAT I DID CUZ I DON'T EVEN REMEMBER... MY NEW INVISIBLE MUSE PAUL JAISINI

Paul Jaisini The Man Who Can See Future by GIG

Paul Jaisini is an artist and an occasional photographer. Paul Jaisini His invisible paintings are spectacularly ahead of our time.

11

Don’t be mad at me… I just finished my beautiful invisible painting .I ‘m so dirty /paint all over/ . If u can c it let me know what can u c in it?

12

SOMEONE LOOKING AT -- SOMEONE SEEING THAT

you asked me

September 7, 2010 at 5:35pm

PHOTOGRAPHY is to catch a moment. One photographer was asked how do you manage to do such photos, to which he replied, if you would walk around the world several times by foot and shoot thousands of rolls, you wouldn't ask, how I got few good shots. To catch a moment before digital era, with no softwares, people were risking lives. Now to realize any idea on photo paper enough to do several layers of elemets by software. Add them to the base image. But genius film photographers in my opinion are the people who using lenz through their mindwork created paintings. These are few you can count on your fingers. Contemporary photography IMHO is nothing but technical explorers, not artists. They don't own camera, camera owns them.

THE UNBELIEVABLE LIFE AND ADVENTURES OF PAUL JAISINI

FUTURE FOLLOWS

Worn Out Vision Replaced

To The Extraordinary Enigmatic Man Mr. Paul Jaisini.

Paul Jaisini The Man Who Can See Future

Paul Jaisini‘s Vision Future Redirected Since He Started To Paint Invisible Paintings In 1994.”

To The Extraordinary Enigmatic Man Mr. Paul Jaisini

Paul Jaisini is the Legendary New York Artist. When there's a topic on contemporary art and Gleitzeit Movement with the New Invisible Paintings by Paul Jaisini it brings in a lot of public attention.

The New York Based Gleitzeit International Group started its ground-breaking project in 2014.

PAUL JAISINI in THE ART WORKS OF GIGroup Titled Series "Homage to Paul Jaisini"

the most stunning images

after 20 years ofthe interaction on the topic of THE INVISIBLE PAINTINGS had been carried on mostly in the verbal form, We Are Currently Entering A New Phase To Learn How Visuals, Photos, Pictures, Computer Art is used instead of LANGUAGE.

The hardest thing of all is to find a black cat in a dark room, especially if there is no cat.” ?PAUL JAISINI Confucius

#ArtAndDesign

“HOMAGE TO PAUL JAISINI INVISIBLE PAINTINGS FROM 1994” IS A NEW ART COLLECTION OF UNIQUE ARTWORKS FROM THE SUPREMELY GIFTED YOUNG TALENTS. THE SPECTACULAR NEW ARTWORKS, WRITINGS, ANIMATED GIF SERIES AND DOCUMENTARIES ARE INSPIRED BY THE STORY OF PAUL JAISINI, THE GENIUS PAINTER AND NEW YORK LEGEND, 20 YEARS AGO HE DESTROYED ALL OF HIS BEAUTIFUL ARTWORKS. EVER SINCE PAUL JAISINI PAINTS THE ENIGMATIC INVISIBLE PAINTINGS. THE ONGOING ART PROJECT UNDER META CATEGORY IS TITLED: “ART ABOUT ART”

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