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An Artist and Two Rats – A tale for children
There lived an artist. He was funny-looking in appearance. His hands were often soiled with paints, and on the tip of his nose there was usually a black smudge from the chalk that he used to draw his sketches. The artist was very forgetful. He could forget to eat lunch. He could forget to go to sleep when it was dark and everyone else was asleep. He could forget a lot of things. In addition to his forgetfulness, he also had a strange quality: although we wasn’t deaf, sometimes he would be thinking so hard, he wouldn’t hear when he was spoken to. He might simply be thinking about a new picture and not answer a question. So people sometimes assumed that he was, in fact, deaf, and started to talk louder to him. And this was very funny.
The artist lived in a large studio with enormous windows right under the attic of a five-story building. Sometimes he walked up the stairs to the dark and mysterious attic. The attic lured him with its secret treasures.
A bottle of milk, fresh bread, some fruit, a few boiled eggs, and a piece of smoked meet—all very appetizing looking—were brought to his door daily. He almost never left his studio. In this habitat, an artist is almost like a crawfish: never getting out of its shell, filled with secretive plans and ideas.
The artist lived like this—like a hermit—for many years, because he was a man who dedicated himself to one obsession: he wanted to paint many pictures. He dreamed a lot about a time when he would come out from his studio with a thousand paintings and stun the entire world with his art. He didn’t even think about fun and pleasantries. He could think of nothing but his pictures. Outsiders thought he was a little odd, but people around him knew that he was very kind and funny. But they also knew that it was pointless to talk to him; even if they only asked how is he was doing, he might answer with an unrelated question like: “Does it look like it going to rain? Looks cloudy!” He was always concerned with the rain, because he knew that clouds would block the sun, and there would be no light in his studio. He would not be able to work on his pictures, because it is very important for an artist to have a lot of daylight to see the true color of paints. Artificial light changes colors; blue seems a bit green in the yellowish light, for instance.
Sometimes the artist felt very lonely. He had no friends, and sometimes he desperately wanted to chat with someone. As he occasionally could forget to eat his food, it sometimes remained on the table until the next day. But the next day the artist would notice that the bread, cheese, and eggs had been chewed on a little. He thought that he might not be as lonely as it seemed. After that, even if he ate all the food he would leave some crumbs on the table.
Barbie Q
Oil on Linen Plywood support Early Period W x H (“) 32 x 36 Early Period
The artist continues to find inspiration in subjects that appeal to human character such as the wedding and at the same time could disturb ideology of middle classes’ comfort by mocking its attachment to a cosmetized happiness in a painting called Barbie Q.
Wedding is a symbol for immediate personal gratification cultivated in any culture. Jaisini places on top of the painting’s composition where one would least expect it, naked spread up legs of full-bodied woman whose upper part is not visible cut by the painting’s edge. It seems quite inappropriate and provoking in a context of a wedding dinner party that takes place at the table below, covered with the white cloth. Showing the raw naked piece of body in explicit position the artist could have intended to criticize infantilism. In popular culture childishness is a voice of bourgeoisie. A voice of desire to live in a fairy tale without any growth of spirituality and the popular culture promises everything, a revolution of being childlike.
But the offer remains unrealized. In art Jaisini targets banality and shallow primitivism of escapists by embodied new angle to the everyday reality. Simple body pleasures manifest the real existence of the self. Each participant of Hot Dog Party and Barbie Q is only interested in his/her own enjoyment. All are tempted by the physical drives of lower mind.
They will never abandon the sense of world with ceaseless desire to enjoy thus they will never release the souls from the cycle of birth and death. A common man inherits his fear of death. The body that can enjoy the fruits is mortal while spirit never quits. In Hot Dog Party evil phantoms accompany all jubilates. In Barbie Q a similar role is endowed to the Bull who is an object of worship in primitive cultures/religions for its strength and fertilizing power. Not by an accident Jaisini substitutes the image of the Phantom for the explicit hint of his concept as the bull’s image could direct criticism of human characters in art in various ways.
ROBOCAT MEME
FUTURE FOLLOWS PAUL JAISINI GIF
(Today For $260,000, a 105-Inch Samsung TV Can Bend Before Your Eyes) The Reality Is Upon Us
ROBOT CAT MEME FUTURE FOLLOWS PAUL JAISINI GOOD
105-Inch Samsung TV Can Bend Before Your Eyes or THE REALITY UPON US
The art conundrum; the disconnect between society and art establishment
Celebrity art dealers artists and art collectors have become superstars of such caliber F. Scott Fitzgerald would’t imagine in a wildest "Great Gatsby" wet dream. The breathtaking fables of high-flying multi-million art deals inspire the sensational and entertaining articles to be written by the writers who could barely earn a living nowadays. How many people, however, actually become art lovers learning about the adventures of the glitzy art stars? None.
The art world is a lonely Narcissus that admires the own reflection. But desperately wants the public affection and attention unwilling to admit the need of new source for awe. Or how many art critics made a serious attempt to explain in written word the post post-modern art scene?
What about the artists… is next thought that comes to mind. Maybe this whole problem of art turning into a very sexy fast-money exchange business is due the bad quality artists?
Even the television tried to popularize art in the attempt to create a showwho wants to be the next American top model I mean artist. But the public only grow less interested, more so, the public wants to take over the art franchise after the so-called digital revolution. Masses of people who could never touch a camera for variety of reasons now turn to photography. For instance, 300 million photographs (old stats) are uploaded every minute to Facebook. The numbers have power of the sheer grandiosity. And yet the art world tries to keep its cool. And more so, continues to be disconnected. Which could be good or bad depending how one looks at it. Good in a sense of art preservation, not good for survival of the franchise. In most recent global social phenomenon there’s a new traits of human behavior that present a real threat to what is known as highly developed Western culture.
Manipulating reality
Everyone makes photos and in doing so everyone selects an image to a fit some desirable standard. This is done consciously. This manifests the beginning of a creative process and is not known to the imagemanipulator who wasn’t warned about it. It would be strange ifdigital camera was sold with a warning. right? Majority of people are now involved with photography and it seems to be a good thing, what kind of warning should be given for such innocent hobby… art is known to have healing effect, why would I assume the worse?
The latest version of the Western “Me” society is the loneliest know in human history.
Not just that. Being self-centered changes personality the further the more. I’d call it menacing loneliness, life for the purpose to create nothing but annoyance to the environment and nothing works better thinks the menacing loner than creating a false individual happy story in pictures.
The latest social development is such that people prefer visual images to direct communication using photos instead of language. Pictures speak in newly invented language to maintain one’s virtual self-centered presence with the help of the desired “realistic” images as evidence of one’s position of self-love and self — absorption.
When one becomes a creator of content (Generation C as in content, connected) soon enough the persona acquire such personality qualities as if of the real, trained educated and professional artist. This quality is to question the reality. This what the real artists used to do in their creative quests. Questioning reality is questioning society. People who lived under the society rules turn antisocial with contributing problem of narcissistic personality disorder. Interesting to notice that in the past those with the narcissistic personalities were the different group of people by age, social status or other classifications. Now this New trend of the ultimate self-absorption is helped with manipulated digital photography that in the deceptive ways could change the person’s capacity to see the reality. Now one can see the chosen and desirable reality, something one participates to create, to upkeep, to maintain for the purpose to follow and maybe (hypothetically) match the created image of self and the desirable lifestyle.
Art-portrait-animated-gif-series-2012-15-Paul-Jaisini-invisible-paintings-artist-analogue-photo-black&white
The Internet never forget – Fist invisible art documented on Internet
This art has moved from counterculture to collector culture, it has started
to become more consumable. Wall drawings by Sol LeWitt, a founding father of conceptualism, were once about reducing visual art to the raw ideas that
shape it. Watching LeWitt’s raw ideas become high-end collectibles may be
what has led some younger artists to seek a more ironclad evanescence. Tino
Sehgal, who was born in London in 1976 and is now based in Berlin, simply
makes strange things happen in the world, without any records or photos
permitted. A collector who “buys” a Sehgal—they now run around $100,000,
a pittance in Art Basel terms—doesn’t even get a certificate to prove it:
the transaction is conducted in cash, before witnesses, without paperwork
to soil its purity.That was good enough for collectors who “own” a Sehgal
that consists of a museum guard slowly removing every shred of his clothes.
(There being no guards in the Gensollens’ home, so far the piece has come
alive only when they’ve “lent” it to museums.) Her husband chimes in:
“When the work is immaterial, we’re just its temporary holders. Accumulating fancy goods is absurd. We buy works to talk about them, and to stretch people’s notions of what art is…But some people want the opposite: a reassuring object with a big name.”
Art Basel Aaron and Barbara Levine, veteran collectors from Washington,
D.C., were looking for rarefied work that was maybe more important than
the showstoppers. And, as it happens, barely even there.
Other artists title their whole art show not just a work – The Invisible
Show when the reviewer writes how a work is indeed “too visible” (hidden
sort of Christo like wrapping of objects.)
Hayward gallery in London received a lot of publicity and a lot of big
time “visibility” for the Invisible show in 2012.
Projects called invisible generation and info explains that the audience
does not necessarily expect to find artwork.
Attempts to write Brief History of Invisible art.
One artist is covering Europe in Invisible Graffiti (he gets more attention now
than the billion of others artists who are covering Europe in visible graffiti).
SOCIAL USE of the word invisible as it gained wide popularity: describing
social problems use word invisible in context: Older seems to equal invisible.
New terms in various uses Chronic Social Invisibility.
Architectural concept – infinity2Tower Infinity South Korea’s invisible
skyscraper (the idea gets public visibility and attention with comments
such as:
Very idea of it just SCREAMS “Flight Hazard”.
The South Korean government has granted approval to begin construction
on what will be the world’s first “invisible” tower. Called the Infinity
Tower, it will be equipped with an LED facade system and optical cameras to give it a reflective skine” and a striking translucent appearance.
A simple art project by an ordinary art student has been making quite a
stir worldwide, with images of her cleverly painted ‘invisible car‘ appearing in publications around the world.
(Must be quite entertaining, with such potential for “the hazard of driving and texting in the invisible car” comments)
Artists with inclinations to philosophy such as Yves Klein take photo of a
cabinet and title it: “Zone of Immaterial Pictorial sensibility” in Duchampian fashion of giving names to silly items and perform this “artistic transformation.” Still the picture is just a photo of an empty bookcase or whatever…
"What is it all about?"
People ask us about GIG, about Paul Jaisini, about invisible art--what are we or what is it--but we opted not to talk about it or ourselves ever since its inception three decades ago. We prefer that people do the proverbial legwork of finding out themselves because...people these days are smart enough and can figure things out for themselves without us needing to spell anything out or shoving any specific knowledge down your throats. It should be people's own decision to make whether they want to know about it or not. We just give a name or vague caption, that's it, and let others do the rest. There are many names of things I hear that I don't care to know about. Who am I to tell you what you should or should not know. You can decide that for yourself just fine. In our philosophy, art is about discovery, enigma, uncertainty, puzzles, mind games, WTFs...like unearthing bones and discovering new, unknown species, for instance. One could consider GIG to be an artistic form of archaeology, particularly the ideas behind it, the philosophy that drives it. There are bones a-plenty to be dug up in the GIG-verse...whether you want to get your hands dirty is all up to you. And that's what it's all about.
To Remake the World
After the World’s Remake
Early Period
W x H (“) 35 x 35; 35 x 35
Signed
Oil on Linen
Among several personages of “Dum Spiro Spero” there is an executioner.
In spirit of American “matter of factness” he is decapitating sphinx.
Another personage is a scientist shown as a moonwalker stepping on a head of a tied up man, the third personage who must signify incapacitated humanity.
While the blindfolded scientist carries a light lantern dark powers unfold apocalypse.
Blindfolding used to be a symbol of moral or spiritual blindness in religious art. Still the light from the lantern offers faith symbolic.
The incorporated saying in Latin “While Live Hope” I like an anchor of life that enters through the veil.
Paul Jaisini concludes by this work one of his paradox, uniting two sides of the coin into one, giving another perspective to the theme of creation and destruction.
The artist embodied his work with saturated hyperreal color of unnatural purple heat.
In the second work that was conceived as a diptych or pair to “Dum Spiro Spero” Jaisini shows the notion of what will the world look like after the apocalypse.
The work is titled “After the World’s remake”.
Here the color is wintry cold.
It almost causes crystallized effect of a world beyond.
The world that is free of heat, free of human warmth and its living energy.
The metaphysical color-heat of the first work impacts the cold color effect of the second painting.
In ancient Egypt Sphinx (The Strangler) was a symbol of power and vigilance represented as lion with human head.
The decapitated sphinx in Dum Spiro Spero could be a significant sign of great cataclysm that is shown in the second work with incorporated aphorism: “When people will understand why the stars are shining sphinx will smile and life on earth would stop.”
Paul Jaisini draws viewer’s attention the paintings’ symbol systems and stylistic experimentation, hence the emphasis on the connection of ideas and the artist’s mandatory denotation system of line enclosure.
This continuous line composition builds a self-ruling decorative pattern.
The final composition is almost independent of the picture’s content being decorative.
The manifestation of the connected composition subdues all the elements to one law that is the circuit of interaction of idea with visual representation.
The two paintings are emotionally engaging, eye-catching, and memorable. Perhaps to serve the humanistic idea and assist the artist to create his enclosure that he always needs to accomplish.
The time has come to start making sense of things, of the world, of each other. We think we’re doing that, but we’re actually doing the opposite. We are complicating…EVERYTHING…to the point of utter madness. Our world has become one ginormous madhouse, ESPECIALLY cyberspace — this alternate world we created within our world that seems to have created a world within itself — yet to be identified, recognized, and named. Making sense of things is not a bad thing. For example, let’s start with one major web enigma: Paul Jaisini and “Gleitzeit” which is this, uh, odd art movement the guy started in the 90s. If you simply google either of those names, I gaurantee you a good WTF moment or two. You’ll not just be scratching your head over this one. You’ll be scratching every part of your body like a delusional nutcase who thinks your skin is literally crawling with countless bugs. IT’S GONNA BUG THE HELL OUT OF YOU, let’s just say…maybe for a day or a week…or maybe, as for some folks, long after you’ve discovered it. You’ll be itching to understand what it’s about even just a little bit. Your mind will try to make sense of Paul Jaisini and/or Gleitzeit, it will want to, but will fail miserably. Frustration and anger will start setting in. I know because that’s how it was for me and every person that tried. The deeper you dig, the more you try to figure it out, the more confused, overwhelmed, baffled, and perplexed you’ll get. I guess for the people that attempt to understand the Paul Jaisini and Gleitzeit thing or debunk it, my advice is: DON’T EVEN TRY. DON’T GO THERE. IT’S NOT FOR YOU. The sleepless nights, the uncertainty, the questions and ideas that start invading your head, the horror of “waking up” from normality and regularity, the trauma of moving from one dimension to another… is not worth it. Well, for me it was worth it, but not for others. They claim it’s crazy and even dangerous for the mind, Paul Jaisini’s Gleitzeit. Well, sure, I mean you gotta break some eggs to make an omelette, dontchya?
MONDAY FUN READ! THE drunken muse
The story "Drunken Muse" was audio recorded on a hidden voice recorder during the conversations about two decades ago. The story-teller didn't know or consent to the recording. The audio tapes on compact cassettes were never used. The records were partially damaged and lost. www.slideshare.net/PaulJaisini/drunken-muse
MONDAY FUN READ! THE drunken muse
The story "Drunken Muse" was audio recorded on a hidden voice recorder during the conversations about two decades ago. The story-teller didn't know or consent to the recording. The audio tapes on compact cassettes were never used. The records were partially damaged and lost. www.slideshare.net/PaulJaisini/drunken-muse
CHAINS OF DEVOTION
Mozart and Jaisini
Brigitte Arlette
August 10, 2014
As I watch over you
parading once again an act
meant to inflate each of your words
i am left with no choice.
but to let the false praises
fly gently in the summer breeze
With the sting of the voodoo needle
I burst open the sorry balloons.
From the wrecks in the air
a healing storm of musical notes
releases, in my heart , Mozart
and Jaisini
from the chains of passion
and devotion..
and so I know that our song
shall be sung for all
and it will be heard by all.
Copyrighted Rahman,Brigitte Arlette-2000
Paul Jaisini - CHAINS OF DEVOTION
CHAINS OF DEVOTION - Mozart and Jaisini
on jaisini.silvrback.com
gleitzeitjaisini:
A quest into Paul Jaisini‘s and Mozart’s legacy.Both Mozart and Jaisini were born a child prodigy. Mozart was thrown in an unmarked grave, his soul wanders into Eternity. Jaisini destroyed his paintings, his soul is restless in his living body reincarnation of Mozart. The Drums is to me a major factor in understanding the eternal value of Mozart’s Jaisini Art. Jaisini sings the invisible song.
The hands of the day are nailed on my door
The full moon impaled on the fairy stick
the magic potion I stirred
with the spoon of devotion
in a chalice of sins
The panther of the night jumps through the sun
retracing one last line of life
A clenched fist over a satin hand
captures the last…
I am up at 5am, and I still like what I read.
12/15/99 Are you still interested in my comments? For this type of analysis, I use my emotional intelligence. I already have the lines of my answer to send to you within 48 hours.
12/15/99 I am up at 5am, and I still like what I read. Wait until I contact you from my fortress. Who trespass looses the illusion of reality. Let me read at my leisure.
Subj.: Re: Drunken Santa (oil painting by Jaisini) 12/15/99
It’s 4.25 am in the morning I’ll be working through the night. I am French, but my company is in the Arabian Gulf. Internet connects through a Proxy [the Great Censor]. I write besides being a human, an islander/or highlander. I hate…
As for writing, I do my own autodafe.
In the Museum, the curator of the museum shed tears over the vanished marble lady. Do you feel like someone who peeps? Are you afraid to get caught up into your own mind games? Is that all you wanted? I am kind, because I am in pain with a deep wound. I do not even know how it came, whether it will ever heal. The only true intellectual game, the only book I read is The Glass Bead Game Master -Herman Hesse. As for writing, I do my own autodafe. I am only an illusion.
They can only be voyeurs.
The others drank at oasis, which keeps disappearing. They can only be voyeurs. For Pavlov, the chains are not necessary. Once when the marble lady went away on warring mission, he cried for her a slave accepting his fate – the basis of our society, the enslavement of the body to achieve bondage of mind and souls. I have closed my eyes not understanding the heartbeats, words seems so out of context.
Subj: Re: Sinphony You have some character.
You are unpredictable, but I do like you. I have broken down the concepts of nationality, religion, wealth, education. I said I was un-learning. You are in one of your cruel moods. It does not matter to know exactly who you are. I like you that is…You have some character.
EYKG writes to BAR
I wish I could relieve you from your emotional problems but I am not a psychologist perhaps an amateur. It seems that you are experiencing financial difficulties as my theory is that all emotional problems are explained by the lack of money. If you were wealthier you could buy yourself any male toy you need as often as you need. At the same time you have potential for greatness, which may be unrealized due to laziness and life by the rule of habit. Yustas
Love is one, life is one
6/15/00 Love is one, life is one, and death is one. You dilute (repeat) any of those, and you are lost in a meaningless circle. You cannot love twice, live twice you cannot die twice. The true artist knows that he surrenders his mortal life to eternity when he tumbles on a truth.
Is your style good?
Subj: Re: Sinphony 6/16/00 Is your style good? I would like to know it from the master himself. Or are we talking about Jaisini’s style. Please tell Jaisini, that I think if he continues like that, he will live long and happily but the essence shall remain elusive.
The artist is no God
6/15/00 The artist is no God to claim for a form of eternity he can have. You are an old soul.
11/4/00 I am not interested to read comments I made last year. The probability that Nancy is seen as being me is very high, it may sound preposterous to you, but her name should actually be Anataali. I am a bit tired, they are still fighting over my poem. Your site is very good,and after all I…
Nancy from the Interview – B The probability that Nancy is seen as being me is very high
Subj: Re: You are contacted because your comments were 11/3/00
I went through your site for the best parts, which are your essays and the interview. And it is great. Believe it or not, the censor of the American Freedom of Expression has cut my poem out on a poetry forum. Perhaps I should marry…
why you chose to use children’s writings
The soul cannot be human, it is beyond of what we try to catch. I love you because you are telling words of a passionate man “what I am worth”? Does it matter? You reply only to those you think will put a value to your worth. I talk to the ones who challenge my heart and intellect. What a…
Are you afraid to get caught up into your own mind games?
The hands of the day are nailed on my door
The full moon impaled on the fairy stick
the magic potion I stirred
with the spoon of devotion
in a chalice of sins
The panther of the night jumps through the sun
retracing one last line of life
A clenched fist over a satin hand
captures the last…
counting Paul Jaisini’s souls
Your eyes fill the void
Your eyes fill the void
Of my heart
With burning embers
Your eyes empty the shame
Of my soul
With dew tears
Your eyes are mine
To eternity.
I hope you feel challenged. There is no safe ground in my world. From the top of the mountain, I will take you to the abyss or the roller coaster. We shall do adult things on the Internet, but not the kind I booby-trapped you with. Something meaningful and meaningless at the same…
Show me the blue to know can we fuse
DONT NEED EYES SEE PAUL JAISINI'S INVISIBLE PAINTINGS I'M FAKIN TRIPPIN IT'S BREATHLESS Meta category: "Homage to Paul Jaisini" Art Series Collection. Gleitzeit International Group. The Ongoing art project: "ART ABOUR ART" Category: Artwork, Painting, Photograph, Photo-Manipulation, Drawing, Mixed Tecnique, Subcategory: Gif Tag: Manifesto, Image, Representational, Abstract, Gleitzeit Manifesto, Words, Color, Black And White, Face, Figure,
DONT NEED EYES SEE PAUL JAISINI'S INVISIBLE PAINTINGS
I'M FAKIN TRIPPIN IT'S BREATHLESS
On the right side of the picture there is one of the three heads. It seems that this is a severed head.
The two surgical scars run vertically over the face crossing the eyes, bloody and shut.
He opens his moth as if screaming the written words: "I am faking trippin."
The words in yellow color lined towards the second personage -- another HEAD COVERED by a CAPTURE or BONDAGE HOOD.
His mouth is OPEN WIDE showing bad teath.
The third personage is also a "severed" head on the left.
It appears to be tightly wrapped in a greenish cloth tightened with a string that goes over the eyes area.
The cloth cover is stained RED from the blood underneath.
The words written backwards spread from the head to the picture's center: "ITS BREATHLESS."
On the foreground it reads: "DONT NEED EYES SEE PAUL JAISINI'S INVISIBLE PAINTINGS"
Background is an art canvas painted in gray with green and rusty shades, spotted with red blood stains.
www.flickr.com/photos/eykg/24043037946/in/pool-14779806@N23/
AVATAR 3 INTERGALACTIC EARTH LIVE PLANET DATE 13430070620840 AD EARTH DEAD PRECONCLUSIVE DATES 9000 B.C UBER 4
MONDAY FUN READ! THE drunken muse
The story "Drunken Muse" was audio recorded on a hidden voice recorder during the conversations about two decades ago. The story-teller didn't know or consent to the recording. The audio tapes on compact cassettes were never used. The records were partially damaged and lost. www.slideshare.net/PaulJaisini/drunken-muse
#longcomment #comment #invisible art #theory of invisibility #art
“Well, folks, what if there actually was something called The Theory of Invisible Art?”
— One among many questions asked as a result of reading essays about Paul Jaisini.
#comment #? #Invisibility #theory of invisibility #invisible
Ron, Neil Klaw & Yustas are the same person.
Another Conspirator Theory Booooooog Ron, Neil Klaw & Yustas are not the same person. Pay attention, Neil doesn’t even like me. He said we are members of a “cloyingly narcissistic mutual admiration schtick” or words to that effect, and that is stiff business, coming from such as he. Klaw
But the real problem is that the entire thing is an auto-fellating sack of shit as description or criticism… I don’t think I’ll be buying the print or the book… That being so,” the desire of man must have been in an endless existence and will continue to dwell in bodies and in works of art to which Wet Dream is an example.”
Okay Yustas, let’s get a few things straight. It is clear that you have issues, and you are attempting to drag this into a pointless gutter fight – as you have attempted to do with so many others. You are well known to operate for your own ends under several pseudonyms. Indeed, well over 12 months ago your writing and photographic practices were detailed at the club’s chronic journal . Indeed you do have questionable practices… I’m sure one or two celebs would be interested to see the manipulated images you have generated. But your calls for submission… That interested me! I have now discovered that you have spammed this request so often that Google identifies that you have pushed out the exact same post on more than 62000 occasions. Indeed in the club people have been extraordinarily tolerant of your practices…
#comment #gleitzeit
you have pushed out the same post on more than 62000 occasions.
From the previous post: “That interested me! I have now discovered that you have spammed this request so often that Google identifies that you have pushed out the exact same post on more than 62000 occasions.”
1997- ongoing statistics on Paul Jaisini, Marble Lady, Narcissus, Manifesto, etc. gleitzeit “hits” - number of page views, posts on the Internet, Internet searches, comments, emails, readership accounts to a substantial number. Documenting Gleitzeit is not done to acquire the exact number of Internet hits if it’s ten million hits or a hundred million. In the course of posting here the samples of how the Gleitzeit art mission formed the ideas I do see various numbers when google search fetches results on the keywords. Somewhere I saw “page view” counts in other places there’s sitemeters with over two million hits or 20,000. Most of the sites with essays could be found online or already removed since the websites now are non-functional and some content is archived some content is gone. As high as the numbers could go is not the concern.
Very interesting even mystifying for me to understand the human reaction and its mechanics of how and why people react certain way as they did and continue to react. The reaction manifests same way now as it did years ago so long as the formula remains the same: the receiver/reader is presented with the verbal description in a form of essay about oil painting by Paul Jaisini and no image of the artwork.
#outreach #invisible #Invisibility #theory of invisibility #invisible art
“I may not be able to tell you what good invisible art is, but I know it when I see it.”
#comment #invisible #invisible art
Schmoostis: get some help Do you really have nothing better to do than stir up problems on a board where no one wants you? Haven’t you figured it out yet? Don’t you see you are pushing your idiotic writing and pseudo-philosophy on people who couldn’t care less? Please—do yourself a favor and go somewhere else. We don’t care about your stupid art interest, your crappy writing or your need to puff up your own ego by sucking attention by stirring up decent people. You add nothing here, do you understand that? Your obnoxiousness has made you hated, don’t you see that? Please, before you are dragged out of your flee-bitten apartment by the scruff of your neck to the local mental institution, get some strong psychotropic medication! Leave these good people alone—find your attention someplace else. You don’t want to end up as just another bum muttering to himself in the New York gutter—you know—like Steve Martin in “The Jerk”— sitting in a bathtub mambling to yourself: “I used to be a well-known art critic and novelist and now I’m a basket case in the gutter.” Reach out and get some help before it’s too late.
#comment #invisible art #art #theory of invisibility
Catherine writes in regards to M/C Reviews Bio: Yustas has sent me some biographical info for M/C Reviews, which I’ve condensed to form the following: “Yustas Kotz-Gottlieb begun studying the piano at the age of 6, but when stage-fright prevented a career in music, she decided to concentrate on art. After a spell in Europe, where she was trained academically in painting, she found her true calling as a writer and art critic. Yustas is now working on a book about Paul Jaisini, the inventor of Gleitzeit art.”
#comment #photocopy #yustas kotz-gottlieb
I think the heart of what you are describing is the creative process, the act of carving, sculpting, bringing to life, something out of nothing. Gary/Harry was at his best when he made the comment about which side is up. But he became thin skinned when he thought I was laughing at (rather than with) him. Such a theory as you are involved with is easily misunderstood, and I think you are perhaps often misunderstood as well because you have no patience with fools. But if you take everything I said, in the context I said it, my musings in this area go some way to explain or at least to question just how man creates. I think you might do a screenplay about your experiences. It could be funny. Maybe you are right, maybe a book on art is the way to go. Or maybe, you could do an autobiographical book on your experiences. After all, in a sense, the poster is invisible. You are describing the experiences of an essentially invisible person in the electronic age. Have you noticed how differently people respond to you when you mail than when you talk? When people reply in writing, they tend to be boastful, arrogant, cruel, flaming… take Harry/Gary for instance. As a responder, he is often openly mean, snobbish and cruel. You saw him in real time, he is timid, uncertain and repressed.
#comment #invisible #invisible art
Ken writes regarding Manifesto Gleitzeit 3/21/00: You have the wrong number. There’s no one here with that neo pro anti (or whatever) anything. Copyright 2001 A Spacy Odyssey, (long version)
#comment #photocopy #gleitzeit
Ice writes on 3/3/00 the he enjoyed the Paul Jaisini Manifesto thing.
James writes re: Narcissus 3/3/00 Fortunately, the story is just that… a myth.
"Hey, Jaisini! It meant to be like your invisible paintings. If you can see beyond the black square (canvas), keep it." Kazimir's cat
1 OPEN YOUR EYE
Paul Jaisini destroyed all art.
Paul Jaisini He Paints Invisible Paintings Since 1994
20 years ago Paul Jaisini destroyed all of his critically acclaimed art.
2 VISION REDIRECTED
Paul Jaisini
HE PAINTS INVISIBLE PAINTINGS
IN THE KINGDOM OF BLIND THE ONE--EYED IS THE KING.
PAINTING OIL WAS HIS LIFE'S JOY. PERHAPS INVISIBLEPAINTINGS ARE MUCH MORE.
4 Wipe Out Rainbow
5 YOU WILL LIKE WHAT I SEE
6 MESSAGE SENT MESSAGE RECEIVED
7 PAUL JAISINI VISION BEYOND VISIBLE
HOMAGE TO PAUL JAISINI
INVISIBLE? ARE YOU BLIND OR EVEN DAEP? WHAT A TRAGEDY.
8 DONT NEED EYES SEE PAUL JAISINI'S INVISIBLE PAINTINGS
I'M FAKIN TRIPPIN IT'S BREATHLESS
Paul Jaisini is an artist and an occasional photographer. His invisible paintings are spectacularly ahead of our time.
9 Paul Jaisini It's Time Get Down To Earth.
10
I WAS POSSESED BY THE VERY THOUGHT START PAINT THE NEW INVISIBLE PAINTINGS I HAVE NO REGRETS OF WHAT I DID CUZ I DON'T EVEN REMEMBER... MY NEW INVISIBLE MUSE PAUL JAISINI
Paul Jaisini The Man Who Can See Future by GIG
Paul Jaisini is an artist and an occasional photographer. Paul Jaisini His invisible paintings are spectacularly ahead of our time.
11
Don’t be mad at me… I just finished my beautiful invisible painting .I ‘m so dirty /paint all over/ . If u can c it let me know what can u c in it?
12
SOMEONE LOOKING AT -- SOMEONE SEEING THAT
you asked me
September 7, 2010 at 5:35pm
PHOTOGRAPHY is to catch a moment. One photographer was asked how do you manage to do such photos, to which he replied, if you would walk around the world several times by foot and shoot thousands of rolls, you wouldn't ask, how I got few good shots. To catch a moment before digital era, with no softwares, people were risking lives. Now to realize any idea on photo paper enough to do several layers of elemets by software. Add them to the base image. But genius film photographers in my opinion are the people who using lenz through their mindwork created paintings. These are few you can count on your fingers. Contemporary photography IMHO is nothing but technical explorers, not artists. They don't own camera, camera owns them.
THE UNBELIEVABLE LIFE AND ADVENTURES OF PAUL JAISINI
FUTURE FOLLOWS
Worn Out Vision Replaced
To The Extraordinary Enigmatic Man Mr. Paul Jaisini.
Paul Jaisini The Man Who Can See Future
Paul Jaisini‘s Vision Future Redirected Since He Started To Paint Invisible Paintings In 1994.”
To The Extraordinary Enigmatic Man Mr. Paul Jaisini
Paul Jaisini is the Legendary New York Artist. When there's a topic on contemporary art and Gleitzeit Movement with the New Invisible Paintings by Paul Jaisini it brings in a lot of public attention.
The New York Based Gleitzeit International Group started its ground-breaking project in 2014.
PAUL JAISINI in THE ART WORKS OF GIGroup Titled Series "Homage to Paul Jaisini"
the most stunning images
after 20 years ofthe interaction on the topic of THE INVISIBLE PAINTINGS had been carried on mostly in the verbal form, We Are Currently Entering A New Phase To Learn How Visuals, Photos, Pictures, Computer Art is used instead of LANGUAGE.
The hardest thing of all is to find a black cat in a dark room, especially if there is no cat.” ?PAUL JAISINI Confucius
#ArtAndDesign
“HOMAGE TO PAUL JAISINI INVISIBLE PAINTINGS FROM 1994” IS A NEW ART COLLECTION OF UNIQUE ARTWORKS FROM THE SUPREMELY GIFTED YOUNG TALENTS. THE SPECTACULAR NEW ARTWORKS, WRITINGS, ANIMATED GIF SERIES AND DOCUMENTARIES ARE INSPIRED BY THE STORY OF PAUL JAISINI, THE GENIUS PAINTER AND NEW YORK LEGEND, 20 YEARS AGO HE DESTROYED ALL OF HIS BEAUTIFUL ARTWORKS. EVER SINCE PAUL JAISINI PAINTS THE ENIGMATIC INVISIBLE PAINTINGS. THE ONGOING ART PROJECT UNDER META CATEGORY IS TITLED: “ART ABOUT ART”