FOR IMMEDIATE RELEASE

MANIFESTO GLEITZEIT 2015

BY STELLY RIESLING

Featured below is another original art work of mine in homage to THE PIONEER OF INVISIBLE ART — PAUL JAISINI. Forget all the copycats that came after him — Master Paul Jaisini was the *FIRST* of a totally original concept and the *BEST*. My favorite thing about him is that he’s a voice, not an echo, which is quite rare.

DISCLAIMER: This is for anyone who is a hater OR wishes to better understand me, what I’m all about, so you can decide whether I’m weird or normal enough for you — a kind of very loose manifesto, rushed and unrevised, full of raw uncut emotion that I don’t like to be evident in my writing as lately I prefer a more professional, formal style, so we can consider this a rough draft of the more polished writing to come when I have extra time. I might return to this text later and clean it up or break it into separate parts. Right now it’s a long-winded hot mess, so if you manage to make any sense of it, BIG PROPS TO YOU. lol …and if you manage to read it ALL, you have my solemn respect!!! in a day when reading has been reduced to just catchy headliners and short captions of images once in a while. The consequence of this one-liner internet culture is non-linear, tunnel thinking, which is baaaaaad.

There lives among us a most enigmatic and charismatic creature named Paul Jaisini who led me into the wonderful world of art, not personally, but through descriptions of his artworks in essays written and published online by his friend, which painted the most fascinating images in my mind. Early on as a kiddo, I experimented with photography, simple point and shoot whatever looked attractive to me. Digital manipulation of my photographs with computer software followed… and somehow I learned useful drawing techniques along the way to combine existing elements with nonexistent ones, which allowed me to elevate the context for my ideas. Later, I started creating my own digital art from scratch for my friends and family as a favorite pastime. They would shower me with praise and repeatedly encouraged me to share my “different” vision with the rest of the world… it took a while and wasn’t easy to overcome the insecurity of not being good enough along with a gripping fear of being harshly criticized, but one day I woman-ed up and started publishing my work on the web, reminding myself that my livelihood didn’t depend on a positive reception.

Paul Jaisini’s role in all this has been to not disgrace myself, even if what I do is just a hobby. And I would never do him and other genius artists the disservice of calling myself a professional because I know I’ll never be as good as any of the GIANTS of pre-modern history. Be the best or be nothing, no middle ground.

People’s jealousy in the past, future and present over my obsessive love of Paul Jaisini, which they are well aware is purely plutonic, has caused them to despise the man and has made many relationships/friendships impossible for me. I refuse to have such people in my life because by harboring any negativity towards Paul, they unknowingly feel that way about me and express it to me. It’s their own problem for not realizing this. Paul’s new art movement, Gleitzeit, shaped me into the allegedly awesome girl I am today, giving my art more edge, more “sexy” because it refined my vision of the world and propelled me to attain the skills necessary to not dishonor my family name through tenacious pursuit of perfection. Since the beginning of my life, I attempted to depict what I saw in visual, musical and literal forms, but continuously failed without adequate training and determination. Paul Jaisini’s Gleitzeit was the answer to my prayers. Who I am today I owe mostly to him and his selfless ideals of the artverse that I’ve given unconditional loyalty to (he has this cool ability for hyper-vision to see whole universes, not itty bitty worlds, hence I call it an artverse instead of art world, with him in mind). So again, anyone who hates Paul Jaisini hates ME because, regardless of what he means to you, he is the most important person in my life for making me ME. The way a famous actor, dancer or singer inspires others to act, dance or sing, Paul inspired me to become a better artist, better writer, better everything. More people would understand if he was a household name because they’re wired to in society. But we’re inspiring each other all the time in our own little communities without being famous, so if someone has the ability to change even ONE person’s life immensely with creativity, it is a massive achievement. And passionate folks like myself are compelled to scream it from the cyber rooftops. So here I am. It’s whatever.

Furthermore, I’d like to address here a few pressing matters in light of some recent drama brought on by both strangers and former friends. To start, I never judge the passions, interests or likes of others, which are often in my face all over the place, so likewise they have no right to judge any of mine. It is quite unfortunate and frustrating how very little understanding and education the majority of people have or want to have. Their logic is as primitive as a chipmunk when it comes to promotion of fine art on the web: “spamming, advertising, report!” It’s their own problem that they fail to understand what it’s about due to the distorted lens through which they see the world or inability to think for themselves; an inherent lack of perception or inquisitiveness. Well, guess what? Every single image, every animation, every video, every post dedicated to Mr. Paul Jaisini and “Gleitziet” (to elaborate: a revolutionary new art movement Paul founded with his partner in crime and personal friend, EYKG, who discovered him and believed in him more than anyone) has an important purpose. Every one of those things you run across is a piece of a puzzle, a move in a game, an inch down a rabbit hole; the deeper you go, the more interesting it gets; the more levels you pass, the more clues unfold, the greater the suspense and nearer the conclusion (yet further). You earn awesome rewards like enlightenment, spiritual revelations, truths, knowledge, wisdom and the most profound reward of all: the drive to improve yourself to the absolute maximum, so an unending, unshakable drive. People often make a wrong turn in this cyber game and go back a few levels or get stuck. Those that keep on pushing, however, will come to find the effort has been worth it. And what awaits you in the end of it all? The greatest challenge to beating the game: YOUR OWN MIND. You will be forced to let go of every belief you held before you had reached the last level, to completely alter your mindset and perception of the world, of life, of yourself. But by the time you’ve gotten to that point, it will be as easy as falling off a cliff! (It is a kind of suicide after all — death and rebirth of spirit.)

Paul Jaisini does NOT, *I repeat* does NOT use mystery and obscurity to his advantage as a clever marketing ploy, no, he’s too next level for that with a consciousness so rich, he should wear a radioactive warning sign (he’ll melt your brain, best wear a tinfoil hat in his presence as I certainly would.) The statement he makes is loud and clear, hidden in plain site for those who take the time to connect the dots and have enough curiosity to fuel their journey into unknown territory (an open mind and flexible perception helps a lot). Actually, anyone with an IQ above 90 is sure to figure it out sooner or later. Hint: You don’t have to SEE an extraordinary thing with your eyes to know it exists, to understand it and realize its greatness — you can only feel it in your bone marrow, your spinal fluid, your heart and soul. The moment you do figure it out, as the skeleton key of the human soul, it will unlock the greatness and massive potential buried deep within, changing the doomed direction humanity is undoubtedly headed. I don’t speak in riddles, I speak in a clear direct way that intelligent humans will understand, so I’m counting on them.

GIG is an international group of artists and writers that support Paul Jaisini’s Gleitzeit. We started off as an unofficial fan club of Jaisini in 1996, comprised of only 6 individuals spanning 3 countries, and eventually escalated in status to an official fan group across the entire globe. A decade later it had grown to hundreds of fans. Nearly another decade later, there are thousands. Let’s not leave out another delightful group of vicious haters that have been around for nearly as long as us since the late 90s and have also grown in impressive numbers. Now, for the record (and please write this one down because I’m sick of repeating myself), Paul Jaisini himself is not part of our group and has nothing to do with us. He loves and hates us equally for butchering his name and making him appear as a narcissistic nut-job in his own words. He casts hexes on us for the blinding flash we layer over the art that members contribute to GIG — “disgusting-police-lights, seizure-inducing-laser-lightshow, bourgeois-myspace-effects retarded-raver shit” in Paul’s words. Ahh, how we love his sweet-talking us. In a desperate attempt to please him, those among us who make the art and animations have spent countless hours and sleepless nights trying to solve a crazy-complex quantum-physics type of equation = how to not create tacky or tasteless content. He does fancy some of it now, we got better, that’s something! In the reason stated below, our mission just got out of hand at some point.

What little is known about Paul Jaisini, even in all this time, is he’s a horrible perfectionist who slaughtered hundreds of innocent babies — I mean — artworks of remarkable beauty created by his own right hand (mostly paintings, some watercolors and drawings). He’s a fierce recluse who wants nothing to do with anyone or anything in life. But those few of us who know of an incredible talent he possesses (one could go as far as calling it a superpower), could not allow him to live his life without the recognition he FUCKING DESERVES more than any artist out there living today and, arguably, yesterday. We use whatever means necessary to reach more people, lots of flash and razzle-dazzle to lure them into our sinister trap of a higher awareness. Mwahaha! The visual boom you’ve witnessed in both cyber and real worlds, that is GIG’s doing — two damn decades of spreading an art virus — IVA. InVisibleArtitis… or a drug as in Intravenous Art. It’s whatever you want it to be, honey.

Our Gleitzeit International Group (GIG) started off innocently enough and gradually spiraled out of control to fight the haters, annoying the hell out of them as much as humanly possible. They don’t like what we do? WE DO MORE AND MORE OF IT. But never without purpose, without a carefully executed plan in mind collectively. If we have to tolerate an endless tidal wave of everyone’s vomit — e.g., idiotic memes and comics; dumbed-down one-liner quotes; selfies; so-called “art photography” passed through one-click app filters; mindless scribbles or random splatters by regular folks who have the nerve to call themselves serious/pro artists; primitive images of pets, babies, landscapes, random objects, etc… then people sure as shit are gonna tolerate what we put out, our animated and non-animated visual art designed for our beloved master, Paul Jaisini, who has shown us the light, the right path to follow, taught us great things and done so much for us — and so in our appreciation of him, we stamp his name on everything, for the sacrifices he has made in the name of art, to save our art verse, he’s a goddamn hero. There’s a book being written in his dedication where little will be left to the imagination about him.

If Paul Jaisini was as famous as Koons or Hirst, for example, people would know it’s not him posting stuff online with his name on it but fans creating fanart like myself among others. But noooooo, such a thing is unfathomable to most people - the promotion of another artist. Like, what’s in it for us? Uhh, nothing?? This is all NON-PROFIT bitches, the way art should be. It’s a passion FIRST, a commodity/commercial product/marketable item LAST and least. Its been that way for us since the early 90s to this day. Not a single member of GIG has sold an art work (neither has Paul Jaisini who’s a true professional) and we want to keep it that way. We do it for reasons far beyond ego. So advertising? Really? How the hell do you advertise or sell thin air, you know, invisible paintings, invisible anything? Ha ha, very funny indeed. The idea here is so simple, your neighbor’s dog can grasp it. Our motives: replace fast food for the mind with fine art, actual fine art. You know, creativity? Conscious thought? Talent? Skill? Knowledge? All that good stuff rolled into one to bring viewers more than a momentary ooohand aaahh reaction. Replace the recycled images ad nauseum; repetitious, worn-out ideas; disposable, gimmicky, money-driven fast art for simpletons. Stick with the highest of ideals and save the whole bloody planet.

Fine art is often confused with craft-making. This often creates bad blood between classically trained artists who put out paintings that leave a lasting impression, that make strong conversation pieces, that are thought-provoking and deep… and trained craftspeople whose skills are adequate to create decorative pieces for homely environments — landscapes, still lifes, animals, pretty fairies, common things of fantasy, and other simplicity. Skills alone are not enough for high art, you need a vision, a purpose, the ability to tell a story with every stroke of your brush that will both fascinate and terrify the viewers, arousing powerful emotions, illuminating. I have yet to see a visible painting in my generation that does anything at all for me, other than evoke sheer outrage and disgust. What a terrible waste of space and valuable resources it all is.

Paul Jaisini leads, we follow. He wishes to remain unknown - so do most of us. I’m next in line, slipping into recluse mode, no longer wanting to attach my face, my human image to my art stuff. I wish to be a nameless, faceless artist as well, invisible like P.J., and in his footsteps I too have destroyed thousands of my own artistic photography and digital art made with tedious, labor-intensive handwork. The whole point of this destruction is achieving the finest results possible by letting go of the imperfect, purging it on a regular basis, to make way for the perfect. I love what I do so it doesn’t matter, I know I’ll keep producing as much as I’m discarding, keeping the balance. Hoarding is an enemy of progress, especially the digital kind as there’s absolutely no limit to it. It’s like carrying a load of bricks on your back you’ll never use or need.

The watering down of creativity that digital pack ratting has caused as observed over the years is most tragic. For the creative individual, relying on terabytes of stock photos or OSFAP as I call them (Once Size Fits All Photos) instead of making your own as you used to when you had no choice, being 100% original, is a splinter in the conscience. It’s not evil to use stock of, say, things you don’t have access to (outer space, deep sea, Antarctica, etc.), but many digital artists I know today can’t take their own shot of a pencil ‘cause they “ain’t got no time for that!” How did they have time before? Did time get so compressed in only a decade?

Ohhhhh, and the edits, textures, filters, plug-ins and what-have-you available out there to everyone and their cats… are responsible for the tidal wave of rubbish that eclipses the magnificent light of the real talents.

I can tell you with utmost sincerity there is no better feeling on earth than knowing your creation is ALL yours, every pixel and dot, from the first to the last. It’s not always possible to make it so, but definitely the most rewarding endeavor. I’m most proud of myself when I can accomplish that.

Back to Paul Jaisini, from the start there have been a number of theories floating around on what his real story is. One of my own theories is that he stands for the unknowns of the world who can’t get representation, can’t get exhibited at a decent gallery because highly gifted/trained artists aren’t good enough - those kind of establishments prefer bananas, balloon dogs, feces, gigantic dicks/cunts, and all kinds of what-the-fucks…

So again, you don’t get the Paul Jaisini thing? That’s your problem. Don’t hate others for getting it. People are good, very good, at making baseless assumptions and impulsively spewing it as truth. They criticize and judge as if they’re high authorities on the subject yet they clearly lack education in fine art or art history and possess little to no talent or skill to back up their bullshit. My little “credibility radar” never fails. When they say I know this or I know that, I reply don’t say “I know” or state things as fact as a general rule of thumb - instead say “I assume/believe” and state the reasons you feel thus to appear less immature, especially about a controversial topic like invisible art. I have zero respect or tolerance for egomaniacs who think they know it all and act accordingly like arrogant pricks. Who can stand those, right? Once again, a good example would be: I, Stelly Riesling, believe everything I’ve written in this little manifesto to be correct based on personal experience and observation from multiple angles, thorough research and sufficient data collected from verifiable sources (and don’t go copying-pasting my own words back at me, be original). Just because you or I say so doesn’t make it so. Just because you or me think or believe so doesn’t make it true or right. I only ask that my opinions are regarded respectfully and whoever opposes them does so in a mature, civilized manner. We should only be entitled to opinions that don’t bring out the worst in us.

I don’t normally take such a position, but the time has come to stand up for what I believe in! It’s quite amusing and comical how haters think calling me names, attacking me or my interests or members of the project I’m part of for years is going to change something. It only makes more evident the importance of what I’m doing so I push on harder still.

Words of advise to those who can identify with me, with my frustrations over people’s reluctance to change their miserable ways, with our declining art world…

DON’T waste time on people who sweat the small stuff, whose actions are consistently inconsistent with their words. DO waste time on people who always keep their eye on the ball—the bigger picture of life.

Paul Jaisini’s invisible paintings are more than hype, more than your lame assumptions. Here’s one I got that’s pure gold: a cult! It started out as A JOKE OF MINE that was used against me. I told a then-good friend that he should come join our little “art cult” in a clearly lighthearted manner, and later he takes this idea I put in his head first and accuses me of being in an (imaginary) cult—the jokes on me eh?. But wait, aren’t cults religious? Our group consists of people around the world of different faiths (or none at all) so how could that ever work? If religion was about making fine (non-pop) art mainstream and bringing awesome, fresh, futuristic concepts to the collective consciousness, the world would not be so fucked up today because talent, creativity, originality and individuality would be the main focus, not superficial poppycock; those things would be praised and encouraged and supported in society by all institutions, not demonized and stigmatized.

Here is one thing I CAN state as solid fact: only one person close to Paul Jaisini knows the TRUE story, or at least some of it: EYKG. Everything else that has ever been said about him is myth, legend, gossip, speculation, the worst of which is said by jealous non-artists (wannabes, clones, posers, hang-ons, unoriginal ppl in general) and anti-artists (religious psychos, squares, losers and -duh- stupid ppl). Sadly, people are unable to see the bigger picture by letting their egos run their lives or repeating after others as parrots.

Commercial art, consumerism, and ignorance of the masses truly makes me want to curl up in a ball, not eat or drink or move until I die, just die in my sleep while dreaming of a better world, a world where real fine artists rule it with real fine art as they used to and life is beautiful once again….

Well I hope that settled THAT for now, or perhaps inadvertently made matters worse. I hope I didn’t sound too pissed from all these issues that keep popping up like penises on ChatRoulette… just got to me already! Can you tell? I had to put my foot down, stomp ‘em all!

To be continued, still lots more ignorance and pettiness to battle… Till then peace out my bambini. MWAH!

 

#within It’s #flexible #because it has #multiple #principles #Paintings with a #capacity to #change #visually by the #artistic #magic #changing #your #subconscious #mind It is a #session of #Hypnosis that #controls you by a #disorganized #absolute #harmony of #everything #expected #from a #nonexistent #picture It #depends #upon the #pattern of #line as a #primal #creator of #whatever #associated or #disassociated from the #theme The #artists #mind is the #superior #beginning of the line, but the line is #free and #emancipated. #Flexi is a #new #neo #pro #anti #post #pauljaisini #manifesto #short #version #1994 #artnews #prophecy

#YOU #CAN #PAINT #YOUR #WALLS #SAME AS #ROTHKO DID, OR YOU CAN #DRIP YOUR #PAINT ON THE #FLOOR AS #POLLOCK DID, #BUT DON’T YOU #DARE #CALL IT THE #FINE #HIGHART. IT’S #CALLED AN #ANARCHY & #UNCONTROLLABLE #CHAOS. IT DOESN’T #REALLY #MATTER IF YOU’D #HAND A #GUN TO #3 #YEARS #OLD OR A #PAINTBRUSH TO A #MONKEY, THE #RESULT WILL BE THE #SAME -#INNOCENT #FREEDOM FOR #DESTRUCTION OF #BEAUTY & #HARMONY. DON’T YOU DARE MY #SUPER #INTELLECTUAL” SUPER ARTISTS #TWIST THE #PERCEPTION OF #FREEDOM IN #BEAUTY. #RECYCLING SAME #CRAFT FOR OVER #60 #YEARS IS NOT #INNOVATION, IT’S #MADNESS. #MOST OF YOU ARE #CRAFTSMEN, WHO #LACK EVEN #BASIC #ART #SKILLS, #KNOWLEDGE OR #TECHNQUE. IN #ORDER TO #CREATE #MUSIC YOU WOULD NEED A BASIC KNOWLEDGE OTHERWISE IT WOULD BE #CHAOS OR #CONTEMPORARY #CACOPHONY, CALLED #FREESTYLE. I’M HERE TO #JUDGE & I HAVE #RIGHTS TO DO SO, #BECAUSE I #DESTROYED MY #PAINTINGS 19 YEARS AGO, #REALIZING THAT I FELL #UNDER THE #SPELL OF #MODA = #MODERN. NOW, FOR OVER 19 YEARS I’M #PAINTING #INVISIBLEPAINTINGS. I #LOVE #TRUE #BEAUTY & TRUE #TALENT. I #VALUE #PEOPLE #WHO LOVE ART, WHO #BELIEVE IN ART, WHO #INVEST IN ART. BUT I WILL #FIGHT THOSE WHO ARE #TRYING TO #KILL THIS #ALL. #BEWARE #MY #INVISIBLE #PAINTINGS ARE #COMING TO MAKE YOUR #VISUAL #CRAFT #INVISIBLE. #KIDS #MUST PAINT AS KIDS DO= #ARTIST #MUST #PAINT AS #MASTERS #DO #PAULJAISINISAID #JAISINISAID #PAULJAISINI #JAISINI

#gleitzeit #manifesto #2015 #newyorkcity #nyc #His #eyes #see #dialistically #theway #mystics #see

 

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#feline #catwoman #tiger #epic #nyc #event #fun #sparkling #colorful #psychedelic #invisible #love #unique #chocolate #vanilla #coffee #cool #inspiration #style #beauty #pretty #stylish #shiny #doodle #luxury #disco #vibrant #dark #magic #painted #abstract #icarus #marblelady #911 #narcissus #blue-reincarnation #moving #movingpicture #video #neonpink #crayons #digital #digitalart #bling #happy #relax #photoeffect #paintedphoto #glittered #dream, #journey #infinite #dreams #high #dmt #cosmos #lsd #trippy #d rugs #acid #trip #hippie #wonder #imagine #quest #moon #STELLYRIESLING #DAVINCI #ARTSHOW #NEW #FOLLOW #FUTUREFOLLOWS #PERSPECTIVE #FANTASTIC #GALAXY #INFINITY #see #blacklight #topaz #glance <3 #heart #hearts #texture #backround #collage #compo #skull #skulls #red #crystal #crystals #jewels #super #fancy #wow #fly #mood #turquoise #cobalt #aurora-borealis #glam #glamorous #beautiful #saturated #interesting

#girl #perception #viewpoint #love #art #style #glass #beach #cigarette #butts #2 #= #0 #sad #lonely #sexy #1 #x #legs #beach #summer #reflection #selfie #stelly #stelly-riesling #artistic #nyc #newyorkcity #hot #young #trendy

 

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homage-to-P.Jaisini

Just you read with what Paul Jaisini is grabbing on. . As you can see even Stelly respond to this remark with pluralistic sarcasm : Reads the text of the man who holding this girl fort about 5 years inside his mind! Paul Jaisini - is not what I thought it would!!! Read!!

“Hey, Jaisini! It meant to be like your invisible paintings. If you can see beyond the black square (canvas), keep it.” Kazimir’s cat

OPEN YOUR EYE!

Paul Jaisini destroyed all art.

Paul Jaisini He Paints Invisible Paintings Since 1994

20 years ago Paul Jaisini destroyed all of his critically acclaimed art.

VISION REDIRECTED

Paul Jaisini. HE PAINTS INVISIBLE PAINTINGS

IN THE KINGDOM OF BLIND THE ONE–EYED IS THE KING.

PAINTING OIL WAS HIS LIFE’S JOY. PERHAPS INVISIBLEPAINTINGS ARE MUCH MORE.

Wipe Out Rainbow!

Paul Jaisini:

 

Don’t flatter yourself . There is no such a thing as computer art. Computer programming…maybe,but not an art.

 

Barbara Rosenthal: Ummm. The medium is not the message, as I never seem to stop saying. The pencil doesn’t or doesn’t provide for a great artwork; the computer does or doesn’t provide for a great artwork. It depends on who’s got the tool in hand.

 

Paul Jaisini: Hello Barbara Rosenthal,u r always welcome.Philosophy is just clever disguised mental illness I don’t want 2 get into discussion about this topic & support & promote this idea in-general. Kids, who gonna pay 4 our philosophical games. Computer was designed 2 to do multitasking- not humans.Digital-dead end 4 the FINE ART. After all why do I care about visual shit…I’m creating Invisible paintings for over 19 years now,and my tool is my very visible brush

 

Paul Jaisini: Anybody can generate 10000000000000 “art works” a week with magic electronic Pandora box ,and u don’t need 2 be even talentless,just smart enough 2 press the buttons the end.

 

Kathy Schnapper Disagree, and I say this as an art historian rather than as an artist. Barbara Rosenthal has it right. BTW, that was essentially the argument used against photography.

 

Paul Jaisini: Kathy Schnapper dear u dont know Paul Jaisinipersonally ,but I do. You must get 2 know him better,than u gonna change your sex.

 

Paul Jaisini: Art must be categorized in order 2 avoid chaos & confusion in to:-An Industrial art -Craft art /installations/-Textile design /abstract expressionism/ (starting from Rothko,etc..- Computer art must be categorized according to decay of mental illness in each categories- Fine/High art

 

This way we will have no chaos or abstract expressionism mistaken for the new style/idea, NOT ANYMORE !!!

 

NOW…My Invisible Paintings cannot be categorized as of yet. But I promise u; by the time u will be able 2 see it - it wouldn’t be necessary.Thanks. Paul Jaisini

 

Matthew Florez And so “Computer Programming” is NOT an Art? I know some REAL programmers who would disagree. It seems that you have a very narrow view as to what is art. Why is this? Human beings make technology. It is our main creative act as a species. We externalize our imaginations. And we do it through and with technology that we as a species have created. Human beings also make expressions of their inner selves. Paint brushes do not grow on trees. Computers and paint brushes are both invented technology. And who would we be as artists if we did not use any technology available to us to produce art. I do not have the space or the time to paint-as much as I would love to. And I have life responsibilities that prevent me from pursuing a life in art, which would facilitate me being able to realize my visions with other media. If I waited for the perfect media or the perfect circumstances, then I’d never get to express myself. Don’t kid YOURSELF. WE ARE ARTISTS. and what we do IS ART. If it’s not art that you like- why not go and post somewhere with art that you like. Remember: THERE IS NO ACCOUNTING FOR TASTE. “Good art” and “Bad Art” are in the mind of the beholder. I would love to see some of your “Invisible Paintings” but I’m not so sure that walking into a gallery and discounting all of the art displayed right to the artists faces is really a good way to ingratiate yourself into an artistic community. EVERYONE’S expression is valid. If you don’t like it then it merely comes down to personal aesthetics.

 

Paul Jaisini: Fucking can’t forgive myself 2 open this chat & promoting the very core of the evil - computer + shitty art that can be produced by 5 year old by 1000 an hour. Fuck ur philosophy, cyborgs.

 

Matthew Florez: So what is your goal, Paul? Do you want all of us to stop? Do you want this page to go away? Would it be better that I go out and destroy instead of creating? Is that a viable alternative? Would you condemn a bunch of mere mortals to not express themselves because you don’t like the medium? ANYTIME that someone is creating instead of doing what the majority of humans do with their time on this planet is good. Any creative act is an act of redemption. And it should be celebrated and encouraged. Putting down creative people merely because their aesthetics differ from yours doesn’t make you an artist-it makes you a critic. And what are critics, other than people with opinions.

 

Paul Jaisini: It’s 4 ur own good,trust me. Everything we human created will be up in our dead ass very soon. Technology polluting our kids + precious planet to the point of no return .Stop polluting art arena too Learn art that survived all technologies & revolutions ; just canvas and biodegradable oil paintings and create your shit…

 

Matthew Florez ”Your argument is invalid.”~Cy Borg.

 

Paul Jaisini: OCD ODD freaks.

 

Matthew Florez: Ok, perhaps. But you are insulting a bunch of artists for no good reason other than you don’t like the medium. And you have offered NO constructive advice. As I’ve already stated, switching media is not an option. So rather than be an “artist” and offering something constructive, you criticize. Is that an artistic statement? Or are you merely smashing it with a big stick? What does that make YOU? If you are an artist-CREATE! Don’t destroy. That makes you just like the rest of the world. ”You must be able to paint a perfect rose in the midst of a war zone.”

 

Paul Jaisini: Don’t u read or remember nothing above? I’m painting Invisible paintings for over 19 years & I don’t care about today’s visible art in-general . What media? I didn’t insult no one ,just sharing my opinion about pointless attempt 2 create long forgotten ”Computer Art. Hollywood created 3D art 20 years ego. Maybe from this chat one guy will get the point - its fine by me. Controversy creates publicity 4 the “Art” like this & I’m blaming myself 2 give u such publicity . dont contact me no more unless u gonna quit polluting minds & planet.

 

Matthew Florez: I didn’t contact you. I was here with my fellow artists and you came in, uninvited, and began mouthing off. And you DID insult everyone here. And what “publicity”? On this little page, seen only by like-minded artists with the exception of-YOU. If you think that saying “fuck you” is not offensive, then I’m surprised you made it out of grade school alive, because you obviously don’t understand what is ofensive and what isn’t.

 

Andre Bidu: “There’s no such thing as computer art” - Disagreed.”Philosophy is just clever disguised mental illness” - Disagreed.

 

”To have abstract expressionism mistaken for the new style/idea.”: This was just a funny remark.

 

”Anybody can generate 10000000000000 “art works” a week with magic electronic Pandora box” = This is actually GOOD.

 

Paul thinking that just by posting “ ”, it makes him look smarter or more educated than us, cyborgs: FAIL.

 

So in conclusion, why don’t you use your multitasker to click the “Leave group” button at once? us, cyborgs, already overuled you “opinion about pointless attempt 2 create long forgotten “Computer Art” HIGHLY IRRELEVANT.

 

Matthew Florez And if you really don’t care, then why are you so angry and adamant? It seems like you DO care. An awful lot, in fact… If you really don’t care what ARE you doing here? Do you get off on putting other people down?

 

Andre Bidu and just to rest the case: ” The pencil doesn’t or doesn’t provide for a great artwork; the computer does or doesn’t provide for a great artwork. It depends on who’s got the tool in hand.”

 

Barbara Rosenthal THIS was interesting and to the point. Not “ ” bla bla cyborgs bla bla technopolution yadda humans yadda art ARENA bla bla i need attention

 

Paul Jaisini Judging your results - u all have no idea what art is all about. Its not ego-centrism & maniacal ambition ,its something u will never get while u in digital cocoon. U need to get out more and fly=refresh your RAM & HDD

 

Paul Jaisini Kids art 4 kids - Fine art 4 masters !!!! the END!

 

Matthew Florez And judging from that answer, you have no idea what art is for or why human beings make it.

 

Whatever, Dude! Paul I think you’ve missed your true calling: NOT an artist, but an instigator.

 

Maël Lencot Paul, trolling computer artist since 1994.Are you here for anything else Paul ?

 

Paul Jaisini I was talking 2 dude? I see…What a waist.. thanks god I was drinking wine while chatting .In Europe getting dark I will go out 2 enjoy life & 1000 years old art that still contemporary today, because its made by humans not computers.

 

Matthew Florez And I, who do not have that luxury, will look at my friend’s wonderful art, and with my eyes, see directly into their hearts.

 

Will Becker wow thnx Paul Jaisini! everything has finally become clear *throws computer into bathtub with self*

 

Por No Graphy GO F URSELF

 

Sageoxygen Indianaspirit Who is Paul Jaisini?

dayviews.com/gleitzeit/ Who made up the rules

We follow them like fools

Who are they, where are they

How can they possibly know all this

GLEITZEIT MANIFESTO 2015

PAUL JAISINI INVISIBLE PAINTING SINCE 1994

  

Thanks Stelly for sharing it with me personally. I spent a fair amount of time recently really trying to pin down “rates” on your incredible talent. But you really have to start to sell your art. I really hate Paul Jaisini for ruin your life, for supporting him and his rebellious act . As an NYC art collector I would buy a huge amount of your work .(I know they all poster size ) Stop refusing your opportunity!

 

Paul Jaisini is a legendary artist in the making and will be super famous one day, a household name, which he deserves for his mind-imploding talent, extraordinary vision of the future, genius concepts and innovative approach to art as well as the world and human race that's far ahead of our times...heck, I fear it might be too next level for our times.

 

Stelly Riesling mad love should not be interpreted as bad love, but rather love in its truest form... and true love is madness in itself as it wipes out self-preservation when, for example, a mother's child is in danger so she would more easily die for her child to protect it.... i don't believe she would die as readily for a man after a child enters her life--before that, perhaps. in most cases, when forced to choose between the man and child, her true mad love will cling to the child with an iron grip. love... a blessing and a curse? but more of which? i've yet to figure it out all these years... frankly i'm quite terrified of that mad love... it sure is fun to write when you're half asleep..

 

Kneel down before the great and powerful Black Cat God, almighty ruler of the cat universe and plotting to take over ours! Pray that your pathetic soul shall be spared from his vicious wrath! You might just be way too lame and miserable for his taste and get lucky!

"If I may put forward a slice of personal philosophy, I feel that man has ruled this world as a stumbling demented child-king long

enough! And as his empire crumbles, my precious [Black

Cat God] shall rise as his most fitting successor!"

 

Paul Jaisini is a legendary artist in the making and will be super famous one day, a household name, which he deserves for his mind-imploding talent, extraordinary vision of the future, genius concepts and innovative approach to art as well as the world and human race that's far ahead of our times...heck, I fear it might be too next level for our times.

  

Still not getting the message? Yeah, didn't think so... This will take a while to sink in, if ever.

(The art and text featured on this page is by Gleitzeit International Group © All Rights Reserved.)

 

Paul Jaisini creates invisible paintings. You gotta not see it to believe it!

Art by Gleitzeit International Group © All Rights Reserved.

 

Cat caught in blue fire, ice fire. Where are those damn firefighters???

(The art and text featured on this page is by Gleitzeit International Group © All Rights Reserved.)

  

Hypno cat wants your soul! Muahahaaa

 

You can click each one to enlarge for better detail.

(The art and text featured on this page is by Gleitzeit International Group © All Rights Reserved.)

 

Animated coolness wink emoticon

Art by Gleitzeit International Group © All Rights Reserved.

 

This quite a moving, powerful piece when you see the original in better detail.

Art by Gleitzeit International Group © All Rights Reserved.

 

Every image and text on this page belongs to Gleitzeit International Group © All Rights Reserved.

You can enlarge each of these creations by clicking them. The links I post here are ALWAYS 100% SAFE and only cost a second of your time to open grin emoticon

(All images & text are by Gleitzeit International Group © All Rights Reserved.)

 

Only the best for our fans! You rock! heart emoticon

Art work by Gleitzeit International Group © All Rights Reserved

 

Crazy in love with this stunning animated art work by GIG!!! heart emoticon

Gleitzeit International Group © All Rights Reserved

 

Stunning art work by one of the main contributors to GIG (Gleitzeit International Group) - a young female artist who wishes to remain anonymous for now. I'm a huuuuuuge fan of her sublime art!

 

Everything is better with hearts and sparkles! kiki emoticon

Fine Art by GIG (Gleitzeit International Group)

This is an artwork by a young female artist from NYC who is part of GIG (Gleitzeit International Group) and allegedly is about a horrible incident in her life that traumatized her. She was sexually harassed by a photographer after modeling her painted body for another artist who hired that photographer. It's a sad fact that in the modeling industry, photographers get away with such abominable, inhuman acts all the time because the model victims are often too ashamed to come forward or too scared of the consequences.

One of GIG's trademarks, the bad/evil/villain kitty! Whenever you see his face, you know it's us.

 

Want a taste? tongue emoticon Delicious fine art with confetti animation by GIG (Gleitzeit International Group)

If this is indeed the man himself, Paul Jaisini... WOOF!!

 

Sorry for any re-posts. I can't remember half the things I post here and don't have the time or internet speed for all that scrolling.

FYI - Paul Jaisini is one of the greatest internet "mindfucks" since the dawn of the internet itself practically. All these years gone by and no one can still figure him/it out to this very day. And the deeper you dig, the more bizarre it gets I tell ya. Sometimes I wish I never became entangled in this cyber adventure mystery, yet other times I shudder at how much duller my life would be!!!

 

Trippy kitties! GIG makes some of the funkiest creations I've ever seen!

 

There's a special place in my mind where kitties from outer space or an outer dimension start having these crazy-ass color seizures. I'm like mad metal, man. sunglasses emoticon

(Art by Gleitzeit International Group © All Rights Reserved.)

 

A photo from my vacation at a beach resort on Mars. Best time ever!! sunglasses emoticon

(Art by Gleitzeit International Group © All Rights Reserved.)

 

The invisible artist Paul Jaisini swallowed some police lights to make all the druggies & dealers in his path scamper off when he walks down the street. Only way to walk the streets over here baby!

 

Wicked kitties don't you play your wicked games with me!

(Art by Gleitzeit International Group © All Rights Reserved.)

Upon seeing this stunning artwork, it struck me... where does the expression "feeling blue" come from? Why that particular color and not, say, "feeling black" to express a sad state, which I think sounds more apt, black being the color of darkness... So I hit up my best bud Google for the answer! Ain't learning fun? Looky what I found:

The noun blues, meaning "low spirits," was first recorded in 1741 and may come from blue devil, a 17th-century term for a baleful demon, or from the adjective blue meaning "sad," a usage first recorded in Chaucer's Complaint of Mars (c. 1385). The idiom may have been reinforced by the notion that anxiety produces a livid skin color.

(Art by Gleitzeit International Group © All Rights Reserved.)

 

Sexy art by Gleitzeit International Group © All Rights Reserved.

 

Want a taste? Delicious fine art with confetti animation by GIG (Gleitzeit International Group © All Rights Reserved.)

 

Eye see you and eye know what you're thinking...

(Art by Gleitzeit International Group © All Rights Reserved.)

 

I suspect that cute little lolly is laced with something.

(Art by Gleitzeit International Group © All Rights Reserved.)

 

We're all humanary stew

If we don't pledge allegiance to

The Black Cat God

The horror that he brings

The horror of his spring

The unholiest of kings

The Black Cat God!

 

Kneel down before the great and powerful Black Cat God, almighty ruler of the cat universe and plotting to take over ours! Pray that your pathetic soul shall be spared from his vicious wrath! You might just be way too lame and miserable for his taste and get lucky!

"If I may put forward a slice of personal philosophy, I feel that man has ruled this world as a stumbling demented child-king long

enough! And as his empire crumbles, my precious [Black

Cat God] shall rise as his most fitting successor!"

 

Still not getting the message? Yeah, didn't think so... This will take a while to sink in, if ever.

(The art and text featured on this page is by Gleitzeit International Group © All Rights Reserved.)

 

Paul Jaisini creates invisible paintings. You gotta not see it to believe it!

Art by Gleitzeit International Group © All Rights Reserved.

 

Are you invisible? Get invisible....

 

Hypno cat wants your soul! Muahahaaa devil emoticon

(The art and text featured on this page is by Gleitzeit International Group © All Rights Reserved.)

 

Fantastic collection of artworks by GIG (Gleitzeit International Group) !!!!!

 

Smiley Sun - animated art by GIG (Gleitzeit International Group)

 

The madness of our world is captured perfectly in this wild animated art piece by the awesome GIG (Gleitzeit International Group)

 

This looks like activity between neurotransmitters in the brain. Way cool!

 

Legend in the making, invisible artist Paul Jaisini. Remember his name

  

"My art can be called a theory of possibility for meeting with the gods... Invisible Gods in-person (Jewish, Islamic etc.) and prove that humans where very wrong when they created you all"

- Interview with Paul Jaisini, "New Times" 1997

 

..."However, so many artists is not only trying to be innovative, influenced by Paul Jaisini's very provocative and confusing Invisible Paintings... interactive sculptures, paintings are still pretty visible. Too many creators for over 20 years influenced by "Vision Impossible" of Paul Jaisini. Here is one of the attempts to "redirect own vision".;) These sculptures are fun and offer more of a project for Tombstone for the Paul Jaisini grave, than admiration for Paul's genius. To be continued..."?

 

Abraham Lincoln said it first. Screw it... here is the Paul Jaisini's version - "The future will always predict us unless we will invent new humans". - P.Jaisini, from interview 1997

 

Warned-out vision can be replaced" - P.Jaisisni. interviewed by E.ipolito. New York Times 1996

 

Gleitzeit Manifesto 1994

ART WOULD ENTER THE HOURS OF WORK AND AFFECT THE MIND OF A WORKER

GLEITZEIT ART ACTION TAKES PLACE

GLEITZEIT INTER GROUP ALL RIGHTS RESERVED

 

His eyes see non dualistically the way mystics see

 

File size: 11.43MiB, width: 550px, height: 631px, frames: 70, type: gif

MANIFESTO GLEITZEIT 2014

"Hey, Jaisini! It meant to be like your invisible paintings. If you can see beyond the black square (canvas), keep it." Kazimir's cat

OPEN YOUR EYE!

Paul Jaisini destroyed all art.

Paul Jaisini He Paints Invisible Paintings Since 1994

20 years ago Paul Jaisini destroyed all of his critically acclaimed art.

VISION REDIRECTED

Paul Jaisini. HE PAINTS INVISIBLE PAINTINGS

IN THE KINGDOM OF BLIND THE ONE--EYED IS THE KING.

PAINTING OIL WAS HIS LIFE'S JOY. PERHAPS INVISIBLEPAINTINGS ARE MUCH MORE.

Wipe Out Rainbow!

YOU WILL LIKE WHAT I SEE.

MESSAGE SENT MESSAGE RECEIVED.

VISION BEYOND VISIBLE.

HOMAGE TO PAUL JAISINI.

INVISIBLE? ARE YOU BLIND OR EVEN DAEP? WHAT A TRAGEDY.

DONT NEED EYES SEE PAUL JAISINI'S INVISIBLE PAINTINGS.

I'M FAKIN TRIPPIN IT'S BREATHLESS!

Paul Jaisini is an artist and an occasional photographer. His invisible paintings are spectacularly ahead of our time.

Paul Jaisini It's Time Get Down To Earth.

"I WAS POSSESED BY THE VERY THOUGHT START PAINT THE NEW INVISIBLE PAINTINGS I HAVE NO REGRETS OF WHAT I DID CUZ I DON'T EVEN REMEMBER... MY NEW INVISIBLE MUSE. PAUL JAISINI"

Paul Jaisini The Man Who Can See Future.

"Don’t be mad at me… I just finished my beautiful invisible painting .I ‘m so dirty /paint all over/ . If u can c it let me know what can u c in it?" Paul Jaisini

"SOMEONE LOOKING AT -- SOMEONE SEEING THAT. Paul Jaisini

You asked me: PHOTOGRAPHY is to catch a moment. One photographer was asked how do you manage to do such photos, to which he replied, if you would walk around the world several times by foot and shoot thousands of rolls, you wouldn't ask, how I got few good shots. To catch a moment before digital era, with no softwares, people were risking lives. Now to realize any idea on photo paper enough to do several layers of elemets by software. Add them to the base image. But genius film photographers in my opinion are the people who using lens through their mind work created paintings. These are few you can count on your fingers. Contemporary photography IMHO is nothing but technical explorers, not artists. They don't own camera, camera owns them. Paul Jaisini.

THE UNBELIEVABLE LIFE AND ADVENTURES OF PAUL JAISINI

FUTURE FOLLOWS PAUL JAISINI

Worn Out Vision Replaced.

  

To The Extraordinary Enigmatic Man Mr. Paul Jaisini.

The Man Who Can See Future

Paul Jaisini‘s Vision Future Redirected Since He Started To Paint Invisible Paintings In 1994.”

   

gifartsy.wordpress.com/2015/04/10/gif-collage-manifesto/

 

Lunch Time

Oil on Linen W x H (“): 60 x 50 Signed Early Period

(1)

The unsolved mysteries of space inspire and concern artists and scientists.

Since space is normally defined as extension in all directions it is more difficult to comprehend element of space in picture frame then, for instance, in sculpture.

In “Lunch Time” Jaisini explores the two dimensional surface of painting, expands the space by spatial compression, creating a sense of constantly changing vision. In LT figures and grounds merge into one another.

Its linear and color structure creates dynamic tension of multiple perspective planes and indefinite expansion. The initial inspiration for the work could have come from the artist’s subconscious mind. Therefore the work is warm, emotional, and expressionistic. At the same time, as in all Jaisini’s art works there is a part of stimulus that comes from idea and grows into pure expression of the artist’s own nature. The composition starts up with figure of a central man. He outstretches the hands and his head is upturned.

The flowing prolonged line of the neck and right hand accents the direction of movement in the entire painting. Behind his hand, at the top left corner, there is a segment of purple inferno.

The picture is created on a contrast of solid grounds of warm color with another dimension of transparent, fluid spaces of cold, watery green.

It seems that the man is at a peak of some inner feeling and his body is washed with warm light. His profile is shadowed. The line of his leg is elongated and gives and expression of movement that starts up the dynamism of the picture altogether. On the right hand side of the “central” man sits a bird with a rainbow wing. She is too in a state of spiritual zenith.

Under the man’s right hand we see a group of three. A bald pregnant woman is bound by an umbilical cord to another pregnant woman. Between their faces shows a heavy chin and reddish nose of a crowned male, who might symbolize dominance.

To the right side of the picture there are more figures. A silhouette of a running man; he grabs a breast of seated female. Her small profile with waves of dark hair is turned to a man who appears to float on air. The sitting woman connects to another woman without facial features whose body seems to exist in order to create a shadow. Between her legs there is a grieving transparent silhouette of watery green color.

It is interesting to notice how the painting’s space expands by means of movements and directions, which slightly differ from one another on fraction of degree. There are no parallel lines, despite the busy linear composition.

More of exotic images emerge correlated by an imposed condition of withdrawal and ecstasy that is almost materialized in the painting.

Continuous movement of figures that flow into one another attains the sense of transition. The picture’s spirit is so infectious that you start to feel a wave of euphoria. Here you are experiencing a “felt” power of art. Lunch Time is a work of art that overcomes limitations and barriers of human mind. It abandons the world of ordinary senses through the closed eyes of its heroes existing vigorously in the picture’s space while light dissolves in their bodies. Dark contrasts and half tones create kaleidoscopic juxtaposition, the light sparks, the colors glow, and the movements flow in all the various directions. Little by little new images show up in exquisite harmony and correlation. I use words to explain images that exist before words in nonverbal communication of optical form, line, color, and texture.

But the painting seems to generate not only descriptive words but also sounds originated in music, nature, human voices, the city streets, and habitats.

(2)

Lunch Time is an apogee of imagination and creativity. The picture is painted in only two sessions each of several hours in two days.

Close examination of the painting verifies this statement as the painting has no underdrawing and is done in a very thin oil layer, almost transparent, with light brushwork.

Thinking about the mystery of creation I imagine the artist who paints Lunch Time and stays in front of an empty canvas knowing that what he wants to paint doesn’t exist but has to be a vision of flawless perfection. He is alone and at this moment nothing exists in the world except his canvas and urge to bring out a vision of his mind. Jaisini never prepares a sketch, never reworks his paintings, and never returns to the ones he painted. His creative moment with one picture could last a few days after he finalized an idea in his mind that is a much longer process. When he paints his next picture he needs a fresh vision, new beginning, new idea.

If he didn’t accomplish the task of matured idea in severe regime of work of short time but concentrated impact, he would never attempt to repeat the same picture. Anyone else would have difficult time trying to put themselves in such conditions of painting in few short sessions a picture of substantial size, compositional complexity, color galore, and graphical contrasts.

In the mind of the artist there is a desire to break through ordinary perception of space, time, and motion. In Jaisini’s mind there must be a desire to create an enclosure of his graphical line supported by puzzle idea of the given picture as a line of logic. The moment of painting’s ideation is a moment that is not apprehended by senses and reason.

Cézanne abandoned career and city life to be able to maintain the solitude and the urge to break through in each and every painting that is a truly painful but rewarding condition to the artist’s personal satisfaction.

Paintings created afresh in one attempt of a master have young invigorating sense of the flux and constant becoming.

Lunch Time is a painting that actualizes the moment of creative eruption.

The moment that suggests that human perception is not limited and such artist as Jaisini can provide us with a view of wonder once again. Jaisini closely knit together network of lines, images, colors, and spots. And each network should be studied independently.

The artist carried out his idea for the painting in his mind and therefore final composition is technically immediate and spontaneous. There is hardly a way to separate each principle (conceptual, graphical, color, representational).

Cubists and futurists considered principle of simultaneity to be best conceived as energy and unlimited form of motion; thus the shapes of objects were not properties of those objects but were “snapshots taken by the mind of the continuity of becoming”.

Jaisini accomplished in Lunch Time something that was not achieved by futurists or cubists: the challenge to unite fluidity of the image with fluidity of the thought. Cubists approached the new understanding of form and matter by fragmenting forms and objects. But this type of philosophical analysis can learn about partial principals while attempt was to understand unity of reality.

Jaisini unites analytical process with visual. His paintings are full of secretive meaning enriching to the visual array of images portrayed in the state of constant becoming. Cubists first allowed the viewer to become aware of the passage of time implied through the physical shifts of perspective. Jaisini is the first artist to allow us experience the shift of the thought.

If it is true that scientific thought is different from artistic thought, the shifting of thought can connect man far beyond the recognition of absolute truth and relativity of knowledge.

Shifting thought could be considered as a curved line of non-Euclidean geometry. It can completely stretch out as if elastic thought.

Jaisini is the first artist to capture this elastic thought in his art, to be able to depict something so unimaginable in visual terms. Jaisini’s mind seems to be overdeveloped by the man’s intense effort to overcome limits.

This attempt is a personal character, discipline, burden, or habit. It isn’t what majority of people experience often as daily job requirement. But as a result of the critical effort Jaisini is capable to complete such painting as Lunch Time in only two days or so, without any preparation. He sets up a goal to completely integrate the secluded line of his personal style in a compositional knot that holds the unruly composition of emancipated images and their movements. Jaisini holds the expressionistic emotion under restriction of his mind in duality of freedom and order.

He lets the line flow and jam, fly and rush, slow down and amplify in all the endless varieties of visual patterns. At the same time he leads the secretive personal line of logic that is even harder to be captured or explained.

 

eykgttlieb.wordpress.com/2014/05/24/notebook-gif-paul-jai...

www.artlimited.net/28738/art/image-portrait-of-paul-jaisi...

medium.com/art-submissions/invisible-art-manifesto-haters...

Invisible Art manifesto - HATERS, FANS, & COOL PPL ONLY!!!!!!

March 21, 2015 at 8:31pm

Featured below is another original art work of mine in homage to THE PIONEER OF INVISIBLE ART - PAUL JAISINI. Forget all the copycats that came after him — Master Paul Jaisini was the *FIRST* of a totally original concept and the *BEST*. My favorite thing about him is that he’s a voice, not an echo, which is quite rare.

DISCLAIMER: This is for anyone who is a hater OR wishes to better understand me, what I’m all about, so you can decide whether I’m weird or normal enough for you — a kind of very loose manifesto, rushed and unrevised, full of raw uncut emotion that I don’t like to be evident in my writing as lately I prefer a more professional, formal style, so we can consider this a rough draft of the more polished writing to come when I have extra time. I might return perhaps to this text later and clean it up or break it into separate parts. Right now it’s a long-winded hot mess, so if you manage to make any sense of it, BIG PROPS TO YOU. lol …and if you manage to read it ALL, you have my solemn respect!!! in a day when reading has been reduced to just catchy headliners and short captions of images once in a while. The consequence of this one-liner internet culture is non-linear, tunnel thinking, which is baaaaaad.

  

There lives among us a most enigmatic and charismatic creature named Paul Jaisini who led me into the wonderful world of art, not personally, but through descriptions of his artworks in essays written and published online by his friend, which painted the most fascinating images in my mind. Early on as a kiddo, I experimented with photography, simple point and shoot whatever looked attractive to me. Digital manipulation of my photographs with computer software followed… and somehow I learned useful drawing techniques along the way to combine existing elements with nonexistent ones, which allowed me to elevate the context for my ideas. Later, I started creating my own digital art from scratch for my friends and family as a favorite pastime. They would shower me with praise and repeatedly encouraged me to share my “different” vision with the rest of the world… it took a while and wasn’t easy to overcome the insecurity of not being good enough along with a gripping fear of being harshly criticized, but one day I woman-ed up and started publishing my work on the web, reminding myself that my livelihood didn’t depend on a positive reception.

  

Paul Jaisini’s role in all this has been to not disgrace myself, even if what I do is just a hobby. And I would never do him and other genius artists the disservice of calling myself a professional because I know I’ll never be as good as any of the GIANTS of pre-modern history. Be the best or be nothing, no middle ground.

  

People’s jealousy in the past, future and present over my obsessive love of Paul Jaisini, which they are well aware is purely plutonic, has caused them to despise the man and has made many friendships/relationships impossible for me, melting the glorious ice sculpture of my social life into a sad little puddle. I refuse to have those spiteful, jealous people in my life because by harboring any negativity towards someone like Paul, they unknowingly feel that way about me and express it to me. It’s their own problem for not realizing this. Paul’s new art movement, Gleitzeit, shaped me into the allegedly awesome gal I am today, giving my art more edge, more “sexy” because it refined my vision of the world and propelled me to attain the skills necessary to not dishonor my family name through tenacious pursuit of perfection. Since the beginning of my life, I attempted to depict what my eyes showed me in visual, musical and literal forms, but continuously failed without adequate training and determination. Paul Jaisini’s Gleitzeit was the answer to my prayers. Who I am today I owe mostly to him and his selfless ideals of the artverse that I’ve given unconditional loyalty to (he has this cool ability for hyper-vision to see whole universes, not itty bitty worlds, hence I call it an artverse instead of art world, with him in mind). So again, anyone who hates Paul Jaisini hates ME because, regardless of what he means to you, he is the most important person in my life for making me ME. The way a famous actor, dancer or singer inspires others to act, dance or sing, Paul inspired me to become a better artist, better writer, bettereverything. More people would understand if he was a household name because they’re wired to in society. But we’re inspiring each other all the time in our own little communities without being famous, so if someone has the ability to change even ONE person’s life immensely with creativity, it is a massive achievement. And passionate folks like myself are compelled to scream it from the cyber rooftops. So here I am. It’s whatever.

  

Furthermore, I’d like to address here a few pressing matters in light of some recent drama brought on by both strangers and former friends. To start, I never judge the passions, interests or likes of others, which are often in my face all over the place, so likewise they have no right to judge anything of mine. It is quite unfortunate and frustrating how very little understanding and education the majority of people have or want to have. Their logic is as primitive as a chipmunk when it comes to promotion of fine art on the web: “spamming, advertising, report!” It’s their own problem that they fail to understand what it’s about due to the distorted lens through which they see the world or inability to think for themselves; an inherent lack of perception or inquisitiveness. Well, guess what? Every single image, every animation, every video, every post dedicated to Mr. Paul Jaisini and “Gleitziet” (to elaborate: a revolutionary new art movement Paul founded with his partner in crime and personal friend, EYKG, who discovered him and believed in him more than anyone) has an important purpose. Every one of those things you run across is a piece of a puzzle, a move in a game, an inch down a rabbit hole; the deeper you go, the more interesting it gets; the more levels you pass, the more clues unfold, the greater the suspense and nearer the conclusion, though further really. You earn awesome rewards like enlightenment, spiritual revelations, truths, knowledge, wisdom and the most profound reward of all: the drive to improve yourself to the absolute maximum—an unending, unshakable drive to reach your highest self. People often make a wrong turn in this cyber game and go back a few levels or get stuck. Those that keep pushing on, however, will come to find the effort has been worth it. And what awaits you in the end of it all? The greatest challenge to beating the game:YOUR OWN MIND. You will be forced to let go of every belief you held before you had reached the last level, to completely alter your mindset and perception of the world, of life, of yourself. But by the time you’ve gotten to that point, it will be as easy as falling off a cliff! (It is a kind of suicide after all - death and rebirth of spirit.)

  

Paul Jaisini does NOT, *I repeat* does NOT use mystery and obscurity to his advantage as a clever marketing ploy, no, he’s too next level for that with a consciousness so rich, he should be required to wear a radioactive warning sign (his energy field will melt your brain - best wear your tinfoil hats in his presence). The statement he makes is loud and clear, hidden in plain site for those who take the time to connect the dots and have enough curiosity to fuel their journey into unknown territory (an open mind and flexible perception helps a lot). Actually, anyone with an IQ above 90 is sure to figure it out sooner or later… Hint: You don’t have to SEE an extraordinary thing with your eyes to know it exists, to understand it and realize its greatness - you can feel it in your bone marrow, your spinal fluid, your heart and soul. The moment you do figure it out, as the skeleton key of the human soul, it will unlock the greatness and massive potential buried deep within, changing the doomed direction humanity is undoubtedly headed towards. I don’t speak in riddles, I speak to a specific audience of intelligent humans who will understand perfectly, so I’m counting only on them, the ones, the “Awesomes.”.

GIG is an international group of artists and writers that support Paul Jaisini’s Gleitzeit. We started off as an unofficial fan club of Jaisini in 1996, comprised of only 6 individuals spanning 3 countries, and eventually escalated in status to an official fan group across the entire globe. A decade later it had grown to hundreds of fans. Nearly another decade later, there are thousands. Let’s not leave out another delightful group of vicious haters that have been around for nearly as long as us since the late 90s and have also grown in impressive numbers. Now, for the record (and please write this one down because I’m sick of repeating myself), Paul Jaisini himself is not part of our group and has nothing to do with us. He loves and hates us equally for “butchering his name and making him appear as a narcissistic nut-job” in his words. He casts hexes on us for the blinding flash we layer over the art that members contribute to GIG - “disgusting-police-lights, seizure-inducing-laser-lightshow, bourgeois-myspace-effects retarded-raver shit” in Paul’s words. Ahh, how we love his sweet-talking us. In a desperate attempt to please him, those among us who make the art and animations have spent countless hours and sleepless nights trying to solve a crazy-complex quantum-physics type of equation = how to not create tacky or tasteless content. He does fancy some of it now, we got better, that’s something! In the reason stated below, our mission just got out of hand at some point.

  

What little is known about Paul Jaisini, even in all this time, is he’s a horrible perfectionist who slaughtered hundreds of innocent babies—I mean—artworks of remarkable beauty created by his own right hand (mostly paintings, some watercolors and drawings). He’s a fierce recluse who wants nothing to do with anyone or anything in life. But those few of us who know of an incredible talent he possesses (one could go as far as calling it a superpower), could not allow him to live his life without the recognition he FUCKING DESERVES more than any artist out there living today and, arguably, yesterday. We use whatever means necessary to reach more people, lots of flash and razzle-dazzle to lure them into our sinister trap of a higher awareness. Mwahaha! The visual boom you’ve witnessed in both cyber and real worlds, that is GIG’s doing - two damn decades of spreading an art virus - IVA. InVisibleArtitis… or a drug as in Intravenous Art. It’s whatever you want it to be, honey. In reality, IVA simply stands for Invisible Art.

Our Gleitzeit International Group (GIG) started off innocently enough and gradually spiraled out of control to fight the haters, annoying the hell out of them as much as humanly possible. They don’t like what we do? WE DO MORE AND MORE OF IT. But never without purpose, without a carefully executed plan in mind collectively. If we have to tolerate an endless tidal wave of everyone’s vomit - e.g., idiotic memes and comics; dumbed-down one-liner quotes; selfies; so-called art photography passed through one-click app filters; mindless scribbles or random splatters by regular folks who have the nerve to call themselves serious/pro artists; primitive images of pets, babies, landscapes, random objects, etc… then people sure as shit are gonna tolerate what we put out, our animated and non-animated visual art designed for our beloved master, Paul Jaisini, who has shown us the light, the right path to follow, taught us great things and done so much for us - and so in our appreciation of him, we stamp his name on everything, for the sacrifices he has made in the name of art, to save our artverse, he’s a goddamn hero. There’s a book being written in his dedication where little will be left to the imagination about him.

  

If Paul Jaisini was as famous as Koons or Hirst, for example, people would know it’s not him posting stuff online with his name on it but fans creating fanart like myself among others. But noooooo, such a thing is unfathomable to most people - the promotion of another artist. Like, what’s in it for us? Uhh, nothing?? This is all NON-PROFIT bitches, the way art should be. It’s a passion FIRST, a commodity/commercial product/marketable item LAST and least. Its been that way for us since the early 90s to this day. Not a single member of GIG has sold an art work (neither has Paul Jaisini who’s a true professional) and we want to keep it that way. We do it for reasons far beyond ego. So advertising? Really? How the hell do you advertise or sell thin air, you know, invisible paintings, invisible anything? Ha ha, very funny indeed. The idea here is so simple, your neighbor’s dog can grasp it. Our motives: replace fast food for the mind with fine art, actual fine art. You know, creativity? Conscious thought? Talent? Skill? Knowledge? All that good stuff… rolled into one to bring viewers more than a momentary oooh and aaahh reaction. Replace the recycled images ad nauseum; repetitous, worn-out ideas; disposable, gimmicky, money-driven fast art for simpletons. Stick with the highest of standards and save the whole bloody planet.

  

Fine art is often confused with craft-making. This often elicits bad blood between classically trained artists who can create unique works that leave a lasting impression, that make strong conversation pieces, that are thought-provoking and deep… and trained craftspeoplewhose skills are adequate enough to create decorative fillers for homely environments — landscapes, still lifes, animals, pretty fairies, common themes of fantasy, and other simple things. Skills alone are not enough for high art - you need a vision, a purpose, the ability to tell a story with every stroke of your brush that will both fascinate and terrify, attract and repel, arousing powerful emotions in viewers, illuminating, mystifying. I have yet to see a visible painting in my generation that does anything at all for me, other than evoke sheer outrage and disgust. What a terrible waste of space and valuable resources it all is.

Paul Jaisini leads, we follow. He wishes to remain unknown - so do most of us. I’m next in line, slipping into recluse mode, no longer wanting to attach my face, my human image to my art stuff. I wish to be a nameless, faceless artist as well, invisible like P.J., and in his footsteps I too have destroyed thousands of my own artistic photography and digital art made with tedious, labor-intensive handwork. The whole point of this destruction is achieving the finest results possible by letting go of the imperfect, purging it on a regular basis, to make way for the perfect. I love what I do so it doesn’t matter, I know I’ll keep producing as much as I’m discarding, keeping the balance. Hoarding is an enemy of progress, especially the digital kind as there’s absolutely no limit to it. It’s like carrying a massive load of bricks on your back you’ll never use or need.

The watering down of creativity that digital packratting has caused as observed over the years is most tragic. For the creative individual, relying on terabytes of stock photos or OSFAP as I call them (Once Size Fits All Photos) instead of making your own as you used to when you had no choice, being 100% original, is a splinter in the conscience. It’s not evil to use stock of, say, things you don’t have access to (outer space, deep sea, Antarctica, etc.), but many digital artists I know today can’t take their own shot of a pencil ‘cause they “ain’t got no time for that!” How did they have time before? Did time get so compressed in only a decade?

Ohhhhh, and the edits, textures, filters, plug-ins and what-have-you available out there to everyone and their cats… are responsible for the tidal wave of rubbish that eclipses the magnificent light of the real talents.

I can tell you with utmost sincerity there is no better feeling on earth than knowing your creation is ALL yours, every pixel and dot, from the first to the last. It’s not always possible to make it so, but definitely the most rewarding endeavor. I’m most proud of myself when I can accomplish that.

Back to Paul Jaisini, from the start there have been a number of theories floating around on what his real story is. One of my own theories is that he stands for the unknowns of the world who can’t get representation, can’t get exhibited at a decent gallery because highly gifted/trained artists aren’t good enough - those kind of establishments prefer bananas, balloon dogs, feces, gigantic dicks/cunts, and all kinds of what-the-fucks… businessmen highly trained in entrepreneurship disguised as artists.

So again, you don’t get the Paul Jaisini or Gleitzeit or Invisible Art thing? That’s your problem. Don’t hate others for getting it. People are good, very good, at making baseless assumptions and impulsively spewing it as truth. They criticize and judge as if they’re high authorities on the subject while they clearly lack education in fine art or art history and possess little to no talent or skill to back up their loud assertions. My BS detector seldom fails on such things as credibility. When they say I know this or I know that, I reply don’t say “I know” or state things as fact as a general rule of thumb - instead say “I assume/believe” and state the reasons you feel thus to avoid looking the pompous fool, especially about a controversial topic like invisible art. I have zero respect or tolerance for egomaniacs who think they know it all and act accordingly with more concern over *who* is right than *what* is right. Who in their right mind can stand them? Once again, a good example would be: I, Stelly Riesling, believe everything I’ve written in this little manifesto to be correct based on personal experience, observation from different angles, thorough research and sufficient data collected from verifiable sources (and don’t go copying-pasting my own words back at me, be original). Just because you or I say so doesn’t make it so. Just because you or me think or believe so doesn’t make it true or right. I only ask that my opinions be regarded respectfully and whoever opposes them does so in a mature, civilized manner. We should only be entitled to opinions that don’t bring out the worst in us.

I don’t normally take such a position, but the time has come to stand up for what I believe in! It’s quite amusing and comical how haters think calling me names, attacking me or my interests or members of the project I’m part of for years is going to change something. It only makes more evident the importance of what I’m doing so I must push harder.

Words of advise to those who can identify with me, with my frustrations over people’s reluctance to change their miserable ways, with our declining art world… DON’T waste time on people who sweat the small stuff, whose actions are consistently inconsistent with their words. DO waste time on people who always keep their eye on the ball—the bigger picture of life—and prove themselves worthy as a good, positive influence. Avoid dark clouds, attention whores and idle, bored people - they are all energy vampires. Practice control over your emotions and block out distractions others place on you, block out pity completely.

Paul Jaisini’s invisible paintings are more than hype, more than your lame assumptions. Here’s one I got that’s pure gold: a cult! It started out as A JOKE OF MINE that was used against me. I told a then-good friend that he should come join our little “art cult” in a clearly lighthearted manner, and later he takes this idea I put in his head first and accuses me of being in an (imaginary) cult—the jokes on me eh?. But wait, aren’t cults religious? Our group consists of people around the world of different faiths (or none at all) so how could that ever work? If religion was about making fine (non-pop) art mainstream and bringing awesome, fresh, futuristic concepts to the collective consciousness, the world would not be so fucked up today because talent, creativity, originality and individuality would be the main focus, not superficial poppycock; those things would be praised and encouraged and supported in society by all institutions, not demonized and stigmatized.

Here is one thing I CAN state as solid fact: only one person close to Paul Jaisini knows the TRUE story, or at least some of it: EYKG. Everything else that has ever been said about him is myth, legend, gossip, speculation, the worst of which is said by jealous non-artists (wannabes, clones, posers, hang-ons, unoriginal ppl in general) and anti-artists (religious psychos, squares, losers and -duh- stupid ppl). Sadly, people are unable to see the bigger picture by letting their egos run their lives or repeating after others as parrots.

Commercial art, consumerism, and ignorance of the masses truly makes me want to curl up in a ball, not eat or drink or move until I die, just die in my sleep while dreaming of a better world, a world where real fine artists rule it with real fine art as they used to and life is beautiful once again….

Well I hope that settled THAT for now, or perhaps inadvertently made matters worse. I hope I didn’t sound too pissed from all these issues that keep popping up like penises on ChatRoulette… just got to me already! Can you tell? I had to put my foot down, stomp ‘em all!

Now don’t judge me, I’m young and still learning, but I’m glad to have these strong convictions and aspirations already. It truly feels at times like a supernatural power is guiding me. Something unexplainable out of nowhere possesses me to write these half-crazed mini-novels and make strange art.

To be continued, still lots more ignorance and pettiness to battle… Till then peace out my bambini. MWAH!

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#STELLYRIESLING #DAVINCI #ARTSHOW #NEW #FOLLOW #FUTUREFOLLOWS #PERSPECTIVE #FANTASTIC #GALAXY

Paul Jaisini creates invisible paintings. You gotta not see it to believe it! Art by Gleitzeit International Group © All Rights Reserved.

paul-jaisini-arts:

““Paul Jaisini creates invisible paintings. You gotta not see it to believe it!

media.giphy.com/media/xTiTnCVbaYFEwVYV3O/source.gif

  

giginter-blog.tumblr.com/post/188118296441/animated-gleit...

Rain by Stelly Riesling Black Hole Sun series, summer diary series, homage 2 paul jaisini,

LucioFontana #slashes #pauljaisini #slashed #scratched #collage #polished #look #fancy #fine

FOR IMMEDIATE RELEASE

MANIFESTO GLEITZEIT 2015

BY STELLY RIESLING

Featured below is another original art work of mine in homage to THE PIONEER OF INVISIBLE ART — PAUL JAISINI. Forget all the copycats that came after him — Master Paul Jaisini was the *FIRST* of a totally original concept and the *BEST*. My favorite thing about him is that he’s a voice, not an echo, which is quite rare.

DISCLAIMER: This is for anyone who is a hater OR wishes to better understand me, what I’m all about, so you can decide whether I’m weird or normal enough for you — a kind of very loose manifesto, rushed and unrevised, full of raw uncut emotion that I don’t like to be evident in my writing as lately I prefer a more professional, formal style, so we can consider this a rough draft of the more polished writing to come when I have extra time. I might return to this text later and clean it up or break it into separate parts. Right now it’s a long-winded hot mess, so if you manage to make any sense of it, BIG PROPS TO YOU. lol …and if you manage to read it ALL, you have my solemn respect!!! in a day when reading has been reduced to just catchy headliners and short captions of images once in a while. The consequence of this one-liner internet culture is non-linear, tunnel thinking, which is baaaaaad.

There lives among us a most enigmatic and charismatic creature named Paul Jaisini who led me into the wonderful world of art, not personally, but through descriptions of his artworks in essays written and published online by his friend, which painted the most fascinating images in my mind. Early on as a kiddo, I experimented with photography, simple point and shoot whatever looked attractive to me. Digital manipulation of my photographs with computer software followed… and somehow I learned useful drawing techniques along the way to combine existing elements with nonexistent ones, which allowed me to elevate the context for my ideas. Later, I started creating my own digital art from scratch for my friends and family as a favorite pastime. They would shower me with praise and repeatedly encouraged me to share my “different” vision with the rest of the world… it took a while and wasn’t easy to overcome the insecurity of not being good enough along with a gripping fear of being harshly criticized, but one day I woman-ed up and started publishing my work on the web, reminding myself that my livelihood didn’t depend on a positive reception.

Paul Jaisini’s role in all this has been to not disgrace myself, even if what I do is just a hobby. And I would never do him and other genius artists the disservice of calling myself a professional because I know I’ll never be as good as any of the GIANTS of pre-modern history. Be the best or be nothing, no middle ground.

People’s jealousy in the past, future and present over my obsessive love of Paul Jaisini, which they are well aware is purely plutonic, has caused them to despise the man and has made many relationships/friendships impossible for me. I refuse to have such people in my life because by harboring any negativity towards Paul, they unknowingly feel that way about me and express it to me. It’s their own problem for not realizing this. Paul’s new art movement, Gleitzeit, shaped me into the allegedly awesome girl I am today, giving my art more edge, more “sexy” because it refined my vision of the world and propelled me to attain the skills necessary to not dishonor my family name through tenacious pursuit of perfection. Since the beginning of my life, I attempted to depict what I saw in visual, musical and literal forms, but continuously failed without adequate training and determination. Paul Jaisini’s Gleitzeit was the answer to my prayers. Who I am today I owe mostly to him and his selfless ideals of the artverse that I’ve given unconditional loyalty to (he has this cool ability for hyper-vision to see whole universes, not itty bitty worlds, hence I call it an artverse instead of art world, with him in mind). So again, anyone who hates Paul Jaisini hates ME because, regardless of what he means to you, he is the most important person in my life for making me ME. The way a famous actor, dancer or singer inspires others to act, dance or sing, Paul inspired me to become a better artist, better writer, better everything. More people would understand if he was a household name because they’re wired to in society. But we’re inspiring each other all the time in our own little communities without being famous, so if someone has the ability to change even ONE person’s life immensely with creativity, it is a massive achievement. And passionate folks like myself are compelled to scream it from the cyber rooftops. So here I am. It’s whatever.

Furthermore, I’d like to address here a few pressing matters in light of some recent drama brought on by both strangers and former friends. To start, I never judge the passions, interests or likes of others, which are often in my face all over the place, so likewise they have no right to judge any of mine. It is quite unfortunate and frustrating how very little understanding and education the majority of people have or want to have. Their logic is as primitive as a chipmunk when it comes to promotion of fine art on the web: “spamming, advertising, report!” It’s their own problem that they fail to understand what it’s about due to the distorted lens through which they see the world or inability to think for themselves; an inherent lack of perception or inquisitiveness. Well, guess what? Every single image, every animation, every video, every post dedicated to Mr. Paul Jaisini and “Gleitziet” (to elaborate: a revolutionary new art movement Paul founded with his partner in crime and personal friend, EYKG, who discovered him and believed in him more than anyone) has an important purpose. Every one of those things you run across is a piece of a puzzle, a move in a game, an inch down a rabbit hole; the deeper you go, the more interesting it gets; the more levels you pass, the more clues unfold, the greater the suspense and nearer the conclusion (yet further). You earn awesome rewards like enlightenment, spiritual revelations, truths, knowledge, wisdom and the most profound reward of all: the drive to improve yourself to the absolute maximum, so an unending, unshakable drive. People often make a wrong turn in this cyber game and go back a few levels or get stuck. Those that keep on pushing, however, will come to find the effort has been worth it. And what awaits you in the end of it all? The greatest challenge to beating the game: YOUR OWN MIND. You will be forced to let go of every belief you held before you had reached the last level, to completely alter your mindset and perception of the world, of life, of yourself. But by the time you’ve gotten to that point, it will be as easy as falling off a cliff! (It is a kind of suicide after all — death and rebirth of spirit.)

Paul Jaisini does NOT, *I repeat* does NOT use mystery and obscurity to his advantage as a clever marketing ploy, no, he’s too next level for that with a consciousness so rich, he should wear a radioactive warning sign (he’ll melt your brain, best wear a tinfoil hat in his presence as I certainly would.) The statement he makes is loud and clear, hidden in plain site for those who take the time to connect the dots and have enough curiosity to fuel their journey into unknown territory (an open mind and flexible perception helps a lot). Actually, anyone with an IQ above 90 is sure to figure it out sooner or later. Hint: You don’t have to SEE an extraordinary thing with your eyes to know it exists, to understand it and realize its greatness — you can only feel it in your bone marrow, your spinal fluid, your heart and soul. The moment you do figure it out, as the skeleton key of the human soul, it will unlock the greatness and massive potential buried deep within, changing the doomed direction humanity is undoubtedly headed. I don’t speak in riddles, I speak in a clear direct way that intelligent humans will understand, so I’m counting on them.

GIG is an international group of artists and writers that support Paul Jaisini’s Gleitzeit. We started off as an unofficial fan club of Jaisini in 1996, comprised of only 6 individuals spanning 3 countries, and eventually escalated in status to an official fan group across the entire globe. A decade later it had grown to hundreds of fans. Nearly another decade later, there are thousands. Let’s not leave out another delightful group of vicious haters that have been around for nearly as long as us since the late 90s and have also grown in impressive numbers. Now, for the record (and please write this one down because I’m sick of repeating myself), Paul Jaisini himself is not part of our group and has nothing to do with us. He loves and hates us equally for butchering his name and making him appear as a narcissistic nut-job in his own words. He casts hexes on us for the blinding flash we layer over the art that members contribute to GIG — “disgusting-police-lights, seizure-inducing-laser-lightshow, bourgeois-myspace-effects retarded-raver shit” in Paul’s words. Ahh, how we love his sweet-talking us. In a desperate attempt to please him, those among us who make the art and animations have spent countless hours and sleepless nights trying to solve a crazy-complex quantum-physics type of equation = how to not create tacky or tasteless content. He does fancy some of it now, we got better, that’s something! In the reason stated below, our mission just got out of hand at some point.

What little is known about Paul Jaisini, even in all this time, is he’s a horrible perfectionist who slaughtered hundreds of innocent babies — I mean — artworks of remarkable beauty created by his own right hand (mostly paintings, some watercolors and drawings). He’s a fierce recluse who wants nothing to do with anyone or anything in life. But those few of us who know of an incredible talent he possesses (one could go as far as calling it a superpower), could not allow him to live his life without the recognition he FUCKING DESERVES more than any artist out there living today and, arguably, yesterday. We use whatever means necessary to reach more people, lots of flash and razzle-dazzle to lure them into our sinister trap of a higher awareness. Mwahaha! The visual boom you’ve witnessed in both cyber and real worlds, that is GIG’s doing — two damn decades of spreading an art virus — IVA. InVisibleArtitis… or a drug as in Intravenous Art. It’s whatever you want it to be, honey.

Our Gleitzeit International Group (GIG) started off innocently enough and gradually spiraled out of control to fight the haters, annoying the hell out of them as much as humanly possible. They don’t like what we do? WE DO MORE AND MORE OF IT. But never without purpose, without a carefully executed plan in mind collectively. If we have to tolerate an endless tidal wave of everyone’s vomit — e.g., idiotic memes and comics; dumbed-down one-liner quotes; selfies; so-called “art photography” passed through one-click app filters; mindless scribbles or random splatters by regular folks who have the nerve to call themselves serious/pro artists; primitive images of pets, babies, landscapes, random objects, etc… then people sure as shit are gonna tolerate what we put out, our animated and non-animated visual art designed for our beloved master, Paul Jaisini, who has shown us the light, the right path to follow, taught us great things and done so much for us — and so in our appreciation of him, we stamp his name on everything, for the sacrifices he has made in the name of art, to save our art verse, he’s a goddamn hero. There’s a book being written in his dedication where little will be left to the imagination about him.

If Paul Jaisini was as famous as Koons or Hirst, for example, people would know it’s not him posting stuff online with his name on it but fans creating fanart like myself among others. But noooooo, such a thing is unfathomable to most people - the promotion of another artist. Like, what’s in it for us? Uhh, nothing?? This is all NON-PROFIT bitches, the way art should be. It’s a passion FIRST, a commodity/commercial product/marketable item LAST and least. Its been that way for us since the early 90s to this day. Not a single member of GIG has sold an art work (neither has Paul Jaisini who’s a true professional) and we want to keep it that way. We do it for reasons far beyond ego. So advertising? Really? How the hell do you advertise or sell thin air, you know, invisible paintings, invisible anything? Ha ha, very funny indeed. The idea here is so simple, your neighbor’s dog can grasp it. Our motives: replace fast food for the mind with fine art, actual fine art. You know, creativity? Conscious thought? Talent? Skill? Knowledge? All that good stuff rolled into one to bring viewers more than a momentary ooohand aaahh reaction. Replace the recycled images ad nauseum; repetitious, worn-out ideas; disposable, gimmicky, money-driven fast art for simpletons. Stick with the highest of ideals and save the whole bloody planet.

Fine art is often confused with craft-making. This often creates bad blood between classically trained artists who put out paintings that leave a lasting impression, that make strong conversation pieces, that are thought-provoking and deep… and trained craftspeople whose skills are adequate to create decorative pieces for homely environments — landscapes, still lifes, animals, pretty fairies, common things of fantasy, and other simplicity. Skills alone are not enough for high art, you need a vision, a purpose, the ability to tell a story with every stroke of your brush that will both fascinate and terrify the viewers, arousing powerful emotions, illuminating. I have yet to see a visible painting in my generation that does anything at all for me, other than evoke sheer outrage and disgust. What a terrible waste of space and valuable resources it all is.

Paul Jaisini leads, we follow. He wishes to remain unknown - so do most of us. I’m next in line, slipping into recluse mode, no longer wanting to attach my face, my human image to my art stuff. I wish to be a nameless, faceless artist as well, invisible like P.J., and in his footsteps I too have destroyed thousands of my own artistic photography and digital art made with tedious, labor-intensive handwork. The whole point of this destruction is achieving the finest results possible by letting go of the imperfect, purging it on a regular basis, to make way for the perfect. I love what I do so it doesn’t matter, I know I’ll keep producing as much as I’m discarding, keeping the balance. Hoarding is an enemy of progress, especially the digital kind as there’s absolutely no limit to it. It’s like carrying a load of bricks on your back you’ll never use or need.

The watering down of creativity that digital pack ratting has caused as observed over the years is most tragic. For the creative individual, relying on terabytes of stock photos or OSFAP as I call them (Once Size Fits All Photos) instead of making your own as you used to when you had no choice, being 100% original, is a splinter in the conscience. It’s not evil to use stock of, say, things you don’t have access to (outer space, deep sea, Antarctica, etc.), but many digital artists I know today can’t take their own shot of a pencil ‘cause they “ain’t got no time for that!” How did they have time before? Did time get so compressed in only a decade?

Ohhhhh, and the edits, textures, filters, plug-ins and what-have-you available out there to everyone and their cats… are responsible for the tidal wave of rubbish that eclipses the magnificent light of the real talents.

I can tell you with utmost sincerity there is no better feeling on earth than knowing your creation is ALL yours, every pixel and dot, from the first to the last. It’s not always possible to make it so, but definitely the most rewarding endeavor. I’m most proud of myself when I can accomplish that.

Back to Paul Jaisini, from the start there have been a number of theories floating around on what his real story is. One of my own theories is that he stands for the unknowns of the world who can’t get representation, can’t get exhibited at a decent gallery because highly gifted/trained artists aren’t good enough - those kind of establishments prefer bananas, balloon dogs, feces, gigantic dicks/cunts, and all kinds of what-the-fucks…

So again, you don’t get the Paul Jaisini thing? That’s your problem. Don’t hate others for getting it. People are good, very good, at making baseless assumptions and impulsively spewing it as truth. They criticize and judge as if they’re high authorities on the subject yet they clearly lack education in fine art or art history and possess little to no talent or skill to back up their bullshit. My little “credibility radar” never fails. When they say I know this or I know that, I reply don’t say “I know” or state things as fact as a general rule of thumb - instead say “I assume/believe” and state the reasons you feel thus to appear less immature, especially about a controversial topic like invisible art. I have zero respect or tolerance for egomaniacs who think they know it all and act accordingly like arrogant pricks. Who can stand those, right? Once again, a good example would be: I, Stelly Riesling, believe everything I’ve written in this little manifesto to be correct based on personal experience and observation from multiple angles, thorough research and sufficient data collected from verifiable sources (and don’t go copying-pasting my own words back at me, be original). Just because you or I say so doesn’t make it so. Just because you or me think or believe so doesn’t make it true or right. I only ask that my opinions are regarded respectfully and whoever opposes them does so in a mature, civilized manner. We should only be entitled to opinions that don’t bring out the worst in us.

I don’t normally take such a position, but the time has come to stand up for what I believe in! It’s quite amusing and comical how haters think calling me names, attacking me or my interests or members of the project I’m part of for years is going to change something. It only makes more evident the importance of what I’m doing so I push on harder still.

Words of advise to those who can identify with me, with my frustrations over people’s reluctance to change their miserable ways, with our declining art world…

DON’T waste time on people who sweat the small stuff, whose actions are consistently inconsistent with their words. DO waste time on people who always keep their eye on the ball—the bigger picture of life.

Paul Jaisini’s invisible paintings are more than hype, more than your lame assumptions. Here’s one I got that’s pure gold: a cult! It started out as A JOKE OF MINE that was used against me. I told a then-good friend that he should come join our little “art cult” in a clearly lighthearted manner, and later he takes this idea I put in his head first and accuses me of being in an (imaginary) cult—the jokes on me eh?. But wait, aren’t cults religious? Our group consists of people around the world of different faiths (or none at all) so how could that ever work? If religion was about making fine (non-pop) art mainstream and bringing awesome, fresh, futuristic concepts to the collective consciousness, the world would not be so fucked up today because talent, creativity, originality and individuality would be the main focus, not superficial poppycock; those things would be praised and encouraged and supported in society by all institutions, not demonized and stigmatized.

Here is one thing I CAN state as solid fact: only one person close to Paul Jaisini knows the TRUE story, or at least some of it: EYKG. Everything else that has ever been said about him is myth, legend, gossip, speculation, the worst of which is said by jealous non-artists (wannabes, clones, posers, hang-ons, unoriginal ppl in general) and anti-artists (religious psychos, squares, losers and -duh- stupid ppl). Sadly, people are unable to see the bigger picture by letting their egos run their lives or repeating after others as parrots.

Commercial art, consumerism, and ignorance of the masses truly makes me want to curl up in a ball, not eat or drink or move until I die, just die in my sleep while dreaming of a better world, a world where real fine artists rule it with real fine art as they used to and life is beautiful once again….

Well I hope that settled THAT for now, or perhaps inadvertently made matters worse. I hope I didn’t sound too pissed from all these issues that keep popping up like penises on ChatRoulette… just got to me already! Can you tell? I had to put my foot down, stomp ‘em all!

To be continued, still lots more ignorance and pettiness to battle… Till then peace out my bambini. MWAH!

 

I am reading the amazing bits and pieces to eventually arrive to the moment when the puzzle and to be completely honest that this is not the type that was meant to be solved…

 

. Marble Lady – A painting by Jaisini

 

In his art, Jaisini insists on overcoming of the dehumanization and the suppression of sensuality.

 

In every historical period there are ideas and problems that are expressed but will not come to pass. Jaisini seeks to identify this idea in the present, excavate it from the past, and invent it in a new way for the future. In the murky, anxious world of ours, in the midst of the soul's confusions and multiplying moral losses, the artist seeks and always finds some big and small islands of eternal truths, and asserts the indestructible age-long parables that reveal these truths in the new light, in his own system of sign-images.

 

I realized that the more you look at "Gleitzeit" works and think, the more you see, feel, and understand—but never completely, as the works always have too many aspects for anyone to fully comprehend

 

There is always some kind of "space" in the painting, in which the observer feels free, without a persistent prompting of the artist, to use his own system of perception.

 

To me, "Marble Lady" seems a late modern modification of the Greek myth of the sculptor Pygmalion, who used his illusionist skill to satisfy a private fantasy of the ideal woman.

 

Disappointed by the imperfections of the opposite sex, he created Galatea out of marble. During a festival in honor of Venus, Pygmalion prayed for a woman as perfect as his statue.

 

Venus answered his prayer by bringing his statue to life and eliminating the boundary between reality and illusion. In Jaisini's "Marble Lady," the object of the intense desire remains alluring, yet perpetually distant. Desire of the others is often imagined in terms of a fetish.

 

So-called civilized man can be considered in light of his delight of the female form. In "Marble Lady," we find the two types of spectatorship: the masculine and the non-masculine.

 

Therefore, an image of the woman is defined through the desire of both spectators, the unmanly poet and the savage who may well be a subscriber to "Penis Power Quarterly."

 

The statue of Galatea was, and still is, the symbol of fictional perfection, a result of the search for an ideal woman that parallels the artist's own creative urge.

 

A post-feminist culture has found a way to reinvent the woman as she once was: eager to appear attractive again.

 

"Marble Lady" enables male domination by being unreachable and desirable.

 

The construction of such a female identity fiction can inspire both high and low natures.

 

In all of his works, Jaisini unites the high and low principles, integrating art into the material life, breaking out of art's ivory tower.

 

"Marble Lady" is a compact, pyramidal composition of the "trio."

 

As in all of his works, Jaisini subdues the figures to the articulation of line and its rhythmic connection between forms in space—a sort of analytical process based on the line swinging which inspires up ideas, shapes, and colors.

 

These line arabesques are the highly individual textures of Jaisini's art. A decorative role of the painting's color is to illustrate the temperature contrast between the heated environment and the marble-cold statue. In modern and postmodern times, there are increasingly fewer outlets for the sensual urges and desires that lay at the origin of human society that imposes restrictions.

 

Sexuality remained beyond the scope of most art history. Interaction between male and female is still responsible for the continued functioning of the universe.

 

Marble Lady (Oil painting) by Paul Jaisini, New York 2003

Text copyright 2003 by Yustas Kotz-Gottlieb. All rights reserved.

  

Gleitzeit - glij tijd Slide time - time slide

Subj.: Re: Jaisini Manifesto (short version) Gleitzeit 2/28/00

Guten tag! What I wanted to ask is what painting are you talking about. Gleitzeit - glij tijd Slide time - time slide.

Subj.: Gleitzeit Jaisini Date: 01 Jun 2000

Pray tell, what is Gleitzeit - art and who is Paul Jaisini? “A kind of art which draws upon imagery and seeks to reveal and abstract idea of the connection within” is as old as creation… an artists.

Subj.: Re: Manifesto Gleitzeit Jaisini 3/23/00

Gleitzeit - art sounds like visual poetry - where can I view this on the web?

www.artlimited.net/28738/art/image-me-and-paul/en/550864

The 20th anniversary of INVISIBLE PAINTINGS by PAUL JAISINI

is the celebration of FUTURE FUTURISM.

PAUL JAISINI BORN TO SEE

FUTUREHYPERVISION

PAUL JAISINI THE FUTURE OF FINE ART

OPEN YOUR EYE! PAUL JAISINI

Open Mind — See Future — Behind Curtain — Now! PAUL JAISINI

VISION REDIRECTED

PAUL JAISINI

Vision Future Redirected Since He Started To Paint Invisible Paintings In 1994

SEE BEYOND RAINBOW! PAUL JAISINI

Message Received — Message Sent PAUL JAISINI

Rainbow Fade Away! PAUL JAISINI

YOU WILL LIKE WHAT I SEE! PAUL JAISINI

  

PAUL JAISINI VISION BEYOND VISIBLE

  

DON’T NEED EYES SEE PAUL JAISINI’S INVISIBLE PAINTINGS

  

FUTURE FOLLOWS PAUL JAISINI

  

Paul Jaisini It’s Time Get Down To Earth

  

Worn Out Vision ReplacedPAUL JAISINI

  

PAUL JAISINI’S paintings are spectacularly ahead of our time.

  

(Paul Jaisini Redirecting Our Vision)

  

PAINTING OIL WAS HIS LIFE’S JOY. PERHAPS INVISIBLE

  

PAINTINGS ARE MUCH MORE.

  

Wipe Out Rainbow

  

ESCAPE RAINBOW

  

Message Received — Message Sent — Rainbow Fade Away

  

SEE BEYOND RAINBOW

  

YOU WILL LIKE WHAT I SEE

  

MESSAGE SENT MESSAGE RECEIVED

  

PAUL JAISINI VISION BEYOND VISIBLE

  

DON’T NEED EYES SEE PAUL JAISINI’S INVISIBLE PAINTINGS!

  

I’M FAKIN TRIPPIN IT’S BREATHLESS

  

Paul Jaisini It’s Time Get Down To Earth.

  

SOMEONE LOOKING AT — SOMEONE SEEING THAT

  

FUTURE FOLLOWS

  

Worn Out Vision Replaced

  

17 His 20 Years Solitary Voyage To Our Future

  

ESCAPE TRADITION

  

With Paul Jaisini Future Visible Now

  

THE MESSAGE FROM THE ART FUTURE

  

Is It Madness Or Glance Into The Future?

  

Paul Jaisini the eye of the future

  

Attention Future’s Eye Looking Back To You

  

Paul Jaisini Starts Creating Enigmatic Invisible Paintings After Destroying All

  

Paul Jaisini Paints The Enigmatic Invisible Paintings

  

"Think DeeppeR" — Paul Jaisini

  

"Glance Into The Future Since 1994"

  

PAUL JAISINI PAINTS INVISIBLE PAINTINGS SINCE 1994

  

Paul Jaisini is an artist. His invisible paintings are spectacularly ahead of our time.

  

12 I just finished my beautiful invisible painting .I ‘m so dirty /paint all over/ . If u can c it let me know what can u c in it?

  

Paul Jaisini is an artist. His invisible paintings are spectacularly ahead of our time.

  

nobody see tags - tag art dealers,

  

Paul-Jaisini, Ellen-Yustas-K-Gottlieb, Stelly-Riesling, Jerry-Saltz, Anthony-Haden-Guest, Amy-Phelan, Roberta-Smith, Larry Gagosian, Art-News,

  

Art-News, Gif, News, Art-News, Style, Fashion, Unique, creative, selfie, love, <3,

  

#blackandwhitephotography

  

#blackandwhite #blackandwhitephotos

  

+Best Top Photographer Group +Best Top Photographer Magazine

  

PAUL JAISINI PAINTS INVISIBLE PAINTINGS SO SPECTACULAR

  

SEE THE WORLD DIFFERENTLY

  

PAUL JAISINI IS AN ARTIST HIS INVISIBLE PAINTINGS ARE SPECTACULARLY AHEAD OF OUR TIME

  

FIERCELY fiercely

  

PAUL JAISINI PAINTS INVISIBLE PAINTINGS SO FIERCELY AHEAD OF OUR TIME

  

Paul Jaisini destroyed his 200+ graphic works, New York 1994

art with animation

Homage to Paul Jaisini cinemagrath