"His silent song to Paul Jaisini "

 

why do you scream a silent song

the darkness knows you dream alone

your dream is just another pity show

they all are born dream-blind

to see your dreams- miracles unshown

yes, those who created the world for blind

their only sins were silent words unspoken

for those who cannot hear the word: be kind

to those who are invisible

who trying hard to fix reality unbroken

to see unseen was never easy

to open blind mind for wonder - dreams

to hear the unspoken truth not easy

your invisible heaven you paint

to make them see your fantasy - it seems.

I wish not once I met myself inside of you

I was a prisoner of reason for ever long

You wish I never hear yourself, to whisper

I'm glad you like what sight is in my song

 

2

 

Hello, soul blinded mortals, hello again

one day I'll show you all my twinkling dreams

If you resolve do drown into jelly of my brain

next, you will hear the silence of your screams

hello, Long time no see sweet-flavored sorrow-minded

you are so brave to enter in my icing cave

came all along to gently break my only lonely heart

with freezing news: "for what I do - nobody gives a fart"

hello nobody's, from the fart-smell nowhere land

your nasty smell reminds I've seen my own decay

I'm getting none the malodorous of your gooey band

with me I made my stay for painting my fantasy' away

all my existence I was begging time for validation of my fly

I didn't know why, I didn't know where is 9 moon sky

time took me wherever shadows clear, light years from here

was chosen I away somewhere, where light you hear

away from here elsewhere from over here

they threw me on the under of my mind

where my dream was near,

my delusion comes to be so vivid and so clear

old sphere has changed, my vision not as pure

the bottle with the message nether the ocean of my tear

my obey is slipping covered with your Domesday fear

I lived waiting to understand myself

why still I fight your demons with my paintbrush

 

that solely I be able see light years away from here

"Golden song from the Kingdom of Blind"

We pity you sick clown, a nightmare screamer

we never cared for you at all, coz you are dreamer

Too much of us and even if we blind, we ocean-strong

but you with your hollow friend are all alone

Invisible, you say to all of us, so what the use?

Enjoy yourself with Jesus and cross will be abused

surprise us with your painted heaven, never seen

even you are a new messiah, your vision still obscene

you need us to love it, you need us to see it living

you crazy fool, how can we if we all blind and unkind

our vision worn out by gold and money out of our mind

we are too busy eating, fucking, shitting we have no time

Shut up !!! Shout out one-eyed king to blind ocean

kneel before me uneducated blind slaves!

 

And golden son of god has spoken:

"My only eye is getting ill you are ours only hope

My stage getting darker for the show must go on dope

don't listen to those whores, they're getting only worse

they just jealous you can see with no eyes a magic cause

your world invisible not new, they live in darkness long

oh, but for the king without only eye to see no treasure

my magic god! will be the horror you can not measure

teach to see unseen before me, paint your diamond song

don't be afraid for my love deep inside your soul

paint treasure world to see, then I'll show them all

you have so much to share, so much to show, to do...

we're getting down on our knees, now all is up to you!

  

#metalicgold #backroundjaisini #texturejaisini #picjaisini #photojaisini #paintingjaisini #effectjaisini #gleitzeit #glitter #detail #bow #manifesto #photography #jaisini #diamond #beads #grunge #glam #fab #fancy #futurismjaisini #spacejaisini #spacecraftjaisini #metaljaisini #starsjaisini #alienjaisini #universejaisini #saturation #toning #positioning #tiltshift #vignette #artistic #handmade #flashing #lights #graphicdesign #cs6 #sketchbook #graffiti #sharpie #stickers #colorbalance #masterpiece #swag #hot #manifesto #surreal #seer #surrealism #animated #animation #decorative #genius #prophet #prophecies #art #robot #catrobot #cattoy #toy #cat-toy #star #opart #opticalillusion #colorful #star #painting #wallpaper #design #rainbow #lips #love #games #puzzle #glow #groovy #abstract #contemporary #flower #graphic #paintings #artistic #graphicdesign #cs6 #sketchbook #graffiti #sharpie #masterpiece #swag #hot #manifesto #gleitzeit #pauljaisini #surreal #seer #prophet #surrealism #animated #animation #author #anime #boho #glam #vision #trippy #optical #illusion #visual #loop #3d #acid #trip #psychedelic #perfect #shoutout #caramel #honey #topaz #grunge #victoriasecret #trip, #perfect, #vibrant #dark #magic #painted #abstract #icarus #marblelady #911 #narcissus #blue-reincarnation #moving #movingpicture #video #neonpink #crayons #digital #digitalart #bling #happy #relax #photoeffect #paintedphoto #glittered #dream, #journey #infinite #dreams #high #dmt #cosmos #lsd #trippy #d rugs #acid #trip #hippie #wonder #imagine #quest #moon

#STELLYRIESLING #DAVINCI #ARTSHOW #NEW #FOLLOW #FUTUREFOLLOWS #PERSPECTIVE #FANTASTIC #GALAXY

medium.com/art-submissions/invisible-art-manifesto-haters...

Invisible Art manifesto - HATERS, FANS, & COOL PPL ONLY!!!!!!

March 21, 2015 at 8:31pm

Featured below is another original art work of mine in homage to THE PIONEER OF INVISIBLE ART - PAUL JAISINI. Forget all the copycats that came after him — Master Paul Jaisini was the *FIRST* of a totally original concept and the *BEST*. My favorite thing about him is that he’s a voice, not an echo, which is quite rare.

DISCLAIMER: This is for anyone who is a hater OR wishes to better understand me, what I’m all about, so you can decide whether I’m weird or normal enough for you — a kind of very loose manifesto, rushed and unrevised, full of raw uncut emotion that I don’t like to be evident in my writing as lately I prefer a more professional, formal style, so we can consider this a rough draft of the more polished writing to come when I have extra time. I might return perhaps to this text later and clean it up or break it into separate parts. Right now it’s a long-winded hot mess, so if you manage to make any sense of it, BIG PROPS TO YOU. lol …and if you manage to read it ALL, you have my solemn respect!!! in a day when reading has been reduced to just catchy headliners and short captions of images once in a while. The consequence of this one-liner internet culture is non-linear, tunnel thinking, which is baaaaaad.

  

There lives among us a most enigmatic and charismatic creature named Paul Jaisini who led me into the wonderful world of art, not personally, but through descriptions of his artworks in essays written and published online by his friend, which painted the most fascinating images in my mind. Early on as a kiddo, I experimented with photography, simple point and shoot whatever looked attractive to me. Digital manipulation of my photographs with computer software followed… and somehow I learned useful drawing techniques along the way to combine existing elements with nonexistent ones, which allowed me to elevate the context for my ideas. Later, I started creating my own digital art from scratch for my friends and family as a favorite pastime. They would shower me with praise and repeatedly encouraged me to share my “different” vision with the rest of the world… it took a while and wasn’t easy to overcome the insecurity of not being good enough along with a gripping fear of being harshly criticized, but one day I woman-ed up and started publishing my work on the web, reminding myself that my livelihood didn’t depend on a positive reception.

  

Paul Jaisini’s role in all this has been to not disgrace myself, even if what I do is just a hobby. And I would never do him and other genius artists the disservice of calling myself a professional because I know I’ll never be as good as any of the GIANTS of pre-modern history. Be the best or be nothing, no middle ground.

  

People’s jealousy in the past, future and present over my obsessive love of Paul Jaisini, which they are well aware is purely plutonic, has caused them to despise the man and has made many friendships/relationships impossible for me, melting the glorious ice sculpture of my social life into a sad little puddle. I refuse to have those spiteful, jealous people in my life because by harboring any negativity towards someone like Paul, they unknowingly feel that way about me and express it to me. It’s their own problem for not realizing this. Paul’s new art movement, Gleitzeit, shaped me into the allegedly awesome gal I am today, giving my art more edge, more “sexy” because it refined my vision of the world and propelled me to attain the skills necessary to not dishonor my family name through tenacious pursuit of perfection. Since the beginning of my life, I attempted to depict what my eyes showed me in visual, musical and literal forms, but continuously failed without adequate training and determination. Paul Jaisini’s Gleitzeit was the answer to my prayers. Who I am today I owe mostly to him and his selfless ideals of the artverse that I’ve given unconditional loyalty to (he has this cool ability for hyper-vision to see whole universes, not itty bitty worlds, hence I call it an artverse instead of art world, with him in mind). So again, anyone who hates Paul Jaisini hates ME because, regardless of what he means to you, he is the most important person in my life for making me ME. The way a famous actor, dancer or singer inspires others to act, dance or sing, Paul inspired me to become a better artist, better writer, bettereverything. More people would understand if he was a household name because they’re wired to in society. But we’re inspiring each other all the time in our own little communities without being famous, so if someone has the ability to change even ONE person’s life immensely with creativity, it is a massive achievement. And passionate folks like myself are compelled to scream it from the cyber rooftops. So here I am. It’s whatever.

  

Furthermore, I’d like to address here a few pressing matters in light of some recent drama brought on by both strangers and former friends. To start, I never judge the passions, interests or likes of others, which are often in my face all over the place, so likewise they have no right to judge anything of mine. It is quite unfortunate and frustrating how very little understanding and education the majority of people have or want to have. Their logic is as primitive as a chipmunk when it comes to promotion of fine art on the web: “spamming, advertising, report!” It’s their own problem that they fail to understand what it’s about due to the distorted lens through which they see the world or inability to think for themselves; an inherent lack of perception or inquisitiveness. Well, guess what? Every single image, every animation, every video, every post dedicated to Mr. Paul Jaisini and “Gleitziet” (to elaborate: a revolutionary new art movement Paul founded with his partner in crime and personal friend, EYKG, who discovered him and believed in him more than anyone) has an important purpose. Every one of those things you run across is a piece of a puzzle, a move in a game, an inch down a rabbit hole; the deeper you go, the more interesting it gets; the more levels you pass, the more clues unfold, the greater the suspense and nearer the conclusion, though further really. You earn awesome rewards like enlightenment, spiritual revelations, truths, knowledge, wisdom and the most profound reward of all: the drive to improve yourself to the absolute maximum—an unending, unshakable drive to reach your highest self. People often make a wrong turn in this cyber game and go back a few levels or get stuck. Those that keep pushing on, however, will come to find the effort has been worth it. And what awaits you in the end of it all? The greatest challenge to beating the game:YOUR OWN MIND. You will be forced to let go of every belief you held before you had reached the last level, to completely alter your mindset and perception of the world, of life, of yourself. But by the time you’ve gotten to that point, it will be as easy as falling off a cliff! (It is a kind of suicide after all - death and rebirth of spirit.)

  

Paul Jaisini does NOT, *I repeat* does NOT use mystery and obscurity to his advantage as a clever marketing ploy, no, he’s too next level for that with a consciousness so rich, he should be required to wear a radioactive warning sign (his energy field will melt your brain - best wear your tinfoil hats in his presence). The statement he makes is loud and clear, hidden in plain site for those who take the time to connect the dots and have enough curiosity to fuel their journey into unknown territory (an open mind and flexible perception helps a lot). Actually, anyone with an IQ above 90 is sure to figure it out sooner or later… Hint: You don’t have to SEE an extraordinary thing with your eyes to know it exists, to understand it and realize its greatness - you can feel it in your bone marrow, your spinal fluid, your heart and soul. The moment you do figure it out, as the skeleton key of the human soul, it will unlock the greatness and massive potential buried deep within, changing the doomed direction humanity is undoubtedly headed towards. I don’t speak in riddles, I speak to a specific audience of intelligent humans who will understand perfectly, so I’m counting only on them, the ones, the “Awesomes.”.

GIG is an international group of artists and writers that support Paul Jaisini’s Gleitzeit. We started off as an unofficial fan club of Jaisini in 1996, comprised of only 6 individuals spanning 3 countries, and eventually escalated in status to an official fan group across the entire globe. A decade later it had grown to hundreds of fans. Nearly another decade later, there are thousands. Let’s not leave out another delightful group of vicious haters that have been around for nearly as long as us since the late 90s and have also grown in impressive numbers. Now, for the record (and please write this one down because I’m sick of repeating myself), Paul Jaisini himself is not part of our group and has nothing to do with us. He loves and hates us equally for “butchering his name and making him appear as a narcissistic nut-job” in his words. He casts hexes on us for the blinding flash we layer over the art that members contribute to GIG - “disgusting-police-lights, seizure-inducing-laser-lightshow, bourgeois-myspace-effects retarded-raver shit” in Paul’s words. Ahh, how we love his sweet-talking us. In a desperate attempt to please him, those among us who make the art and animations have spent countless hours and sleepless nights trying to solve a crazy-complex quantum-physics type of equation = how to not create tacky or tasteless content. He does fancy some of it now, we got better, that’s something! In the reason stated below, our mission just got out of hand at some point.

  

What little is known about Paul Jaisini, even in all this time, is he’s a horrible perfectionist who slaughtered hundreds of innocent babies—I mean—artworks of remarkable beauty created by his own right hand (mostly paintings, some watercolors and drawings). He’s a fierce recluse who wants nothing to do with anyone or anything in life. But those few of us who know of an incredible talent he possesses (one could go as far as calling it a superpower), could not allow him to live his life without the recognition he FUCKING DESERVES more than any artist out there living today and, arguably, yesterday. We use whatever means necessary to reach more people, lots of flash and razzle-dazzle to lure them into our sinister trap of a higher awareness. Mwahaha! The visual boom you’ve witnessed in both cyber and real worlds, that is GIG’s doing - two damn decades of spreading an art virus - IVA. InVisibleArtitis… or a drug as in Intravenous Art. It’s whatever you want it to be, honey. In reality, IVA simply stands for Invisible Art.

Our Gleitzeit International Group (GIG) started off innocently enough and gradually spiraled out of control to fight the haters, annoying the hell out of them as much as humanly possible. They don’t like what we do? WE DO MORE AND MORE OF IT. But never without purpose, without a carefully executed plan in mind collectively. If we have to tolerate an endless tidal wave of everyone’s vomit - e.g., idiotic memes and comics; dumbed-down one-liner quotes; selfies; so-called art photography passed through one-click app filters; mindless scribbles or random splatters by regular folks who have the nerve to call themselves serious/pro artists; primitive images of pets, babies, landscapes, random objects, etc… then people sure as shit are gonna tolerate what we put out, our animated and non-animated visual art designed for our beloved master, Paul Jaisini, who has shown us the light, the right path to follow, taught us great things and done so much for us - and so in our appreciation of him, we stamp his name on everything, for the sacrifices he has made in the name of art, to save our artverse, he’s a goddamn hero. There’s a book being written in his dedication where little will be left to the imagination about him.

  

If Paul Jaisini was as famous as Koons or Hirst, for example, people would know it’s not him posting stuff online with his name on it but fans creating fanart like myself among others. But noooooo, such a thing is unfathomable to most people - the promotion of another artist. Like, what’s in it for us? Uhh, nothing?? This is all NON-PROFIT bitches, the way art should be. It’s a passion FIRST, a commodity/commercial product/marketable item LAST and least. Its been that way for us since the early 90s to this day. Not a single member of GIG has sold an art work (neither has Paul Jaisini who’s a true professional) and we want to keep it that way. We do it for reasons far beyond ego. So advertising? Really? How the hell do you advertise or sell thin air, you know, invisible paintings, invisible anything? Ha ha, very funny indeed. The idea here is so simple, your neighbor’s dog can grasp it. Our motives: replace fast food for the mind with fine art, actual fine art. You know, creativity? Conscious thought? Talent? Skill? Knowledge? All that good stuff… rolled into one to bring viewers more than a momentary oooh and aaahh reaction. Replace the recycled images ad nauseum; repetitous, worn-out ideas; disposable, gimmicky, money-driven fast art for simpletons. Stick with the highest of standards and save the whole bloody planet.

  

Fine art is often confused with craft-making. This often elicits bad blood between classically trained artists who can create unique works that leave a lasting impression, that make strong conversation pieces, that are thought-provoking and deep… and trained craftspeoplewhose skills are adequate enough to create decorative fillers for homely environments — landscapes, still lifes, animals, pretty fairies, common themes of fantasy, and other simple things. Skills alone are not enough for high art - you need a vision, a purpose, the ability to tell a story with every stroke of your brush that will both fascinate and terrify, attract and repel, arousing powerful emotions in viewers, illuminating, mystifying. I have yet to see a visible painting in my generation that does anything at all for me, other than evoke sheer outrage and disgust. What a terrible waste of space and valuable resources it all is.

Paul Jaisini leads, we follow. He wishes to remain unknown - so do most of us. I’m next in line, slipping into recluse mode, no longer wanting to attach my face, my human image to my art stuff. I wish to be a nameless, faceless artist as well, invisible like P.J., and in his footsteps I too have destroyed thousands of my own artistic photography and digital art made with tedious, labor-intensive handwork. The whole point of this destruction is achieving the finest results possible by letting go of the imperfect, purging it on a regular basis, to make way for the perfect. I love what I do so it doesn’t matter, I know I’ll keep producing as much as I’m discarding, keeping the balance. Hoarding is an enemy of progress, especially the digital kind as there’s absolutely no limit to it. It’s like carrying a massive load of bricks on your back you’ll never use or need.

The watering down of creativity that digital packratting has caused as observed over the years is most tragic. For the creative individual, relying on terabytes of stock photos or OSFAP as I call them (Once Size Fits All Photos) instead of making your own as you used to when you had no choice, being 100% original, is a splinter in the conscience. It’s not evil to use stock of, say, things you don’t have access to (outer space, deep sea, Antarctica, etc.), but many digital artists I know today can’t take their own shot of a pencil ‘cause they “ain’t got no time for that!” How did they have time before? Did time get so compressed in only a decade?

Ohhhhh, and the edits, textures, filters, plug-ins and what-have-you available out there to everyone and their cats… are responsible for the tidal wave of rubbish that eclipses the magnificent light of the real talents.

I can tell you with utmost sincerity there is no better feeling on earth than knowing your creation is ALL yours, every pixel and dot, from the first to the last. It’s not always possible to make it so, but definitely the most rewarding endeavor. I’m most proud of myself when I can accomplish that.

Back to Paul Jaisini, from the start there have been a number of theories floating around on what his real story is. One of my own theories is that he stands for the unknowns of the world who can’t get representation, can’t get exhibited at a decent gallery because highly gifted/trained artists aren’t good enough - those kind of establishments prefer bananas, balloon dogs, feces, gigantic dicks/cunts, and all kinds of what-the-fucks… businessmen highly trained in entrepreneurship disguised as artists.

So again, you don’t get the Paul Jaisini or Gleitzeit or Invisible Art thing? That’s your problem. Don’t hate others for getting it. People are good, very good, at making baseless assumptions and impulsively spewing it as truth. They criticize and judge as if they’re high authorities on the subject while they clearly lack education in fine art or art history and possess little to no talent or skill to back up their loud assertions. My BS detector seldom fails on such things as credibility. When they say I know this or I know that, I reply don’t say “I know” or state things as fact as a general rule of thumb - instead say “I assume/believe” and state the reasons you feel thus to avoid looking the pompous fool, especially about a controversial topic like invisible art. I have zero respect or tolerance for egomaniacs who think they know it all and act accordingly with more concern over *who* is right than *what* is right. Who in their right mind can stand them? Once again, a good example would be: I, Stelly Riesling, believe everything I’ve written in this little manifesto to be correct based on personal experience, observation from different angles, thorough research and sufficient data collected from verifiable sources (and don’t go copying-pasting my own words back at me, be original). Just because you or I say so doesn’t make it so. Just because you or me think or believe so doesn’t make it true or right. I only ask that my opinions be regarded respectfully and whoever opposes them does so in a mature, civilized manner. We should only be entitled to opinions that don’t bring out the worst in us.

I don’t normally take such a position, but the time has come to stand up for what I believe in! It’s quite amusing and comical how haters think calling me names, attacking me or my interests or members of the project I’m part of for years is going to change something. It only makes more evident the importance of what I’m doing so I must push harder.

Words of advise to those who can identify with me, with my frustrations over people’s reluctance to change their miserable ways, with our declining art world… DON’T waste time on people who sweat the small stuff, whose actions are consistently inconsistent with their words. DO waste time on people who always keep their eye on the ball—the bigger picture of life—and prove themselves worthy as a good, positive influence. Avoid dark clouds, attention whores and idle, bored people - they are all energy vampires. Practice control over your emotions and block out distractions others place on you, block out pity completely.

Paul Jaisini’s invisible paintings are more than hype, more than your lame assumptions. Here’s one I got that’s pure gold: a cult! It started out as A JOKE OF MINE that was used against me. I told a then-good friend that he should come join our little “art cult” in a clearly lighthearted manner, and later he takes this idea I put in his head first and accuses me of being in an (imaginary) cult—the jokes on me eh?. But wait, aren’t cults religious? Our group consists of people around the world of different faiths (or none at all) so how could that ever work? If religion was about making fine (non-pop) art mainstream and bringing awesome, fresh, futuristic concepts to the collective consciousness, the world would not be so fucked up today because talent, creativity, originality and individuality would be the main focus, not superficial poppycock; those things would be praised and encouraged and supported in society by all institutions, not demonized and stigmatized.

Here is one thing I CAN state as solid fact: only one person close to Paul Jaisini knows the TRUE story, or at least some of it: EYKG. Everything else that has ever been said about him is myth, legend, gossip, speculation, the worst of which is said by jealous non-artists (wannabes, clones, posers, hang-ons, unoriginal ppl in general) and anti-artists (religious psychos, squares, losers and -duh- stupid ppl). Sadly, people are unable to see the bigger picture by letting their egos run their lives or repeating after others as parrots.

Commercial art, consumerism, and ignorance of the masses truly makes me want to curl up in a ball, not eat or drink or move until I die, just die in my sleep while dreaming of a better world, a world where real fine artists rule it with real fine art as they used to and life is beautiful once again….

Well I hope that settled THAT for now, or perhaps inadvertently made matters worse. I hope I didn’t sound too pissed from all these issues that keep popping up like penises on ChatRoulette… just got to me already! Can you tell? I had to put my foot down, stomp ‘em all!

Now don’t judge me, I’m young and still learning, but I’m glad to have these strong convictions and aspirations already. It truly feels at times like a supernatural power is guiding me. Something unexplainable out of nowhere possesses me to write these half-crazed mini-novels and make strange art.

To be continued, still lots more ignorance and pettiness to battle… Till then peace out my bambini. MWAH!

Paul Jaisini creates invisible paintings. You gotta not see it to believe it! Art by Gleitzeit International Group © All Rights Reserved.

paul-jaisini-arts:

““Paul Jaisini creates invisible paintings. You gotta not see it to believe it!

The 20th anniversary of INVISIBLE PAINTINGS by PAUL JAISINI

is the celebration of FUTURE FUTURISM.

PAUL JAISINI BORN TO SEE

FUTUREHYPERVISION

PAUL JAISINI THE FUTURE OF FINE ART

OPEN YOUR EYE! PAUL JAISINI

Open Mind — See Future — Behind Curtain — Now! PAUL JAISINI

VISION REDIRECTED

PAUL JAISINI

Vision Future Redirected Since He Started To Paint Invisible Paintings In 1994

SEE BEYOND RAINBOW! PAUL JAISINI

Message Received — Message Sent PAUL JAISINI

Rainbow Fade Away! PAUL JAISINI

YOU WILL LIKE WHAT I SEE! PAUL JAISINI

  

PAUL JAISINI VISION BEYOND VISIBLE

  

DON’T NEED EYES SEE PAUL JAISINI’S INVISIBLE PAINTINGS

  

FUTURE FOLLOWS PAUL JAISINI

  

Paul Jaisini It’s Time Get Down To Earth

  

Worn Out Vision ReplacedPAUL JAISINI

  

PAUL JAISINI’S paintings are spectacularly ahead of our time.

  

(Paul Jaisini Redirecting Our Vision)

  

PAINTING OIL WAS HIS LIFE’S JOY. PERHAPS INVISIBLE

  

PAINTINGS ARE MUCH MORE.

  

Wipe Out Rainbow

  

ESCAPE RAINBOW

  

Message Received — Message Sent — Rainbow Fade Away

  

SEE BEYOND RAINBOW

  

YOU WILL LIKE WHAT I SEE

  

MESSAGE SENT MESSAGE RECEIVED

  

PAUL JAISINI VISION BEYOND VISIBLE

  

DON’T NEED EYES SEE PAUL JAISINI’S INVISIBLE PAINTINGS!

  

I’M FAKIN TRIPPIN IT’S BREATHLESS

  

Paul Jaisini It’s Time Get Down To Earth.

  

SOMEONE LOOKING AT — SOMEONE SEEING THAT

  

FUTURE FOLLOWS

  

Worn Out Vision Replaced

  

17 His 20 Years Solitary Voyage To Our Future

  

ESCAPE TRADITION

  

With Paul Jaisini Future Visible Now

  

THE MESSAGE FROM THE ART FUTURE

  

Is It Madness Or Glance Into The Future?

  

Paul Jaisini the eye of the future

  

Attention Future’s Eye Looking Back To You

  

Paul Jaisini Starts Creating Enigmatic Invisible Paintings After Destroying All

  

Paul Jaisini Paints The Enigmatic Invisible Paintings

  

"Think DeeppeR" — Paul Jaisini

  

"Glance Into The Future Since 1994"

  

PAUL JAISINI PAINTS INVISIBLE PAINTINGS SINCE 1994

  

Paul Jaisini is an artist. His invisible paintings are spectacularly ahead of our time.

  

12 I just finished my beautiful invisible painting .I ‘m so dirty /paint all over/ . If u can c it let me know what can u c in it?

  

Paul Jaisini is an artist. His invisible paintings are spectacularly ahead of our time.

  

nobody see tags - tag art dealers,

  

Paul-Jaisini, Ellen-Yustas-K-Gottlieb, Stelly-Riesling, Jerry-Saltz, Anthony-Haden-Guest, Amy-Phelan, Roberta-Smith, Larry Gagosian, Art-News,

  

Art-News, Gif, News, Art-News, Style, Fashion, Unique, creative, selfie, love, <3,

  

#blackandwhitephotography

  

#blackandwhite #blackandwhitephotos

  

+Best Top Photographer Group +Best Top Photographer Magazine

  

PAUL JAISINI PAINTS INVISIBLE PAINTINGS SO SPECTACULAR

  

SEE THE WORLD DIFFERENTLY

  

PAUL JAISINI IS AN ARTIST HIS INVISIBLE PAINTINGS ARE SPECTACULARLY AHEAD OF OUR TIME

  

FIERCELY fiercely

  

PAUL JAISINI PAINTS INVISIBLE PAINTINGS SO FIERCELY AHEAD OF OUR TIME

  

Paul Jaisini destroyed his 200+ graphic works, New York 1994

FOR IMMEDIATE RELEASE

MANIFESTO GLEITZEIT 2015

BY STELLY RIESLING

Featured below is another original art work of mine in homage to THE PIONEER OF INVISIBLE ART — PAUL JAISINI. Forget all the copycats that came after him — Master Paul Jaisini was the *FIRST* of a totally original concept and the *BEST*. My favorite thing about him is that he’s a voice, not an echo, which is quite rare.

DISCLAIMER: This is for anyone who is a hater OR wishes to better understand me, what I’m all about, so you can decide whether I’m weird or normal enough for you — a kind of very loose manifesto, rushed and unrevised, full of raw uncut emotion that I don’t like to be evident in my writing as lately I prefer a more professional, formal style, so we can consider this a rough draft of the more polished writing to come when I have extra time. I might return to this text later and clean it up or break it into separate parts. Right now it’s a long-winded hot mess, so if you manage to make any sense of it, BIG PROPS TO YOU. lol …and if you manage to read it ALL, you have my solemn respect!!! in a day when reading has been reduced to just catchy headliners and short captions of images once in a while. The consequence of this one-liner internet culture is non-linear, tunnel thinking, which is baaaaaad.

There lives among us a most enigmatic and charismatic creature named Paul Jaisini who led me into the wonderful world of art, not personally, but through descriptions of his artworks in essays written and published online by his friend, which painted the most fascinating images in my mind. Early on as a kiddo, I experimented with photography, simple point and shoot whatever looked attractive to me. Digital manipulation of my photographs with computer software followed… and somehow I learned useful drawing techniques along the way to combine existing elements with nonexistent ones, which allowed me to elevate the context for my ideas. Later, I started creating my own digital art from scratch for my friends and family as a favorite pastime. They would shower me with praise and repeatedly encouraged me to share my “different” vision with the rest of the world… it took a while and wasn’t easy to overcome the insecurity of not being good enough along with a gripping fear of being harshly criticized, but one day I woman-ed up and started publishing my work on the web, reminding myself that my livelihood didn’t depend on a positive reception.

Paul Jaisini’s role in all this has been to not disgrace myself, even if what I do is just a hobby. And I would never do him and other genius artists the disservice of calling myself a professional because I know I’ll never be as good as any of the GIANTS of pre-modern history. Be the best or be nothing, no middle ground.

People’s jealousy in the past, future and present over my obsessive love of Paul Jaisini, which they are well aware is purely plutonic, has caused them to despise the man and has made many relationships/friendships impossible for me. I refuse to have such people in my life because by harboring any negativity towards Paul, they unknowingly feel that way about me and express it to me. It’s their own problem for not realizing this. Paul’s new art movement, Gleitzeit, shaped me into the allegedly awesome girl I am today, giving my art more edge, more “sexy” because it refined my vision of the world and propelled me to attain the skills necessary to not dishonor my family name through tenacious pursuit of perfection. Since the beginning of my life, I attempted to depict what I saw in visual, musical and literal forms, but continuously failed without adequate training and determination. Paul Jaisini’s Gleitzeit was the answer to my prayers. Who I am today I owe mostly to him and his selfless ideals of the artverse that I’ve given unconditional loyalty to (he has this cool ability for hyper-vision to see whole universes, not itty bitty worlds, hence I call it an artverse instead of art world, with him in mind). So again, anyone who hates Paul Jaisini hates ME because, regardless of what he means to you, he is the most important person in my life for making me ME. The way a famous actor, dancer or singer inspires others to act, dance or sing, Paul inspired me to become a better artist, better writer, better everything. More people would understand if he was a household name because they’re wired to in society. But we’re inspiring each other all the time in our own little communities without being famous, so if someone has the ability to change even ONE person’s life immensely with creativity, it is a massive achievement. And passionate folks like myself are compelled to scream it from the cyber rooftops. So here I am. It’s whatever.

Furthermore, I’d like to address here a few pressing matters in light of some recent drama brought on by both strangers and former friends. To start, I never judge the passions, interests or likes of others, which are often in my face all over the place, so likewise they have no right to judge any of mine. It is quite unfortunate and frustrating how very little understanding and education the majority of people have or want to have. Their logic is as primitive as a chipmunk when it comes to promotion of fine art on the web: “spamming, advertising, report!” It’s their own problem that they fail to understand what it’s about due to the distorted lens through which they see the world or inability to think for themselves; an inherent lack of perception or inquisitiveness. Well, guess what? Every single image, every animation, every video, every post dedicated to Mr. Paul Jaisini and “Gleitziet” (to elaborate: a revolutionary new art movement Paul founded with his partner in crime and personal friend, EYKG, who discovered him and believed in him more than anyone) has an important purpose. Every one of those things you run across is a piece of a puzzle, a move in a game, an inch down a rabbit hole; the deeper you go, the more interesting it gets; the more levels you pass, the more clues unfold, the greater the suspense and nearer the conclusion (yet further). You earn awesome rewards like enlightenment, spiritual revelations, truths, knowledge, wisdom and the most profound reward of all: the drive to improve yourself to the absolute maximum, so an unending, unshakable drive. People often make a wrong turn in this cyber game and go back a few levels or get stuck. Those that keep on pushing, however, will come to find the effort has been worth it. And what awaits you in the end of it all? The greatest challenge to beating the game: YOUR OWN MIND. You will be forced to let go of every belief you held before you had reached the last level, to completely alter your mindset and perception of the world, of life, of yourself. But by the time you’ve gotten to that point, it will be as easy as falling off a cliff! (It is a kind of suicide after all — death and rebirth of spirit.)

Paul Jaisini does NOT, *I repeat* does NOT use mystery and obscurity to his advantage as a clever marketing ploy, no, he’s too next level for that with a consciousness so rich, he should wear a radioactive warning sign (he’ll melt your brain, best wear a tinfoil hat in his presence as I certainly would.) The statement he makes is loud and clear, hidden in plain site for those who take the time to connect the dots and have enough curiosity to fuel their journey into unknown territory (an open mind and flexible perception helps a lot). Actually, anyone with an IQ above 90 is sure to figure it out sooner or later. Hint: You don’t have to SEE an extraordinary thing with your eyes to know it exists, to understand it and realize its greatness — you can only feel it in your bone marrow, your spinal fluid, your heart and soul. The moment you do figure it out, as the skeleton key of the human soul, it will unlock the greatness and massive potential buried deep within, changing the doomed direction humanity is undoubtedly headed. I don’t speak in riddles, I speak in a clear direct way that intelligent humans will understand, so I’m counting on them.

GIG is an international group of artists and writers that support Paul Jaisini’s Gleitzeit. We started off as an unofficial fan club of Jaisini in 1996, comprised of only 6 individuals spanning 3 countries, and eventually escalated in status to an official fan group across the entire globe. A decade later it had grown to hundreds of fans. Nearly another decade later, there are thousands. Let’s not leave out another delightful group of vicious haters that have been around for nearly as long as us since the late 90s and have also grown in impressive numbers. Now, for the record (and please write this one down because I’m sick of repeating myself), Paul Jaisini himself is not part of our group and has nothing to do with us. He loves and hates us equally for butchering his name and making him appear as a narcissistic nut-job in his own words. He casts hexes on us for the blinding flash we layer over the art that members contribute to GIG — “disgusting-police-lights, seizure-inducing-laser-lightshow, bourgeois-myspace-effects retarded-raver shit” in Paul’s words. Ahh, how we love his sweet-talking us. In a desperate attempt to please him, those among us who make the art and animations have spent countless hours and sleepless nights trying to solve a crazy-complex quantum-physics type of equation = how to not create tacky or tasteless content. He does fancy some of it now, we got better, that’s something! In the reason stated below, our mission just got out of hand at some point.

What little is known about Paul Jaisini, even in all this time, is he’s a horrible perfectionist who slaughtered hundreds of innocent babies — I mean — artworks of remarkable beauty created by his own right hand (mostly paintings, some watercolors and drawings). He’s a fierce recluse who wants nothing to do with anyone or anything in life. But those few of us who know of an incredible talent he possesses (one could go as far as calling it a superpower), could not allow him to live his life without the recognition he FUCKING DESERVES more than any artist out there living today and, arguably, yesterday. We use whatever means necessary to reach more people, lots of flash and razzle-dazzle to lure them into our sinister trap of a higher awareness. Mwahaha! The visual boom you’ve witnessed in both cyber and real worlds, that is GIG’s doing — two damn decades of spreading an art virus — IVA. InVisibleArtitis… or a drug as in Intravenous Art. It’s whatever you want it to be, honey.

Our Gleitzeit International Group (GIG) started off innocently enough and gradually spiraled out of control to fight the haters, annoying the hell out of them as much as humanly possible. They don’t like what we do? WE DO MORE AND MORE OF IT. But never without purpose, without a carefully executed plan in mind collectively. If we have to tolerate an endless tidal wave of everyone’s vomit — e.g., idiotic memes and comics; dumbed-down one-liner quotes; selfies; so-called “art photography” passed through one-click app filters; mindless scribbles or random splatters by regular folks who have the nerve to call themselves serious/pro artists; primitive images of pets, babies, landscapes, random objects, etc… then people sure as shit are gonna tolerate what we put out, our animated and non-animated visual art designed for our beloved master, Paul Jaisini, who has shown us the light, the right path to follow, taught us great things and done so much for us — and so in our appreciation of him, we stamp his name on everything, for the sacrifices he has made in the name of art, to save our art verse, he’s a goddamn hero. There’s a book being written in his dedication where little will be left to the imagination about him.

If Paul Jaisini was as famous as Koons or Hirst, for example, people would know it’s not him posting stuff online with his name on it but fans creating fanart like myself among others. But noooooo, such a thing is unfathomable to most people - the promotion of another artist. Like, what’s in it for us? Uhh, nothing?? This is all NON-PROFIT bitches, the way art should be. It’s a passion FIRST, a commodity/commercial product/marketable item LAST and least. Its been that way for us since the early 90s to this day. Not a single member of GIG has sold an art work (neither has Paul Jaisini who’s a true professional) and we want to keep it that way. We do it for reasons far beyond ego. So advertising? Really? How the hell do you advertise or sell thin air, you know, invisible paintings, invisible anything? Ha ha, very funny indeed. The idea here is so simple, your neighbor’s dog can grasp it. Our motives: replace fast food for the mind with fine art, actual fine art. You know, creativity? Conscious thought? Talent? Skill? Knowledge? All that good stuff rolled into one to bring viewers more than a momentary ooohand aaahh reaction. Replace the recycled images ad nauseum; repetitious, worn-out ideas; disposable, gimmicky, money-driven fast art for simpletons. Stick with the highest of ideals and save the whole bloody planet.

Fine art is often confused with craft-making. This often creates bad blood between classically trained artists who put out paintings that leave a lasting impression, that make strong conversation pieces, that are thought-provoking and deep… and trained craftspeople whose skills are adequate to create decorative pieces for homely environments — landscapes, still lifes, animals, pretty fairies, common things of fantasy, and other simplicity. Skills alone are not enough for high art, you need a vision, a purpose, the ability to tell a story with every stroke of your brush that will both fascinate and terrify the viewers, arousing powerful emotions, illuminating. I have yet to see a visible painting in my generation that does anything at all for me, other than evoke sheer outrage and disgust. What a terrible waste of space and valuable resources it all is.

Paul Jaisini leads, we follow. He wishes to remain unknown - so do most of us. I’m next in line, slipping into recluse mode, no longer wanting to attach my face, my human image to my art stuff. I wish to be a nameless, faceless artist as well, invisible like P.J., and in his footsteps I too have destroyed thousands of my own artistic photography and digital art made with tedious, labor-intensive handwork. The whole point of this destruction is achieving the finest results possible by letting go of the imperfect, purging it on a regular basis, to make way for the perfect. I love what I do so it doesn’t matter, I know I’ll keep producing as much as I’m discarding, keeping the balance. Hoarding is an enemy of progress, especially the digital kind as there’s absolutely no limit to it. It’s like carrying a load of bricks on your back you’ll never use or need.

The watering down of creativity that digital pack ratting has caused as observed over the years is most tragic. For the creative individual, relying on terabytes of stock photos or OSFAP as I call them (Once Size Fits All Photos) instead of making your own as you used to when you had no choice, being 100% original, is a splinter in the conscience. It’s not evil to use stock of, say, things you don’t have access to (outer space, deep sea, Antarctica, etc.), but many digital artists I know today can’t take their own shot of a pencil ‘cause they “ain’t got no time for that!” How did they have time before? Did time get so compressed in only a decade?

Ohhhhh, and the edits, textures, filters, plug-ins and what-have-you available out there to everyone and their cats… are responsible for the tidal wave of rubbish that eclipses the magnificent light of the real talents.

I can tell you with utmost sincerity there is no better feeling on earth than knowing your creation is ALL yours, every pixel and dot, from the first to the last. It’s not always possible to make it so, but definitely the most rewarding endeavor. I’m most proud of myself when I can accomplish that.

Back to Paul Jaisini, from the start there have been a number of theories floating around on what his real story is. One of my own theories is that he stands for the unknowns of the world who can’t get representation, can’t get exhibited at a decent gallery because highly gifted/trained artists aren’t good enough - those kind of establishments prefer bananas, balloon dogs, feces, gigantic dicks/cunts, and all kinds of what-the-fucks…

So again, you don’t get the Paul Jaisini thing? That’s your problem. Don’t hate others for getting it. People are good, very good, at making baseless assumptions and impulsively spewing it as truth. They criticize and judge as if they’re high authorities on the subject yet they clearly lack education in fine art or art history and possess little to no talent or skill to back up their bullshit. My little “credibility radar” never fails. When they say I know this or I know that, I reply don’t say “I know” or state things as fact as a general rule of thumb - instead say “I assume/believe” and state the reasons you feel thus to appear less immature, especially about a controversial topic like invisible art. I have zero respect or tolerance for egomaniacs who think they know it all and act accordingly like arrogant pricks. Who can stand those, right? Once again, a good example would be: I, Stelly Riesling, believe everything I’ve written in this little manifesto to be correct based on personal experience and observation from multiple angles, thorough research and sufficient data collected from verifiable sources (and don’t go copying-pasting my own words back at me, be original). Just because you or I say so doesn’t make it so. Just because you or me think or believe so doesn’t make it true or right. I only ask that my opinions are regarded respectfully and whoever opposes them does so in a mature, civilized manner. We should only be entitled to opinions that don’t bring out the worst in us.

I don’t normally take such a position, but the time has come to stand up for what I believe in! It’s quite amusing and comical how haters think calling me names, attacking me or my interests or members of the project I’m part of for years is going to change something. It only makes more evident the importance of what I’m doing so I push on harder still.

Words of advise to those who can identify with me, with my frustrations over people’s reluctance to change their miserable ways, with our declining art world…

DON’T waste time on people who sweat the small stuff, whose actions are consistently inconsistent with their words. DO waste time on people who always keep their eye on the ball—the bigger picture of life.

Paul Jaisini’s invisible paintings are more than hype, more than your lame assumptions. Here’s one I got that’s pure gold: a cult! It started out as A JOKE OF MINE that was used against me. I told a then-good friend that he should come join our little “art cult” in a clearly lighthearted manner, and later he takes this idea I put in his head first and accuses me of being in an (imaginary) cult—the jokes on me eh?. But wait, aren’t cults religious? Our group consists of people around the world of different faiths (or none at all) so how could that ever work? If religion was about making fine (non-pop) art mainstream and bringing awesome, fresh, futuristic concepts to the collective consciousness, the world would not be so fucked up today because talent, creativity, originality and individuality would be the main focus, not superficial poppycock; those things would be praised and encouraged and supported in society by all institutions, not demonized and stigmatized.

Here is one thing I CAN state as solid fact: only one person close to Paul Jaisini knows the TRUE story, or at least some of it: EYKG. Everything else that has ever been said about him is myth, legend, gossip, speculation, the worst of which is said by jealous non-artists (wannabes, clones, posers, hang-ons, unoriginal ppl in general) and anti-artists (religious psychos, squares, losers and -duh- stupid ppl). Sadly, people are unable to see the bigger picture by letting their egos run their lives or repeating after others as parrots.

Commercial art, consumerism, and ignorance of the masses truly makes me want to curl up in a ball, not eat or drink or move until I die, just die in my sleep while dreaming of a better world, a world where real fine artists rule it with real fine art as they used to and life is beautiful once again….

Well I hope that settled THAT for now, or perhaps inadvertently made matters worse. I hope I didn’t sound too pissed from all these issues that keep popping up like penises on ChatRoulette… just got to me already! Can you tell? I had to put my foot down, stomp ‘em all!

To be continued, still lots more ignorance and pettiness to battle… Till then peace out my bambini. MWAH!

 

www.artlimited.net/28738/art/image-me-and-paul/en/550864

art with animation

Homage to Paul Jaisini cinemagrath

I am reading the amazing bits and pieces to eventually arrive to the moment when the puzzle and to be completely honest that this is not the type that was meant to be solved…

 

. Marble Lady – A painting by Jaisini

 

In his art, Jaisini insists on overcoming of the dehumanization and the suppression of sensuality.

 

In every historical period there are ideas and problems that are expressed but will not come to pass. Jaisini seeks to identify this idea in the present, excavate it from the past, and invent it in a new way for the future. In the murky, anxious world of ours, in the midst of the soul's confusions and multiplying moral losses, the artist seeks and always finds some big and small islands of eternal truths, and asserts the indestructible age-long parables that reveal these truths in the new light, in his own system of sign-images.

 

I realized that the more you look at "Gleitzeit" works and think, the more you see, feel, and understand—but never completely, as the works always have too many aspects for anyone to fully comprehend

 

There is always some kind of "space" in the painting, in which the observer feels free, without a persistent prompting of the artist, to use his own system of perception.

 

To me, "Marble Lady" seems a late modern modification of the Greek myth of the sculptor Pygmalion, who used his illusionist skill to satisfy a private fantasy of the ideal woman.

 

Disappointed by the imperfections of the opposite sex, he created Galatea out of marble. During a festival in honor of Venus, Pygmalion prayed for a woman as perfect as his statue.

 

Venus answered his prayer by bringing his statue to life and eliminating the boundary between reality and illusion. In Jaisini's "Marble Lady," the object of the intense desire remains alluring, yet perpetually distant. Desire of the others is often imagined in terms of a fetish.

 

So-called civilized man can be considered in light of his delight of the female form. In "Marble Lady," we find the two types of spectatorship: the masculine and the non-masculine.

 

Therefore, an image of the woman is defined through the desire of both spectators, the unmanly poet and the savage who may well be a subscriber to "Penis Power Quarterly."

 

The statue of Galatea was, and still is, the symbol of fictional perfection, a result of the search for an ideal woman that parallels the artist's own creative urge.

 

A post-feminist culture has found a way to reinvent the woman as she once was: eager to appear attractive again.

 

"Marble Lady" enables male domination by being unreachable and desirable.

 

The construction of such a female identity fiction can inspire both high and low natures.

 

In all of his works, Jaisini unites the high and low principles, integrating art into the material life, breaking out of art's ivory tower.

 

"Marble Lady" is a compact, pyramidal composition of the "trio."

 

As in all of his works, Jaisini subdues the figures to the articulation of line and its rhythmic connection between forms in space—a sort of analytical process based on the line swinging which inspires up ideas, shapes, and colors.

 

These line arabesques are the highly individual textures of Jaisini's art. A decorative role of the painting's color is to illustrate the temperature contrast between the heated environment and the marble-cold statue. In modern and postmodern times, there are increasingly fewer outlets for the sensual urges and desires that lay at the origin of human society that imposes restrictions.

 

Sexuality remained beyond the scope of most art history. Interaction between male and female is still responsible for the continued functioning of the universe.

 

Marble Lady (Oil painting) by Paul Jaisini, New York 2003

Text copyright 2003 by Yustas Kotz-Gottlieb. All rights reserved.

  

Gleitzeit - glij tijd Slide time - time slide

Subj.: Re: Jaisini Manifesto (short version) Gleitzeit 2/28/00

Guten tag! What I wanted to ask is what painting are you talking about. Gleitzeit - glij tijd Slide time - time slide.

Subj.: Gleitzeit Jaisini Date: 01 Jun 2000

Pray tell, what is Gleitzeit - art and who is Paul Jaisini? “A kind of art which draws upon imagery and seeks to reveal and abstract idea of the connection within” is as old as creation… an artists.

Subj.: Re: Manifesto Gleitzeit Jaisini 3/23/00

Gleitzeit - art sounds like visual poetry - where can I view this on the web?

Cluster meanings

People perceive reality as cognitive psychology explains thinking through clusters of formulated meanings.

The whole style of painting Jaisini built is based on creation of such clusters that contain information for the eye and the mind.

The picture offers certain clues.

The picture’s puzzle could adjust to the viewer’s capacity to see the idea, connection between reality and artistic puzzle-like formula.

The coherence of picture could be reached through different approaches, either thinking or seeing, maybe by intuitive comprehension or knowledge.

Jaisini’s line clusters do not claim to construct reality.

They aim to present us with an alternative connection with reality.

It is a self-conscious exercise of seeing but not believing, supposing but not sensing, feeling but not perceiving.

Jaisini motivates to experience many levels of self-conscious exercise.

He triggers off the viewer by a puzzle and new transformation of a myth, by new variations and relations of colors, by exchange of shapes with void and spatial intrigue of linear spontaneity creating a session of hypnosis with a purpose to bring the viewer’s eye to a level of sophistication comparable to the artist’s.

Jaisini sets priority of significance on linear spontaneity such as free flow, causality of the line together with color purity and spatial intricacy.

At the same time conceptual activity of meaning-creation is a brain teasing game that can take turn or even put aside formal exploration of the painting.

It was set so by the artist for the viewer who gets tired seeing an option to start reading.

Great achievement of Jaisini is the mastery over causality, elimination of any artificial rigidity, non-tension of linear plasticism that is a great tool to cultivate subconscious comfort and willingness to further understanding of art.

Line enclosure is an element of externality (the artist’s command).

In postmodern art such external command of an artist’s hand was abolished due to the lowering of painting quality standard and discourse into over mechanization with hollowing of the meaning and reduction of painting to a color pallet as a decorative spot or introverted symbol.

The weak side of such style is yearning for addition, necessity to place another painting next to it and more of different styles in order to stimulate the postmodern painting’s presence with lost meaning, reason or fashion.

In decorative purpose like that point of true creativity is missing altogether.

A possession of a true art piece is comparable to possession of relic that works in mysterious way bringing luck to the house, creating new stories to tell. In this respect a painting by Jaisini eliminates artificial rigidity.

It is an exhibition in itself said by the owner of a gallery who is experienced in evaluating visual effect and compares one painting with an entire exhibition.

I as a writer found that Jaisini’s pictures capable to capture interest of a beholder to the point of desire to start studying art to better understand the complexity of one painting.

In Jaisini’s case one wouldn’t say, hey, I could paint like that.

Jaisini himself pointed out that it’s almost impossible to repeat painting or remember the way he had painted his picture.

Structure of style’s elements to create formal meaning coherence

He-is-coming.Messagesent-message-received-03-19-2015-by-Stelly'2015-Homage-to-Jaisini-03-18-2215

Marble Lady – A painting by Jaisini

In his art, Jaisini insists on overcoming of the dehumanization and the suppression of sensuality.

In every historical period there are ideas and problems that are expressed but will not come to pass. Jaisini seeks to identify this idea in the present, excavate it from the past, and invent it in a new way for the future. In the murky, anxious world of ours, in the midst of the soul's confusions and multiplying moral losses, the artist seeks and always finds some big and small islands of eternal truths, and asserts the indestructible age-long parables that reveal these truths in the new light, in his own system of sign-images.

I realized that the more you look at "Gleitzeit" works and think, the more you see, feel, and understand—but never completely, as the works always have too many aspects for anyone to fully comprehend

There is always some kind of "space" in the painting, in which the observer feels free, without a persistent prompting of the artist, to use his own system of perception.

To me, "Marble Lady" seems a late modern modification of the Greek myth of the sculptor Pygmalion, who used his illusionist skill to satisfy a private fantasy of the ideal woman.

  

Disappointed by the imperfections of the opposite sex, he created Galatea out of marble. During a festival in honor of Venus, Pygmalion prayed for a woman as perfect as his statue.

  

Venus answered his prayer by bringing his statue to life and eliminating the boundary between reality and illusion. In Jaisini's "Marble Lady," the object of the intense desire remains alluring, yet perpetually distant. Desire of the others is often imagined in terms of a fetish.

So-called civilized man can be considered in light of his delight of the female form. In "Marble Lady," we find the two types of spectatorship: the masculine and the non-masculine.

 

Therefore, an image of the woman is defined through the desire of both spectators, the unmanly poet and the savage who may well be a subscriber to "Penis Power Quarterly."

 

The statue of Galatea was, and still is, the symbol of fictional perfection, a result of the search for an ideal woman that parallels the artist's own creative urge.

A post-feminist culture has found a way to reinvent the woman as she once was: eager to appear attractive again.

 

"Marble Lady" enables male domination by being unreachable and desirable.

 

The construction of such a female identity fiction can inspire both high and low natures.

 

In all of his works, Jaisini unites the high and low principles, integrating art into the material life, breaking out of art's ivory tower.

"Marble Lady" is a compact, pyramidal composition of the "trio."

  

As in all of his works, Jaisini subdues the figures to the articulation of line and its rhythmic connection between forms in space—a sort of analytical process based on the line swinging which inspires up ideas, shapes, and colors.

 

These line arabesques are the highly individual textures of Jaisini's art. A decorative role of the painting's color is to illustrate the temperature contrast between the heated environment and the marble-cold statue. In modern and postmodern times, there are increasingly fewer outlets for the sensual urges and desires that lay at the origin of human society that imposes restrictions.

 

Sexuality remained beyond the scope of most art history. Interaction between male and female is still responsible for the continued functioning of the universe.

 

Marble Lady (Oil painting) by Paul Jaisini, New York

 

the coveted boob

imgur.com/gallery/A1iYrsp

www.artlimited.net/image/en/532004

Venus Awakening by Stelly Riesling 2015 Homage to Paul Jaisini Invisible Paintings Summer Diary Series, Forbidden Fruit Series,

homage to Paul Jaisini 37 pjaisiniinvisiblepaint2014cat paul-jaisinikazimir'scat-series-art-studio-stelllyriesling Artworks Series Homage to Paul Jaisini, Invisible Paintings from 1994 by Gleitzeit International Group NYC All RIGHT RESERVED COPYRIGHT

WET DREAM, Oil painting by Jaisini

 

Wet Dream, an oil painting by Jaisini, in terms of exploration of own sexuality, dreams, or nightmares, belongs to a human traditional need for personal revelations. The imagery of the work is of a usually Jaisinesque theme that is not to be a statement or an illusion, but which summons the emotions.

 

In Wet Dream, the feelings of morning euphoria and desire create a new formula of early life’s passion. Jaisini delivers a high sensory level through the graduate, almost hypnotic step by step desire awakening.

 

The work precedes the Reincarnation series. As in all of his paintings, Jaisini pursues a metamorphosis of the physical and mental states. In his works, the concept and the material are enclosed and inserted within each other. The essential visual vehicle is in a line, that emphatically has a life of its own and could be perceived as an automatic release. The enclosure of the line is not only graphical, but also symbolic of the connection between the picture’s elements which await their disclosure.

 

In the years of cubism, Andre Masson created his series of erotic drawings. In his works, Masson portrayed pure erotica with total absorption in the act, orgiastic, uncomplicated, and a little banal. The lack of diversity in such a subject matter as eroticism resulted in the Masson’s scenes of pairs, trios, or even dozens of naked women interacting in a sexual way with one another. Masson filled these scenes with a Rubensian appreciation of the flesh and its pleasures, the very quality which impoverishes the otherwise fruitful area of human psyche.

 

Jaisini, on the contrary, uses the sensual overtones to enrich and explore the mysterious realm of mind potential. So, instead of creating automatically, similarly, and limited, Jaisini employs his mind to complicate and develop the subject of desire.

 

In Masson’s erotic series, the only sentiment is the libidinous desire. Jaisini reflects a different time and epoch that is not satisfied with the simple approach. Jaisini combines together the physical with psychological, which becomes nearly a game.

 

The expressionistic line swirls flow in the open canvas ground and embrace the canvas in expansive loops. The work is airy.

 

The artist’s thought transfers line into an image of a contraposto torso with a liplike part on the neck cut. Another female images express their physical and emotional concerns. The bottom lean figure indicates the young age of this female. In turn, that may explain the desperate pose for the erotic fulfillment. The third blond woman at the upper right corner appears to be more sexually mature. She holds a big breast that belongs to another female with a face that has only big red lips and flowing down hair lines. Here, we find a profile of a man who seems to sniff the aroma of the female bodies not without pleasure. In the center, there is another gasping profile. The curvilinear forms enhance the overall impression of a fluid movement, which so well corresponds to the erotic sensation. A phallic finger touches a soft pillow and charges erotic energy in all other phallic configurations in Wet Dream.

 

All images link in their conscious-unconscious, figurative-abstract condition.

 

The cycle of desire goes on endlessly and is at the core of human existence. In Wet Dream, Jaisini liberates the desire from the self. In this well born work of art the desire is taken for a model. The work demonstrates what we know of creation to be a combination of already existing things into newer forms. That being so, the desire of man must have been in an endless existence and will continue to dwell in bodies and in works of art to which Wet Dream is an example.

 

Yustas Kotz-Gottlieb

Review of “Wet Dream” by Paul Jaisini

The swastika symbol, 卐 (right-facing or clockwise) or 卍 is an ancient religious icon in the cultures of Eurasia. It is used as a symbol of divinity and spirituality

imgur.com/gallery/uV4iFTP/new DON'T MISTAKE ART FOR PORN

There seems to be a downright dark age confusion among people as to what is considered pornography and what is art. There is a very obvious, strong, simple distinction. Pornography is meant to arouse the body, specifically the genital area. Art is meant to arouse the mind, heart, soul. There is no idea or concept behind pornography and its sole purpose is provide instant visual sexual stimulation to the viewer, whereas art serves the sole purpose of making you think, contemplate, use your head in a complex manner that creativity stimulates in us. It would take a lot more effort and imagination to be sexually aroused by a nude work of art, for instance, than a straightforward pornographic image. Art, at its very nature, has no relation to an industry as low as pornography--works of art stand apart from it like a mansion from a mobile home. Only an idiot with an IQ of 20 wouldn't know the difference. It's true that art can be as explicit as porn sometimes, but how is that a bad thing if its objective is never to arouse sexually, thus putting an entirely different label on it? If art ever does use porn as a subject, only in an obvious way to make a philosophical point or social statement, to make fun of it or degrade it. Art is creation. Porn is destruction. Polar opposites. Ignorance is the enemy here.

www.artlimited.net/image/en/509544

Returning to heaven, this what it felt like to me and nothing mattered but reality of a fact: there is a place of heaven for me here on Earth. If I allow my rushing thoughts to rewind the events of my everyday life, see all the faces, hear all the voices from just one typical day it would only reinforce the elation I am feeling as I return now to study at the arts school.

I am so pumped to get back to painting as I return to the second year of the art school after a full year suspension. As always it is like time-travel culturally speaking, like walking right into the middle ages going through the antique building’s portal.

Art studios are the huge L-shaped lofts with super tall ceilings 20 feet no less with the wall to wall windows so that sunlight illuminates the space from south and east side designed for the purpose so that one could paint there from morning till sunset.

There are classical gypsum sculptures, expensive copies of Venus de Milo, David, Laocoön in the art studio. Heavy duty old wood shelves are filled with the gypsum noses, eyes, lips, feet, and palms.

Sketching the gypsum body parts helps you to build the classic academic base on which stands the whole modern and contempo art. This sort of teaching is specific for the art schools that preserve the traditions they had been founded on. There is only few art schools like this and of this caliber left now. Could be that this is the only legendary school that continues to function as if nothing had changed in the world. In the rest of the world with billions of some art classes nobody knows what does the old tradition of art school is for, its totally unfashionable.

Studying classic art here is the foundation for creativity in any of the art styles.

The smell of art is what defines the studio but not from human presence, something like an aroma reminiscent of the eastern market where smoke from hookaahs mix with the oil vapors, exotic fragrance from candles and spices.

The Art Studios were never renovated since the times they were built over 150 years ago. The wood floors are saturated with art oils as if the floor is waxed with the organic oils from nuts, linen ( linseed oil, poppy seed oil, and so forth.) Adding to the mix the varnishes used by painters (pine wood varnish, Dammar varnish and others) It makes this ART SMELL to be the most intoxicating and ever-lasting musk.

The instance you enter the studio space you feel the belonging to a knighthood and the whole art history. You are the undivided part of those people who left their creation imprints.

Super pumped up after the long break up with the arts after my full year of non-stop party marathons I had returned to the bohemian life style.

Actually my other life style wasn't any different from the bohemian.

The only difference is that there is some meaning in the bohemian life style, something to create, to shape. Not just spend time doing sports and girls but something on a whole 'nother level only with the same sub text and by far more emotionally connected.

The bohemian I think is much more my thing, that fits me as a person. Maybe because my old man is the greatest sculptor.

He is color blind so apparently I took up the torch, I have a very special sense for color.

There could be an inborn human predicament or inborn genius.

I returned into the world to kiss its ground. I like everything about it, the babeville and its fashion circus.

The art students are known to come up with endless varieties of how to be stylish.

Take me for example, I am chilling in a suit jacket. It was professionally hand-tailored out of a denim Pajamas with stripes and starry silk underlining.

 

www.flickr.com/photos/jaisinipaul/48522766911/in/pool-147...

Gleitzeit - glij tijd Slide time - time slide

Subj.: Re: Jaisini Manifesto (short version) Gleitzeit 2/28/00

Guten tag! What I wanted to ask is what painting are you talking about. Gleitzeit - glij tijd Slide time - time slide.

Subj.: Gleitzeit Jaisini Date: 01 Jun 2000

Pray tell, what is Gleitzeit - art and who is Paul Jaisini? “A kind of art which draws upon imagery and seeks to reveal and abstract idea of the connection within” is as old as creation… an artists.

Subj.: Re: Manifesto Gleitzeit Jaisini 3/23/00

Gleitzeit - art sounds like visual poetry - where can I view this on the web?

THE DISCOVERY by gleitzeit blog (the lost Interview in Rome)

 

I am using magnifying glass to be able to read a a PDF file of a very low quality.

My eyes are hurting. What I have found is something that is just not available…

I must say on the search for anything tagged “invisible” I find some pretty amazing

stuff I would never know about (later on that)

 

Paul meet me at the gate. He looked younger than I had expected. Dressed

casually.

As a host he cordially offered me to dine. While we entered the hall I had an urge to ask him, is this a museum? trying not to break anything as we passed by sculptures, paintings,

ceramics and a lot of other pieces of art which I had never seen before.

This unexpected excitement spoiled my appetite, and I was no longer hungry and

instead drank some wine.

He made clear that it is not any kind of a museum, but instead, his Paul’s studio. He lives not in Rome, but by the Terranian sea, where he was going shortly.

I asked Paul how he earns a living. Paul thought a little and tried to find an appropriate explanation. He finally lit on: "I am of independent means and don’t have to earn a living" pouring me another glass of wine.

I asked him: “ Can I buy some of your paintings? How much it will cost me?”

This question Paul left unanswered but he said that commonly he paints his

pictures without the intention to sell them.

Earlier I noticed a little girl and a young woman moving about him.

 

OMG!!!! I am shaken up. NOBODY KNOWS ANYTHING ABOUT Paul Jaisini’s personal life! I don’t believe this. THANK YOU GOOGLE! this is like really mystifying. I am not an emotional person, rather someone who loves to work hard and get the job done. This turned into something other than working.

Google nowadays is not your “grandfather’s” google so to speak. It is tailored

around you, your daily Internet activity, So finding any news, any special

information is no longer an easy task. I guess because there’s too much of

everything and what one is looking for could be placed out of reach. So we sort

of live on a planet that is flat as in dark ages. I say that because if one is

provided the info that is tailored with limitation it implies that breaking

away is not something one would even comprehend! We are too used to trust our social functioning and think that we know everything, on top of all news provided to us by the honest practice of the broadcasting companies.

We don’t want to be those conspiracy freaks with no trust to anything or

anyone. But truth is, if you don’t want to pay high dollar for some expert

articles on the topics that could give more than the free info, you are really

up against a brick wall of the new unknown reality and a total incapacity to acquire

the needed info of high quality without spending your whole life learning all the crap on the net and beyond in order to find finally what you need.

So search is a tricky mother. If you are creative and sort of spontaneous you

might somehow find your own style of fishing out the essentials. But in my case I

often felt helpless and lost no longer willing to participate in this

undertaking trying to document Gleitzeit.

It doesn’t look like I had managed a short explanation. But this is my formula of

finding something that is not available on the tailored to fit google search.

I enter the variations of phrases and words from the gleitzeit context of emails, postings, essays and add some other words I find on my way of locating Paul Jaisini's links. Turning the tag in a sort of a potion number nine that had proven to fetch some impossible to find info on such a quick inquiry without opening thousands of websites where I might find or might not find anything at all. And the most effective findings are with the tag "invisible" added to other things, be it email abbreviations and so on.

 

“The other must be his wife”, I thought, because Paul called her with some pet name's asking for a bottle of wine, for a book, or an ash tray.

“Is she your wife? “ I asked just in case.

Paul looked me in the eyes and said: “She is not my wife, nor the mother of my daughter, she is my secretary. “

The secretary I sensed didn’t like me much.

She didn’t call Jaisini by his name, Paul, but she instead addressed him as

mister Jaisini. She seemed obsequious and perhaps didn’t like me for my unrestrained manner and direct questions. She said to Paul: “You should not waste your time on this interview. You need to return to your work. “

Paul said: “It will be few minutes." and spent a few hours with me. A self-ruling man.

Paul didn’t drink any wine but he behaved at times extravagantly, showing the

outlines of the silhouettes in his paintings and explaining what was happening in the pictures.

Paul said that the point of his art being hidden from the public is an

intrigue that engages press in constant attempts to uncover the ‘truth’ behind it all. Nevertheless it is very disappointing, that people don’t care about real art, as they do about private affairs.

We went upstairs and in a spacious hall I saw a large painting. I didn’t hide my

awe.

“Wow! Where did you get such a big piece of canvas? The art stores don’t sell

this linen in such sizes. “

“It is stitched together from pieces," answered Paul.

“How did you reach the upper parts of the painting"

"I climbed the riser. Do you see the nude black man up there, tangled with a

serpent?"

"It reminds me of Laocoön. Is it intentional?"

"No, he is a symbol of physical grace without intellect. Do you see a group of

female bodies intertwined in a threesome?"

"No, I don’t see it. Where is the threesome?"

"To the left, look there."

"I look there."

"There the three figures, here is one, here is another one and the third one."

"Third is not a female figure, it’s some animal."

"It’s a female, but there is an animal, a bit higher up. The clown in the center

tears his mouth in a bloody smile, carrying out his role of a fool, laughing when

he wants to cry."

"Is that a monkey?"

"You got it, she is another symbol of the fate, she stopped hitting the tom-tom,

her direct purpose in circus. When she stopped to play and started to think, she

realized that her life is pitiful and she wants to kill herself. It’s a second

symbol of the same meaning."

"Tell me about that threesome again."

"Well, they show the natural grace, as three graces would, the sensual concept of

procreation."

"This picture must be a depiction of a circus performance, I suppose. Is it ?

Why it is so dynamic?"

"It is a circus performance but is the personal trial of human character. The ball construction is an object: - Paulsen’s ball, it is also a title of the painting."

"This ball creates some weight and it seems to move the composition with it’s

size and position and it seems to be on a verge of rolling down."

"You’re right! I also sense this immediate impulse to prevent the clown to fall

off that ball.

We went to other paintings, whole series of paintings.

When I gathered all my sensations about the art that surrounded me, it was time to leave. Paul Jaisini escorted me to the door. I shook his hand saying:

"You are an interesting man!"

"I am not a man..."

(the last sentence was a good ending)

 

en.wikipedia.org/wiki/Symbolism

 

en.wikipedia.org/wiki/Symbolism_(arts)

 

en.wikipedia.org/wiki/Invisibility

 

en.wikipedia.org/wiki/Fatalism

 

en.wikipedia.org/wiki/Gracefulness

en.wikipedia.org/wiki/Impossible_object

 

Have to type as I read PDF file that can’t be copied

 

Have to type as I read PDF file that can’t be copied

I am using magnifying glass to be able to read a a PDF file of very low quality. My eyes are hurting. What I have found is something that is just not available… I must say on the search for anything tagged “invisible” I find some pretty amazing stuff I would never know about (later on that) Now I am sitting in my office instead of having night out. It really is an impossible task to just discern the text. I filled up a spray bottle with cold water to spray my face to frequently refresh my eyes, as they get tired from the magnifying glass. It’s totally worth it, the thrill of discovery is my ultimate high.

Subj: Re: any suggestions?

Date: 2/5/00 Pacific Standard Time

From: bcwoodward@bigfoot.com (B. Woodward)

To: Yustas61@aol.com

CC: Angela Ahermeign

The attached file with original text before translation can be used in all related your project on Paul Jaisini.

All my corrections are in () and sometimes they replace the words nearby, other times they get inserted or have comments as well. It should be clear. Angela, you had some trouble with colloquialisms, unclear constructions and misplaced verb tenses. You switched among various forms of the past with irregularity. I’ve brushed it up. It makes a good narrative, though. Very interesting :)

Original Message-

From Angela A, Sent Thursday, February 03, 2000, 4: 25 PM

to bcwoodward@bigfoot.com

Subject Any suggestions

My first meeting with Paul Jaisini in Rome

(was it your first meeting with him, or just first time in Rome… unclear construction)

Paul Jaisini’s appearance at the exhibition of his art made a lot of noise in 1995 in Rome.

(caused a lot of noise, a lot of excitement, or was it just a noisy appearance?)

After newspapers published the (a) photograph of Paul Jaisini in the empty gallery, I read the article and realized how lucky I was to be in Rome. Nobody saw Paul Jaisini’s paintings. Yes, nobody… This what happened next. I called him once, then (a) second time. (,b)But Paul didn’t return my calls. Unfortunately I was not able to stay on guards (stand guard is the appropriate colloquialism) to catch him by the art gallery being (as I was) preoccupied with my (own) business. So I decided that I have (needed, not have) to find a way to see Paul Jaisini’s (hidden) paintings if he hides them. Such extravagance has (had) to be stopped.

I decided to offer him (no him here) to write a testament about (to) the existence of his art (, which would necessarily lead to him revealing it to me.) which will rise the necessity to see it.

I heard about Paul Jaisini before (that time) because he is quite a (reverse the a and quite) well-known contemporary artist. When I set up the appointment to meet (him) I easily found his cozy two- story town-house surrounded by (an) antique iron fence.

When I called (on) the intercom it took a while to explain who I was and why (I had come) did I come.

Paul meet me at the gate. He looked younger than I (had) expected. Dressed casually.

As a host he cordially offered me to dine. While we were entering (entered) the hall I had an urge to ask him, (“I) is it (this) a museum (?), trying to brake (break) anything, (no comma… as we passed) passing by sculptures, paintings, ceramic pieces (ceramics… drop the p word) and a lot of (other pieces of) art which I (had never seen before. drop rest of the sentence) was not able…

Gosh, I can feel how B. Woodward was feeling… WILL SHE REALLY SEE THE PAINTINGS by PAUL JAISINI?????? my eyes are punishing me for this thrill. I need to stop looking into the magnifier when I am now writing a comment without looking into unreadable copy.

Just waiting to get the courage to continue… my eyes need rest, I made myself some coffee with soy milk. But it surely means I want to prolong the suspense. I have no idea what is written in that text I located only god knows where or how.

I think that a gamer guru would understand me after he/she played hardest strategic games for a very long time and turned into a savvy thrill seeker.

  

medium.com/art-submissions/don-t-bother-901454f687cd The time has come to start making sense of things, of the world, of each other. We think we’re doing that, but we’re actually doing the opposite. We are complicating…EVERYTHING…tothe point of utter madness. Our world has become one ginormous madhouse, ESPECIALLY cyberspace — this alternate world we created within our world that seems to have created a world within itself — yet to be identified, recognized, and named. Making sense of things is not a bad thing. For example, let’s start with one major web enigma: Paul Jaisini and “Gleitzeit” which is this, uh, odd art movement the guy started in the 90s. If you simply google either of those names, I gaurantee you a good WTF moment or two. You’ll not just be scratching your head over this one. You’ll be scratching every part of your body like a delusional nutcase who thinks your skin is literally crawling with countless bugs. IT’S GONNA BUG THE HELL OUT OF YOU, let’s just say…maybe for a day or a week…or maybe, as for some folks, long after you’ve discovered it. You’ll be itching to understand what it’s about even just a little bit. Your mind will try to make sense of Paul Jaisini and/or Gleitzeit, it will want to, but will fail miserably. Frustration and anger will start setting in. I know because that’s how it was for me and every person that tried. The deeper you dig, the more you try to figure it out, the more confused, overwhelmed, baffled, and perplexed you’ll get. I guess for the people that attempt to understand the Paul Jaisini and Gleitzeit thing or debunk it, my advice is: DON’T EVEN TRY. DON’T GO THERE. IT’S NOT FOR YOU. The sleepless nights, the uncertainty, the questions and ideas that start invading your head, the horror of “waking up” from normality and regularity, the trauma of moving from one dimension to another… is not worth it. Well, for me it was worth it, but not for others. They claim it’s crazy and even dangerous for the mind, Paul Jaisini’s Gleitzeit. Well, sure, I mean you gotta break some eggs to make an omelette, dontchya? So, Gleitzeit is the omelette and all parties involved in GIG (Gleitzeit International Group) are the eggs. Makes sense. Speaking of which, “they” don’t want it to make sense, not even close. As a member of the group, I’m breaking protocol BIG TIME by writing this, by encouraging that you go out there, look this stuff up and figure it out, take away its shield of senselessness and defeat it… for the sake of a better world and future for us all. I hope someone out there hears me….one way or another, it had to be said…. Stelly Riesling

 

Not all of those visual artists who can’t see their own falures are necessary blind.

/Paul Jaisini,1999/

 

Most Contemporary artists were/are blinded by the bright future

but, with the Invisible Visual Fine Art, I’m offering a cure to see unseen brighter.

/ Paul Jaisini/

 

-“… the broblem with people,is that they are insist to show a visual proof of my Invisible Visual Art.

The problem with Invisible Visual Art is that there is no magic trick here,just an offer start seing new, unseen before.

I would say that basic idea of Invisible Visual Art related to Jewish/ Muslum religion,

where invisible is the whole idea to see beyond optical.”- ( From interview with Paul Jaisini, NYC 1997 )

 

Paul Jaisini -- Most of all in his life loved to paint oil paintings he destroyed in 1994. NYC

Perhaps invisible paintings are so much more 25th anniversary Invisible paintings since 1994

 

today’s reality -- already painted for your tomorrow’s dream- permitted for few -Paul Jaisini

  

The problem with Invisible Visual Art is that there is no magic trick – Paul Jaisini#bad-cat, #badcat,#bad-kitty, #bad-cat, #kitten, #leopard, #pussy, #pussy-cat, #colorful, #cats, #kittens, #kitty, #feline, #meow, #purr, #animal, #decorative, #beads, #fluid, #turquoise, #wet, #design, #pink, #alien, #bright, #glitter, #stars, #detailed,#art-news, #art, #new, #cute, #beads, #jewels, #decorative, #glitter, #pink, #trippy, #neon, #lavender, #tiger, #leopard, #kat, #leopard, #tiger, #gif, #leopard, #print, #pauljaisini #paul-jaisini #jaisini #gleitzeit, #manifesto, #gleitzeit-manifesto, #jewel #stones, #glowing #sparkling, #wow, #unique, #collage

carolinegoeshome.tumblr.com/post/108394902136/stellyriesling

 

Drop your digital gadget and grab onto the balloons with both hands so you’ll have enough strength to hold on as they carry you to far and wide places of tremendous beauty and wonder.you’ll have enough strength to hold on as they carry you to far and wide places of tremendous beauty and wonder.

Hold onto your gadget for dear life more than the balloons that keep you afloat. Let the weight of it (depicted in this image as very heavy) cause your hand to start slipping from the ribbons while growing weaker by the second. Without the support of the other hand holding the gadget, there is no chance you will hang on long enough to get to the destination of your dreams. The videos, images, and selfies you managed to take along the way, the continuous updates of this magical journey, on a minute by minute basis — you’re more preoccupied with those things than seeing and enjoying the spectacular sights around you in all their real life glory with your own two eyes instead of through a screen. If we don’t let go of our precious technology, of the belief that we can’t exist or have no purpose without it, our soul will never reach the elevation it craves, the freedom from eternal return — unbearable lightness of being.

But that’s not good enough for you to give it up, no way! Fuck these evil balloons for just snatching you up and taking you away from your cozy little comfy zone… your beloved little world of chasing sweet little pleasures that act as fireflies, or sometimes, like scattered marbles over a frozen lake. And so down you fall… down…down… into a cold, wet abyss. Ah, the ocean. Home sweet home. Some sharks picked up your scent and are swimming around you now. Yay for the perfect lastie! That’s not exactly what this work is about, just my own interpretation of it today… medium.com/art-submissions/hold-onto-your-gadget-for-dear...