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Lace Hill in Yerevan, Armenia by Forrest Fulton Architecture for International Business Center competition
forrestfulton.com/lace-hill-over-yerevan
Lace Hill stitches the adjacent city and landscape together to support a holistic, ultra-green lifestyle, somewhere between rural hillside living and dense cultured urbanity. The 85,000 square meter (900,000 sf) proposal is a new model of development for Yerevan and Armenia that supports a resilient, high-value spatial fabric, dense with overlapping natural and urban phenomenon.
Paper lamp designed with a tool set in VVVV. Voronoi extrusion along the polygon average normals. No Glue, No Staples
Paper lamp designed with a tool set in VVVV. Voronoi extrusion along the polygon average normals. No Glue, No Staples
SOFTlab: (n)arcissus. Parametrically designed installation for the stairwell of the Frankfurter Kunsverein.
Introductory digital fabrication project. Lampshades generated in Rhinoscript and CNC cut with polycarbonate foil.
For more information see the Master of Advanced Studies program at ETH in Zurich:
This is a parametric shutter and pinhole clamp designed to be fastened onto a small coffee can (espresso-sized) or similar. Used with sheet film or photographic paper, this kind of pinhole camera needs to be loaded (in the DARK) with fresh film or paper for every exposure.
Mount the shutter on the cap for a classic anamorphic pinhole camera.
The tripod mounts are pending as of these uploads.
3D Print your own:
Parametric search UI fail: No U-haul, I probably won't be using a 1928 Model-A Ford to tow one of your trailers.
'voronoi flow' generative lampshade designed and 3d printed by parametric | art
using Gigamax3D filaments
Francesco Lopes - copyright 2011
Martedì 05 aprile 2011
Dome, è un progetto che vede gli studenti del Laboratorio di Progetto II della Facoltà di Architettura e gli allievi della Scuola Edile di Siracusa impe-gnati a realizzare in scala 1:1 un sistema abitativo low-tech. Archi, volte e cupole in laterizio sono gli elementi costruttivi con cui gli allievi sperimentano le potenzialità d’uso innovativo di materiali e tecnologie della tradizione.
La tecnica adottata si fonda sull’impiego del ‘compasso’, un metodo che l’architetto Fabrizio Caròla impiega da oltre trent’anni in Africa ed in particolare nel Mali. Un metodo desunto dalle ‘antiche tecniche’ co¬struttive nubiane e dalle esperienze dell’architetto egiziano Hassan Fathy.
Questo cantiere didattico-sperimentale è anche un omaggio a Fabrizio Carola, “all’uomo della pietra” come lo chiamano i Dogon del Mali, l’uomo che ci ha mostrato col suo esempio la possibilità di ritrovare un più equilibrato rapporto tra architettura e luogo entro una visione in cui ricerca, formazione e professione non costituiscono più ambiti separati.
Dome is a research project which brings together the Siracusa-based Architectural Design Lab II students and the Building School students with a common goal of constructing a 1:1 low-tech shelter. Brick arches, vaults and domes become a basis for innovative experiments with traditional materials and techniques.
The adopted method is based on the use of a revolving compass - a traditional Nubian technique explored by the Egyptian architect Hassan Fathy and perfected by Fabrizio Caròla in Africa, and in particular in Mali, over a period of more than thirty years.
This experimental building site is also a homage to Fabrizio Carola - “the stone man” as the Mali Dogon call him – whose work demonstrates a possible return to a balanced relationship between architecture and its environment in a context in which research, academic and professional domains no longer constitute separate domains.
This version fits together and works great for me, also added a hand crank.
www.thingiverse.com/thing:9454
Here's a video of it turning: www.youtube.com/watch?v=g73Gw_hJUnE
Parametric photography is a unique concept that most haven't heard of before, do you want to know more? Parametric photography is a concept of mine conceived in 2020 from a research born in 2007, after 25 years of work and study on analog photography thanks to my work as a set designer, the project to create photographic sculptures was born.
These are the unique and unobtainable sketches in NFT. The collection will include 366 unique pieces, except for a few multiples of 5 ... an opportunity not to be missed as a true collector of certified works of art! 🔥🔥🔥
Elements could be combined using bolts as connectors and pipes in between elements to define actual distance, and serve as spacers.
For further information of this and other projects go to:
parametric OpenSCAD model for a twisted box consisting of two parts that screw into each other.
Digital Design at: www.thingiverse.com/thing:1344
My day job is a recording studio engineer and owner. I've collected quite a few vintage items over the 30 years I've been doing this. The sad thing is, some of the stuff was new and relevant when I started using it.
The Orban 622 was a staple in many recording studios in the 80's and 90's. It's functions are pretty much built in to every piece of audio software these days. I've had the fortunate opportunity to hear the inventor of the parametric equalizer, George Massenburg, talk at a conference (along with Alan Parsons, Geoff Emerick, and Eddie Kramer!)
Notes on the film:
Trying out some film I saw while ordering on B&H. Bergger 400 ISO B/W. I've never heard of this French film or company. After some research, some think it's rebranded Orwo cine film. I'm not so sure, because the developing charts differ wildly.
The included recommended developing chart was contradictory. It listed D-76 twice, with different times. Rather than muck up the roll, I defaulted to Kodak HC-110 (B) because the times on that chart and the Massive Development Chart were identical.
A few comments about the results. I shot on a Nikon FT3n and used a Sekonic L398 meter for all shots. The in-camera meter sometimes agreed, but I was shooting in mostly low light for the whole roll. Some shots were dead on, but I had to coax most of them out of underexposure. When I did, the grain was very noticeable. When the exposure was dead on, the grain was very pleasing and soft.
I don't know whether it was my slow speeds on the Nikon (they were untested prior to this roll), my meter (selenium), my developer, or general low light difficulties. I bracketed the really low-light ones with good results, usually from the longer exposure.
I like this film for its smooth grain and tones when correctly exposed, but it reminds me of shooting slide film - one stop off and it's hard to recover. I can't imagine this being a cine film with not much latitude. To be fair, I didn't shoot any natural light exteriors. I can't quite put my finger on what it resembles - Tri-X or T-Max. I'll give it another go next time I order if they still have it.
Stay tuned, I have a little more than a dozen pix to post over the next week from this roll.
Nikon FT3n, Bergger BGR400+, HC-110