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TiaR_2020
Foto: Betty Fleck © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
What's the immaterial substance
that envelopes two,
that one perceives as hunger
and the other as food.
I wake in tangled covers,
to a sash of snow,
you dream in a cartoon garden,
I could never know.
Innocent imitation,
of how it could be,
if when the music ended,
you did not retreat.
In my imagination,
you are cast in gold,
your image a compensation for me to hold.
Parallel lines, move so fast,
toward the same point,
infinity is as near as it is far.
Parallel lines, move so fast,
toward the same point,
infinity is as near as it is far.
This project is my speculation about presumable existence of parallel universes. The universe is infinite, but there is only limited amount of particles everything is made of. That means, that any combination of limited amount of participles will repeat again. Theory of hyperspace says, that our universe is just one small bubble in the foam full of bubbles.What if somewhere there, in the depth of infinite universe, exists exactly the same version of me?
Or you?
Saturday, December 12, 3-5pm.
"Al-Manakh 2: Debate on Tour"
Co-sponsored by the Netherlands Architecture Institute
Following previous debates in Venice and Mumbai, this (the third of four planned debates) North American installment of the Netherlands Architecture Institute's )(NAi) "Debate on Tour" series will focus on the relation of short-stay visitors (tourism or business) in relation to the form, function, use and future of the cities in the Gulf. How do various cities in the Gulf deal with short stays? What parallels or differences emerge in comparison to the short-stay capital of the world: New York City.
The discussions that emerge from the four global debates will inform the forthcoming publication "Al-Manakh 2," collaborative initiative between the NAi, PinkTank (Dubai), OMA and "Volume Magazine" to monitor, reveal and forecast new urban developments unfolding in the Gulf region.
Featuring:
Alex Deffner, University of Thessaly, Greece
Waleed Hazbun, The Johns Hopkins University, USA
Jeffrey Inaba, Columbia University GSAPP, USA
Daniel van der Velden, Metahaven, The Netherlands
Mark Wigley, Columbia University GSAPP, USA
Space is limited and registration required: gdb2106[@]columbia[dot]edu
Studio-X
180 Varick Street, STE 1610
New York, NY 10014
Between King and Charleton Streets
1 train to Houston Street
[Studio-X is a downtown studio for experimental design and research run by the Graduate School of Architecture, Planning and Preservation of Columbia University.]
Parallel Stereo Photograph
I realize there is some dust in this image and it needs to be scanned again.
TiaR_2020
Foto: Betty Fleck © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
Computer, Massive Parallel Processor, Processor Unit & Expansion Unit.
This is part of an experimental computer, developed in the mid-1980s by the Goodyear Aerospace Corporation for the Goddard Space Flight Center in Greenbelt, Maryland. The comptuer derives it name from its ability to operate on large arrays of data in parallel, i.e. on many numbers at once. By contrast, computers of conventional design operate on one or at most a few pieces of data per cycle. One intended application for such a design was the analysis of the large amounts of data received by remote sensing satelliltes.
The Massively Parallel Processor represented one of several approaches to the problem of processing data in parallel. Nearly all modern supercomputers use parallel processing, although not all follow this machine's architecture.
Transferred from NASA to the Museum in 1996.
Transferred from NASA, Goddard Space Flight Center
Edited ISS057 image of parallel ridges of rock set in sand dunes in the Sahara Desert, next to what looks like an ancient, dry riverbed. Color/processing variant.
I finally got to experiment with my tokina 11-16mm. My brother and I went on a walk around our neighborhood. He played the accordion as we walked and I got some great shots of him but I love this one the most. The alternate dimension of shadows that follow us all around and appear in reflections captivates me. I want to meet them but I always bruise my knuckles on the pavement before they can reach my hand.
These are "Triplet" 3D pictures, Left + Centre picture are for parallel viewing Right + Centre picture are for cross eyed viewing.
If you can see "Magic Eye" (stereogram) pictures, you can see these in 3D, use the same technique to look at the left and center pictures together, merge the two pictures and they will "Snap" into 3D.
This is called "parallel" viewing, however you are limited to the size you can view, much bigger than this size and it doesn't work.
The only way to see these at full size is with the "Cross eyed" technique, this takes practice and you need to go
"Cross eyed" and use your right eye to look at the centre picture, and your left eye to look at the right hand picture.
I also have a blog about some of the photo's I take here
DRS 20, 20305 bringing up the rear and passing along the extensively cleared southern section of the line with a view over to the left of the industries which have grown up on part of the old industrial land at the side of the M1 motorway, the top deck just visible through the trees and in front of that, at the other side of the now cleared Arthur Lee site is a line of trees marking the position of the GC's line up the Blackburn Valley; just 90metres away across the derelict land and the two lines ran almost parallel up the valley for about 3km before diverging to pass through central Chapeltown, the Midland, and to the west of the town, the GC line. In the lower picture, taken on the trackbed from a point to the left of the position of the rear DSR 20, off to the left, looks south towards the complex of junctions at Tinsley with almost all of the complexity now removed and the large Meadowhall shopping centre and its car parks, a hotel and its car park, built on the land the lines and junctions once occupied.
Parallel Times (Blondie tribute) performing at North Walsham Live Aid 2018, an annual music event and charity rock memorabilia auction at North Walsham Community Centre. (c)John Newstead
Youthful Kinfolk Presents: Parallels art show in San Francisco, Ca - 6/18/2015
Richie Moon
Gabriela Diaz
Carina Moreno
Rewina Beshue
Beatrice Seifert
David Camerena
Valentin Saqueton
Shruggs
RossiRocks
SpencerxStevens
Photographed with an auto timer in the industrial area in Épagny (France).
Comments/Critique very welcome ;)
Tudor and I visited University of Guelph's arboretum on Thanksgiving weekend, when the weather was absolutely gorgeous.
I'll be uploading more from the trip, where I was trying out my new camera and a Lensbaby (to which I've become quite attached) too, over the next few days.
MANYSTUFF, MOSCOW - PARALLEL SCHOOL, DAY 2
Parallel School Open space (14-19 June) .
With Samuel Bonnet & Maël Fournier-Comte + guests Roel Wouters, Robert Sollis & Pierre Vanni
www.parallel-school.com/2010/06/workshop-in-moscow-14-18-...
Middle of April 1945, Soviet soldiers returning by raft from Kneiphof Island; by the ruined Köttelbrücke (Guts Bridge).
Middle of April 1945, a traffic-controller at the square in front of the Royal Koenigsberg Castle.
I am studying digital art and photography at Bodmin College. My beautiful friend Rose gave up her sunday evening to stand in a freezing cold, fast flowing river, be covered in three bags of flour and painted completely white for my 'Parallel Worlds' project at Respryn Woods, Conwall. She did a fabulous job and i will upload my final digital art piece as soon as it's finished. The idea of my final piece is to question the viewer as to what happens to our body if we were to cross into the parallel world or even bigger; what it would look like. Temperature? Creatures? Plants?
Amber workshop, founded by an ex-KGB officer and a military navy officer.
2001
(c)Peter Marlow — Magnum
Director of the Bunker Museum, underground command post used by General Otto von Lasch, Commandant of Koenigsberg, during the Second World War.
2001
(c)Peter Marlow — Magnum
Photo of the Hilton in Chicago.
While in Chicago last weekend I took around 1500 3D photos. I processed 102 of those images and have hand picked several dozen to be posted to flickr this week. Each of these sets of images will highlight a different venue in Chicago. I have chosen the ones that look best in 3D so enjoy!
To view these photos, you have 3 options:
1. print out a 4x6 and use a loreo 3d viewer
2. use this viewer directly on the image you see
3. look at a small size of the image and cross your eyes.
I prefer option #1. No eye strain.
An elderly woman walks her bicycle down a narrow Alassio street, while a younger woman veers off the street into an adjacent doorway. They are in such close proximity in space and time, but each is oblivious of the other.
"Parallel Lives" can be looked at in several ways, I guess. It's a good metaphor for alienation and depersonalization and such. It could also be a metaphor for pattern and routine and limited consciousness or entrenched thinking, with the way the structures of those doors wall the woman in. And it could be a comment on aging, of course. Or culture. What does it make you think of? Image c Lynda Lehmann.
Please visit www.LyndaLehmann.com if you want to see more of my work!