View allAll Photos Tagged parallel
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
WPC 2008, Evian, October 7 - Abdoulaye Wade, President of the Republic of Senegal; Thierry de Montbrial, President and Founder of the WPC; Lionel Zinsou, Managing Partner of the Private Equity firm PAI; Hubert Védrine, former French Foreign Minister; Kemal Dervis, Head of the United Nations Development Programme
I am studying digital art and photography at Bodmin College. My beautiful friend Rose gave up her sunday evening to stand in a freezing cold, fast flowing river, be covered in three bags of flour and painted completely white for my 'Parallel Worlds' project at Respryn Woods, Conwall. She did a fabulous job and i will upload my final digital art piece as soon as it's finished. The idea of my final piece is to question the viewer as to what happens to our body if we were to cross into the parallel world or even bigger; what it would look like. Temperature? Creatures? Plants?
Salford Crescent station, February 2013.
Olympus XA2 on Fomapan 100, semi-stand developed in 1:300 510-Pyro for 50 minutes.
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
More cheery buildings in the heart of Buda.
From an excellent long weekend's photo holiday with Mark and Pete. You can see the whole set here or browse the map.
This is from an old test review, but it's good practice on what you have to do to to calculate voltage, current, and power for a parallel circuit. Note that I've only done one calculation on each type- for the 502 Ω resistor. Similar calculations would be done for the other two
The bridge at the Seventeenth Parallel on Highway One - once the boundary between North and South Vietnam. We visited the rusting bridge as part of a trip to the Demilitarized Zone, which I remember being visually disappointing:
"In every place we went, there were virtually no visible remnants of the war left, but a fascinating story to be told"
We also followed this road almost the entire way between Saigon and Hanoi - in those days an extremely bumpy, back-breaking ordeal in a series of overnight bus rides. I hope it has improved since.
Scanned from a set of slide photographs of a 1994 trip to South East Asia and China.
30th January 2018 at the Edinburgh University Collection of Historic Musical Instruments, St Cecilia’s Hall, Edinburgh.
The Guitar was developed across Europe from the 12th century onwards. Modern Guitars usually have six strings. Their vibration is transmitted to the body of the Guitar via a sound board. Air inside the body vibrates and increases the sound.
The Romantic Guitar first appeared towards the end of the 18th century in Naples, Italy. It had six or more single courses of strings compared to the Baroque guitar which usually had five double courses (9 or 10 strings). They led on in the second half of the 19th century to Antonio de Torres Jurado in Analucia, Spain popularing a Guitar which larger and thinner. With lighter soundboards that were arched in both directions, made possible by a system of fan-bracing for strength. These Spanish guitars are the precursor of the modern Classical Guitar.
The instrument at the top of the photo was made in 1813 by Josef Pages in Cadiz, Spain. It has 6 courses and 12 strings. Pages continued to make Guitars with this arrangement into the early 19th century, but adopted other contemporary innovations like fan-strutting.
Guitars are assigned the number 321.322-5 in the Hornbostel Sachs classification of musical instruments indicating:
3 = Chordophone. Instruments where the sound is primarily produced by the vibration of a string or strings that are stretched between fixed points.
32 = Composite Chordophone. Acoustic and electro acoustic instruments which have a resonator as an integral part of the instrument, and solid body electric chordophones.
321 = Lutes. Instruments where the plane of the strings runs parallel with the resonators surface.
321.3 = Handle Lutes. Instruments in which the string bearer is a plain handle.
321.32 = Necked Lutes. Instrument in which the handle is attached to, or carved from, the resonator, like a neck
321.322 = Necked Box Lutes. Instruments in which the resonator is built up from wood.
Parallel Realitäten. Designkritische Texte Wilhelm Braun-Feldweg Förderpreis (Broschiert) von Schmidt. Florian A; Verlag: Niggli; Auflage: (Dez. 2006); ISBN-10: 372120607X.
What's the immaterial substance
that envelopes two,
that one perceives as hunger
and the other as food.
I wake in tangled covers,
to a sash of snow,
you dream in a cartoon garden,
I could never know.
Innocent imitation,
of how it could be,
if when the music ended,
you did not retreat.
In my imagination,
you are cast in gold,
your image a compensation for me to hold.
Parallel lines, move so fast,
toward the same point,
infinity is as near as it is far.
Parallel lines, move so fast,
toward the same point,
infinity is as near as it is far.
This project is my speculation about presumable existence of parallel universes. The universe is infinite, but there is only limited amount of particles everything is made of. That means, that any combination of limited amount of participles will repeat again. Theory of hyperspace says, that our universe is just one small bubble in the foam full of bubbles.What if somewhere there, in the depth of infinite universe, exists exactly the same version of me?
Or you?
TiaR_2020
Foto: Betty Fleck © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
TiaR_2020
Foto: Betty Fleck © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
TiaR_2020
Foto: Betty Fleck © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
TiaR_2020
Foto: Betty Fleck © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
Computer, Massive Parallel Processor, Processor Unit & Expansion Unit.
This is part of an experimental computer, developed in the mid-1980s by the Goodyear Aerospace Corporation for the Goddard Space Flight Center in Greenbelt, Maryland. The comptuer derives it name from its ability to operate on large arrays of data in parallel, i.e. on many numbers at once. By contrast, computers of conventional design operate on one or at most a few pieces of data per cycle. One intended application for such a design was the analysis of the large amounts of data received by remote sensing satelliltes.
The Massively Parallel Processor represented one of several approaches to the problem of processing data in parallel. Nearly all modern supercomputers use parallel processing, although not all follow this machine's architecture.
Transferred from NASA to the Museum in 1996.
Transferred from NASA, Goddard Space Flight Center
I finally got to experiment with my tokina 11-16mm. My brother and I went on a walk around our neighborhood. He played the accordion as we walked and I got some great shots of him but I love this one the most. The alternate dimension of shadows that follow us all around and appear in reflections captivates me. I want to meet them but I always bruise my knuckles on the pavement before they can reach my hand.
red hot chili peppers - parallel universe
deep inside of a parallel universe
it's getting harder and harder
to tell what came first
under water where thoughts can breathe easily
far away you were made in a sea
just like me
christ i'm a sidewinder
i'm a california king
i swear it's everywhere
it's everything
staring straight up into the sky
oh my my
a solar system that fits in your eye
microcosm
you could die but you're never dead
spider web
take a look at the stars in your head
fields of space kid
psychic changes are born in your heart
entertain
a nervous breakthrough that makes us the same
bless your heart, girl
kill the pressure it's raining on
salty cheeks
when you hear the beloved song
i am with you
www.myspace.com/redhotchilipeppers
camera: nikon d60 / nikkor af 18-200mm
aperture: f8.0
exposure: 1/1600
focal lenght: 35mm
iso speed: 200
no awards or invitations to awardgroups please, thank you!