View allAll Photos Tagged parallel
The gap is getting smaller. Now we are adding strips from the keel down, or up depending on how you look at it. You can see the parallel strips clearly here. These strips get shaped one at a time to fit against the other ones.
To avoid fighting two stags will pose and parade, trying to impress each other by their size and power. Part of this is the parallel walk, a chance to get the measure of the challenger. Usually one will back down, but if not, "combat" commences!
I saw someone's flickr shot of their mac running parallels, with the XP VM redone in a osx theme using windowblinds... i decided to do the same thing, but for free using a StyleXP based theme, and the uxtheme patcher... turned out pretty darn good i think :-)
“There never were, since the creation of the world, two cases exactly parallel” ---Lord Chesterfield
When flying over England on the bmi's flight from Moscow yesterday we were caught up by a plane resembling the BA's aircraft I had seen in Moscow (left). It was about 10 minutes behind us on the runway there, and now flying in parallel course it caught up and even overtook us (right). If it was the aircraft then it took it 3 hours to catch up ;)
I've already screenshot the funny way flybmi.com defaults client's age in the 'personal details' section. Now that I've actually flown their long-haul flight I'm quite happy with the service. Not long ago they started flying from Heathrow to Domodedovo (airport in the south of Moscow) and back in alliance with Russian Transaero airline. Probably too few people flying from Russia to London are aware of this service, as the cabin was only half full. Or probably people are too conservative to switch from traditional stuff, like BA and Aeroflot. As for me, I'd recommend at least to try bmi's Moscow direction. It's definitely as good as Aeroflot and better than BA comfort and service-wise. And it cost me 20% less than the cheapest option from Aeroflot and 30% less than the cheapest from BA!
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
August 1944. Burnt tram during British air raid in Rossgarten market in Koenigsberg.
A devotee is pulled with rope tied tightly to metal hooks.
24th Annual Chariot festival of Sri Mayurapathy Paththirakaali temple is held today (6th of August 2011) in Colombo amidst heavy downpour. Five wooden carved chariots parade through the streets of Bambalapitty (Colombo 04), Havelock Town (Colombo 05) and Wellawatte (Colombo 06).
Devotees dressed elegantly and took part in religious rituals such as carrying clay pots of camphor, rolling themselves on the ground, smashing coconuts and hanging on hooks (Kaavadi ~ Men only). Few devotees who fulfill their vows, got into trance and danced on the streets. Devotional songs played throughout the dazzling parade. Traditional and non ~ traditional musical instruments added colour to the festival.
An elderly woman walks her bicycle down a narrow Alassio street, while a younger woman veers off the street into an adjacent doorway. They are in such close proximity in space and time, but each is oblivious of the other.
"Parallel Lives" can be looked at in several ways, I guess. It's a good metaphor for alienation and depersonalization and such. It could also be a metaphor for pattern and routine and limited consciousness or entrenched thinking, with the way the structures of those doors wall the woman in. And it could be a comment on aging, of course. Or culture. What does it make you think of? Image c Lynda Lehmann.
Please visit www.LyndaLehmann.com if you want to see more of my work!
Parallel Vienna 2015 (Altes Postamt, 23.9. - 27.9.2015, Eröffnung) esel.at/termin/79300 | Foto: eSeL.at
Parallel Vienna 2015 (Altes Postamt, 23.9. - 27.9.2015, Eröffnung) esel.at/termin/79300 | Foto: eSeL.at
Looking over the side of a bridge in The Rocks, I saw a car parked beside a parking station. Unfortunately, despite my careful composition the car wasn't perfectly parallel to the kerb.
Salford Crescent station, February 2013.
Olympus XA2 on Fomapan 100, semi-stand developed in 1:300 510-Pyro for 50 minutes.
A blue Mercedes car parked at a logical but utterly wrong angle outside Saint George's Hotel, London. Another in the "View from my office window" series.
#AbFav_PARALLEL_LINES_🍰
So many parallel lines, so many colours, aaahhh, aren't we lucky?
Thank you, M, (*_*)
For more: www.indigo2photography.com
Please do not use any of my images on websites, blogs or any other media without my explicit permission. © All rights reserved
Toys, colourful, outside, parallel, lines, graphic, minimalism, stark, vertical, tower, colour, horizontal, NikonD7200, "Magda indigo"
September saw the Friday Late programme themed around video games covering everything from the lo-fi and familiar to the new and cutting-edge. The Museum turned into a digital playground bringing together game designers, artists and architects who encouraged those who attended to get creative in unusual and exciting ways. Visitors could design alternative realities, explore independent games in our arcade of the future and build with velcro sculptures.
(C) V&A, Credit to Gabriel Bertogg.
Another collab with my great friend Rodolfo aka @rodzgrid . I made a background image and Rodolfo start to edit this great concept of the eye watching in the top of a pyramid, that inspired me to creat this bridge to the parallel universe!!! It's always a great pleasure to collab with my buddy @rodzgrid , it's one of my favorites Igers with some really good and inspired gallery. Go check him out and give him all the love, in case you don't know him!!!
Apps::
#photoforge2 #idesign #masterfx #mirrogram #pstouch #icolorama #decim8 #lenslight #filterzillafree #poly #afhterlight #mexturesapp #blender
Overlays::
#ndpatterns
#campovisual #designattack #designerscollective #instaw0nder #hubcreative #m_innovative #instacollective #rsa_graphics #royalsnappingartists #infamous_family #fxmob #ig_artistry #editjunkie #ampt_vectors #ig_portugal #gm_designers
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015
The bridge at the Seventeenth Parallel on Highway One - once the boundary between North and South Vietnam. We visited the rusting bridge as part of a trip to the Demilitarized Zone, which I remember being visually disappointing:
"In every place we went, there were virtually no visible remnants of the war left, but a fascinating story to be told"
We also followed this road almost the entire way between Saigon and Hanoi - in those days an extremely bumpy, back-breaking ordeal in a series of overnight bus rides. I hope it has improved since.
Scanned from a set of slide photographs of a 1994 trip to South East Asia and China.
IL CARNEVALE E LA TARANTELLA MONTEMARANESE
Come nasce questa nostra identità?
Motivo originario della tarantella montemaranese è danza mista a preghiera, come afferma Gabriella Della Sala, attenta studiosa del nostro carnevale: “La ritualità di tale danza è direttamente legata a quella del corteo di carnevale del quale è parte integrante.
Nei festeggiamenti confluiscono aspetti di diversi riti pagani. Innegabile è il carattere propiziatorio del carnevale che richiama preistorici riti agricoli di propiziazione della divinità e quindi del raccolto; evidente è il carattere liberatorio che determina l’impostazione antisociale ed estremamente satirica che conservano l’eco e i tratti inconfondibili dei “Saturnalia”, antica festa romana in onore di Saturno, che cadeva il 17 dicembre, con significato propiziatorio e liberatorio.
Non ci sono dubbi sulla natura del carnevale, un rito agricolo e, quindi, come tale, legato a culti preistorici e matriarcali”.
Quanto detto è confermato anche dal modo in cui oggi i ballerini della tarantella accompagnano il corteo processionale di carnevale, con in testa il “caporabballo”, che guida maschere e suonatori per le strade del paese, ripetendo con movimenti rotatori ondeggianti da sinistra a destra e viceversa, il percorso di remoti riti propiziatori.
La danza è uno dei pochi esempi di ballo processionale sopravvissuto all’evolversi dei tempi. Il ballo processionale è un contatto con la divinità, uno sprigionarsi, attraverso il movimento di quell’energia necessaria per propiziarsi la divinità.
I passi della tarantella sono legati al procedere caratteristico dei gallinacei ritenuti anticamente uno scudo per tutti i mali della comunità.
La danza, solo recentemente, è concepita come azione di coppia, in quanto è una danza di corteggiamento, un contatto tra uomo-donna.
Coreograficamente vi sono due file parallele di danzatori a mò di processione che si allontanano e si avvicinano; alcune espressioni dialettali montemaranesi sottolineano il cambio di passo o di posizione del busto.
La tarantella si chiude in cerchio dopo alcuni passi di quadriglia. La disposizione in cerchio vuole essere un rito di esorcizzazione del male; la forma musicale, che accompagna, è a mò di perpetuo battere sul tamburo e le urla nel tessuto musicale puntellano il cambio di tonalità.
“L’origine remota del carnevale di Montemarano si può desumere anche dalla raffigurazione della tarantella, la danza autoctona più rappresentativa, in un antico affresco di Ruvo del Monte, eseguita da un gruppo di ancelle e riportata su un nitido graffito.
Altra significativa testimonianza è presente nella tomba Leopardi di Tarquinia, in cui si vede il “doppio aulus”, primitivo strumento musicale di accompagnamento del ballo, un doppio “iscaro”, suonato tanti anni fa magistralmente a Montemarano da Celestino Coscia e, con un balzo indietro di oltre tre millenni di anni, già usato dai pastori etruschi”.
(da “Il Carnevale di Montemarano” di Aldo De Francesco – Ed. Del Delfino)
I am studying digital art and photography at Bodmin College. My beautiful friend Rose gave up her sunday evening to stand in a freezing cold, fast flowing river, be covered in three bags of flour and painted completely white for my 'Parallel Worlds' project at Respryn Woods, Conwall. She did a fabulous job and i will upload my final digital art piece as soon as it's finished. The idea of my final piece is to question the viewer as to what happens to our body if we were to cross into the parallel world or even bigger; what it would look like. Temperature? Creatures? Plants?
Screening of Harun Farocki's Parallel I-IV
Courtesy of Harun Farocki GbR
KAM WORKSHOPS 2015
ARTIFICIAL NATURES
Chania, 21.8.2015