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In Brisbane , on average ,solar panels produce power for 4.2 hours per day.In reality your home will consume some of the solar power that your solar panels produce during the day. Because of the generous feed in tariff you may be better setting appliances like dishwashers ,clothes dryers ,washing machines etc to switch on later in the day when the solar panels are not producing power so you benefit most from feeding the maximum amount of solar energy back onto the electricity grid.
Panel Discussions: Lessons-learned from 15 years of experience of incorporating nuclear security systems and measures into overall security arrangements for major public events at the International Seminar on Nuclear Security Systems and Measures for Major Public Events – 15 Years of Experience: Challenges and Good Practices. Chengdu, China, 30 October 2019
Photo Credit: Dean Calma / IAEA
Scientific Secretary: Ms Elena Paladi, IAEA Nuclear Security Officer
Co-Scientiic Secretary: Mr Nigel Tottie, IAEA Senior Nuclear Security Officer
Chairman: Mr Steven Buntman, NNSA/DoE, USA
Rapporteur: Ms Inna Pletukhina, IAEA Outreach Officer
Facilitator: Facundo Deluchi, Argentina
PANELISTS:
Alexandre Mariano Feitosa, Brazil
Augustin Simo, Cameroon
Eric Gigou, France
Mario Cesar Mallaupoma Gutierrez, Peru
Steven Buntman,USA
Hong Nhat Duong, Viet Nam
Xu Zhenhua, China
Njakatovo Zafimanjato, Madagascar
Zul Helmi Bin Ghazali, Malaysia
Zarki Rachid, Morocco
Arenga Gallenero Abe, Philippines
Ahmed Zaid Saeed Binkashah Alshemeili, UAE
Mr. Al Shaffer moderates a panel on Technology & Innovation - Protecting the Future by Keeping a Technical Edge at the 2015 Acquisition Training Symposium held on April 7, 2015 at Fort Belvoir, Virginia. Panelists include Dr. Robie Samata Roy, Dr. James Sax, Mr. Thomas A. Kalil, and Dr. Lawrence Schuette.
(DoD photo by Erica Kobren)
Panel Discussions: Lessons-learned from 15 years of experience of incorporating nuclear security systems and measures into overall security arrangements for major public events at the International Seminar on Nuclear Security Systems and Measures for Major Public Events – 15 Years of Experience: Challenges and Good Practices. Chengdu, China, 30 October 2019
Photo Credit: Dean Calma / IAEA
Scientific Secretary: Ms Elena Paladi, IAEA Nuclear Security Officer
Co-Scientiic Secretary: Mr Nigel Tottie, IAEA Senior Nuclear Security Officer
Chairman: Mr Steven Buntman, NNSA/DoE, USA
Rapporteur: Ms Inna Pletukhina, IAEA Outreach Officer
Facilitator: Facundo Deluchi, Argentina
PANELISTS:
Alexandre Mariano Feitosa, Brazil
Augustin Simo, Cameroon
Eric Gigou, France
Mario Cesar Mallaupoma Gutierrez, Peru
Steven Buntman,USA
Hong Nhat Duong, Viet Nam
Xu Zhenhua, China
Njakatovo Zafimanjato, Madagascar
Zul Helmi Bin Ghazali, Malaysia
Zarki Rachid, Morocco
Arenga Gallenero Abe, Philippines
Ahmed Zaid Saeed Binkashah Alshemeili, UAE
Various Artists
Monday 4 November, 12:00pm – 1:00pm
V&A Dundee
Juniper Auditorium
1 Riverside Esplanade
Dundee, DD1 4EZ
With a tide of change sweeping the globe and the socio-political landscape increasingly subject to crisis and change, automation, algorithms and AI are playing an influential role within this paradigm.
So who are we to trust? This panel of artists and technologists explores the complex anthropomorphic relationships we have with gadgets and robots and how this shapes our world view. The panel will include Kirsty Hassard, Jan de Coster, Professor Ruth Aylett and Julien Ottavi.
About the Panel
Kirsty Hassard is curator of the Hello, Robot. exhibition at V&A Dundee, which investigates how robots are helping to shape the world we live in, showing how design is a mediator in this relationship between human and machine. A relative newcomer to the world of robotics, she was previously assistant curator of Furniture, Textiles and Fashion at the Victoria and Albert Museum and was assistant curator on the Balenciaga: Shaping Fashion exhibition. She has an MA in History and a MLitt in Dress and Textile Histories from the University of Glasgow. She has lectured and published on the relationship between print culture and fashion in eighteenth century London and Paris.
Jan De Coster grew up with a vivid fascination for physics, science fiction stories and hacking stuff. In college he realized that all the stories around science were often far more appealing than the theory behind them, and in the mid 90’s he started on his first multimedia productions.
In 2007, Jan founded Slightly Overdone Robots, a production studio which explores the horizons of Human-Robot interaction, where he has been making interactive installations and Robots ever since.
On his quest to make Robots a more widely accepted creative medium, Jan is now teaching young and old about building Robots, focusing on the design and the process, and the way they make us feel.
In the late 90’s Jan De Coster started making interactive projects and physical installations, with a strong focus on storytelling.
Jan has a background in physics and engineering and worked at different Advertising agencies at the beginning of his career. In recent years, he started teaching and giving workshops and lectures about innovation, creativity and especially robots. These workshops have brought him to visit and engage with creative communities from Qatar to Mexico. His robots have been travelling the world as a part of different exhibitions and his social robots explore the meaning of human-robot interaction.
Prof Ruth Aylett – Ruth is Professor of Computer Sciences in the School of Maths and Computer Science at Heriot-Watt University. She researches Affective Systems, Social Agents in both graphical and robotic embodiments, and Human-Robot Interaction, as well as Interactive Narrative. She led three EU projects (VICTEC, eCIRCUS and eCUTE) in the period 2001-2012 applying empathic graphical characters to education against bullying (FearNot!) and in cultural sensitive (ORIENT, Traveller, MIXER). She also worked as a PI in the projects LIREC (investigating long-lived robot companions) and EMOTE (an empathic robot tutor). She led the EPSRC-funded network of excellence in interactive narrative, RIDERS. She is currently PI of the project SoCoRo (Socially Competent Robots) which is investigating the use of a mobile robot to train high-functioning adults with an Autism Spectrum Disorder in social interaction. She has authored more then 250 referred publications in conferences, journals and book chapters, and has been an invited speaker at various events, most recently AAMAS 2016.
Julien Ottavi – Doctor in Arts, Composer, Artist, Curator. A mediactivist, artist-researcher, composer / musician, poet and tongues destroyer, experimental filmmaker and an architect, founder and member of Apo33, Julien Ottavi is involved in research and creative work, combining sound art, real-time video, new technologies and body performances. Since 1997, he develops a composition work using voice and its transformation through computer. Active developer of audio/visual programs with Puredata, he has also developed since many years DIY electronics (radio transmitters, oscillators, mixers, amplifiers, video transmitters…etc) in the perspective of knowledge sharing on technological development. Main developer for the Gnu/Linux operating system APODIO for digital art and A/V & streaming diffusion. His practices is not limited to the art spheres but crosses different fields from technological development to philosophy / theoretical research, biomimetic analysis, robotics and experimentation. For many years he reflects on the relations between experimental practices and collective practices within the creation of autonomous collective groups, putting in question the authorship strategy of the “art ideology.”
In collaboration with V&A Dundee
Photography Kathryn Rattray
Paneles Japoneses personalizados. Trae tu fotografía o elige una de nuestro banco de imágenes. Más info en www.ladamadecoracion.es
Stained glass panel by Naoko Shimazaki.
Three years of study at the Architectural Stained Glass Department at Swansea culminated in the degree show, with each student (usually fewer in number by now than at the start!) allocated a window space in the building to display their work, with a mixture of panels representing the various techniques explored and styles developed by each individual.
I usually took a full set of photos of each show (I was known for being obsessive compulsive with a camera even then!) and felt uploading the full set best represents the range of talents and ideas, in many cases of people who never worked in the medium in post-college life.
If any of my contemporaries are looking in I hope they will be flattered and see this as a tribute to their achievements. If for any reason anyone is unhappy about their work being shared online do please let me know.
Arrow panel at Dragon Con. Taken on September 6, 2015. Katie Cassidy, John Barrowman, Stephen Amell. and Matt Nable.
Arrow panel at Dragon Con. Taken on September 6, 2015. Katie Cassidy, John Barrowman, and Stephen Amell.
1956 Holden FJ panel van. Taken at Shannon's Eastern Creek Classic 2011, held at Eastern Creek Raceway Sydney.
This is the Resources Building in downtown Sacramento. This lean was inspired by the works of a few on Flickr that know how to make something out of something by finding urban patterns and framing at unusual deliberate angles. 0313
C.E. Murphy, John Reppion, the unfortunate hijacked moderator, Iain Banks, Alastair Reynolds (and Ian McDonald's hands)
Energy Minister Martin Ferguson (Australia), Chair of the Ministerial, IEA Executive Director Maria van der Hoeven and Economy Minister and Deputy Prime Minister Waldemar Pawlak (Poland)
Scholar Panel at the Sam Noble Oklahoma Museum of Natural History discussed issues, themes, culture and music in Tim O'Brien's "The Things They Carried."
Robert Con Davis-Undiano, William Hagen, David Levy, Wayne Stein, Carl Rath
March 29, 2011
SFSP-York's Panel Session sat:
Amit Sinha, Executive Director - Europe for SFSP
Ian Abbott-Donnelly, CTO for IBM
Steve Legg, University Relations Manager for IBM
Gerry Reilly, Partership Executive - York for IBM
Heather Dunlop-Jones, CTO for IBM
John McDermid, Head of Computer Science for University of York
Ripped out the old 800D front panel kit before starting my radiator mod. Don't want to accidently cut the cables - I have the upgrade kit to replace this with anyway though.
Unlike power plants, solar panels produce no harmful side effects for the environment. Installing solar panels to your home is one way to do your part to help the planet. As far as scientists can tell, sunlight won’t end for billions of years, meaning that solar energy is a seemingly endless source. As long as the sun is in the sky, your solar panels will be working to create electricity for your home. View more Annapolis-Baltimore Eco-friendly yard design photos.
Panel of Speakers, from left to right : Giuliano Amato, Italian Interior minister, former vice-chairman of the European Convention on the Future of Europe, Jens-Peter Bonde Co-chairman of the Independence and Democracy group in the European Parliament, Valery Giscard d’Estaing Former chairman of the European Convention on the Future of Europe, Margot Wallström, Vice-president of the European Commission, Moderator: John Lloyd, journalist, contributing editor at the Financial Times, Stephen Boucher, Henri Monceau, Tomorrow’s Europe, Pr James S. Fishkin, Pr Robert C. Luskin, Stanford University (USA), Marc-André Allard, TNS Sofres
You are standing at the south end of the Ouseburn Culvert, the concrete chamber that allows the Ouseburn to flow beneath the public landfill now known as City Stadium. Before 1907, this area was a steep-sided valley that divided the east end districts of Newcastle from the town centre. The landfill was supposed to support new roads and houses. The houses were never built but the culvert was used as an air raid shelter for many local residents during World War 11.
Culvert Construction: In 1904, Newcastle Corporation secured permission to enclose the Ouseburn in a ferro-concrete culvert, 700 metres in length. Work on this major engineering project began in 1907.
Old industries like the Ouseburn Lead Works were demolished, then an arch of concrete, reinforced with a skeleton of steel rods was built around a temporary wooden frame. Everything was then buried beneath the infamous Ouseburn Tip. Up to 30 metres of household waste and coal ashes were dumped on the open ground above the culvert over a forty year period. On hot summer days this mixture would self- combust causing localised fires and lots of smoke.
For some people the Ouseburn Tip was a boon. Local residents would scavenge for rags, metal and other valuables, that they could sell, or shoes and clothes that their families could wear. This was known locally as ‘scrannin on the tip’, and the many pieces of broken china and pottery collected by a generation of children was known as ‘boody’ and used as a form of coinage.
Air Raid Precautions: In 1939, the culvert was converted into an air raid shelter. This £11,251 scheme involved adding a concrete platform inside the culvert. The Ouseburn continued to flow beneath the platform, while lighting, protective blast walls, benches and bunk beds were added in the space above to create temporary accommodation for 3000 local residents. People accessed the shelter from steps built into the tip. You can still see part of the culvert arch, but the remains of the war time entrance is under the floor of the riding area.
The Ouseburn Tip could not support the housing originally planned by Newcastle Corporation, and in 1961, Councillor T. Dan Smith proposed that the area be used as a sports stadium, to be completed in time for the Empire Games of 1966. These plans never materialised. Today the tip itself is an open expanse of grass and trees name the ‘City Stadium Park’.