View allAll Photos Tagged panelized
El Panel Informativo nos indica que hemos dejado la esclusa 21 a 4,8 km. Aun tendremos que caminar 11 km para llegar al encuentro del Canal con el Rio Carrión.
Muchas gracias a todos por vuestros comentarios.
St Andrew's Church in Winterborne Tomson, Dorset, England, was built in the 12th century. It is recorded in the National Heritage List for England as a designated Grade I listed building, and is a redundant church in the care of the Churches Conservation Trust. It was declared redundant on 1 June 1972, and was vested in the Trust on 26 March 1974.
The small flint and stone Norman Anglican Church of St Andrew has an apse at the east end and a barrel vault roof which curves around it. The roof was replaced and windows inserted in the 16th century. The oak door is heavily studded. The interior has limewashed walls, a 15th-century font and flag stone floor, along with early 18th-century oak fittings. The eighteenth century oak pews, the pulpit, screen, communion rails and matching table with barley sugar turned legs, and other woodwork were provided by William Wake, Archbishop of Canterbury, who had been raised in the village of Shapwick and whose family lived locally. The west end has a late medieval gallery with a panelled front which was probably originally a rood screen. The roof is topped by a small weatherboard belfry which resembles a dovecote.
By the early 20th century, the church had fallen into disrepair and was being used as an animal shelter by a local farmer. Repairs were paid for by the Society for the Protection of Ancient Buildings who sold a collection of Thomas Hardy’s manuscripts to raise the funding. The work was supervised by A. R. Powys who also oversaw the work at the Old St Cuthbert's Church, Oborne
Just got home from finding some snow to shoot, nothing at home but travel about eight miles North West and I found some. No time time to edit for today but enough snow images for a short series.
This is another shot from Worthing pier this time from the East side, I had to step back quite a bit to include the light panels along the pier decking which were picking up that light from the low sun. No filters .
Couldn't help but notice how flat this Swallowtail was holding his wings - like solar panels to soak up all the suns warmth and energy possible.
It was almost noontime and already the day was sweltering hot so it probably didn't take too long to get all charged up.
Seen in the Children's Garden at Dauset Trails Nature Center.
** Best when viewed large
Explore: 8-01-16, #285
This is a close-up HDR photo of the patterning detail in a plastic panel. I love the gradual transitions across the patterning grid in the blue/yellow colours and the refracted light from the windows. Best viewed enlarged in slideshow.
The panels in the Coca-Cola Beatbox, an interactive art installation within the Olympic Park, in Stratford, London.
Designed by Asif Khan and Pernilla Ohrstedt, the structure fuses architecture, sport, music and technology, inviting participants to activate the panels, each of which play a recording of a sport-derived noise to create music.
3-shot HDR taken with a Nikon D7000 and a Nikkor AFS DX 18-200mm F/3.5-5.6G lens, merged in Photomatix, then processed in GIMP and Photoscape. Potentially a bit heavy handed with the tone-mapping...
This is a close-up photo of a rust covered iron panel and algae covered wooden beams on the wharf at Port Maitland Beach.
This is a close-up photo of rust on an iron panel on the wharf at Port Maitland Beach. The amazing textures are best seen full screen in Slideshow.
This is a close-up photo of green algae growing on an iron panel on the wharf at Port Maitland Beach.
This is a photo of the light shinning through a frosted glass panel in the lobby of the library in Yarmouth.
I don't know. It was a stupid choice for a title. I thought the central figure was pretty cool and just went with it.
44 Panel, Crow Canyon
New Mexico
This is a close-up photo of rust patterns on an iron panel on the wharf at Port Maitland Beach, and light reflections on seepage that suggest a pareidolia portrait.