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Abundant Life's old seed packet had a hand on them which I found the perfect label, but the new ones don't This company works hard to preserve heirloom seeds and I highly recommend them for vegetable seeds.
Smell the soil,
Gently push that worm aside,
That root needs to be dislodged,
Sorry diva for the catnip,
Another corner of the yard will have to do for you.
Let the seed run gently down the crevice of my hand,
Touch moist soil where it longs to be,
Thank you Gaia,
For this privilige,
to guide my hand,
to guide my seed,
to guide my mouth,
to guide my mind,
to awareness.
For another cycle of the planet.
Another entry in my homage to Funny Face Drink Mix from the 1960s and 1970s.
There was something about the Funny Face characters that really appealed to me when I was growing up. I used to sit and draw them for hours. So I thought I'd come up with an imaginary line of drink mix characters that could have existed alongside them.
Apparently the Moonman line of drink mixes wasn't content to stick with the usual flavors...
I drew the alien and the Moonman logo with the pen tool in InDesign. The logo is hand-lettered, but based loosely on a real font. I added the symbol in the middle because nothing says 1960s space age like an atom. Then I imported those elements into Photoshop, where the rest of the text, the packet and shading were done.
Want to see more? Check out my new blog! All the cool kids are doing it!
graphic design, label design, package design, logo design, calligraphy, typography, digital photography, branding, Wine label packaging, Label designers, Award winning design, Napa Design firm, Spirit packaging, Package design, Website design, Naming, Brand design, Signage design, Print design, Brochure design, Napa wine labels, China Wine Label, China Package Design, India Wine, India Label, chocolate package, gourmet, wine and spirits, bulgaria, australia wine labels, Sonoma Wine labels, Best Wine Label Design, Glass design, Bottle design, Wine label designer
graphic design, label design, package design, logo design, calligraphy, typography, digital photography, branding, Wine label packaging, Label designers, Award winning design, Napa Design firm, Spirit packaging, Package design, Website design, Naming, Brand design, Signage design, Print design, Brochure design, Napa wine labels, China Wine Label, China Package Design, India Wine, India Label, chocolate package, gourmet, wine and spirits, bulgaria, australia wine labels, Sonoma Wine labels, Best Wine Label Design, Glass design, Bottle design, Wine label designer
Another in the Moonmen Drink Mix product lineup.
Like Morty Jooseman, creator of Moonmen in the 1960s once said, "Any idiot can make a raspberry flavored drink mix, but it takes real vision to create a rowanberry flavor!"
I drew the alien and the Moonmen logo with the pen tool in InDesign. The logo is hand-lettered, but based loosely on a real font. I added the symbol in the middle because nothing says 1960s space age like an atom. Then I imported those elements into Photoshop, where the rest of the text, the packet and shading were done.
Want to see more? Check out my new blog! All the cool kids are doing it!
More Moonmen flavors!
Durian probably isn't very well known in America. I'd never heard of nor seen one until I went to China. They're about the size of a football and covered in super sharp spikes. Sort of like a Klingon pineapple.
I didn't get a chance to try one, but from what I hear they're an acquired taste. Some people say they taste like almonds, others say they taste like rotten onions. That's a pretty wide range there, so I have no idea which is right. There are several different kinds of them, so maybe the taste depends on the variety?
They also smell really bad. In Asian countries they won't even let you on a bus or in a hotel if you're carrying a durian; it's that bad. I didn't notice any smell emanating from the ones I saw in the grocery store, so I think they only smell if you cut them open.
I drew the alien and the Moonmen logo with the pen tool in InDesign. The logo is hand-lettered, but based loosely on a real font. I added the symbol in the middle because nothing says 1960s space age like an atom. Then I imported those elements into Photoshop, where the rest of the text, the packet and shading were done.
Want to see more? Check out my new blog! All the cool kids are doing it!
View more work at www.gabere.com
This packaging was hand made and assembled by me for a package design class as part of my BFA. The pattern was lacquer transfered to green paper. They come in a package of four so placed back-to-back all the little pyramids would nest together to make a larger pyramid.
A Series of Vitamin packages with a great typographic hierarchy and the 3D form study.
design.blogsociale.it/2008/06/23/il-package-design-second...
When I lived in the big city, I could always find cans. Everywhere I went, they were tossed on the ground and in the street, or flowing out of trash bins. But in the suburbs, its much harder as the environment is less crowded, and mostly only teenagers toss trash on the ground or the occassional stupid people heaving beer cans out the car window.
A Series of Vitamin packages with a great typographic hierarchy and the 3D form study.
design.blogsociale.it/2008/06/23/il-package-design-second...
Another in the Moonmen Drink Mix product lineup.
I drew the alien and the Moonmen logo with the pen tool in InDesign. The logo is hand-lettered, but based loosely on a real font. I added the symbol in the middle because nothing says 1960s space age like an atom. Then I imported those elements into Photoshop, where the rest of the text, the packet and shading were done.
Want to see more? Check out my new blog! All the cool kids are doing it!
exhibition poster for the "my body-myself" exhibition (imaginary in this connotation, but actualy did occure in "Tel-Aviv museum of art") under the "Kfitzat Haderech" event.
the "K'fitzat Haderech" (the letters in the big title) might be femiliar to you from the book Dune by frank herbert. it's a term originaly taken from the jewish misticism, and also appears on other religions folklore as well (like in islam, maybe when muhammad has transferred from medina or mecca to jerusalem, pardon my ignorance). it relates to an imaginary jumpthrough, or shortcut, from place to another in a split of a second.
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in this connotation however, "Kfitzat Haderech" is an annual exhibition of different subjects taking place in several different galleries in Tel-Aviv, represented by different dots on the poster. in the package and the catalogue book covers i designed, you can actualy see the routs, or "wirings", of the thematic or chronological routes of the exhibition on the different galleries, creating compositions. in general it's a "web of art", spreaded across tel aviv, in which a spectator would "jump" from one gallery to the next (inspired by my experience in gallery touring. i was walking alot and hoped for a "Kfitzat Haderech" miracle).
the main heading is stitched of cotton web, and the background is a scanned photo of me, (taken by the talentful Ilia Yefimovich). the "stitched" photo is my hommage to an artist called Yocheved Vinefeld (f), who stitched threads on her own photos.
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"package design" course lectured by Tatiana Luxembourg in Minshar college, Tel aviv.
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this is a non profit design exercise.
*(not all the galleries appear in the poster. i counted 54, and there are more)
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ועכשיו בשפת אבותינו:
פוסטר לתערוכה בשם "גופי עצמי - אמני שנות השבעים" (שבאמת התרחשה במוזיאון תל אביב, אבל כאן בקונוטציה אחרת), המתרחשת תחת אירוע דמיוני ושנתי בשם "קפיצת הדרך". מדובר בתערוכה המתחלקת בין כמה גלריות.
כאשר ניקדתי את מפת תל אביב ע"מ למצוא את הגלריות השונות , מצאתי שאפשר לחבר קווים מנקודה אחת לשנייה, וכך נולדו "חיווטים" המדמים מסלולים ואפילו רשתות המזכירות תרשימים סכימטיים של רשתות כמו האינטרנט וכמו רשת חברתית. כל נקודה בפוסטר מייצגת גלריה בתל אביב על המפה, ומקושרת בקווים אל כל הגלריות האחרות, מה שיוצר "רשת אמנות" של 2916 קווים.
על ידי חיווט יצרתי קומפוזיציות שונות. הרשת שבפוסטר היא "רשת אמנות" תל אביבית, שבתוכה יכולים שוחרי האמנות ליהנות מאמנות. את ההשראה ל"קפיצת הדרך" קיבלתי מהליכה רבה ומתישה בין גלריה לגלריה בזמן המחקר לתרגיל, במהלכה קיוויתי לנס "קפיצת הדרך".
הכותרת הראשית עשויה מחוטי כותנה תפורים - לוגו תפור, (והתמונה במקור סרוקה מתמונה שלי שצילם איליה יפימוביץ' המוכשר), הומאז' ליוכבד וינפלד, אמנית שתפרה על תמונות של עצמה בשנות השבעים, ושהוצגה בתערוכה "גופי עצמי" האמיתית.
הבריף במקור היה עיצוב מארז ושלושה כריכות לנושא (אני בחרתי "גלריות בתל אביב") בסימן 100 שנה לתל אביב.
המושג "קפיצת הדרך" יכול להיות מוכר מהיהדות או אפילו מ"חולית" של פרנק הרברט. זהו מושג מיסטיקני יהודי (אך גם מופיע בדתות אחרות) המספר על קפיצה, או ניתור כהרף עין למרחקים, ממקום אחד לשני. ייתכן שגם הוא מופיע באיסלאם (או הושפע מהאיסלם במקור, לא יודע), בסיפור בו מוחמד עובר ממכה או מדינה לירושלים (סליחה על הבורות).
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עוצב במסגרת קורס עיצוב אריזות בהנחיית טטיאנה לוקסמבורג, מכללת מנשר לאמנות.
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זהו עיצוב ללא כוונת רווח.
רוב הגלריות לא מופיעות בפוסטר.
a packaging and three book covers (catalogue and gallery guide) * representing ”Kfitzat Haderech".** the picture here shows two different books (one shows the front and the other it's back).
“K’fitzat Haderech” is an imagined art event taking place once or twice a year, in which there is an exhibition that takes place in several different galleries across tel aviv, engaging the spectator to go from gallery to gallry. each book is a combined catalog and a galley tour guide, for a different exhibition on a different theme in israeli art.
three designed and self-bound (japanese binding) books printed on canvas with cloth handles (to carry the catalogue across town), a hardback canvas packaging, and a poster.
the three books can be "filed" to the packaging with a cotton thread.
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one can “jump” from one gallery to another on a thematic route - for instance - an exhibition regarding a theme called “my body my self” which relates to a group of different israeli artists from the 70’s, that used their body as canvas.
the spectator can start in a specific gallery, and then go on to another gallery which shows a main artist, then the route splits to his pupils (his students affected by him), and so on and so on. the path may be chronologic, may be thematic.
when dotting the map in search for galleries in tel aviv, i immediately noticed the option of routing or “wiring” one dot to another, creating an imaginary “web of art” across the city, in which art lovers could hang around. it resembles diagrams of wiring of the internet or any social arragement. the wirings create compositions.
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* package design course in Minshar college of art, lectured by Tatyana Luxembourg.
**the name "Kfitzat Haderech" might be femiliar to you from the book Dune by frank herbert. it’s a term originaly taken from the jewish misticism, and also appears on other religions folklore as well (like in islam, maybe when muhammad has transferred from medina or mecca to jerusalem). the modern equivalent is "teleportation".
en.wikipedia.org/wiki/Kefitzat_Haderech
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בבקשה צפו בתמונות
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עיצוב אריזה ושלושה עטיפות ספרים ל"קפיצת הדרך", אירוע אמנות דמיוני המתרחש פעם בשנה, ומתחלק בין גלריות שונות ברחבי תל אביב. כל ספר הוא קטלוג תערוכה ומדריך סיור בין גלריות, לתערוכה שונה המייצגת זרם אמנותי ישראלי.
שלושת הספרים מודפסים על בד עם כריכה קשה, וכרכתי אותם עם חוט כותנה (בעצמי) ב"כריכה יפנית". אפשר "לתייק" את הספרים למארז בעזרת חוט פשוט. המארז הקשיח גם עשוי בד, ובא עם ידית משלו.
שימו לב שהתמונה פה מראה שני ספרים שונים (אחד קדימה והשני אחורה) שקשורים בשרוך.
בנוסף עיצבתי גם פוסטר המפרסם אחת מהתערוכות.
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הצופה יכול "לקפוץ" מגלרייה לגלרייה במסלול תמטי. למשל, מסלול המתחיל עם מורה השייך לזרם מסויים, ומתפצל לתלמידיו השונים.
כאשר ניקדתי את המפה על מנת למקם את הגלריות השונות בתל אביב, הבחנתי באופציה של שרטוט מתווים (מופיעים על הכריכות) או "חיווט" בין מקום למקום, כך שנוצרת "רשת אמנות" דמיונית לכל רוחבה של תל אביב, ובתוכה יוכלו שוחרי האמנות להרגיש נוח. ההשראה באה גם מדיאגרמות של חיווט על נושאים כמו רשתות אלקטרוניות או חברתיות. החיווטים יוצרים קומפוזיציות, אשר אפשר לראות בתמונות תהליך העבודה.
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* קורס עיצוב אריזות במנשר לאמנות, בהנחיית טטיאנה לוקסמבורג.
* המושג "קפיצת הדרך" שאוב ממיסטיקה יהודית ומדתות נוספות, וכן גם מהספר "חולית" של פרנק הרברט. האגדה מספרת על קדושים אשר "קפצו" ממקום למקום בעזרת כוחם הרוחני, ובעצם עברו "טלפורטציה" ממקום למקום, או - לפי הסבר אחר, התרחש קיפול זמן ומרחב (קפיצה מלשון "קפיצת יד") שאפשר להם לעבור ממקום אחד למשנהו.
Recycled aluminum drink can winds up inside under very hot bright lights and the street litter I picked up, brought home and washed, now has become something else of value & unique beauty.
No new paintings, but a few new designs. I've really been developing an appreciation for spirits packaging so expect to see more of this shit in my photostream.
Story: I just made up a fake name for a whiskey and rolled with it. back in the late 90's, there was this dude in Atlanta who used to write "Beware the Goat Ravisher" around town. I always thought that was hilarious, and for whatever reason over a decade later I randomly thought that'd be a good name for a fake whiskey label. So this is my way of paying homage to the man...
A portable screen printing kit for the beginner.
Comes with two, pre-emulsified 5x7 screens, 3 colors of ink, two pieces af American Masters printmaking paper, an informative instruction poster, and a tiny little squee-gee custom made to fit your screens.
Photography done by the talented Sarah Mick
A portable screen printing kit for the beginner.
Comes with two, pre-emulsified 5x7 screens, 3 colors of ink, two pieces af American Masters printmaking paper, an informative instruction poster, and a tiny little squee-gee custom made to fit your screens.
Photography done by the talented Sarah Mick