View allAll Photos Tagged packagedesign
Let's design packages thinking of how they'll look in people's hands. All the boring government warnings and identifications should go on easily peeled-off labels, and underneath the objects should be movie-prop versions of themselves.
Vamos desenhar embalagens pensando em como vão ficar nas mãos das pessoas. Toda a parte chata de avisos e informativos do governo vai em etiquetas fáceis de arrancar, e embaixo os objetos são versões de filme de si mesmos.
Design of food packaging - brand refresh for self-heating meals. Done while senior designer at Mark Weisz Design.
Packaging design for an accessory box. Reflective mirrors for the company, "Looking Glass," specializing in women's apparel and accessories.
Illustrated using watercolor with watercolor pencils. See website www.robinmaclean.moonfruit.com/ for additional illustrations by Robin MacLean, including additional fig illustrations for Bakery Wagon and Mother's fig bar packaging.
Copyright Robin MacLean 2007.
This packaging was hand made and assembled by me for a package design class as part of my BFA. The pattern was lacquer transfered to green paper. They come in a package of four so placed back-to-back all the little pyramids would nest together to make a larger pyramid.
Only Pure Metal Cards ship your metal business cards in a luxury wood presentation case
#puremetalcards #metalbusinersscards #businesscard #presentationcase #packaging #packagingdesign #advertising #branding #design #copper #coppercard
A week or so ago I was messing around in InDesign and I drew this Martian. I thought he looked a little like a breakfast cereal mascot (for a store brand maybe).
Then for some reason Funny Face drink mix popped into my head. I used to love Funny Face back when I was a kid. Not so much the actual drink mix, but the characters themselves. I don't know exactly what it was, but something about the designs spoke to my little mind and I used to spend hours drawing them.
So I decided to repurpose my spaceman into a Funny Face type kid's drink mix character, and the "Moonmen" line of drink mixes was born. I'll eventually add some more flavors and characters as they come to me.
I drew the space man and the Moonman logo with the pen tool in InDesign. The logo is hand-lettered, but based loosely on a real font. I added the symbol in the middle because nothing says 1960s space age like an atom. Then I imported those elements into Photoshop, where the rest of the text, the packet and shading were done.
Want to see more? Check out my new blog! All the cool kids are doing it!
From Cadbury's famous "factory in a garden' - the suburb of Birmingham that was its own creation - a 1955 guide to the contents of Cadbury's Roses Assortment. It shows the range of milk covered, soft centres (yes, the one you used to push your thumb into to check it wasn't a 'hard' centre), medium and hard centres that came in a bright new box and gay new wrappers.
Roses Chocolates, in a blue carton or box, had been introduced in 1938 as Cadbury's answer to competitor Mackintosh's of Halifax's runaway success "Quality Street", a similar assortment of chocolates and sweets. I'm not sure if Roses survived sweet rationing in 1942 but by the time of this advert, two years after sweet rationing had ended, Cadbury's were promoting the brand heavily.
One of my latest calligraphy in arabic style - part of Asemic Calligraphy series by Jordan Jelev
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I took a package design class over the summer. The first assignment was to create a cube out of paper. That seemed too easy, so I spent a few minutes with Illustrator and a calculator to make this shape instead. The top is rotated 45° relative to the base, and the box is still as tall as the squares are wide.
View more work at www.gabere.com
This packaging was hand made and assembled by me for a package design class as part of my BFA. The pattern was lacquer transfered to green paper. They come in a package of four so placed back-to-back all the little pyramids would nest together to make a larger pyramid.
Yet another flavor in the Moonmen Drink Mix product line. Trivia time: the Planet's little purple pal there was named "Moonica."
How's he holding his glass of Moonmen Drink Mix? Gravity, of course!
I drew the alien and the Moonmen logo with the pen tool in InDesign. The logo is hand-lettered, but based loosely on a real font. I added the symbol in the middle because nothing says 1960s space age like an atom. Then I imported those elements into Photoshop, where the rest of the text, the packet and shading were done.
Want to see more? Check out my new blog! All the cool kids are doing it!
In 1955 Milner Gray, the famous British designer and teacher, edited one of The Studio's "How to do it" series of books on art and design, Number 59 "Package Design". The illustrated book looks at the "why", "how" and "techniques" of designing packaging for a wide range of products and goods and looks at the allied requirements of issues such as brands and corporate identity. One sequence of illustrated examples relates to "brand families"; similar product packaging used across a range of goods or services and this shows the wide adaptation of a similar 'look' across the products of J Sainsbury Ltd.
At the time Sainsbury's were a major grocery chain based in London and serving large areas of the "Home Counties". By the mid-1950s they were not only expanding but starting the radical change from 'traditional' grocery shops to the new self-service and 'supermarket' methods being imported from the US. As part fo this different styles of packaging were key as more products were on open shelves and the 'look' or 'appeal' of such products was key to awareness and rapid recognition. Sainsbury's became famous for their brand identity and indeed had their own graphic design department who managed the whole range of design, display, packaging and advertising. This 'family design', showing a variety of dried goods, cooking ingredients and spices as well as prepacked margarine, was designed by Leonard Beaumont who made extensive use of Monotype's 1930s Albertus typeface for the titling.