View allAll Photos Tagged overlapping
Negative overlapping. Kodak Tri X-400.
I have seen a few of these images, sometimes accidental & sometimes intentional. Here are a few of mine. They have given me some ideas & inspiration. A new interesting project is on the bubble.....
This solid silver twig ring wraps twice around the finger and overlaps in one portion of the design for a seamless and organic flow.
We cast this ring using twigs we collect in the natural parks of Berlin. Our casting technique captures the texture of the twigs in crisp detail, giving each piece a pattern that is created completely by nature.
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I've wavered on this one as it has features which overlap with several species. However it sits best with Aristida acuta, as the upper glume is generally long-accuminate (not always) and longer than the lower glume; the lower glume is abruptly accuminate to shortly awned. The lemma is blotched with purple, involute and lacks any protuberances.
However, the lateral awns are 63-78% the length of the median awn. The 63% would place it in Aristida queenslandica (given as 30-65% in the keys); this is where I placed it previously. The 78% would place it in A. acuta (given as >70% in the keys and more than 2 mm shorter). More exceeded 65% then not, so closer to A. acuta.
Also there are distinct pulvini in the axils of some of the flowerhead branches. This is most similar to A. calycina, not A. acuta. However, the base of the branches are often bare for some distance which indicates A. acuta and not A. calycina.
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This is an overlapper trading card. Please join the fun by making your own card and adding it to the pool!
Pinole Cruisin' in the sun car show 2007
2007. Loren Lloyd / Vintage Image Photography
Camera: Holga 120 plastic toy camera.
Film: 35mm Memories color film
Artist: Lisa Colby
sterling silver, brushed
Artist Statement:
I create jewelry that is fabricated entirely by hand. One of the techniques I employ is that of melting sterling silver and manipulating this material while it is hot to achieve the organic shapes often seen in my designs. I mainly work with sterling silver and occasionally add gold, semi-precious stones or found objects to my designs. I draw upon innumerable sources for my inspiration, including vintage textile patterns, the physical universe and commonplace objects from my daily life.
The leaves and flare spots overlap each other. Taken using an IR converted camera with an R72 filter.
I search your profile
for a translation
I study the conversation
like a map
'cause I know there is strength
in the differences between us
and I know there is comfort
where we overlap
come here
stand in front of the light
stand still
so I can see your sillouette
I hope
you have got all night
'cause I'm not done looking,
no, I'm not done looking yet
each one of us
wants a piece of the action
you can hear it in what we say
you can see it in what we do
we negotiate with chaos
for some sense of satisfaction
if you won't give it to me
at least give me a better view
come here
stand in front of the light
stand still
so I can see your sillouette
I hope
you have got all night
'cause I'm not done looking
no,
I'm not done looking yet
I build each one of my songs
out of glass
so you can see me inside of them
I suppose
or you could just leave the image of me
in the backround, I guess
and watch your own reflection superimposed
I build each one of my days out of hope
and I give that hope your name
and I don't know you that well
but it don't take much to tell
either you don't have the balls
or you don't feel the same
come here
stand in front of the light
stand still
so I can see your sillouette
I hope
you have got all night
'cause I'm not done looking
no, I'm not done looking yet
I seach your profile for a translation
I study the conversation like a map
'cause I know there is strength
in the differences between us
and I know there is comfort
where we overlap
Dublin, 25 June 2015.
Camera: Rolleiflex 3.5.
Film: Kodak Tri-X400 120 film
Dev: HC-110 1+31 dilution, 7.5 minutes
Another Friday for Fish n Chips at Blackhead, Gerroa this week. The light wasn't playing along but I found a couple of compositions that I didn't mind all the same..
Still coming to grips with the internal electronic ND filter in the OM-1 - it's very freeing being able to just tap a setting and there it is ...
OM-1 w M.Zuiko 12-40/2.8 Pro
ISO80 f/11 6s 19mm 0.0ev
Single frame raw developed in DxO PhotoLab7, colour graded in Nik6 Viveza and Color Efex Pro, mono converted in DxO FilmPack7, tweaked in Topaz Denoise and finished off back in PhotoLab.
There were so many balloons in the field. I was in awe at how many were able to take off at once.
Nothing like airplanes taking off.
Freshly setup frog tank, before I added the four Gray Tree Frogs.
Notes about the lid:
- Made from plywood. Cut to fit, including trim which overlaps that aquarium (thus keeping the lid in place).
- Cut out the door using an oscillating saw (flat blade that allows you to cut a slot into wood without needing a pilot hole). Used a piano hinge to attach the door to the lid.
- Made a box (with five sides) to hold an under-cabinet fluorescent light, which sits across the middle of the lid. Note that I raised the lid slightly to air flow through the tank.
- Behind the lid (which you can barely see) is a heat lamp. On either side of the heat lamp are a couple slots to allow air flow.
- The blank thing on top of the light box is a hygrometer (tells me how humid it is in the tank).
- There's also a thermometer, which is not visible from this shot.
- In a later video, you'll see a white PVC tube along the right side of the tank -- the tube descends from the lid to the bottom of the tank. There's a small muffin fan sitting on top of the lid which draws air up through the tube. This way I have a small constant flow of fresh air through the tank so the air never gets stagnant. It also helps to draw the warm air (the air that is warmed by the heat lamp) down to the lower part of the tank, thus providing a more constant temperature throughout the tank.
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I haven't shot much this year but I took advantage of the icy weather to take a walk across this farmland, which would have been too muddy otherwise.
I overwound the film on the first of these two shots and ended up with overlapping frames; however I think it came out pretty well.
Holga 120N
Ilford HP5 Plus
Xtol 1+1
Scanned with DSLR
This is an overlapper trading card. Please join the fun by making your own card and adding it to the pool!
This is an overlapper trading card. Please join the fun by making your own card and adding it to the pool!
This is an overlapper trading card. Please join the fun by making your own card and adding it to the pool!
Back lit overlapping leaves of new shoots.
Taken at or near the Great Woods of Stanmer Park, East Sussex - part of South Downs National Park.
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