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Do you like your blue Keep Right arrow on top or below?
Or in Microsoft Office language, do you like your blue Keep Right arrow 'bring to front' or 'send to back'?
I cannot see the frame numbers through the red window of the Adox with this film (Shanghai GP3 - the backing paper is black with pale blue numbers), so had no idea whether I was winding on enough ... well, obviously not.
Then I set up up a copying stand and photographed the negatives on a homemade lightbox. I haven't adjusted the odd WB as I like the sepia effect.
There was a decision to be made about how to capture the frames, and I decided to start as if from the "correct" beginning; it could be done differently, which would produce a different effect. Perhaps I'll try that one rainy day.
I think a series of happy accidents has created something rather strange and beautiful ...
Overlapping straps at the toe give this dance shoe a sexy twist. The full ankle strap secures foot in place.
اجهزة تعويضية اطراف صناعية
الاحدث والارقي بالشرق الاوسط
prosthetic-samir khalifa
MOBILE: 002 0100 11 99 44 0
FAX: 00203 5 900 233
Website: www.samirkhalifa.com
website: www.regalprosthesis.com
Email: regalegypt@hotmail.com
samir@samirkhalifa.com
I tried to overlap these letters.... but when I did the edges disappeared.
Press the letter "L" and take a look
The overlap, before topstitching. You are going to want to pin that top, "peaked" part of the overlap securely, so that as you topstitch (starting along the long, "closed" side of the overlap) you don't push this top and make it crooked, which is easy to do.
***
Join us in making a classic menswear-styled flannel shirt!
Round one: November 17th, 2013 to November 27th, 2013
Round two: December 1st, 2013 to December 9th, 2013
Come join us! [ Flannel Shirt Sew-A-Long ]
" OVERLAPPED "
24 X 36 X 1.5 INCH SELF STRETCHED GICLEE OIL GALLERIA CANVAS
ARTISTS - 2ESAE & SKI FEAT MIGUEL PAREDES
MEDIUMS- SCREENPRINT, ACRYLIC, ADDED HAND EMBELISHMENTS ON GICLEE
A temple with a beautiful roof of blue tiles and gold detail sits proud of another at Bangkok Grand Palace complex.
Mamiya RB67 Pro-S
Mamiya Sekor C 90mm
Portra 400 120
accidental overlapping exposure on the last frame of the roll
This is exactly the way these two ran in the newspaper. Overlapping. I wanted to create the feeling that the girls were looking up at the fireworks. Modern day digital cameras are so sensative to low light, I probably could have actually shot this using available light. This was back in the film age. I actually attached a remotely triggered flash with a magenta gel over it to the top of a tripod. I had someone hold the flash high up in the air and asked the kids to stare up at the flash.
THIS FRIDAY in GOLDEN HILL:
ARTISTS
FILM SCREENING
PERFORMANCE
9.5.08 / 7pm / 830 25th Street (next to the shell station)
WORK BY:
ACAMONCHI
ARMANDO DE LA TORRE
BENJAMIN LAVENDER
BRIAN DICK
CATHY DE LA CRUZ
DEANNA ERDMANN
GARY JAMES LEE
GLENNA JENNINGS
IANA QUESNELL
KATHY BRANNOCK
MICHAEL TRIGILIO
MONICA DUNCAN
NATHANIEL KLEIN
ROB BENAVIDES
SCOTT HORSLEY
TRISH STONE
BANDS:
ROXY JONES, SCARLET SYMPHONY
DJS
CLAIRE CARASKA
CATHY "OMG" DE LA CRUZ
CASH BAR TO BENEFIT THE GREATER GOLDEN HILL COMMUNITY DEVELOPMENT
CORPORATION, INVOLVED IN CREATING SUSTAINABLE NEIGHBORHOODS.
THANKS TO MXD830, ACAMONCHI ART STUDIO, STONE BREWING CO, GALA FOODS &
ALCHEMY RESTAURANT
These wafer-thin strata appear to overlap from 4 different directions. The appearance resembles waves spreading out on a beach. Found at Coyote Buttes North, Arizona.
You can find the same phenomena 100 miles to the west at Valley of Fire, Nevada.
I found the overlapping patterns of this apartment building interestingly colored and shaped.
I limited my photography to a 50mm at f/1.4 for the entire walk as an exercise. Read more about my experience in my first photo walk in my blog post.
Mong Kok, Hong Kong
Exakta Varex IIa + Steinheil Quinaron 35mm f/2.8 Marco
Kodak Ultramax 400
Epson V700
Folded from a square sheet of paper.
The design of this model is based on the Seigaiha (Blue Ocean Waves) pattern,
one of the Japanese traditional decorative patterns,
although the circles are approximated by dodecagons and the inner ripples are omitted.
The pattern of the opposite side also happened to be enjoyable.
Mostra fotografica di Cecilia Milza.
Si tratta della prima mostra esposta all’interno dell’Accademia nell’ambito del progetto RUFAlumni, che offre l’opportunità ai laureati RUFA di esporre i propri lavori e progetti più meritevoli presso il RUFA Space.
6 – 8 giugno 2022, dalle 8 alle 20 al RUFA Space, Via degli Ausoni 7.
Questa è una storia di donne ribelli.
Donne che probabilmente in tempi passati sarebbero state internate.
Donne che trattengono dentro la loro potente forza selvaggia.
Donne a cui ancora è preclusa la piena espressione personale e quindi si trovano intrappolate fra due “regni”, che continuano a sovrapporsi e a scontrarsi mentre ci si sforza di essere intere.
Una mostra che racconta un sentiero evolutivo verso la consapevolezza.
L’ordine del racconto è sviluppato in fasi, peculiari di ogni donna narrata, ma che in qualche modo si passano il testimone. Legandoci così le une alle altre a trarre forza dalle genealogie, in un processo che ci permette di tendere verso la presa di coscienza che conduce alla liberazione.
L’autrice: Cecilia Milza
Fotografa, scultrice e cineasta, ama sperimentare con vari materiali e tecniche. La sua ricerca artistica è incentrata sull’indagine della dimensione interiore e sociale del femminile e sul Tempo.
Nata a Roma, si è trasferita giovanissima in Irlanda, girando con una fotocamera reflex analogica per inseguire la fenomenale luce che l’Isola verde regala quando meno ce lo si aspetta. Ha vissuto lì per molti anni formandosi in ambito artistico per poi tornare a Roma a completare il suo percorso di studi. Come fotografa ha collaborato con le istituzioni a Roma, lavorando anche su set e backstage per produzioni cinematografiche e insegnando nelle scuole superiori statali. Espone le sue opere regolarmente in collettive in Italia e all’estero, spaziando dall’istallazione al graphic design e una sua scultura, commissionata dall’VIII Municipio di Roma, è esposta permanentemente in un parco romano come parte di un progetto contro la discriminazione di genere.