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Zanya's learning quick. The only people your loyal to is the Dreadnoks! Drogue has sent her on a hit of one of her old Chicago pals. She's not taking it well and he's noticed. Something Z will be interested in knowing.
Built under orders by Kitchener to supply the British Army in the war against the Mahdi in the late 19th century, when I visited the area between Wadi Haifa and Station 10 (where the Sudanese railroad branches), the railroad was disused. An employee, proud in his uniform, told me that trains would start again the next day. Given how many of the tracks were still covered by sand, I was not optimistic: however, the railroad did start again (months rather than hours later) in 2013.
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!
Some background:
After World War I, the German aircraft industry had several problems. German airlines were forbidden to operate multi engine aircraft and during a period all manufacturing of aircraft in Germany was banned. By 1921, some of the restrictions was lifted, civilian aircraft could be made after approval of an international control commission if they fulfilled certain requirements. To bypass these rules and to be able to make whatever aircraft they wanted several aircraft manufacturers moved abroad. In 1921, Carl Bücker handled the purchase of a reconnaissance aircraft from Caspar-Werke in Travemünde. Because they expected problems due to the rules in the peace treaty regarding the export of German fighter aircraft, Bücker explored the possibility to smuggle the parts out of Germany and assemble the aircraft in Sweden.
To make the purchase easier, Ernst Heinkel and Bücker started Svenska Aero in Lidingö in 1921. The contract on the aircraft was transferred from Caspar to Svenska Aero. Heinkel and some German assembly workers temporarily moved to Lidingö to assemble the aircraft. During 1922 to 1923, the company moved into a former shipyard in Skärsätra on Lidingö since the company had received additional orders from the navy's air force. The parts for those aircraft were made in Sweden by Svenska Aero but assembled by TDS. In 1928, the navy ordered four J 4 (Heinkel HD 19) as a fighter with pontoons. That delivery came to be the last licens- built aircraft by Svenska Aero. In the mid-1920s, Svenska Aero created their own design department to be able to make their own aircraft models. Sven Blomberg, earlier employed by Heinkel Flugzeugwerke, was hired as head of design. In 1930, he was joined by Anders Johan Andersson from Messerschmitt. Despite that, Svenska Aero designed and made several different models on their own.
One of them was the model SA-16, a direct response to the Swedish Air Force and Navy’s interest in the new dive bomber tactics, which had become popular in Germany since the mid-Thirties and had spawned several specialized aircraft, the Junkers Ju 87 being the best-known type. The Flygvapnet (Swedish Air Force) had already conducted dive bombing trials with Hawker Hart (B 4) biplanes, but only with mixed results. Diving towards the target simplified the bomb's trajectory and allowed the pilot to keep visual contact throughout the bomb run. This allowed attacks on point targets and ships, which were difficult to attack with conventional level bombers, even en masse. While accuracy was increased through bombing runs at almost vertical dive, the aircraft were not suited for this kind of operations – structurally, and through the way the bombs were dropped.
Therefore, Svenska Aero was tasked to develop an indigenous dedicated dive bomber, primarily intended to attack ships, and with a secondary role as reconnaissance aircraft – a mission profile quite similar to American ship-based “SB” aircraft of the time. Having learnt from the tests with the Hawker Harts, the SA-16 was a very robust monoplane, resulting in an almost archaic look. It was a single-engine all-metal cantilever monoplane with a fixed undercarriage and carried a two-person crew. The main construction material was duralumin, and the external coverings were made of duralumin sheeting, bolts and parts that were required to take heavy stress were made of steel. The wings were of so-called “double-wing” construction, which gave the SA-16 considerable advantage on take-off; even at a shallow angle, large lift forces were created through the airfoil, reducing take-off and landing runs. Retractable perforated air brakes were mounted under the wings’ leading edges. The fully closed “greenhouse cabin” offered space for a crew of two in tandem, with the pilot in front and a navigator/radio operator/observer/gunner behind. To provide the rear-facing machine gun with an increased field of fire, the stabilizers were of limited span but deeper to compensate for the loss of surface, what resulted in unusual proportions. As a side benefit, the short stabilizers had, compared with a wider standard layout, increased structural integrity. Power came from an air-cooled Bristol Mercury XII nine-cylinder radial engine with 880 hp (660 kW), built by Nohab in Sweden.
Internal armament consisted of two fixed forward-firing 8 mm (0.315 in) Flygplanskulspruta Ksp m/22F (M1919 Browning AN/M2) machine guns in the wings outside of the propeller disc. A third machine gun of the same type was available in the rear cockpit on a flexible mount as defensive weapon. A total of 700 kg (1,500 lb) of bombs could be carried externally. On the fuselage centerline, a swing arm could hold bombs of up to 500 kg (1.100 lb) caliber and deploy them outside of the propeller arc when released in a, additional racks under the outer wings could hold bombs of up to 250 kg (550 lb) caliber each or clusters of smaller bombs, e. g. four 50 (110 lb) or six 12 kg (26 ½ lb) bombs.
Flight testing of the first SA-16 prototype began on 14 August 1936. The aircraft could take off in 250 m (820 ft) and climb to 1,875 m (6,152 ft) in eight minutes with a 250 kg (550 lb) bomb load, and its cruising speed was 250 km/h (160 mph). This was less than expected, and pilots also complained that navigation and powerplant instruments were cluttered and not easy to read, especially in combat. To withstand strong forces during a dive, heavy plating, along with brackets riveted to the frame and longeron, was added to the fuselage. Despite this, pilots praised the aircraft's handling qualities and strong airframe. These problems were quickly resolved, but subsequent testing and progress still fell short of the designers’ hopes. With some refinements the machine's speed was increased to 274 km/h (170 mph) at ground level and 319 km/h 319 km/h (198 mph, 172 kn) at 3,650 m (11,980 ft), while maintaining its good handling ability.
Since the Swedish Air Force was in dire need for a dive bomber, the SA-16 was accepted into service as the B 9 – even though it was clear that it was only a stopgap solution on the way to a more capable light bomber with dive attack capabilities. This eventually became the Saab 17, which was initiated in 1938 as a request from the Flygvapnet to replace its fleet of dive bombers of American origin, the B 5 (Northrop A-17), the B 6 (Seversky A8V1) and the obsolete Fokker S 6 (C.Ve) sesquiplane, after the deal with Fokker to procure the two-engine twin-boom G.I as a standardized type failed due to the German invasion of the Netherlands. The B 9 dive bomber would subsequently be replaced by the more modern and capable B 17 in the long run, too, which made its first flight on 18 May 1940 and was introduced to frontline units in March 1942. Until then, 93 SA-16s had been produced between 1937 and 1939. When the B 17 became available, the slow B 9 was quickly retired from the attack role. Plans to upgrade the aircraft with a stronger 14 cylinder engine (a Piaggio P.XIbis R.C.40D with 790 kW/1,060 hp) were not carried out, as it was felt that the design lacked further development potential in an offensive role.
Because the airframes were still young and had a lot of service life ahead of them, most SA-16s were from 1941 on relegated to patrol and reconnaissance missions along the Swedish coastlines, observing ship and aircraft traffic in the Baltic Sea and undertaking rescue missions with droppable life rafts. For long-range missions, the forked ventral swing arm was replaced with a fixed plumbed pylon for an external 682 liters (150 Imp. gal.) auxiliary tank that more than doubled the aircraft’s internal fuel capacity of 582 liters, giving it an endurance of around 8 hours. In many cases, the machine guns on these aircraft were removed to save weight. In this configuration the SA-16 was re-designated S 9 (“S” for Spaning) and the machines served in their naval observation and SAR role well into the Fifties, when the last SA-16s were retired.
General characteristics:
Crew: two, pilot and observer
Length: 9,58 m (31 ft 11 in)
Wingspan: 10,67 m (34 ft 11 in)
Height: 3,82 m (12 ft 6 in)
Wing area: 30.2 m² (325 sq ft)
Empty weight: 2,905 kg (6,404 lb)
Gross weight: 4,245 kg (9,359 lb)
Max takeoff weight: 4,853 kg (10,700 lb)
Powerplant:
1× Bristol Mercury XII nine-cylinder radial engine with 880 hp (660 kW),
driving a three-bladed variable pitch metal propeller
u>Performance:
Maximum speed: 319 km/h (198 mph, 172 kn) at 3,650 m (11,980 ft)
274 km/h (170 mph; 148 kn) at sea level
299 km/h (186 mph; 161 kn) at 2,000 m (6,600 ft)
308 km/h (191 mph; 166 kn) at 5,000 m (16,000 ft)
Stall speed: 110 km/h (68 mph, 59 kn)
Range: 1,260 km (780 mi, 680 nmi)
Service ceiling: 7,300 m (24,000 ft)
Time to altitude: 2,000 m (6,600 ft) in 4 minutes 45 seconds
4,000 m (13,000 ft) in 15 minutes 10 seconds
Armament:
2× fixed 8 mm (0.315 in) Flygplanskulspruta Ksp m/22F (M1919 Browning AN/M2) machine guns
in the wings outside of the propeller disc (with 600 RPG), plus
1× 8 mm (0.315 in) Ksp m/22F machine gun on a flexible mount in the rear cockpit with 800 rounds
Ventral and underwing hardpoints for a total external bomb load of 700 kg (1,500 lb)
The kit and its assembly:
This purely fictional Swedish dive bomber was inspired by reading about Flygvapnet‘s pre-WWII trials with dive bombing tactics and the unsuited aircraft fleet for this task. When I found a Hasegawa SOC Seagull floatplane in The Stash™ and looks at the aircraft’s profile, I thought that it could be converted into a two-seat monoplane – what would require massive changes, though.
However, I liked the SOC’s boxy and rustic look, esp. the fuselage, and from this starting point other ingredients/donors were integrated. Work started with the tail. Originally, I wanted to retain the SOCs fin and stabilizer, but eventually found them oversized for a land-based airplane. In the scrap box I found a leftover fin from an Academy P-47, and it turned out to be a very good, smaller alternative, with the benefit that it visually lengthened the rear fuselage. The stabilizers were replaced with leftover parts from a NOVO Supermarine Attacker – an unlikely choice, but their size was good, they blended well into the overall lines of the aircraft, and they helped to stabilize the fin donor. Blending these new parts into to SOC’s hull required massive PSR, though.
The wings were also not an easy choice, and initially I planned the aircraft with a retractable landing gear. I eventually settled on the outer wings (just outside of the gullwing kink) from an MPM Ju 87 B, because of their shape and the archaic “double wings” that would complement the SOC’s rustic fuselage. However, at this point I refrained from the retractable landing gear and instead went for a fixed spatted alternative, left over from an Airfix Hs 123, which would round up the aircraft’s somewhat vintage look. Because the wheels were missing, I inserted two Matchbox MiG-21 wheels (which were left over in the spares bin from two different kits, though). The tail wheel came from an Academy Fw 190.
Cowling and engine inside (thankfully a 9-cylinder radial that could pose as a Mercury) were taken OOB, just the original two-blade propeller was replaced with a more appropriate three-blade alternative, IIRC from a Hobby Boss Grumman F4F. The cockpit was taken OOB, and I also used the two pilot figures from the kit. The rear crew member just had the head re-positioned to look sideways, and had to have the legs chopped off because there’s hardly and space under the desk with the radio set he’s sitting at.
The ventral 500 kg bomb came from a Matchbox Ju 87, the bomb arms are Fw 189 landing gear parts. Additional underwing pylons came from an Intech P-51, outfitted with 50 kg bombs of uncertain origin (they look as if coming from an old Hasegawa kit). The protruding machine gun barrel fairings on the wings were scratched from styrene rod material, with small holes drilled into them.
A real Frankenstein creation, but it does not look bad or implausible!
Painting and markings:
I gave the B 9 a camouflage that was carried by some Flygvapnet aircraft in the late Thirties, primarily by fighters imported from the United States but also some bombers like the B 3 (Ju 86). The IMHO quite attractive scheme consists on the upper surfaces of greenish-yellow zinc chromate primer (Humbrol 81, FS 33481), on top of which a dense net of fine dark green wriggles (supposed to be FS 34079, but I rather used Humbrol 163, RAF Dark Green, because it is more subdued) was manually applied with a thin brush, so that the primer would still shine through, resulting in a mottled camouflage.
On the real aircraft, this was sealed with a protective clear lacquer to which 5% of the dark green had been added, and I copied this procedure on the model, too, using semi-gloss acrylic varnish with a bit of Revell 46 added. The camouflage was wrapped around the wings’ leading edges and the spatted landing gear was painted with the upper camouflage, too.
The undersides were painted with Humbrol 87 (Steel Grey), to come close to the original blue-grey tone, which is supposed to be FS 35190 on this type of camouflage. The tone is quite dark, almost like RAF PRU Blue.
The interior was painted – using a Saab J 21 cockpit as benchmark – in a dark greenish grey (RAL 7009).
The model received the usual light black ink washing and some post-panel shading on the lower surfaces, because this effect would hardly be recognizable on the highly fragmented upper surface.
The markings are reflecting Flygvapnet’s m/37 regulations, from the direct pre-WWII era when the roundels had turned from black on white to yellow on blue but still lacked the yellow edge around the roundel for more contrast. F6 Västgöta flygflottilj was chosen because it was a dive bomber unit in the late Thirties, and the individual aircraft code (consisting of large white two-digit numbers) was added with the fin and the front of the fuselage. “27” would indicate an aircraft of the unit’s 2nd division, which normally had blue as a standardized color code, incorporated through the blue bands on the spats and the small "2nd div." tag on the rudder (from a contemporary F8 Swedish Gladiator).
Roundels and codes came from an SBS Models sheet, even though they belong to various aircraft types. Everything was finally sealed with matt acrylic varnish.
At the "No Aqua" water tank at "Delay Junction" at the Colorado Railroad Museum, the #40 oil burner locomotive sits on the rails waiting a water fillup. This run was after we got our free ride in the Rico, mahogany appointed business car. This is one of the antique narrow gauge engines at the Colorado Railroad Museum (an 1880s Baldwin Locomotive Works consolidation that was probably a std. gauge conversion) that recently spent time on the White Pass & Yukon and the Georgetown Loop. It is an oil burner and was loaded with oils early in the morning. Oil of any quality that would burn I assume. One of the volunteers reported it was from Central / South America as it had a "tropical" cab; ah, saves wear on #346. It has the Colorado Central painted on the tender but was probably never in their roster. Well, here it is with steam blasting from the the over-pressure release valve. They will need more water if it keeps blowing off steam. It would be a good idea to inject water into the boiler or quit feeding oil. The cylinder cocks are finally closed; I'd expect that everything is finally up to temp. According to the headlight and the dribble of steam behind the popoff valve. It looks like the CRRM has managed to get it operational.
Eddie and I spaced the Christmas Steamup this year but he found there was a "Black on Track" costume event upcoming. He really wanted to see this steam up. We are REALLY waiting for the RSG #20 to return for a steamup. Donate generously at the CRRM.That day will be shoulder to shoulder at the Colorado Railroad Museum; keep an eye on upcoming events on their web site. Outlanders could target Colorado trips with the expectations of hitting an event here in Golden. Someone will have already been here from your home town and/or country. These are the takes everyone is foaming at the mouth to see.
Outrageous light here for the bold early steam, IMHO. Steam is a winner in winter but the wind made it a blustery day. Are you ready for some steam? The first excursion was not quite full but is building on this blustery Saturday morning runby. The re-enactors are busy putting on a show now that we took our ride..
Here is a complete set of orders with clearance card from LaCrosse, Wisconsin on February 1st, 1977. Reads as follows:
Clearance Card (white paper)
CMStP&P RR Co. Clearance
Station-LaCrosse, Wisconsin
Date-February 1st, 1977
Addressed to C&E Extra 155 East
Clearance No.-103
To-Portage
"4 Orders for your train, #'s 102, 838, 864 & 866.
OK time was 0118 am
Supt.-NHM
Opr-Proksch
Train Order #102 (yellow paper)
At LaCrosse
Date-February 1st, 1977
Addressed to C&E eastward trains reads:
"Men and equipment on Eastward track between MP 280 and MP 279 Between LaCrosse and Medary From 8:01 am until 401 pm.
All trains on this track proceed through these limits at reduced speed unless a different speed is verbally authorized by employee in charge or entire train has passed a green flag."
Supt-NHM
Made complete at 0115 am by operator Proksch
Train Order #838 (bottom left)
At LaCrosse
Date-January 19th, 1977
Addressed to C&E eastward trains reads:
"The trailing point crossover east of Depot Sparta and the west switch of the eastward siding at Sparta is out of service."
Supt-NHM
Made complete at 1017 pm by operator King
Train Order #864 (center bottom)
At LaCrosse
Date-January 27th, 1977
Addressed to C&E eastward extra trains reads:
"On westward track between Portage and LaCrosse frt trains do not exceed
Between MP 179 and MP 215 40 MPH
Between MP 215 and MP 223 35 MPH
Between MP 223 and MP 256 40 MPH
Between MP 256 and MP 257 35 MPH
Between MP 257 and MP 266 40 MPH
Between MP 266 and MP 273 35 MPH
Between MP 273 and MP 278 40 MPH"
Supt.-NHM
Made complete at 341 pm by operator Ristow
Train Order #866 (bottom right)
At LaCrosse
Date-January 27th, 1977
Addressed to C&E eastward extra trains reads:
"On eastward track between LaCroose and Portage frt trains do not exceed:
Between MP 278 and MP 273 40 MPH
Between MP 273 and MP 266 35 MPH
Between MP 266 and MP 257 40 MPH
Between MP 257 and MP 256 35 MPH
Between MP 256 and MP 243 40 MPH
Between MP 243 and MP 239 35 MPH
Between MP 239 and MP 223 40 MPH
Between MP 223 and MP 208 35 MPH
Between MP 208 and MP 190 40 MPH
Between MP 190 and MP 179 35 MPH"
Supt.-NHM
Made Complete at 341 pm by operator Ristow
Here is a result of various Bricklink orders.
L to r: Captain Cold, Kid Flash, Ocean Master, Martian Manhunter, Arsenal, Lagoon Boy, Nightwing. :D
Parts ordered: Captain Cold's hood, Kid Flash's torso, Ocean Master helmet, armor and torso, Martian Manhunter's torso and legs, Arsenal's head, Lagoon Boy's head, and Nightwing's head. Also pictured is the last part of my loot.
Credit to Skate for the helmet/armor idea on Ocean Master.
Credit to Sharpspeed for Nightwing's head.
And credit to Chaos Son of SoS for Arsenal's head. :D
An unusual pair of GP38s is in charge of westbound grain empties at dusk, approaching Horseshoe Curve. The lead engine sports an extended window on the Engineers side, that appears to be a fast food restaurant "take-out window! More plausible is an extended, or "all-weather," window. Both engines are of Penn Central heritage and likely recently received their new blue paint. October, 1984
Small 60mm x 60mm photograph. Note on reverse "Somme Schlacht, Billancourt."
Battle weary German infantrymen await orders during the Battle of the Somme in July 1916.
Happy friday everyone!! :D It's a glorious 10 degrees here right now! ICK!! Soo I've been toying with an idea and I think that I'm goign to be making up skinny hair frogs to be able to make up-do's like this one... Oh! And I'm going to BLYTHE CON this October!!! :D Excited, but scared, no idea who I'll be rooming with at this point though! lol...
Skinny is named Turquoise Tantrum... :)
Just some recent purchases from Japan that I did over the past few weeks using various shipping methods and they all turned up at the same time heh.
I got some various (opened) Re Ment cuz I wanted a few accessories, Mame Momoko is something I wanted to try hybriding for years thanks to @dollsahoy, and got a few knick knacks here and there.
Great Northern Railway Co. Waneta BC May 31, 1935
Canadian Pacific Railway Company Farron 1250M. Aug 1st 1935
Great Northern Railway appears to be blank.
Vashin Tulka: An accomplished MANTIS pilot.
Story: www.eurobricks.com/forum/index.php?/forums/topic/152085-f...
On a drizzly evening,the driver of 925 receives a warrant from Train Control to proceed south to cross 926.
The ungainly retrofitted L-shaped window reduces driver fatigue, eye and back problems.
Train 925 with an all-EMD consist of DFT 7145 + DC 4801 +DC 4421, 9 Oct 2017, Oamaru, NZ
Grand Trunk Western 4-6-2 5629 was a locomotive privately owned by Richard Jensen. Filmed in 1966 this was a light engine move from the 47th St. roundhouse to Springfield. The engine was used to pull train rides at the Illinois State Fair.
In my dream I was alone, walking along a misted wood lined mountain path , my long gown swishing along the stones. Just ahead of me sits a misty shrouded mounted figure, outlined in darkness. Steam emits into the chilly night air from his horses’ flared nostrils. It shakes its head awaiting its masters orders. The cloaked figure looks left , then look down into a tree lined valley. The distant sound of horses carries up, and a lone coach comes into view
Interior view of passengers inside the coach, being jostled by the bumpy ride.
In side the rocking carriage are two ladies and a gentleman, The way they talk, and the rich shimmer of the ladies clothing and baubles are a testament to their standing as a part of the upper crust of the area. They have left the safety of the city to attend a formal function at one of the sprawling estates that were once a common British sight
The carriage horses have just strained to come up from a small valley, the driver cracks his whip to keep them moving. He does not hear what they do, and he assumes their neighs are in answer to his whip. So he is totally unprepared when a horseman, clocked and masked, rides out from the trees and points a sword at him. He pulls to a jerking stop. “Stand and deliver” is the command he hears , The mans voice muffled from beneath his mask.
Dismounting, the rider strolls casually up to the carriage door, and invites the occupants to step out. They do so, gentleman first, An older man with the detached look of a sour judge. a bright gold chain encircling his waist, diamond cufflinks glint in the moonlight. Behind him, in the shadows of the carriage, emits the pleasing sounds of rustling dresses.
Scene 2 cut away from the Judge and focus on the carriage door
It is the Gentlemen’s wife’s, who emerges next. An dour faced older women, She moves proudly, exiting the coach with a deliberate poise , a flowing , fiery red evening gown of satin and lace encases her, shimmering with a royal elegance . Bright green fire encompasses the lady in bright contrast to the shining red gown , she is adorned with large, gleaming emeralds, a perfectly matched set that drips from her throat, ears, wrists, and fingers, The center of her waist sparkles in the form of a hanging diamond and emerald broach fastened upon a satin sash, tied in a bow at her back. The clips that hold up her long hair also glitter with a green fire. Sheathing his sword , The suave villain moves to the door, and taking her jeweled fingers in his, eagerly helps the lady disembark and leads her to stand next to her husband.
Camera cuts back to the carriage door, bathed in moonlight. An whisper of satin precedes the pretty lady that enters into view. Easy does it the masked rider says as he helps her down, his words rolling pleasantly with a kindly English accent. I shall, she answers, head held proudly.
The Camera zooms up to her , focusing on a long diamond necklace that lays glistening along her throat. Panning back it reveals the shimmering silver frock that adorns her pretty figure, the gowns long skirts come cascading out as she steps down to the ground. Her hair is up, and a set of drippy gold earrings sway freely, twinkling merrily about its forlorn wearer. Diamonds sparkle along her slender fingers.
Camera pans back as the cloaked rider courtesly leads the lady to join the others.
Act 3
Scene 1
A woebegone group of three stand in front of the masked bandit. They are bathed in light, and as the camera pans them over, it creates sparkles as the illumination plays with the ladies ornaments , the full moon highlighting their satin gowns A low whistle breaks the waiting silence, a low voice, clear in the crisp air, says with an air of uncertainness ” Nice of you to come dressed up this lovely evening, my pretty ladies.” He smiles boyishly at the dour faced women, who sternly blushes. What do you want,” the judge asks in a commanding voice. as the camera zooms in on him. With a twinkle in his eyes, the bandit answers, “Well that’s the problem you see, I need you all to hand over your valuables. I am a highway man, and I am afraid that that what highwaymen do.” His words come across in an almost embarrassed apology . The camera pans back as the Highwayman approaches the Judge, his horse waiting patiently in the background.
The figure walks up to him, and holds out his hand, fingers beckoning. At a sign of hesitation, the sword is produced and pointed at his waist. He hands over his fat wallet, a gold watch and chain. His diamond cufflinks and emerald pin are also given over.. The booty is placed in a pocket of the clock . Thank you sir, the highwayman says in an almost apologetic manner.
Scene 2
Leaving the gentlemen, the camera focuses on Highwayman Hugh as he moves to the wife.
An attentive eye is turned to her jewelry . Fingers reach out and lift the necklace from her chest, watching it burst in green flames. No she says, ordering him with a frosty tone, shaking her head, causing emeralds to sparkle as her earrings sway in the night. Clarisse, her husband mutters, give them up. Unhappily she obeys. Raising her hands to the back of her throat, her rings twinkling merrily, she undoes the clasp, letting the necklace slide into the waiting fist, creating a splendidly glittering pile. She pulls off her rings next, handing them to the masked figure, seething under his gaze. Clarisse hesitates, putting a hand to her ample bosom, the hand is gently taken lifted, her wrist is brought up to a pair of wolfish eyes drooling over her bracelet ,letting go, his fingers beckon, and she undoes it, letting it drop slithering his palm. She pulls the hair clips free, and her hair cascades down in silky brown waves, covering her flashy earrings. The rest Clarisse, quickly, a voice asks kindly as the victim momentarily wavers. Her trembling hands push back her hair and pull free her earrings. Sadly she hands the valuable emeralds over. The sword plucks at the dangling emerald broach . Clarisse brings her hands to back of her waist and unties the satin sash. The bow yields with a whisper, and is pulled free, the glittering broach hanging from the center. He takes it, slipping it into the now budging pocket. Clarisse’s naked fingers are brought up to his mouth and kissed, then he pats at them while thanking her, a sincere warmth to his voice.
Scene 3
The camera moves to the pretty lady in silver. The moon is seen behind her, framing her face casting a light through so very soft hair.
Would you please raise your hands my lady, he remorsefully asks.
She smiles innocently at him, in a mocking manner she asks sweetly, Why, Is there something you desire sir The camera shoots to the Highwayman, who moves forward, his sward drawn, and he brings it up, lifting her necklace from her throat. Yes, he whispers genially, this for starters Now please raise your hands. The look he is giving the area where her diamonds lay upon her throat, just above her ample bosom, is one of lustful desire.
She could feel her hair prickle along her neck as he did this, and reluctantly she obeys. As her arms lift above her head, her gowns long flowing sleeves slip back, revealing the pair of bracelets encircling each of her slender wrists. One is full of flickering diamonds, the other is solid glittering gold.
The camera cuts to the Highwayman, His eyes smiling innocently at her, through the eye slits of his Zorro like mask, as he takes quick inventory. He steps back, a hand thoughtfully placed upon his chin. As though finally deciding what to do, Hugh speaks.
Your jewels, then, miss, he asks her with a daunting voice. Her mouth pursed in a whimper, she sadly lowers her hands , reaches behind and unclasps her necklace, It explodes into dazzling light as she lays it upon the outstretched palm. She undoes the pretty clips in her hair, while he watches as her hair silkily falls along her face. She tugs her earrings free and adds them to the pile. She slides the bracelets off each wrist, then looking sadly at her shimmering rings, she slips them off her fingers, one by one, adding them to the pile. finished, she steps back and watches miserably as her pile of jewelry glistens in his palm.
Sir, she says brightly, certainly you do not wish to leave me without anything but my dress to wear this evening. She grimaces as He chuckles and turns away from her.
The camera zooms up upon her pile of jewelry in his palm, a glittering piece is picked up and studied by his eyes.
He turns and places the piece in the hand of the lady. The highwayman says in a comforting voice, his tongue playing along each syllable of his rich British accent “ Here my lady, Take this and wear it at you party. He kisses her hand, folding her fingers over the glittering piece of jewelry a gold ring with a green emerald Maybe I’ll see you there, he whispers. She looks at him inquisitorially.
The horse comes back into view, his head moving up and down, snorting. The highwayman, sheathing his sword, leaves the group and walks backwards to the horse. “I thank you my good gentleman and fine ladies, your contribution this evening is greatly appreciated.” The Judge and his wife look at him with scorn, a pretty lady smiles a sad little smile The figure on foot remounts, and rides off
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The purpose of these chronological photos and accompanying stories, articles is to educate, teach, instruct, and generally increase the awareness level of the general public as to the nature and intent of the underlying criminal elements that have historically plagued humankind.
No Part of this can reprinted, duplicated, or copied be without the express written permission and approval of Chatwick University.
These photos and stories are works of fiction. Any resemblance to people, living or deceased, is purely coincidental.
As with any work of fiction or fantasy the purpose is for entertainment and/or educational purposes only, and should never be attempted in real life.
We accept no responsibility for any events occurring outside this website.
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The purpose of these chronological photos and accompanying stories, articles is to educate, teach, instruct, and generally increase the awareness level of the general public as to the nature and intent of the underlying criminal elements that have historically plagued humankind.
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A northbound Conrail freight receives orders from the switch tower operator at Hart Tower in Hartford, Connecticut. 2852 was a GE U30B.
Almost completely based off this by Andreas with some Goldman style minifigures. I'll be making some original scenes similiar to this while in college.
President Donald J. Trump signs Executive Orders on Transparency in Federal Guidance and Enforcement Wednesday, Oct. 9, 2019, in the Roosevelt Room of the White House. (Official White House Photo by Shealah Craighead)
Another "small world" photo from our macro workshop.
View the - Macro/Closeup Set
View my - Most Interesting according to Flickr
Star Trek: The Motion Picture (Paramount, 1979).
putlocker.bz/watch-star-trek-the-motion-picture-online-fr... Full Feature
Starring William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Majel Barrett, Walter Koenig, Nichelle Nichols, Persis Khambatta, Stephen Collins, Grace Lee Whitney, Mark Lenard. Directed by Robert Wise.
In Klingon space, three Klingon battle cruisers encounter a huge cloud-like anomaly. On the bridge of one of the ships, the captain (Mark Lenard) orders his crew to fire torpedoes at it, but they have no effect. The ships take evasive action.
Meanwhile, in Federation space, a monitoring station, Epsilon 9, picks up a distress signal from one of the Klingon ships. As the three ships are attempting to escape the cloud, energy beams shoot out and engulf each ship one by one, and they vanish. On Epsilon 9, the crew tracks the course of the cloud and discovers that it is headed for Earth.
On Vulcan, Spock (Leonard Nimoy) has been undergoing the kohlinahr ritual, in which he has been learning how to purge all of his emotions, and is nearly finished with his training. A female Vulcan Master (Edna Glover), surrounded by two men, is about to give him an ornate necklace as a symbol of pure logic, when Spock holds out his hand to stop her. Confused, she mind-melds with him and senses a consciousness calling to him from space that is affecting his human side. She drops the necklace. "You have not yet achieved kohlinahr. You must look elsewhere for your answer," she says as they leave Spock. "You will not find it here."
In San Francisco, Admiral James T. Kirk (William Shatner) arrives at Starfleet Headquarters in a shuttlecraft. He sees Commander Sonak (Jon Rashad Kamal), a Vulcan science officer who is joining the Enterprise crew and recommended for the position by Kirk himself. Kirk is bothered as to why Sonak is not on board yet. Sonak explains that Captain Willard Decker (Stephen Collins), the new captain of the Enterprise, wanted him to complete his science briefing at Headquarters before they left on their mission. The Enterprise has been undergoing a complete "refitting" for the past 18 months and is now under final preparations to leave, which would take at least 20 hours, but Kirk informs him that they only have 12. He tells Sonak to report to him on the Enterprise in one hour; he has a short meeting with Admiral Nogura and is intent on being on the ship.
Kirk transports to an office complex orbiting Earth and meets Montgomery Scott (James Doohan), the Enterprise's chief engineer. Scotty expresses his concern about the tight departure time. The cloud is less than three days away from Earth, and the Enterprise has been ordered to intercept it because they are the only ship in range. Scotty says that the refit can't be finished in 12 hours, and tries to convince him that the ship needs more work done as well as a shakedown cruise. Kirk insists that they are leaving, ready or not. They board a travel pod and begin the journey over to the drydock in orbit that houses the Enterprise.
Scotty tells Kirk that the crew hasn't had enough transition time with all the new equipment and that the engines haven't even been tested at warp power, not to mention that they have an untried captain. Kirk tells Scotty that two and a half years as Chief of Starfleet Operations may have made him a little stale, but that he wouldn't exactly consider himself untried. Kirk then tells a surprised Scotty that Starfleet gave him back his command of the Enterprise. Scotty doubts it, saying that he doesn't think it was that easy with Admiral Nogura, who gave Kirk his orders. They arrive at the Enterprise, and Scotty indulges Kirk with a brief tour of the new exterior of the ship.
Upon docking with the ship, Scotty is summoned to Engineering. Kirk goes up to the bridge, and is informed by Lt. Uhura (Nichelle Nichols) that Starfleet has just transferred command from Captain Decker over to him. Kirk finds Decker in engineering, whom is visibly upset when Kirk breaks the news that he is assuming command, but recognizes it is because Kirk has more experience. Decker will remain on the ship as 2nd officer. As Decker storms off, an alarm sounds. Someone is trying to beam over to the ship, but the transporter is malfunctioning. Kirk and Scotty race to the transporter room. Transporter operator Janice Rand (Grace Lee Whitney) is frantically trying to tell Starfleet to abort the transport, but it is too late. Commander Sonak and an unknown female officer are beaming in, but their bodies aren't re-forming properly in the beam. The female officer screams, and then their bodies disappear. Starfleet signals to them that they have died. Kirk tells Starfleet to express his sympathies to their families.
In the corridor, Kirk sees Decker and tells him they will have to replace Commander Sonak and wants another Vulcan. Decker tells him that no one is available that is familiar with the ship's new design. Kirk tells Decker he will have to double his duties as science officer as well.
In the recreation room, as Kirk briefs the assembled crew on the mission, they receive a transmission from Epsilon 9. Commander Branch (David Gautreaux) tells them they have analyzed the mysterious cloud. It generates an immense amount of energy and measures 2 A.U.s (300 million km) in diameter. There is also a vessel of some kind in the center. They've tried to communicate with it and have performed scans, but the cloud reflects them back. It seems to think of the scans as hostile and attacks them. Like the Klingon ships earlier, Epsilon 9 disappears.
Later on the bridge, Uhura informs Kirk that the transporter is working now. Lt. Ilia, (Persis Khambatta), a bald being from the planet Delta IV, arrives. Decker is happy to see her, as they developed a romantic relationship when he was assigned to her planet several years earlier. Ilia is curious about Decker's reduction in rank and Kirk interrupts and tells her about Decker being the executive and science officer. Decker tells her, with slight sarcasm, that Kirk has the utmost confidence in him. Ilia tells Kirk that her oath of celibacy is on record and asks permission to assume her duties. Uhura tells Kirk that one of the last few crew members to arrive is refusing to beam up. Kirk goes to the transporter room to ensure that "he" beams up.
Kirk tells Starfleet to beam the officer aboard. Dr. Leonard "Bones" McCoy (DeForest Kelley) materializes on the platform. McCoy is angry that his Starfleet commission was reactivated and that it was Kirk's idea for him to be brought along on the mission. His attitude changes, however, when Kirk says he desperately needs him. McCoy leaves to check out the new sickbay.
The crew finishes its repairs and the Enterprise leaves drydock and into the solar system. Dr. McCoy comes up to the bridge and complains that the new sickbay is nothing but a computer center. Kirk is anxious to intercept the cloud intruder, and orders Hikaru Sulu (George Takei) to go to warp speed. Suddenly, the ship enters a wormhole, which was created by an engine imbalance, and is about to collide with an asteroid that has been pulled inside. Kirk orders the phasers to be fired on it, but Decker tells Pavel Chekov (Walter Koenig) to fire photon torpedoes instead. The asteroid and the wormhole are destroyed. Annoyed, Kirk wants to meet with Decker in his quarters. Dr. McCoy decides to go along.
Kirk demands an explanation from Decker. Decker pointed out that the redesigned Enterprise channeled the phasers through the main engines and because they were imbalanced, the phasers were cut off. Kirk acknowledged that he had saved the ship; however, he accuses Decker of competing with him. Decker tells Kirk that, because of his unfamiliarity with the ship's new design, the mission is in jeopardy. Decker tells Kirk that he will gladly help Kirk understand the new design. Kirk then dismisses him from the room. In the corridor, Decker runs into Ilia. Ilia asked if the confrontation was difficult, and he tells her that it was about as difficult as seeing her again, and apologizes. She asked if he was sorry for leaving Delta IV, or for not saying goodbye. He said that if he had seen her again, would she be able to say goodbye? She says "no," and walked around him and entered her quarters nearby.
Back in Kirk's quarters, McCoy accuses Kirk of being the one who was competing, and the fact that it was Kirk who used the emergency to pressure Starfleet into letting him get command of the Enterprise. McCoy thinks that Kirk is obsessed with keeping his command. On Kirk's console viewscreen, Uhura informs Kirk that a shuttlecraft is approaching and that the occupant wishes to dock. Chekov also pipes in and replies that it appears to be a courier vessel. Kirk tells Chekov to handle the situation.
The shuttle approaches the Enterprise from behind, and the top portion of it detaches and docks at an airlock behind the bridge. Chekov is waiting by the airlock doors and is surprised to see Spock come aboard. Moments later, Spock arrives on the bridge, and everyone is shocked and pleased to see him, yet Spock ignores them. He moves over to the science station and tells Kirk that he is aware of the crisis and knows about the ship's engine design difficulties. He offers to step in as the science officer. McCoy and Dr. Christine Chapel (Majel Barret Roddenberry) come to the bridge to greet Spock, but Spock just stares alarmingly at their emotional outburst. Spock leaves to discuss fuel equations with Scotty in engineering.
With Spock's assistance, the engines are now rebalanced for full warp capacity. The ship successfully goes to warp to intercept the cloud. In the officers lounge, Spock meets with Kirk and McCoy. They discuss Spock's kohlinahr training on Vulcan, and how Spock broke off from his training to join them. Spock describes how he sensed the consciousness of the intruder, from a source more powerful that he has ever encountered, with perfect, logical thought patterns. He believes that it holds the answers he seeks. Uhura tells Kirk over the intercom that they have visual contact with the intruder.
The cloud scans the ship, but Kirk orders no return scans. Spock determines that the scans are coming from the center of the cloud. Uhura tries sending "linguacode" messages, but there is no response. Decker suggests raising the shields for protection, but Kirk determines that that might be considered hostile to the cloud. Spock analyzes the clouds composition, and discovers it has a 12-power energy field, the equivalent of power generated by thousands of starships.
Sitting at the science station, Spock awakens from a brief trance. He reveals to Kirk that the alien was communicating with him. The alien is puzzled; it contacted the Enterprise--why has the Enterprise not replied? A red alert sounds, and an energy beam from within the cloud touches the ship, and begins to overload the ship's systems. Bolts of lightning surround the warp core and nearly injure some engineering officers, and Chekov is also hurt--his hand is burned while sitting at the weapons station on the bridge. The energy beam then disappears. A medical team is summoned to the bridge, and Ilia is able to use her telepathic powers to soothe Chekov's pain.
Spock confirms to Kirk that the alien has been attempting to communicate. It communicates at a frequency of more than one million megahertz, and at such a high rate of speed, the message only lasts a millisecond. Spock programs to computer to send linguacode messages at that frequency. Another energy beam is sent out, but Spock transmits a message just in time, and the beam disappears. The ship continues on course through the cloud. They pass through many expansive and colorful cloud layers and upon clearing these, a giant vessel is revealed. It is roughly cylindrical in shape, with large spikes jutting out from the surface at equidistant angles between each other, forming a hexagon-like shape.
Kirk tells Uhura to transmit an image of the alien to Starfleet, but she explains that any transmission sent out of the cloud is being reflected back to them. Kirk orders Sulu to fly above and along the top of the vessel. The Enterprise is so small compared to the size of the alien vessel that it appears only as a little white dot next to it. The ship travels past many oddly-shaped structures, including a sunken area where the energy beams originate.
An alarm sounds, and yet another energy bolt approaches the ship. It appears on the bridge as a column of bright light that emits a very loud noise. The crew struggles to shield their eyes from its brilliant glow. Chekov asks Spock if it is one of the alien's crew, and Spock replies that it is a probe sent from the vessel. The probe slowly moves around the room and stops in front of the science station. Bolts of lightning shoot out from it and surround the console--it is trying to access the ship's computer. Spock manages to smash the controls to prevent further access, and the probe gives him an electric shock that sends him rolling onto the floor. The probe approaches the helm/navigation console and it scans Lt. Ilia. Suddenly, she vanishes, along with the probe.
Ahead of the ship looms another giant section of the vessel. A tractor beam is drawing the Enterprise toward an opening aperture. Decker calls for Chief DiFalco (Marcy Lafferty) to come up to the bridge as Ilia's replacement. The ship travels deep into the next chamber. Decker wonders why they were brought inside--they could have been easily destroyed outside. Spock deduces that the alien is curious about them. Uhura's monitor shows that the aperture is closing; they are trapped. The ship is released from the tractor beam and suddenly, an intruder alert goes off. Someone has come aboard the ship and is in the crew quarters section.
Kirk and Spock arrive inside a crewman's quarters to discover that the intruder is inside the sonic shower. It is revealed to be Ilia, although it isn't really her--there is a small red device attached to her neck. In a mechanized voice, she replies "You are the Kirk unit--you will listen to me." She explains that she has been programmed by an entity called "V'Ger" to observe and record the normal functions of the carbon-based units (humans) "infesting" the Enterprise. Kirk opens the shower door and "Ilia" steps out, wearing a small white garment that just materialized around her. Dr. McCoy and a security officer enter the room, and Kirk tells McCoy to scan her with a tricorder.
Kirk asks her who V'Ger is. She replies "V'Ger is that which programmed me." McCoy tells Kirk that Ilia is a mechanism and Spock confirms she is a probe that assumed Ilia's physical form. Kirk asks where the real Ilia is, and the probe states that "that unit" no longer functions. Kirk also asks why V'Ger is traveling to Earth, and the probe answers that it wishes to find the Creator, join with him, and become one with it. Spock suggests that McCoy perform a complete examination of the probe.
In sickbay, the Ilia probe lays on a diagnostic table, its sensors slowly taking readings. All normal body functions, down to the microscopic level, are exactly duplicated by the probe. Decker arrives and is stunned to see her there. She looks up at him and addresses him as "Decker", rather than "Decker unit," which intrigues Spock. Spock talks with Kirk and Decker in an adjoining room, and Spock locks the door. Spock theorizes that the real Ilia's memories and feelings have been duplicated by the probe as well as her body. Decker is angry that the probe killed Ilia, but Kirk convinces him that their only contact with the vessel is through the probe, and they need to use that advantage to find out more about the alien. Suddenly, the probe bursts through the door, and demands that Kirk assist her with her observations. He tells her that Decker will do it with more efficiency.
Decker and Ilia are seen walking around in the recreation room. He shows her pictures of previous ships that were named Enterprise. Decker has been trying to see if Ilia's memories or emotions can resurface, but to no avail. Kirk and McCoy are observing them covertly on a monitor from his quarters. Decker shows her a game that the crew enjoys playing. She is not interested and states that recreation and enjoyment has no meaning to her programming. At another game, which Ilia enjoyed and nearly always won, they both press one of their hands down onto a table to play it. The table lights up, indicating she won the game, and she gazes into Deckers eyes. This moment of emotion ends suddenly, and she returns to normal. "This device serves no purpose."
"Why does the Enterprise require the presence of carbon units?" she asks. Decker tells her the ship couldn't function without them. She tells him that more information is needed before the crew can be patterned for data storage. Horrified, he asks her what this means. "When my examination is complete, all carbon units will be reduced to data patterns." He tells her that within her are the memory patterns of a certain carbon unit. He convinces her to let him help her revive those patterns so that she can understand their functions better. She allows him to proceed.
Spock slowly enters an airlock room. He sees an officer standing at a console, his back to Spock. Spock quietly approaches him, and gives him the Vulcan nerve pinch to render him unconscious.
Decker, the probe, Dr. McCoy, and Dr. Chapel are in Ilia's quarters. Dr. Chapel gives the probe a decorative headband that Ilia used to wear. Chapel puts it over "Ilia's" head and turns her toward a mirror. Decker asks her if she remembers wearing it on Delta IV. The probe shows another moment of emotion, saying Dr. Chapel's name, and putting her hand on Decker's face, calling him Will. Behind them, McCoy reminds Decker that she is a mechanism. Decker asks "Ilia" to help them make contact with V'Ger. She says that she can't, and Decker asks her who the Creator is. She says V'Ger does not know. The probe becomes emotionless again and removes the headband.
Spock is now outside the ship in a space suit with an attached thruster pack. He begins recording a log entry for Kirk detailing his attempt to contact the alien. He activates a panel on the suit and calculates thruster ignition and acceleration to coincide with the opening of an aperture ahead of him. He hopes to get a better view of the spacecraft interior.
Kirk comes up to the bridge and Uhura tells him that Starfleet signals are growing stronger, indicating they are very close to Earth. Starfleet is monitoring the intruder and notifies Uhura that it is slowing down in its approach. Sulu confirms this and says that lunar beacons show the intruder is entering into orbit. Chekov tells Kirk that Airlock 4 has been opened and a thruster suit is missing. Kirk figures out that Spock has done it, and orders Chekov to get Spock back on the ship. He changes his mind, and instead tells him to determine his position.
Spock touches a button on his thruster panel and his thruster engine ignites. He is propelled forward rapidly, and enters the next chamber of the vessel just before the aperture closes behind him. The thruster engine shuts down, and the momentum carries Spock ahead further. He disconnects the thruster pack from his suit and it falls away from him.
Continuing his log entry, Spock sees an image of what he believes to be V'Gers home planet. He passes through a tunnel filled with crackling plasma energy, possibly a power source for a gigantic imaging system. Next, he sees several more images of planets, moons, stars, and galaxies stored and recorded. Spock theorizes that this may be a visual representation of V'Gers entire journey. "But who or what are we dealing with?" he ponders.
He sees the Epsilon 9 station, and notes to Kirk that he is convinced that all of what he is seeing is V'Ger; and that they are inside a living machine. Then he sees a giant image of Lt. Ilia with the sensor on her neck. Spock decides it must have some special meaning, so he attempts to mind-meld with it. He is quickly overwhelmed by the multitude of images flooding his mind, and is thrown backward.
Kirk is now in a space suit and has exited the ship. The aperture in front of the Enterprise opens, and Spock's unconscious body floats toward him. Later, Dr. Chapel and Dr. McCoy are examining Spock in sickbay. Dr. McCoy performs scans and determines that Spock endured massive neurological trauma from the mind-meld. Spock tells Kirk he should have known and Kirk asks if he was right about V'Ger. Spock calls it a conscious, living entity. Kirk explains that V'Ger considers the Enterprise a living machine and it's why "Ilia" refers to the ship as an entity and the crew as an infestation.
Spock describes V'Ger's homeworld as a planet populated by living machines with unbelievable technology. But with all that logic and knowledge, V'Ger is barren, with no mystery or meaning. He momentarily lapses into sleep but Kirk rouses him awake to ask what Spock should have known. Spock grasps Kirk's hand and tells him "This simple feeling is beyond V'Ger's comprehension. No meaning, no hope. And Jim, no answers. It's asking questions. 'Is this all that I am? Is there nothing more?'"
Uhura chimes in and tells Kirk that they are getting a faint signal from Starfleet. The intruder has been on their monitors for a while and the cloud is rapidly dissipating as it approaches. Sulu also comments that the intruder has slowed to sub-warp speed and is three minutes from Earth orbit. Kirk acknowledges and he, McCoy and Spock go up to the bridge.
Starfleet sends the Enterprise a tactical report on the intruders position. Uhura tells Kirk that V'Ger is transmitting a signal. Decker and "Ilia" come up to the bridge, and she says that V'Ger is signaling the Creator. Spock determines that the transmission is a radio signal. Decker tells Kirk that V'Ger expects an answer, but Kirk doesn't know the question. Then "Ilia" says that the Creator has not responded. An energy bolt is released from V'Ger and positions itself above Earth. Chekov reports that all planetary defense systems have just gone inoperative. Several more bolts are released, and they all split apart to form smaller ones and they assume equidistant positions around the planet.
McCoy notices that the bolts are the same ones that hit the ship earlier, and Spock says that these are hundreds of times more powerful, and from those positions, they can destroy all life on Earth. "Why?" Kirk asks "Ilia." She says that the carbon unit infestation will be removed from the Creator's planet as they are interfering with the Creator's ability to respond and accuses the crew of infesting the Enterprise and interfering in the same manner. Kirk tells "Ilia" that carbon units are a natural function of the Creator's planet and they are living things, not infestations. However "Ilia" says they are not true life forms like the Creator. McCoy realizes V'Ger must think its creator is a machine.
Spock compares V'Ger to a child, and suggests they treat it like one. McCoy retorts that this child is about to wipe out every living thing on Earth. To get "Ilia's" attention, Kirk says that the carbon units know why the Creator hasn't responded. The Ilia probe demands that the Creator "disclose the information." Kirk won't do it until V'Ger withdraws all the orbiting devices. In response to this, V'Ger cuts off the ship's communications with Starfleet. She tells him again to disclose the information. He refuses, and a plasma energy attack shakes the ship. McCoy tells Spock that the child is having a "tantrum."
Kirk tells the probe that if V'Ger destroys the Enterprise, then the information it needs will also be destroyed. Ilia says that it is illogical to withhold the required information, and asks him why he won't disclose it. Kirk explains it is because V'Ger is going to destroy all life on Earth. "Ilia" says that they have oppressed the Creator, and Kirk makes it clear he will not disclose anything. V'Ger needs the information, says "Ilia." Kirk says that V'Ger will have to withdraw all the orbiting devices. "Ilia" says that V'Ger will comply, if the carbon units give the information.
Spock tells Kirk that V'Ger must have a central brain complex. Kirk theorizes that the orbiting devices are controlled from there. Kirk tells "Ilia" that the information cant be disclosed to V'Ger's probe, but only to V'Ger itself. "Ilia" stares at the viewscreen, and, in response, the aperture opens and drags the ship forward with a tractor beam into the next chamber. Chekov tells Kirk that the energy bolts will reach their final positions and activate in 27 minutes. Kirk calls to Scotty on the intercom and tells him to stand by to execute Starfleet Order 2005; the self-destruct command. A female crewmember asks Scotty why Kirk ordered self-destruct, and Scotty tells her that Kirk hopes that when they explode, so will the intruder.
The countdown is now down to 18 minutes. DiFalco reports that they have traveled 17 kilometers inside the vessel. Kirk goes over to Spock's station, and sees that Spock has been crying. "Not for us," Kirk realizes. Spock tells him he is crying for V'Ger, and that he weeps for V'Ger as he would for a brother. As he was when he came aboard the Enterprise, so is V'Ger now--empty, incomplete, and searching. Logic and knowledge are not enough. McCoy realizes Spock has found what he needed, but that V'Ger hasn't. Decker wonders what V'Ger would need to fulfill itself.
Spock comments that each one of us, at some point in our lives asks, "Why am I here?" "What was I meant to be?" V'Ger hopes to touch its Creator and find those answers. DiFalco directs Kirk's attention to the viewscreen. Ahead of them is a structure with a bright light. Sulu reports that forward motion has stopped. Chekov replies that an oxygen/gravity envelope has formed outside of the ship. "Ilia" points to the structure on the screen and identifies it as V'Ger. Uhura has located the source of the radio signal and it is straight ahead. A passageway forms outside the ship as Kirk Spock, McCoy, Decker, and "Ilia" enter a turbolift.
The landing party exits an airlock on the top of the saucer section and walks up the passageway. At the end of the path is a concave structure, and in the center of it is an old NASA probe from three centuries earlier. Kirk tries to rub away the smudges on the nameplate and makes out the letters V G E R. He continues to rub, and discovers that the craft is actually Voyager 6. Kirk recalls the history of the Voyager program--it was designed to collect data and transmit it back to Earth. Decker tells Kirk that Voyager 6 disappeared through a black hole.
Kirk says that it must have emerged on the far side of the galaxy and got caught in the machine planet's gravity. Spock theorizes that the planet's inhabitants found the probe to be one of their own kind--primitive, yet kindred. They discovered the probe's 20th century programming, which was to collect data and return that information to its creator. The machines interpreted that instruction literally, and constructed the entire vessel so that Voyager could fulfill its programming. Kirk continues by saying that on its journey back, it amassed so much knowledge that it gained its own consciousness.
"Ilia" tells Kirk that V'Ger awaits the information. Kirk calls Uhura on his communicator and tells her to find information on the probe in the ship's computer, specifically the NASA code signal, which will allow the probe to transmit its data. Decker realizes that that is what the probe was signaling--it's ready to transmit everything. Kirk then says that there is no one on Earth who recognizes the old-style signal--the Creator does not answer.
Kirk calls out to V'Ger and says that they are the Creator. "Ilia" says that is not logical--carbon units are not true life forms. Kirk says they will prove it by allowing V'Ger to complete its programming. Uhura calls Kirk on his communicator and tells him she has retrieved the code. Kirk tells her to set the Enterprise transmitter to the code frequency and to transmit the signal. Decker reads off the numerical code on his tricorder, and is about to read the final sequence, but Voyager's circuitry burns out, an effort by V'Ger itself to prevent the last part of the code from being transmitted.
"Ilia" says that the Creator must join with V'Ger, and turns toward Decker. McCoy warns Kirk that they only have 10 minutes left. Decker figures out that V'Ger wanted to bring the Creator here and transmit the code in person. Spock tells Kirk that V'Ger's knowledge has reached the limits of the universe and it must evolve. Kirk says that V'Ger needs a human quality in order to evolve. Decker thinks that V'Ger joining with the Creator will accomplish that. He then goes over to the damaged circuitry and fixes the wires so he can manually enter the rest of the code through the ground test computer. Kirk tries to stop him, but "Ilia" tosses him aside. Decker tells Kirk that he wants this as much as Kirk wanted the Enterprise.
Suddenly, a bright light forms around Decker's body. "Ilia" moves over to him, and the light encompasses them both as they merge together. Their bodies disappear, and the light expands and begins to consume the area. Kirk, Spock, and McCoy retreat back to the Enterprise. V'Ger explodes, leaving the Enterprise above Earth, unharmed. On the bridge, Kirk wonders if they just saw the beginning of a new life form, and Spock says yes and that it is possibly the next step in their evolution. McCoy says that its been a while since he "delivered" a baby, and hopes that they got this one off to a good start.
Uhura tells Kirk that Starfleet is requesting the ship's damage and injury reports and vessel status. Kirk reports that there were only two casualties: Lt. Ilia and Captain Decker. He quickly corrects his statement and changes their status to "missing." Vessel status: fully operational. Scotty comes on the bridge and agrees with Kirk that it's time to give the Enterprise a proper shakedown. When Scotty offers to have Spock back on Vulcan in four days, Spock says that's unnecessary, as his task on Vulcan is completed.
Kirk tells Sulu to proceed ahead at warp factor one. When DiFalco asks for a heading, Kirk simply says "Out there, thataway." With that, the Enterprise flies overhead and engages warp drive.
youtu.be/4n2dGwYcp9k?t=8s Star Trek Theme
Hi everyone!
I decided to open a few orders for Abyss. However I couldn't cast lots of dolls (I have a full time job) and so I take few places during these preorders!
To start, I will open only 10 places.
Beware : preorders will be open on flickr and on the french forum matérielceleste (so less than 10 places for flickr only for example!)
To be fair, I will proceed with the "first one, first served" basis, with a small waiting list in case of cancellation within the first 10.
For these pre-order, I will proceed with the email address depths.dolls@live.fr only.
How it will happen?
The preorder will open on November 1st at 8 pm and will end on the November 4th at 8 pm (I will not accept mail sent before that day or that hour - French hour so it's Gmt + 1h).
To take an order, you have to write in your mail :
- Name / first name / nickname / origin (MC or flickr)
- Color choice (I will see it's possible), considering that I can make a monochrome doll, or the tail of another color. I don't cast in bicolor (two colors coexisting in the same piece).
- Customization choice (following acceptance).
Attention! each color is unique, I make my own blends. Do not ask me, "I want the same color as this one" because I couldn't make exactly the same.
I will inform the first 10, announcing the estimated time (considering that I will cast one or two dolls in the month). Those arrived after the first 10 will be notified and placed on a waiting list in case of cancellation. I will open the pre-order again when the first will be completely finished.
Price:
- 250 € monochrome doll
- 270 € the doll with the tail of a different color
- The price will not be different if the doll is requested without makeup. This is the most funky time for me. Cancel this step will not reduce the time of manufacture.
- Add shipping fees, calculated according to the method of delivery, the country ...
- Paypal only for international customers
- Layaways? Yes, in two payments maximum. If there is a cancellation of your order between the payments, I will refund you without 20% of the total price. ^^
- When the payment will happen? In the beginning of the manufacturing of your doll (I will contact you). I will not make you pay while you have to wait 3 monthes.
Dolls will come :
- nude, sanded and hot glued.
- Resin contain anti-UV, and will delay the yellowing of the resin (however, it's still inevitable with time).
- certificate.
Long time friend Steve Smedley and I have been chasing this Mendota turn.He's picking up his train order's from the BN agent at the Rochelle train station in this photo.He'll cross over the CNW Iowa division and then head back to his own track at Flag Center and head to Davis Jct for more pick up's than Janesville Wis where He'll tie down for the night.We turn the clock back on this old shot to Oct 1977.Steve and I headed out to Savanna to get two more Milwaukee trains with covered wagons before the day ended .I only wish we had followed this guy all the way to Janesville