View allAll Photos Tagged openwork
Here's a closup of the Angora Bunny Scarf showing the beautiful yarn combination of angora, cotton, and wool, as well as the openwork crochet stitch I used. To feel this is to love it :)
NAB2-ph000567
Photographer: WSAC Staff
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1 slide ; 1 x 1.5 in.
Slides
rafts; basket making; twined basketry; twined openwork basketry; Native American basketweavers
Penn, Eileen
Ms. Penn is a Quileute weaver, shown here at the home of her mother-in-law, Lillian Pullen.
NAB2
Early C12 nave, chancel added C13, alterations in C14, tower and nave heightened mid C15. Restored c1858 by G.E.Street and south-east chapel added; further restoration 1880s. Coursed and dressed stone, stone slate roof to chancel and chapel, nave roof not visible. Nave and chancel with central tower, north and south porches, south-east chapel. Large tower of 3 stages with offsets and stepped diagonal buttresses rising to crocketed pinnacles and openwork parapet. Three-light belfry openings on each side with stone mullions and arched hoodmould with carved stops; middle stage has small single light with square hoodmould below a square framed with 3 concave moulded lights, centre one blind; lowest stage has very large 4-light windows to north and south with king mullion, 2 transoms and Perpendicular tracery and single-light over to south, niche to north. Clock face on north side of tower. Nave retains deeply splayed round arch single-lights of Norman period and zig-zag moulded string course below additional Decorated windows added in C14. Clerestorey of mid C15 has three 3-light cusped trefoil-head windows with square hoodmould and string course with grotesques. North porch has Norman doorway with chevron arch and carved shafts, porch itself of early C16 with ogee-headed niche an) flanking crocketed pinnacles on east wall, a typical feature of the area, and 4-centred archway with concave mouldings and angel shields below gable rebuilt in late C19. South porch said to contain equally fine Norman doorway but inaccessible at time of survey (March 1985). Chancel of late C13/early C14 has 3-light trefoil-head lancet with cusped sexfoil at east end, north side fills 3-light Decorated window with reticulated tracery and small blocked trefoil-head doorway. Chapel by Street of 1858 has two 3-light with reticulated tracery on south side.
Interior: 8 bay nave roof with 3 tiers of arched wind bracing, corbels for rood screen at east end of nave. Tower has doorway in north-west corner, lierne vault decorated in heraldry in 1862 and stone seats around side walls. Fine stained glass by Kempe in north window. Chancel has wagon roof, with painted ciborium probably of same date as tower decoration, plaster has been removed from walls in chancel, probably when 2-bay arcade opened up by Street to form south chapel. Large Perpendicular tomb on north wall with 2 mutilated seated figures and recumbent effigy probably of earlier date. Pulpit by Street, with marble painted over, choir stalls with fanning leaf finials also by Street.
Bronze openwork incense burner from Aniba Gave S91. 1st Half of 18th Dynasty. 1550 BC - 1450 BC. Egyptian Museum, Leipzig, Germany. Copyright 2016, James A. Glazier.
Glorious Splendor: Treasures of Early Christian Art at the Toledo Museum of Art Nov. 18, 2017-Feb. 18, 2018.
The Kimpton Scarf features a reversible openwork design which makes it lightweight yet warm enough to ward off any evening chills.
The pattern is easy to knit and is worked in a cotton mix yarn which has great stitch definition and a lovely drape.
For more details see:
Borgund has tiered, overhanging roofs, topped with a tower. On the gables of the roof, there are four carved dragon heads, swooping from the carved roof ridge crests, recalling the carved dragon heads found on the prows of Norse ships. Borgund’s current dragon heads possibly date from the 18th century. Borgund is one of the only churches to still have preserved its ridge crests, carved with openwork vine and vegetal repeating designs.
a metal openwork memorial in the form of the seven man crew of a Halifax bomber returning from a mission to 158 squadron RAF LIssett.
Entitled 'airmen emerging from the mist' it is inscribed with the names of the 851 brave souls who never returned
The Skinner Memorial Chapel on Carleton College campus was constructed in 1916. The large square tower with its open belfry defined with stone tracery and corner piers topped by crockets and openwork balustrade is the dominant element of the Gothic Revival style chapel. Other noteworthy features of the chapel includes the recessed arched, main entrance with arched transom windows; the protruding Carleton College shield above the entrance; and three arched windows above the shield. When the Gothic Revival style was used for a chapel in an academic setting it was often called Academic Gothic Style in keeping with the religious tradition established by the institution. The Skinner Memorial Chapel is listed on the National Register of Historic Places.
...based on the openwork grills of her childhood home in algeria - she has applied plastic film digitally printed with the traditional rosette of the grill to all the windows and glass doors of the fowler museum...
Series of historic planes on the parapet of Anamori-bashi continues.
The famous airship Graf Zeppelin went Round-the-World Flight in 1929. During the flight, it stayed in Japan for five days.
I didn't want to buy an entire book of patterns for Colinette Parisienne luxury kid mohair yarns, so I reconstructed the pattern from the picture I saw in the store.
This pattern is extremely easy. The shrug is worked flat and then seamed partway up from each end to make sleeves. The lacy stitch pattern consists of alternating rows of increasing and decreasing drop stitches.
Semi-elliptic fan of plaited pandanus leaf strips in openwork on a wooden frame lashed to a wooden handle: Polynesian, Samoa. On display in Innovators, Level 5, National Museum of Scotland.
The row of four-sided stitch just inside the buttonhole-stitch border is worked over 3 threads, using ordinary sewing thread to match the fabric.
The buttonhole sttiches on the border and around the initial are worked over 4 threads. Buttonhole over 3 threads secures the ends of the drawn sections. (And the centre - I was originally going to work that in openwork, but I changed my mind.) The sides of the strips are just neatened with straight stitches over 3 threads - they are not hem-stitched. Three threads are cut and drawn out for the openwork strips, which are decorated with two rows of single feather stitch over bundles of three remaining threads.
The eyelets are worked over 10 x 10 threads and the groups composed of 4 daisy stitches and 2 back stitches take up 6 x 8 threads each.
Remember that 20th century concrete block patterned openwork needs to be historically preserved everyplace it exists — by force, if necessary.
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In downtown East Lansing, Michigan, on April 24th, 2016, at the city-owned Grove Street Garage on the east side of Grove Street, south of Linden Street.
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Library of Congress classification ideas:
SB435.5 Ornamental trees—United States—Pictorial works.
QK477 Flowering trees—United States—Pictorial works.
NA6370.P37 Parking garages—United States—Pictorial works.
NA712.5.M63 Midcentury modern (Architecture)—United States—Pictorial works.
NA3503 Decoration and ornament, Architectural—United States—Pictorial works.
NA4125 Concrete construction—United States—Pictorial works.
TA683.5.W34 Concrete walls—Pictorial works.
NK1570 Repetitive patterns (Decorative arts)
QC495.2 White—Pictorial works.
F574.E32 East Lansing (Mich.)—Pictorial works.
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Art & Architecture Thesaurus term:
• openwork
detail of a clasp-reliquary
Eagle
bohemian(?), middle of the 14th century
Silver cut openwork, gilt engraving; silver champleve and enamel: jewels and pearls.
Scarf crocheted in Sirdar Click DK on 5mm hook using a dress pattern from the 80's as inspiration. The edging is a chained fringe.
Half of a two-part stone mould for casting openwork belt plates (with one of its products). Two-part moulds revolutionised Roman military equipment production in the 2nd century AD.
Kherson Yacht Club was built in 1913 on the Quarantine Island, opposite the modern river station. The construction was carried out with the financial support of the local landowner Sokolov P.I. The architecture of the building of the yacht club, which has survived until now, organically combines brickwork and openwork wooden details.
“... The Lower Mountain Mine underclay also occurs in the pit, but is not refractory and is used for other classes of goods.
The section at the openworks* is as follows : —
Upper Mountain Mine Coal
Upper Mountain Fireclay (working) ... ... ... 5 to 6ft
Shale, used for non-refractory wares ... ... ... 6ft
The dip of the beds is E. at 1 in 4. There is very little faulting in the mine. The bulk of the fireclay used is from the pit, not the openworks.
Reserves: Ample for many years, including good reserves on tips. The seams are limited by the Tinkerhole fault, half a mile W.N.W. of the collieries.
Mode of working: Water is troublesome, but can be disposed of by the existing machinery. No waste with clay except some cannocks.
Gauntley Pit is worked for the most part on the long-wall system, but about a quarter of it on pillar-and-stall system.
The clay varies in quality: that lying immediately below the coal being black in colour and richer in silica than the rest. The best clay is carefully selected but not all is taken out, some being left to enrich the remainder of inferior quality; about a third, however, is taken.
Treatment: All the clay is weathered for a period of three years. It is blended, mixed with Granham's Moor stone and Ruabon stone, and is mixed in different proportions for different purposes**. The grog added is the firm's own clay specially burnt, and some sand.”
*”The openworks” -i.e. the drift mine or “day eye” pit to the north of the Smethurst Rd site, also referred to as Gauntley No.2 and, on OS mapping, “Clay Pit”.
**The main products at this period were firebricks, blocks, terracotta and sanitary goods. A contemporary advertisement mentions “Architectural Terra Cotta”, “Plain or Glazed and our Special Vitreous “Bispco” Mottled Ware in various shades”, “Buff Bricks, Copings, &c”, “Fire Bricks and Tiles”, “Fire Bricks and Tiles”, “Fireclay Blocks for Kilns, Recuperators, Gas Producers, Boiler Seatings &c”, “Salt Glazed Ware” and “Sanitary Pipes and all Fittings”.
Image and text from Special Reports on the Mineral Resources of Great Britain, Vol XIV: Fireclays, HMSO 1920.
Glorious Splendor: Treasures of Early Christian Art at the Toledo Museum of Art Nov. 18, 2017-Feb. 18, 2018.
Bronze fibula with openwork floral ornaments. Roman, 3rd Century AD. Roman Museum at the Hoher Markt. Austria, Vienna. Copyright 2016, James A. Glazier. The Roman name for the camp was Vindobona.
KPM, Berlin, Zuckerkorb, Korb, Durchbruch, Kelch, Pokal, durchbrochen, Friedrich Schinkel, Gold, Rot, Himbeer, www.kabelitz-porzellan.de
PANDORA Taurus Star Sign Charm
Theme: Zodiac Material: No other material Metal: Sterling silver Stone: No stone Illuminate a bracelet with the unique Taurus combination of strength, subtlety and sweetness with this hand-finished PANDORA star sign charm. Gleaming on sterling silver are vintage-style symbols, a "Taurus" engraving and openwork stars.
Special Price: £25.98 Buy now: www.pandorasale2012.com/pandora-zodiac-charms-taurus.html
This necklace is an exquisite layering piece for your summer jewelry wardrobe, featuring a gold vermeil openwork lotus pendant (1.2"x.6" / 30x15mm) suspended between strong 14k gold filled cable chain. A bead-flanked lobster clasp offers unity.
... The trees are God's great alphabet:
... With them He writes in shining green
... Across the world His thoughts serene.
... ~Leonora Speyer
I too am having a lifelong love affair with trees. Big or small, I love them all.
Suspended from the sterling silver cable chain is a cluster of three lovely baubles:
✤ round leaf/tree charm (12x15mm)
✤ brushed sterling briolette drop (12x19mm)
✤ wire-wrapped genuine emerald (8x15mm)