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Disney Frozen Snowflake Openwork Silver Charm With Cubic Charm - PANDORA
Disney Frozen snowflake openwork silver charm with cubic zirconia
£22.98
25% OFF
www.pandorasale2012.com/disney-frozen-snowflake-openwork-...
Disney Frozen Snowflake Openwork Silver Charm With Cubic Charm - PANDORA
Handknit in soft black merino wool in a drop stitch pattern, this is a very soft and wearable scarf that will last a lifetime.
In downtown Nashville, Tennessee, on March 3rd, 2014, the south side of a parking garage apparently known as the "4th & Commerce Garage" or the "SunTrust Parking Garage," said to have been erected in 1960, at the northeast corner of Commerce Street and 4th Avenue North.
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Getty Thesaurus of Geographic Names terms:
• Nashville-Davidson (7013959)
Art & Architecture Thesaurus terms:
• allover patterns (300010143)
• architectural ornament (300378995)
• concrete (300010737)
• geometric patterns (300165213)
• Mid-Century Modernist (300343610)
• openwork (300253899)
• parking garages (300007807)
• screen façades (300130953)
• trees (300132410)
• X-shaped (300378882)
Wikidata items:
• 3 March 2014 (Q17932658)
• 1960s architecture (Q7160120)
• Buildings and structures completed in 1960 (Q8318741)
• March 3 (Q2391)
• March 2014 (Q7131137)
• ornamental tree (Q33249028)
Library of Congress Subject Headings:
• Concrete construction (sh85030704)
• Defoliation (sh85036462)
• Grids (Crisscross patterns) (sh2006005408)
Gold openwork, scepter cup with engraved and openwork design of gods and animals. Chimu, 900 AD - 1470 AD, North Coast Peru. From the Dumbarton Oaks Museum, Washington, DC, USA. Special Exhibit, Golden Kingdoms: Luxury and Legacy in the Ancient Americas. Metropolitan Museum of Art, New York, New York, USA. Copyright 2018, James A. Glazier.
Coffin of the Lady of the House, Weretwahset, Reinscribed for Bensuipet Containing Face Mask and Openwork Body Covering
In this coffin set, Weretwahset combined the lid with the usually separate piece called the mummy board. A coffin lid is generally decorated to present the deceased as Osiris. Here, instead, the deceased wears a dress she would have worn in life—an image that more often formed the decoration for the mummy board, which would have rested inside the coffin and on top of the mummy.
Bensuipet erased Weretwahset’s name from the side of the coffin and added her own, about two hundred years after Weretwahset died. Bensuipet also added the mask and body cover, perhaps from another coffin set.
o Medium: Wood, painted (fragments a, b); Cartonnage, wood (fragment c; cartonnage (fragment d)
o Dates: ca. 1292-1190 B.C.E.
o Dynasty: early XIX Dynasty
o Period: New Kingdom
This necklace is an exquisite layering piece for your summer jewelry wardrobe, featuring a sterling silver openwork rose pendant (1.5" x .6" / 3.8cm x 1.6cm) suspended between strong sterling silver cable chain. A bead-flanked lobster clasp offers unity.
Early C12 nave, chancel added C13, alterations in C14, tower and nave heightened mid C15. Restored c1858 by G.E.Street and south-east chapel added; further restoration 1880s. Coursed and dressed stone, stone slate roof to chancel and chapel, nave roof not visible. Nave and chancel with central tower, north and south porches, south-east chapel. Large tower of 3 stages with offsets and stepped diagonal buttresses rising to crocketed pinnacles and openwork parapet. Three-light belfry openings on each side with stone mullions and arched hoodmould with carved stops; middle stage has small single light with square hoodmould below a square framed with 3 concave moulded lights, centre one blind; lowest stage has very large 4-light windows to north and south with king mullion, 2 transoms and Perpendicular tracery and single-light over to south, niche to north. Clock face on north side of tower. Nave retains deeply splayed round arch single-lights of Norman period and zig-zag moulded string course below additional Decorated windows added in C14. Clerestorey of mid C15 has three 3-light cusped trefoil-head windows with square hoodmould and string course with grotesques. North porch has Norman doorway with chevron arch and carved shafts, porch itself of early C16 with ogee-headed niche an) flanking crocketed pinnacles on east wall, a typical feature of the area, and 4-centred archway with concave mouldings and angel shields below gable rebuilt in late C19. South porch said to contain equally fine Norman doorway but inaccessible at time of survey (March 1985). Chancel of late C13/early C14 has 3-light trefoil-head lancet with cusped sexfoil at east end, north side fills 3-light Decorated window with reticulated tracery and small blocked trefoil-head doorway. Chapel by Street of 1858 has two 3-light with reticulated tracery on south side.
Interior: 8 bay nave roof with 3 tiers of arched wind bracing, corbels for rood screen at east end of nave. Tower has doorway in north-west corner, lierne vault decorated in heraldry in 1862 and stone seats around side walls. Fine stained glass by Kempe in north window. Chancel has wagon roof, with painted ciborium probably of same date as tower decoration, plaster has been removed from walls in chancel, probably when 2-bay arcade opened up by Street to form south chapel. Large Perpendicular tomb on north wall with 2 mutilated seated figures and recumbent effigy probably of earlier date. Pulpit by Street, with marble painted over, choir stalls with fanning leaf finials also by Street.
Sundial, 1815, plate by T. Pritt, dated 1815. Stone, with brass plate and gnomon. Base of two circular stone steps, square plinth, octagonal column, with circular moulded capital and top; plate engraved on inner ring 'T PRITT FECIT' with '1815' below and J. PEMBERTON) T. HOLME) I. CLIFF) CHURCHWARDENS D.MOSS) Gnomon of cast openwork. Grade 2 (1)
www.ravelry.com/projects/indigoyarn/silverwater-scarf
I designed this pattern myself, I hope to have it ready for testing sometime this weekend!
another view of ladies' nightgowns, this is more current to the play
less fullness in the hem as in earlier nightgown
there is also more horizontal detail in the lace at the neckline
i like the idea of more lace around the neckline, kind of adds to the transparency of layers next to her body
also, the openwork of the lace looks less solid and less stable that actual fabric
white of course
The Pulpit (north side of chancel arch): The upper openwork arcade displays the carved heads of the Apostles in its spandrels.
Designed by G E Street, and carved by T W Earp of Kennington Road, it was exhibited at the Great London Exposition (International Exhibition) of 1862 in South Kensington.
Silver openwork, scepter cups with engraved and openwork design of gods and animals. Chimu, 900 AD - 1470 AD, North Coast Peru. From the Dumbarton Oaks Museum, Washington, DC, USA. Special Exhibit, Golden Kingdoms: Luxury and Legacy in the Ancient Americas. Metropolitan Museum of Art, New York, New York, USA. Copyright 2018, James A. Glazier.
Crocheted in soft and warm Merino wool and handspun wool singles. Openwork stripes of pink and gray with a simple tie closure brings back the look of the 1950's.
Openwork wooden carving, probably from a coffin or funerary bier. The fragment depicts Osiris, god of the dead, and the goddess Isis, who protects Osiris with her wings. Traces of yellow, pink, white, and green paint on gesso ground.
Column of hieroglyphs over Osiris: 'Words said by...'
[Roman period | Mallawi | Manchester Museum (Robinow donation) | 31.45 cm | Acc. No. 11254]
Haute couture Spring/Summer 1997 collection ("Les Insectes")
Suit with tulle openwork
"Insect" helmet and glasses
(From the Brooklyn Museum)
Myer Myers
American, 1723-1795
Pair of finials for a Torah scroll
New York
about 1766-76
Silver, brass, gilt silver
Among the rarest works of American silver, characterized by brilliant openwork and exuberant shapes, these finials for a Torah scroll are masterpieces of the new York silversmith Myer Myers. Since before the Revolution, they have been associated with Congregation Jeshuat Israel of Newport, Rhode Island, whose 1763 building, Touro Synagogue, is the oldest synagogue in the United states still in use. George Washington recognized Newport as a beacon of religious tolerance in a letter he sent to the Hebrew Congregation there in 1790. Washington elaborated on the inspiring words penned by Moses Seixas, the synagogue's warden, describing the young nation as having a government "which gives to bigotry no sanction, to persecution no assistance." These finials stand as witnesses to the ideal of religious freedom in America.
The Torah Scroll and its Finials
The Torah is composed of the first five books of the Bible (the Pentateuch), and Torah scrolls are the holiest objects in the Jewish faith, handwritten on parchment prepared according to the rules of kosher practice. Called rimmonim (Hebrew for pomegranates), finials are traditional ornaments for Torah scroll rollers. These finials called attention to every movement of the scroll within the synagogue, as the shining silver and gilding caught the light and the eye, and the tinkling of bells focused the attention of the congregation. The form has been used for centuries and evokes the Biblical description of the pillars of the Temple of Jerusalem, decorated with pomegranates as symbols of fruitfulness. Myer Myers, who was Jewish, based his designs on European Torah finials, creating among the earliest and rarest examples of Jewish ceremonial art in America. Around 1769, Jewish merchant Aaron Lopez ordered a pair of mahogany staves for a Torah from the Newport cabinetmaker John Goddard, perhaps for these very finials.
PANDORA Shimmering Sentiments Openwork Silver Charm
Colour: No Colour Material: No other material Metal: Sterling silver Stone: Cubic Zirconia Celebrate romance and femininity with this gorgeous openwork charm by PANDORA, delicately created from a row of hand-finished, stone-embellished sterling silver bows. Style it with matching bow jewellery to accentuate the look.
Special Price: £25.98 Buy now: www.pandorasale2012.com/pandora-silver-charms.html
Iron, openwork, design of snow and bamboo
So-called tosho (swordsmith's) type
Momoyama period, 16th century
Irem number: 46.122.2\14
Silver openwork, scepter cups with engraved and openwork design of gods and animals. Chimu, 900 AD - 1470 AD, North Coast Peru. From the Dumbarton Oaks Museum, Washington, DC, USA. Special Exhibit, Golden Kingdoms: Luxury and Legacy in the Ancient Americas. Metropolitan Museum of Art, New York, New York, USA. Copyright 2018, James A. Glazier.
Built in 1896/97, the architect was Ewan Harper. His openwork spire is very much a local landmark and icon. Following the discovery of dry rot, the church closed for worship in 2009 when the congregation joined with the Parish Church of St Luke's to form a Local Ecumenical Partnership known as The Bridge Church. (See previous postings)
In 2014 the building was sold and is now subject to a planning application to demolish and replace it with a residential development. It is hoped that a campaign, led by the Victorian Society, will be able to save the tower and/or the spire.
www.worcesteranddudleyhistoricchurches.org.uk/index.php?p...
Built in 1896/97, the architect was Ewan Harper. His openwork spire is very much a local landmark and icon. Following the discovery of dry rot, the church closed for worship in 2009 when the congregation joined with the Parish Church of St Luke's to form a Local Ecumenical Partnership known as The Bridge Church. (See previous postings)
In 2014 the building was sold and is now subject to a planning application to demolish and replace it with a residential development. It is hoped that a campaign, led by the Victorian Society, will be able to save the tower and/or the spire.
www.worcesteranddudleyhistoricchurches.org.uk/index.php?p...
Gilded bronze incense burner (Lu) with interlaced openwork dragons. Found in the tomb of the Prince of Qi, Liu Fei (d. 188 BC), Zibo, Shandong, China. Chinese, Western Han. From the Museum of the Qi State Site, Zibo. Special exhibit: Age of Empires: Chinese Art of the Qin and Han Dynasties (221 B.C.–A.D. 220). Metropolitan Museum, New York, New York, USA. Copyright 2017, James A. Glazier
Detail of the spectacular monument of Sir John Golafre (died 1442). The top of the monument is surmounted with an effigy of Golafre in plate armour. The openwork base of the monument contains a second image of Golafre, a grisly cadaver.
Gilded copper and wood openwork crown with images of Ankh and Ibis. Middle Kingdom. Egyptian Museum, Leipzig, Germany. Copyright 2016, James A. Glazier.
Jizhou-type ware; stoneware with olive-brown glaze and openwork decoration
Chinese
Southern Song dynasty (1127 - 1279)
Tomb of Zhao Mo, King of Nanyue, Han Dynasty, Guangzhou. Complete indexed photo collection at WorldHistoryPics.com.
Research Exhibition Hall, Buddhism Sculpture Gallery, Aurora Museum, Pudong, Shanghai. Complete indexed photo collection at WorldHistoryPics.com.
Iron sword with ivory pommel and gold-circle inlay, gold scabbards with semiprecious stone inlay, gold sword clasps with glass and garnet inlay. Bronze pairs of animal-style openwork ibexes and winged wolves (?). Frankish, Germanic, 5th Century AD - 6th Century AD. Roman-Germanic Museum (Römisch-Germanisches Museum), Köln, Germany. Copyright 2016, James A. Glazier.