View allAll Photos Tagged openwork
Chinese
Eastern Zhou dynasty
Spring and Autumn period
7th - 6th century BC
Top: Two Slit Cylinders with Striated Dragon Heads, item numbers: 1950.704, .702
Bottom: Openwork Plaque with Curled and Striated Dragons, item number: 1950.670
Maya (Bobobie Bei) in a knitted tunic in pink coloured cotton with white ribbon and scalloped edge, and a crocheted openwork hat in white cotton.
Early C12 nave, chancel added C13, alterations in C14, tower and nave heightened mid C15. Restored c1858 by G.E.Street and south-east chapel added; further restoration 1880s. Coursed and dressed stone, stone slate roof to chancel and chapel, nave roof not visible. Nave and chancel with central tower, north and south porches, south-east chapel. Large tower of 3 stages with offsets and stepped diagonal buttresses rising to crocketed pinnacles and openwork parapet. Three-light belfry openings on each side with stone mullions and arched hoodmould with carved stops; middle stage has small single light with square hoodmould below a square framed with 3 concave moulded lights, centre one blind; lowest stage has very large 4-light windows to north and south with king mullion, 2 transoms and Perpendicular tracery and single-light over to south, niche to north. Clock face on north side of tower. Nave retains deeply splayed round arch single-lights of Norman period and zig-zag moulded string course below additional Decorated windows added in C14. Clerestorey of mid C15 has three 3-light cusped trefoil-head windows with square hoodmould and string course with grotesques. North porch has Norman doorway with chevron arch and carved shafts, porch itself of early C16 with ogee-headed niche an) flanking crocketed pinnacles on east wall, a typical feature of the area, and 4-centred archway with concave mouldings and angel shields below gable rebuilt in late C19. South porch said to contain equally fine Norman doorway but inaccessible at time of survey (March 1985). Chancel of late C13/early C14 has 3-light trefoil-head lancet with cusped sexfoil at east end, north side fills 3-light Decorated window with reticulated tracery and small blocked trefoil-head doorway. Chapel by Street of 1858 has two 3-light with reticulated tracery on south side.
Interior: 8 bay nave roof with 3 tiers of arched wind bracing, corbels for rood screen at east end of nave. Tower has doorway in north-west corner, lierne vault decorated in heraldry in 1862 and stone seats around side walls. Fine stained glass by Kempe in north window. Chancel has wagon roof, with painted ciborium probably of same date as tower decoration, plaster has been removed from walls in chancel, probably when 2-bay arcade opened up by Street to form south chapel. Large Perpendicular tomb on north wall with 2 mutilated seated figures and recumbent effigy probably of earlier date. Pulpit by Street, with marble painted over, choir stalls with fanning leaf finials also by Street.
detail of a clasp-reliquary
Eagle
bohemian(?), middle of the 14th century
Silver cut openwork, gilt engraving; silver champleve and enamel: jewels and pearls.
Teaching myself one new knit stitch a week, from the Complete Guide to Needlework book, c. 1979.
On the left side is Vanna's Choice yarn in Toffee, right side is Yarn Bee Andes Alpaca in Peacock.
PANDORA December Signature Heart Birthstone Charmora Charm
Colour: Blue Material: No other material Metal: Sterling silver Stone: Crystal Representing the month of December, PANDORA's openwork birthstone heart charm in sterling silver features a London blue crystal, associated with feelings of peace and tranquility.
Special Price: £23.98 Buy now: www.pandorasale2012.com/december-birthstone-pandora-charm...
Built in large granite bati, it has a bell tower with three openwork ceilings, wearing a dome. The main doors are hung on the wall chains and crosses worn by the red penitent on Good Friday. Note the superb Baroque altarpiece, in polychrome marbles exported to the seventeenth century of Liguria and Tuscany.
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️ eXploration (5) Church Santa Maria Assunta {Sartène} (Corsica - Corse)
🌟 Church Santa Maria Assunta {Sartène} (Corsica - Corse)
💫 (Corsica - Corse) France/Europe World
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✨ eXploration Universe (️)
⛪ Church Santa Maria Assunta {Sartène} (Corsica - Corse)
📝 Type : Ground eXploration
🎨 Style : eXploration of the Church Santa Maria Assunta
🔊 Language : International (🇬🇧 description in English, but comprehensible by the whole world)
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️ Picture by LG
📡 Posted by LG
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❓ WHY : To eXplore the Church Santa Maria Assunta
📍 WHERE : Sartène (Corsica - Corse) (🇫🇷France)
🕓 WHEN : 19 July 2017
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"The quire statues were carved by a teenager named Robert Baker during the years 1911-1914. He was the son of Percy Baker, who carved the Black Letter Saints statues in stone which are mounted above the west door.... Each statue cost £8 10s to commission (more than £3000 in today's prices)."
Openwork dragon design, Chu State, Hubei, 1976. National Museum: China through the Ages, Exhibit 3. Complete indexed photo collection at WorldHistoryPics.com.
Ewer
A.H. 612/ A.D. 1215–16
Iran, probably Kashan
Stonepaste; openwork decoration, polychrome painted under turquoise glaze
This jug has a carved and pierced outer shell that surrounds a solid inner container. The openwork with harpies, sphinxes, quadrupeds, and scrolls was first painted with touches of black and cobalt blue, and then the entire jug was covered in a turquoise glaze. The Persian verses around the rim were written by the poet Rukn al‑Din Da'vidar Qummi, and an anonymous love poem near the base includes the date of production.
Standing cup and cover; gold; enamelled and jewelled; outside of bowl and foot covered with ground of gold thread on canvas foundation; on bowl: four lyre-shaped garlands of seed pearls laid on silver thread; quatrefoil ornament in openwork high relief within each garland, each with central diamond, four pearls and enamelled petals; between the garlands, four aigrette-shaped ornaments of similar style; upper and lower edge of bowl: row of pearls; foot ornamented similarly with gold thread, pearls and cartouches, enamelled and jewelled with rubies and diamonds; bottom of bowl and lower part of foot: applied borders of scrollwork, enamelled and set with rubies, diamonds and pearls; cover ornamented with applied plates of scroll design, enamelled and set with four rubies, twelve square table diamonds and eight pearls; centre: raised stand with four rubies and enamelled mounted figure of a Saracen with lance; inside: gold medal of Rudolph II, bust to right, bare head with ruff, wearing armour and Golden Fleece; inscribed.
The cup was probably made in Transylvania
Openwork, unglazed terracotta basket with inscribed floral design. From a Messapian tomb. 3rd Century BC. Archaeological Museum. Egnazia. Apulia, Italy. Copyright 2016, James A. Glazier.
Pattern: Openwork Rib, from Sensational Knitted Socks by Charlene Schurch. Yarn: Cascade Heritage. Needles: 2.50 and 2.25mm dpns
This fourteenth-century Bishop's Chair with an impressive carved canopy made for J L Pearson, Cathedral architect fom 1870-93. It is unlikely, however, the chair originally ever had an integral canopy. The chair is of primitive joined construction. It has been assembled with a series of stub tenons secured by pegs. The decorative front panel has two tiers of openwork quatrefoils, carved from a single piece of oak. The arms feature carved lions, the heads of which are restorations under Pearson. There is a chapter on the chair in the book "Britain's Medieval Episcopal Thrones" by Charles Tracy, Oxbow Books, 2015.
PANDORA Openwork Love Pendant Charm
Colour: No Colour Material: No other material Metal: Two Tone Stone: No stone Themes: Love The openwork love pendant charm has a great vintage feel to it. Made from sterling silver, the pendant charm has a heart shaped design with a small 14ct gold in the centre. The two-tone effect gives it a cool on-trend feel making it a must-have accessory for you to own!
Special Price: £25.98 Buy now: www.pandorasale2012.com/cool-pandora-charms.html
Openwork plaque with Sphinx
Syria, probably Arslan Tash
Neo-Assyrian period, Phoenician style, 9th-8th century BC
Crocheted with very fine perle cotton in openwork and lacy picots.
© KnittingGuru, 2010. All rights reserved. All images and finished designs, including the name and description, are the intellectual property of KnittingGuru.
A Gilt-Bronze Belt Plaque of a Kneeling Camel
3rd-2nd Century BC
The plaque is cast in openwork with a man getting ready to mount a kneeling Bactrian camel, his face visible between the humps as he grasps the humps to pull himself up. Two vertical squared loops are on the reverse.
8.5 cm wide
www.christies.com/lotfinder/lot_details.aspx?intObjectID=...
Estimate : USD 2,000 - USD 3,000
Price realised : USD 6,000
Christie's
The Harris Collection : Important Early Chinese Art
16 March 2017, New York
Early C12 nave, chancel added C13, alterations in C14, tower and nave heightened mid C15. Restored c1858 by G.E.Street and south-east chapel added; further restoration 1880s. Coursed and dressed stone, stone slate roof to chancel and chapel, nave roof not visible. Nave and chancel with central tower, north and south porches, south-east chapel. Large tower of 3 stages with offsets and stepped diagonal buttresses rising to crocketed pinnacles and openwork parapet. Three-light belfry openings on each side with stone mullions and arched hoodmould with carved stops; middle stage has small single light with square hoodmould below a square framed with 3 concave moulded lights, centre one blind; lowest stage has very large 4-light windows to north and south with king mullion, 2 transoms and Perpendicular tracery and single-light over to south, niche to north. Clock face on north side of tower. Nave retains deeply splayed round arch single-lights of Norman period and zig-zag moulded string course below additional Decorated windows added in C14. Clerestorey of mid C15 has three 3-light cusped trefoil-head windows with square hoodmould and string course with grotesques. North porch has Norman doorway with chevron arch and carved shafts, porch itself of early C16 with ogee-headed niche an) flanking crocketed pinnacles on east wall, a typical feature of the area, and 4-centred archway with concave mouldings and angel shields below gable rebuilt in late C19. South porch said to contain equally fine Norman doorway but inaccessible at time of survey (March 1985). Chancel of late C13/early C14 has 3-light trefoil-head lancet with cusped sexfoil at east end, north side fills 3-light Decorated window with reticulated tracery and small blocked trefoil-head doorway. Chapel by Street of 1858 has two 3-light with reticulated tracery on south side.
Interior: 8 bay nave roof with 3 tiers of arched wind bracing, corbels for rood screen at east end of nave. Tower has doorway in north-west corner, lierne vault decorated in heraldry in 1862 and stone seats around side walls. Fine stained glass by Kempe in north window. Chancel has wagon roof, with painted ciborium probably of same date as tower decoration, plaster has been removed from walls in chancel, probably when 2-bay arcade opened up by Street to form south chapel. Large Perpendicular tomb on north wall with 2 mutilated seated figures and recumbent effigy probably of earlier date. Pulpit by Street, with marble painted over, choir stalls with fanning leaf finials also by Street.
Knowles, Taylor, and Knowles (1870-1929)
Ewer
East Liverpool, Ohio, 1893-98
Porcelain
Purchase, The Dietrich Foundation Inc. Gift and Friends of the American Wing Fund, 1985
The decorator squeezed wet clay through an instrument similar to a cake decorator's bag and funnel in order to create delicate floral designs and openwork beading on this Lotus-ware ewer.
Viewed from St Peter's churchyard.
The Lych Gate is listed seperately: "1872, G E Street. Half-hipped gable of tiled roof, over ogee-topped trefoil arch of 7 timber braces. Trefoil opening at side between buttressed base of each rib, supported on stone plinth with 2 set-offs. Longitudinal tie rib, open to rafters above ribs. Openwork iron cross on west gable."
My first "proper" crochet project!
Pattern by creativeyarn - on ravelry. Possibly not the best choice of yarn - it's a bit busy for the pattern - but as I'm learning I just used what I had lying around. I like these so much that I think I'll buy something nicer and make another pair.
And now, finally, I reveal the outcome of this very special project initiated by a drawing of Marietta.
First, the "dress", the basis of this set.
It is composed of three separate elements.
- A blouse, almost entirely in old cotton lace, left transparent, with the cuffs and collar of ruffled cotton muslin, edged with fine lace. A fake pearl necklace and a jewel adorns the chest.
- A sleeveless dress using the same model as the Malina dress.
The top of the dress is cut in a dotted swiss fabric, ivory dots on white background. And the skirt is fashioned from a beautiful cotton lace embroidered sometimes as a "broderie anglaise" sometimes as an openwork "venice lace".
In addition, I added a bouquet embroidery on the bust, suggesting two-tone gold and silver, with a subtle mix of pearls and silk ribbon underlined by rayon thread.
The rest of the skirt is lightly beaded to evoke the glint of some snowflakes that would be lost there.
- A tulle petticoat, trimmed by a small and dense tulle ruffle and highlighted by a beaded silk ribbon.
Since this dress will be worn by a custom Vanilla, I used mine as model...
The frosted berries were made by me. The leaves are made of polymer clay, varnished and falsely frosted after baking and berries are made with beads, also frosted.
swatch for a sweater I am about to attempt. This is Patons Classic Wool Merino in Rich Red (which, as far as I can tell, is a color you can only find online; at least none of my local craft stores ever have it). The lace pattern is the "Openwork Leaf Pattern" from page 213 of Barbara G. Walker's A Treasury of Knitting Patterns. The edging is Broken Rib -- which is quite common, but I found it in the same book.
In downtown Youngstown, Ohio, on June 22nd, 2014, the former Legal Arts Center, said to have been erected in 1965, on the south side of East Boardman Street, east of Market Street.
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Library of Congress classification ideas:
NA6232 Office buildings—United States—Pictorial works.
NA712.5.M63 Modern movement (Architecture)—United States—Pictorial works.
NA3020 Windows—Pictorial works.
NA4125 Concrete walls—Pictorial works.
NK1570 Repetitive patterns (Decorative arts)
E169.12 Nineteen sixties—Pictorial works.
F499.Y8 Youngstown (Ohio)—Pictorial works.
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Art & Architecture Thesaurus term:
• openwork
Inspired by the oceans around Ireland, the verdant land, and the song. Hand knitted and crocheted Merino wool in a traditional wave pattern.
Front view showing the openwork lace.
Byzantine, about 600 AD. From Assiut or Antinoe, Egypt.
The terracotta figure is wearing a chain like this; it's from Egypt, 2nd century AD, from el-Faiyum.
A Bronze Knife
Northeast China, 8th-7th Century BC
The knife has an integrally cast curved blade and an openwork hilt formed by intertwining serpent bodies. A small oblong loop with projecting, flat D-shaped tab is at the end of the hilt.
25 cm long
www.christies.com/lotfinder/lot_details.aspx?intObjectID=...
Estimate : USD 2,000 - USD 3,000
Price realised : USD 3,000
Christie's
The Harris Collection : Important Early Chinese Art
16 March 2017, New York
Being a well-to-do housewife, Teth wears a pomander, a beautifully openworked 'apple' containing amber among the folds of her skirts to repel lice and mask odours. A pomander accentuated the refinement and elegance of the wearer. Moreover, the jewel also rang when the lady of the house walked about. Pomanders represented status, which is why she purposefully holds it up in the portrait.