View allAll Photos Tagged openwork
AURORA Underwire Bra. A classic three-section wire bra with all-over embroidery that covers your breasts entirely. Fine fluorescent accents are incorporated in the openwork floral embroidery on the upper cup, while the gore and the side sections are also decorated with a luxurious embroidery border. The embroidery on the upper cups and the side section is understated and fine, ensuring a light look. The firm cups lift your boobs, while the side sections nudge them towards the center. The high cups cover the bosom fully to create a perfectly round shape. The elegant yet firm straps are a source of added support and comfort. Style# 3412160
Bronze openwork disk jewelry. Found in a grave in Incoronata, Pisticci. Messapic, 11th Century BC - 10th Century BC. Museo archeologico nazionale di Metaponto. Metaponto, Basilicata, Italy. Copyright 2016, James A. Glazier. Many of these design elements and ornaments wouldn't be out of place in Northern Germany or even Ireland of the same period. The spread and uniformity of early Iron age design is impressive.
Based on an openwork cardigan from fabulous Flirty crochet book by Katherine Lee but I used an fan pattern sttich to create a thicker closed pattern cardigan. I used Patons Diploma Gold DK and a 4.50mm hook
This helmet would have been worn by gladiator fighting as a 'retiarus', one of the traditional gladiator types. They were armed with a long trident and weighted net, and often paired with sword and shield wielding opponents. Note the openwork face screen.
More info at: www.britishmuseum.org/explore/highlights/highlight_object...
Prehistory Gallery, Liaoning Museum, Shenyang. Complete indexed photo collection at WorldHistoryPics.com.
Glass-bead necklace, earrings and bracelet worn during rituals and pilgrimage. 21st Century AD. Special Exhibit, "Huicholes-A People Walking Towards the Light: Wixarika Art by Jose Benitz Sanchez." Textile Museum of Canada. Toronto, Ontario, Canada. Copyright 2017, James A. Glazier
The center sections {in red} built by Esias Compenius from 1603-13 ; the lateral extensions by Adolf Reubke, 1859.
A thorough history of the instrument can be found at www.compenius-orgel.de/geschichtederorgel.htm
This gorgeous art deco solitaire engagement ring features a magnificent .86 carat transitional cut genuine diamond grading G in color and VS1 in clarity. This ring has intricate detailed openwork and filigree and is crafted of solid 18k white gold.
Disney, Frozen Snowflake Charm - PANDORA
A wonderful depiction of a glittery snowflake, this arresting dangle charm will be eye-catching on bracelets and necklaces alike, while serving as a precious memento of a beloved Disney movie.
£22.98
27% OFF
www.pandorasale2012.com/disney-frozen-snowflake-charm-pan...
And now, finally, I reveal the outcome of this very special project initiated by a drawing of Marietta.
First, the "dress", the basis of this set.
It is composed of three separate elements.
- A blouse, almost entirely in old cotton lace, left transparent, with the cuffs and collar of ruffled cotton muslin, edged with fine lace. A fake pearl necklace and a jewel adorns the chest.
- A sleeveless dress using the same model as the Malina dress.
The top of the dress is cut in a dotted swiss fabric, ivory dots on white background. And the skirt is fashioned from a beautiful cotton lace embroidered sometimes as a "broderie anglaise" sometimes as an openwork "venice lace".
In addition, I added a bouquet embroidery on the bust, suggesting two-tone gold and silver, with a subtle mix of pearls and silk ribbon underlined by rayon thread.
The rest of the skirt is lightly beaded to evoke the glint of some snowflakes that would be lost there.
- A tulle petticoat, trimmed by a small and dense tulle ruffle and highlighted by a beaded silk ribbon.
Since this dress will be worn by a custom Vanilla, I used mine as model...
The frosted berries were made by me. The leaves are made of polymer clay, varnished and falsely frosted after baking and berries are made with beads, also frosted.
Sword: Iron sword with bronze cocked-hat pommel & oval guard plates; gold plate with filigree circles on tang. 1867,0729.150a Scabbard mount: Gilt silver openwork mount from sheath of sword (see 1867,0729.a); beaded nielloed border above interlace with heads at ends; runes on back-plate. Style I. 1867,0729.150 5thC-6thC.
Fragment of wooden openwork mummy-boards.
The pieces are from a mummy-board for a man named Pendenyt.
19th-20th Dynasty, provenance unknown.
EA35893 and EA35889.
British Museum
The building is from 1959 so the wall is from 1959 also? Let's say yeah, sure, the wall is from 1959.
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In south Minneapolis on March 18th, 2012, the backside of "The W Condominiums" as viewed from an alley between Blaisdell Avenue and Pillsbury Avenue, south of West 25th Street.
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Library of Congress classification ideas:
NA7861 Apartment houses—United States—Pictorial works.
NA2940 Concrete walls—Pictorial works.
NK1570 Repetitive patterns (Decorative arts)
NA9053.S7 Alleys—United States—Pictorial works.
E169.12 Nineteen fifties—Pictorial works.
HD7287.67.U6 Condominiums—United States—Pictorial works.
E169.12 Nineteen fifties—Pictorial works.
F614.M56W45 Whittier Neighborhood (Minneapolis, Minn.)—Pictorial works.
F614.M543 Minneapolis (Minn.)—Pictorial works.
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Art & Architecture Thesaurus term:
• openwork
Underglazed Five-Color Porcelain Vase with Grape Vines Design in Openwork
More at: www.hnmuseum.com/hnmuseum/eng/collection/collectionConten...
This covered bridge is close to a popular ski area and is one of the most photographed covered bridges in Maine. The openwork sides are unusual.
A Very Rare and Unusual Small Turquoise-Embellished Gilt-Bronze Dragon-Form Garment Hook
North China, 3rd-2nd Century BC
The garment hook is cast in openwork with the coiled body of a dragon with two tiny turquoise inlays, the beast’s long neck terminating in the head of a camel set at an angle to form the hook. A large circular button is on the back.
4.5 cm long, box
www.christies.com/lotfinder/lot_details.aspx?sc_lang=en&a...
Estimate : USD 4,000 - USD 6,000
Price realised : USD 4,000
Christie's
The Harris Collection : Important Early Chinese Art
16 March 2017, New York
Gold openwork and filigree mouth guard with spiders. Moche, 525 AD - 550 AD. Dos Cabezas, Tomb 2, Chan Chan, Peru. From the Museo de Sitio de Chan Chan, Huanchaco, Peru. Special Exhibit, Golden Kingdoms: Luxury and Legacy in the Ancient Americas. Metropolitan Museum of Art, New York, New York, USA. Copyright 2018, James A. Ferguson.
Deutsch (Dresden?) um 1620
Ovaler Deckelpokal mit Contrefaitkugel
Inv. 7437
Lorenz Zick
nachweisbar in Nürnberg, Weimar, Halle/Saale 1594–1666
Contrefaitkugel mit Miniaturen
Inv. 7419
Lorenz Zick
nachweisbar in Nürnberg, Weimar, Halle/Saale 1594–1666
Contrefaitkugel mit Fürstenportrait
Inv. 7431
Deutsch um 1620
Deckelpokal mit durchbrochener Kugel und Innenstern
Inv. 7420
Sammlung Würth, Künzelsau
Leihgaben für die Skulpturensammlung im Bode-Museum, Berlin
A framed silver ‘Agnus Dei’ / Lamb of God
Estimate: PHP 10,000 - 12,000
Vintage
Imported
Chased, repoussé and openwork silver depicting the Lamb of God, an emblem of Christ, mounted on vermillion-colored velvet textile, in a wooden frame protected by glass
27 x 20.5 cm (11 x 8 in)
Lot 162 of the Salcedo Auctions Gavel & Block Auction on 5 February 2022. Please see salcedoauctions.com/auction/141/art-design for more information.
A Bronze Openwork Belt Hook
circa 5th-3rd Century BC
The rectangular belt hook is cast in openwork with a fleeing stag being attacked from behind by a wolf, a hook is at one end and a circular button is on the reverse. There is malachite encrustation on both sides.
13.5 cm wide, box
www.christies.com/lotfinder/lot_details.aspx?intObjectID=...
Estimate : USD 3,000 - USD 5,000
Price realised : USD 18,750
Christie's
The Harris Collection : Important Early Chinese Art
16 March 2017, New York
(4) Wooden bowl handle (Christchurch place), (5) Wooden carpenter's plane (Christchurch place): "Dublin - Decorated Wood: Wood was carved in a distinctively Dublin interpretation of the insular version of the so-called Ringerike art style. This ornamentation appears on everything from large planks to small sliding case lids. Selected elements of the style were often carved into furnishings and tool handles. It can be deeply carved, lightly scored or even done in openwork. Apart from this high art decoration in wood, simple tools, handles and stools were often decorated in a fairly (rectilinear) primitive or rustic style, which was particularly favoured by the makers of single piece wooden containers. Dublin woodworkers often carved animals and sometimes humans. The less artistic doodled producing graffiti among which ships were the most conspicuous. " ~ Display at the Museum of Archaeology Ireland, Dublin, Ireland. "A Medieval Christmas Exhibit" - Museum of Archaeology Ireland (www.technogypsie.com/reviews/?p=1090) in Dublin (www.technogypsie.com/reviews/?p=885), Ireland (www.technogypsie.com/reviews/?p=884). Cian's Adventures with a Medieval Xmas - Walking with the Ancestors, Part 2 - Ireland - 2013 - Sunday, December 8, 2013. Photography (c) 2013 Thomas Baurley, Eadaoin Bineid, Leaf McGowan, Technogypsie Productions. www.technogypsie.com/photography/. To follow the stories and tales visit www.technogypsie.com/reviews/ and www.technogypsie.com/chronicles/?p=8691. Wooden Handle: www.technogypsie.com/science/?p=1989. Carpenter's Plane: www.technogypsie.com/science/?p=2007
Early C12 nave, chancel added C13, alterations in C14, tower and nave heightened mid C15. Restored c1858 by G.E.Street and south-east chapel added; further restoration 1880s. Coursed and dressed stone, stone slate roof to chancel and chapel, nave roof not visible. Nave and chancel with central tower, north and south porches, south-east chapel. Large tower of 3 stages with offsets and stepped diagonal buttresses rising to crocketed pinnacles and openwork parapet. Three-light belfry openings on each side with stone mullions and arched hoodmould with carved stops; middle stage has small single light with square hoodmould below a square framed with 3 concave moulded lights, centre one blind; lowest stage has very large 4-light windows to north and south with king mullion, 2 transoms and Perpendicular tracery and single-light over to south, niche to north. Clock face on north side of tower. Nave retains deeply splayed round arch single-lights of Norman period and zig-zag moulded string course below additional Decorated windows added in C14. Clerestorey of mid C15 has three 3-light cusped trefoil-head windows with square hoodmould and string course with grotesques. North porch has Norman doorway with chevron arch and carved shafts, porch itself of early C16 with ogee-headed niche an) flanking crocketed pinnacles on east wall, a typical feature of the area, and 4-centred archway with concave mouldings and angel shields below gable rebuilt in late C19. South porch said to contain equally fine Norman doorway but inaccessible at time of survey (March 1985). Chancel of late C13/early C14 has 3-light trefoil-head lancet with cusped sexfoil at east end, north side fills 3-light Decorated window with reticulated tracery and small blocked trefoil-head doorway. Chapel by Street of 1858 has two 3-light with reticulated tracery on south side.
Interior: 8 bay nave roof with 3 tiers of arched wind bracing, corbels for rood screen at east end of nave. Tower has doorway in north-west corner, lierne vault decorated in heraldry in 1862 and stone seats around side walls. Fine stained glass by Kempe in north window. Chancel has wagon roof, with painted ciborium probably of same date as tower decoration, plaster has been removed from walls in chancel, probably when 2-bay arcade opened up by Street to form south chapel. Large Perpendicular tomb on north wall with 2 mutilated seated figures and recumbent effigy probably of earlier date. Pulpit by Street, with marble painted over, choir stalls with fanning leaf finials also by Street.
early 19th century
The Chantilly-type lace has a beautiful floral and openwork design. It was worn by Charlotte Drayton Manigault (1781-1855), the daughter of Charles Drayton and Hester Middleton. She married Joseph Manigault on May 27, 1800, and lived on Maiden Lane until the house in Wraggborough was built in 1803. Designed by Joseph’s brother, Gabriel, the house (now The Joseph Manigault House at 350 Meeting Street) belongs to this museum and is open to the public. Charlotte probably wore this shawl while she was living with her family there.
Gift of Ethel Drayton Mowry (Charlotte’s great-granddaughter) in 1952
PANDORA Openwork Love Pendant Charm
Colour: No Colour Material: No other material Metal: Two Tone Stone: No stone Themes: Love The openwork love pendant charm has a great vintage feel to it. Made from sterling silver, the pendant charm has a heart shaped design with a small 14ct gold in the centre. The two-tone effect gives it a cool on-trend feel making it a must-have accessory for you to own!
Special Price: £25.98 Buy now: www.pandorasale2012.com/cool-pandora-charms.html
♥ 7+7 commercial use digital fine openwork lace borders
♥ Format: PNG
♥ Quality: high, 300 dpi
♥ Great for printing!
♥ Ideal for scrapbooking, card design, web design and any other projects!
It is suitable for webdesign too!
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Another Large Zsolnay Openwork Majolica vase in the manner of Hungarian folkloric needlework, ca1889-1891
St Peter's in Wallingford is distinguished by it's unusual openwork spire, an eccentric example of late 18th century gothic. The church itself dates mostly from the 1760s and replaces a medieval building destroyed during the siege of Wallingford in the Civil War.
The interior is spacious and attractive with a coffered ceiling over the nave. The focal point is the apse (rebuilt in the early 20th century) which has a 1918 window by Morris & Co at it's centre designed by John Henry Dearle in his characteristic, Burne Jones-influenced style.
The church was declared redundant in 1971 and is now vested in the Churches Conservation Trust. It is kept locked but a key can be obtained from the Tourist Information Office.
Early C12 nave, chancel added C13, alterations in C14, tower and nave heightened mid C15. Restored c1858 by G.E.Street and south-east chapel added; further restoration 1880s. Coursed and dressed stone, stone slate roof to chancel and chapel, nave roof not visible. Nave and chancel with central tower, north and south porches, south-east chapel. Large tower of 3 stages with offsets and stepped diagonal buttresses rising to crocketed pinnacles and openwork parapet. Three-light belfry openings on each side with stone mullions and arched hoodmould with carved stops; middle stage has small single light with square hoodmould below a square framed with 3 concave moulded lights, centre one blind; lowest stage has very large 4-light windows to north and south with king mullion, 2 transoms and Perpendicular tracery and single-light over to south, niche to north. Clock face on north side of tower. Nave retains deeply splayed round arch single-lights of Norman period and zig-zag moulded string course below additional Decorated windows added in C14. Clerestorey of mid C15 has three 3-light cusped trefoil-head windows with square hoodmould and string course with grotesques. North porch has Norman doorway with chevron arch and carved shafts, porch itself of early C16 with ogee-headed niche an) flanking crocketed pinnacles on east wall, a typical feature of the area, and 4-centred archway with concave mouldings and angel shields below gable rebuilt in late C19. South porch said to contain equally fine Norman doorway but inaccessible at time of survey (March 1985). Chancel of late C13/early C14 has 3-light trefoil-head lancet with cusped sexfoil at east end, north side fills 3-light Decorated window with reticulated tracery and small blocked trefoil-head doorway. Chapel by Street of 1858 has two 3-light with reticulated tracery on south side.
Interior: 8 bay nave roof with 3 tiers of arched wind bracing, corbels for rood screen at east end of nave. Tower has doorway in north-west corner, lierne vault decorated in heraldry in 1862 and stone seats around side walls. Fine stained glass by Kempe in north window. Chancel has wagon roof, with painted ciborium probably of same date as tower decoration, plaster has been removed from walls in chancel, probably when 2-bay arcade opened up by Street to form south chapel. Large Perpendicular tomb on north wall with 2 mutilated seated figures and recumbent effigy probably of earlier date. Pulpit by Street, with marble painted over, choir stalls with fanning leaf finials also by Street.
AUDEMARS PIGUET – Royal Oak Tourbillon Extra-Thin Openworked Pink Gold Limited Edition (version in 2017)
An excellent set of Chorrera Pectoral Shells (Melongena Patula). The Larger has a centered inverted openwork triangle and the smaller is incised with a single vertical line running down the center. Both re-strung individually with modern knotted hemp twine. Larger pectoral measures 3” / 7.62 cm. Smaller is .875”/2.22 cm. La Horma, Manabi, Ecuador 1800-300BC.
Earring with openwork rosette, filigree, chains and pendants. Gold jewelry from a grave in Pizzica, property of Vitelli-Graziadei. Magna Grecia, greek, 2nd Half of the 4th Century BC (350 BC - 300 BC). Museo archeologico nazionale di Metaponto. Metaponto, Basilicata, Italy. Copyright 2016, James A. Glazier.
Openwork plaque with a rampant goat eating a plant
Period: Neo-Assyrian
Date: ca. 8th century B.C.
Geography: Mesopotamia, Nimrud (ancient Kalhu)
Culture: Assyrian
Das Goldene Wunder, as the altar is called, measures 5.65x7.4m when fully opened, and contains 36 painted panels & 30 sculptured panels, plus a number of painted panels on the ousides of the closed shutters. It was commissioned in 1521 from Jan Gilleszoon Wrage, sculptor, and Adriaan van Overbeck, painter, of Antwerpen. Here Helena, the mother of emperor Constantine, searches in the Holy Land for the true cross and, in the background, watches its excavation.