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Cavendish Mews is a smart set of flats in Mayfair where flapper and modern woman, the Honourable Lettice Chetwynd has set up home after coming of age and gaining her allowance. To supplement her already generous allowance, and to break away from dependence upon her family, Lettice has established herself as a society interior designer, so her flat is decorated with a mixture of elegant antique Georgian pieces and modern Art Deco furnishings, using it as a showroom for what she can offer to her well heeled clients.
Today however we are at Glynes, the grand Georgian family seat of the Chetwynds in Wiltshire, and the home of Lettice’s parents, the presiding Viscount and Countess of Wrexham and the heir, their eldest son Leslie and his wife Arabella. Lettice is visiting her family home over the Christmastide and New Year period. She motored down to Wiltshire with her old childhood chum, Gerald, also a member of the aristocracy who has tried to gain some independence from his family by designing gowns from a shop in Grosvenor Street. His family, the Brutons, are neighbours to the Cheywynds with their properties sharing boundaries. That is how Gerald and Lettice came to be such good friends. However, whilst both families are landed gentry with lineage going back centuries, unlike Lettice’s family, Gerald’s live in a much smaller baronial manor house and are in much more straitened circumstances.
It is mid-morning and Lettice pads as quietly as possible across the cavernous Adam style entrance hall of Glynes, the louis heels of her shoes echoing around the space. Anxiously she looks over her shoulder down the corridor that passes the morning room, her mother’s domain where she knows Lady Sadie is right now, and where she does not wish to be drawn into. She turns to her right and walks up to a pair of beautiful walnut double doors and knocks loudly.
“Come!” comes a muffled male voice from inside.
Lettice opens the doors and walks through into the light filled library where she is greeted by the comforting smell of old books and woodsmoke. Although as masculine as the morning room is feminine, Lettice feels far more at home in her father’s library, partially because it is his domain and also because he and she both know that, with her reading extending not much further than The Lady*, Horse and Hound** or a sedate Regency romance, Lady Sadie is unlikely to disturb either of them as long as they remain within the library’s four walls. The walls of the long room are lined with floor to ceiling shelves, all full of books: thousands of volumes on so many subjects. Weak wintery sunlight drifts through the tall windows facing out to the front of the house, burnishing the polished parquetry floors in a ghostly way. The fire, another constant in the library, crackles contentedly. And there, sitting at his Chippendale desk, sits Viscount Wrexham, dealing with estate business.
“Ah! My darling girl!” the Viscount puts aside his pen, pushes his chair back over the richly woven carpet and stands.
Lettice walks down the length of the room carrying a tapestry carpet bag in shades of red wine and moss green – a piece of luggage that she used to convey her Christmas presents for the family down to Wiltshire, and the only piece that does not match any of her other elegant deep blue leather Vuitton*** luggage that accompanied her from London in Gerald’s motorcar.
“Have you a moment to spare for me, Pappa!” Lettice asks as she reaches her father’s desk.
“Yes,” the Viscount says a little wearily. “Only if it isn’t too long. Shall I ring for tea?”
When Lettice nods eagerly, the Viscount pulls the handle of the servants call bell. The Chetwynd’s faithful butler, Bramley’s, familiar footfall outside the library door precedes his knock, and he is quickly dispatched with an order for tea to be served indulgently in the Viscount’s favourite blue and white gilt Art Nouveau tea set.
Sitting opposite her father at his desk, Lettice ponders her father’s face, which looks wan, and she notices the dark circles in the sagging flesh under his eyes. “You look and sound tired, Pappa.” she states matter-of-factly. “Are you all right?”
“Oh, your brother and I have to deal with some not too pleasant business at Mile End Farm. It’s been keeping me awake at night, and I didn’t want to deal with it before Christmas.”
“What business, Pappa?”
“Estate business.” The Viscount brushes his daughter off with a dismissive wave. “Nothing you need to worry your pretty head about.”
“If it is causing you to have sleepless nights, and as the estate is our family’s, I think it is very much my business, Pappa.” Lettice presses. “Even if Leslie is to inherit it, and not me. Have you difficulties with old Farmer Cooper again?”
“Well,” the Viscount admits. “Since you insist, yes. Ever since his son died in Ypres, and his wife of influenza, he’s taken to drinking heavily, and all but given up on Mile End Farm, and I can’t have such fertile soil untilled. If Cooper doesn’t start working the farm again, Leslie and I will have no choice but to break his leasehold in favour of another farmer.”
“But Coopers have been farming Mile End Farm for generations.” Lettice protests.
“The estate is getting expensive to maintain. Taxes have increased to help pay for the war that the Kaiser dragged us into, yet the Weimar Republic won’t pay for****,” The Viscount sighs heavily. “And I can’t afford to run a charity any more, not even for the likes of Cooper, however long his family have worked our estate.”
“Charity?”
“He’s not paid his rent.”
“How in arrears is he?”
“Three months.”
“Oh my!” Lettice’s hand goes to her mouth.
“Now you see why I didn’t want to deal with this before Christmas.” The Viscount sighs sadly again. “For all his latter faults, Cooper doesn’t deserve to be given an ultimatum on Christmas Eve. But, I can’t wait any longer. I have at least three farmers I know of who would give their eye teeth to be given Mile End Farm to work, and as the future owner of the estate, Leslie needs to know how it works.”
“That’s sad, Pappa.”
“This is the new post-war world, Lettice. You know as much as anyone that the world has changed, inexorably so. If Cooper chooses to drink his life away, I can’t stop him.”
Their conversation is interrupted by the gentle knocking at the door.
“Come!” Viscount Wrexham calls commandingly again.
Bramley enters carrying a silver tray laden with the blue and white gild Art Nouveau tea things, just as requested. “Tea, My Lord.”
“Very good, Bramley.” the Viscount acknowledges the butler. “We’ll have it here, I think.” He looks to his daughter. “Yes?” To which she nods in reply.
With the tea things set up on the gilt tooled brown leather surface of the Viscount’s Chippendale desk, and Bramley discreetly retreated beyond the library doors this Viscount says, “Now, before Leslie and I pay a call on Cooper, what is it you wanted to see me about, my girl?”
“Well Pappa,” Lettice replies. “I need your advice on these.”
Lettice withdraws the four silhouettes in black ebonised frames that she bought from Mrs. Trevithick’s Treasures when working on Margot and Dickie’s house in Cornwall and places them on her father’s desk.
“And what have we here?” he asks, cocking an eyebrow as he admires the two Regency gentlemen and the Georgian lady and gentleman in black on white within the thin black frames. “Hhhmmm.” He scratches his cleanly shaven chin and ruminates quietly. “These look a little bit like something your mother has in the morning room. Wouldn’t you be better asking her?”
“Oh no, Pappa!” Lettice exclaims awkwardly and with a little too much protesting to be polite. “Mamma would only tell me what I already know about them.”
“And what do you know about them, my girl? What does your interior designer eye tell you?”
“They are silhouettes and two are Regency, or early Victorian and two are Georgian. The two gentlemen appear to be cut paper, and the Georgian couple possibly painted.”
“Where did you acquire these from, Lettice?”
“From a little curiosity shop in Cornwall when I was doing preliminary works on the redecoration of Dickie and Margot Channon’s house. I thought you might have a book on the subject?” Lettice asks hopefully.
The Viscount settles back in his seat and sips tea from his gilt edged cup, the blue and gilding glowing in the electric light of the chandelier overhead. He gazes around the shelves about them. Lettice holds her breath in anticipation of her father’s answer, not daring to speak for fear of breaking his considered concentration. Only the gentle ticking of the clock on the mantle and the quiet cracking of the fire breaking the silence.
“I think I do have a book on silhouettes here somewhere.”
He heaves himself out of his seat with a groan and dragging his library steps along the parquet floor to a section of shelves near the fireplace, he climbs up to one of the upper shelves. “I’m sure I had something up here, possibly ordered by your mother when she had a mania for collecting silhouettes that ended up in here when she grew tired of it.” He begins running his fingers along the dark vellum volumes with gilt letting and others with brightly coloured dustjackets. “Ah! Here we are!” He pulls out a blue coloured volume with gilt lettering. “The history of Silhouettes by E. Nevill Jackson*****!”
Taking the volume over to the desk, the pair begin to look through the photographic plates in the book, scanning image after image, sipping their tea as companionably they look at silhouette after beautiful silhouette.
“I’d say, looking at this,” Lettice points to an image of a gentleman in a top hat. “That the two gentlemen may be Swiss or German. See the similarity in the cut of the frock coats.”
“Very good, Lettice.” her father replies approvingly. “Well spotted, my girl. And they are thin card like these.” He indicates to the notes about how the image was created. “This would make them Biedermeier, then.”
They continue to look.
“Ahh, now this is interesting,” the Viscount announces as they reach a page featuring five very fine silhouettes. “Your Georgian couple, unlike the Biedermeier pair, appear to be Indian ink painted on paper, and look like the work of Francis Torond*******.”
“Who was Francis Torond?” Lettice asks excitedly.
“Let’s consult Ms Jackson’s biography section.” The Viscount flicks through the book. “Here we are. Francis Torond was French, but emigrated to England around 1796.” He scans the biography. “He only worked as a silhouette artist for about ten years. He painted in Indian ink on fine paper using a quill pen for fine detail. His works are usually in framed in oval turned ebonized wood or oval giltwood frames.” Lettice gasps. “And his works are often identified through trade labels. Let’s see.” The Viscount turns the picture of the Georgian lady over and using his silver letter opener, carefully prises the backing from its frame, and the pair see a very dirty paper label pasted across the back of the portrait. “There we are! Torond, number thirteen Wells Street, London. This is a Frances Torond! And I’ll wager the pair is then too!”
Outside in the entrance hall, the distant trill of the telephone can be heard ringing out anxiously.
“How much did you pay for them?” the Viscount asks, continuing to look at the portraits before him.
“Fifteen shillings each.”
“Quite the bargain then, I’d say.” the Viscount says proudly with an approving nod. “Canny girl.”
Their conversation is interrupted yet again by the gentle knocking at the library door.
“Come!” Viscount Wrexham calls commandingly again.
Bramley pokes his head around the door. “Sorry to disturb, My Lord.”
“Good heavens Bramley! Is Leslie here already?” the Viscount asks anxiously. “I’m afraid Lettice and I have quite lost track of the time. We’ve been quite engrossed in successfully solving a little mystery.”
“Ahh… no My Lord. It’s the telephone. My Lord.”
“Who is it then, Bramley?”
“It’s actually for Miss Lettice, My Lord.” the butler replies coolly in his friendly baritone voice.
“For me?” Lettice raises her hand to the pearls at her throat and toys with them.
“Yes, My Lady. It’s Lady Elizabeth Bowes-Lyon******** ringing from St. Paul's, Walden Bury.”
“Oh well, I’ll take the telephone call in here then, Bramley.” Lettice says, walking over to the small round three legged Georgian pedestal table the old fashioned black candlestick telephone stands on. ‘That is if you don’t mind, Father.”
“Not at all.” the Viscount acquiesces.
Lettice picks up the telephone and picks up the receiver in her left hand, placing it to her ear, and speaks clearly into the round mouthpiece of the candlestick base that she holds in her right hand. “Hullo Elizabeth darling!” she exclaims happily. “What an unexpected surprise! Merry Christmas and happy New Year.” A distant female voice speaks down the line. “Oh yes! Yes, it was marvellous. Mamma wasn’t too painful. Lally, Charles and the children came up, and so did Aunt Egg, of course. And Pappa,” She glances over at her father who has resumed looking at the silhouette portraits in an effort to be discreet and not overhear his daughter’s conversation. “Gave me a wonderful book on Egyptian art. He thinks that the discovery like the boy king’s tomb by Mr. Carter********* in Egypt is going to start a new wave of Egyptomania**********.” She smirks. “How was yours?” She listens to Elizabeth’s voice. “Is he?” The voice at the other end grows more excited. “Did he really? Again?” The voice answers animatedly. “And what did you say?” Even the Viscount, however discreet with his back turned, cannot help but pick up his ears to his daughter’s conversation. “You did? Oh congratulations, Elizabeth darling!” Lettice beams with delight. “No misgivings this time, I hope?” She listens again. “Well, that is a relief! How absolutely thrilling!” She listens again. “Oh, thank you Elizabeth darling! Oh yes I’d love to!” The voice at the other end of the telephone grows more serious. “Well of course I will! How could I refuse? Well, I’ll be back in London the day after tomorrow. Gerald’s motoring us both back to town. You must come over for tea, or cocktails and tell me all about it.” The voice speaks again. “Yes, alright Elizabeth darling. Yes… yes, I shall see you then. And congratulations again! Alright. Goodbye for now!”
Lettice hangs up the receiver and squeals with delight.
“Well!” Lettice gasps with excitement. “You’ll never guess who that was, Pappa!”
“I was led to believe by Bramley that it was your friend, Elizabeth Bowes-Lyon.” her father says dourly.
“She won’t be Elizabeth Bowes-Lyon much longer! The Duke of York proposed for a third time, and this time she said yes!” Lettice squeals again, jumping up and down on the spot. “She’s going to become the Duchess of York!”
“Well, that is jolly news!” the Viscount replies. “I can’t wait to tell your mother! She’ll be beside herself with joy that she entertained the future Duchess of York here at the Hunt Ball last year! I might even get a few days without any quibbles from her thanks to the news. Here’s hoping, anyway.” He crosses his fingers. “I say,” he adds dourly at the end. “I do hope she knows what she’s doing, getting married to the Windsors. I can’t say I’d fancy the King and Queen as my in-laws, Queen Mary especially!”
“I suppose since this is the third time the Duke of York proposed, that she realises. She says that she has no misgivings this time. I’ll have to get Gerald to design me a new dress and get Harriet to make me a hat for the wedding.”
“When will the wedding take place?”
“Elizabeth doesn’t know yet, but I don’t imagine it will be too far away.”
“Yes, no doubt the Windsors want to secure her for the Duke and marry them quickly before she changes her mind, if this is the third proposal.”
*The Lady is one of Britain's longest-running women's magazines. It has been in continuous publication since 1885 and is based in London. It is particularly notable for its classified advertisements for domestic service and child care; it also has extensive listings of holiday properties.
**Horse and Hound is the oldest equestrian weekly magazine of the United Kingdom. Its first edition was published in 1884. The magazine contains horse industry news, reports from equestrian events, veterinary advice about caring for horses, and horses for sale.
***Louis Vuitton Malletier, commonly known as Louis Vuitton, is a French luxury fashion house and company founded in 1854 by Louis Vuitton. The label's LV monogram appears on most of its products, ranging from luxury bags and leather goods to ready-to-wear, shoes, watches, jewellery, accessories, sunglasses and books. The Louis Vuitton label was founded by Vuitton in 1854 on Rue Neuve des Capucines in Paris. Louis Vuitton started at $10,567 as a sales price. Louis Vuitton had observed that the HJ Cave Osilite trunk could be easily stacked. In 1858, Vuitton introduced his flat-topped trunks with Trianon canvas, making them lightweight and airtight. Before the introduction of Vuitton's trunks, rounded-top trunks were used, generally to promote water runoff, and thus could not be stacked. It was Vuitton's grey Trianon canvas flat trunk that allowed the ability to stack them on top of another with ease for voyages. Many other luggage makers later imitated Vuitton's style and design, but Vuitton was the choice of luggage for the rich and influential.
****In order to repay the expenditures made by the British during the Great War, like had been occurring since the Napoleonic Wars, the government increased Income Tax. The standard rate of income tax, which was six per cent in 1914, stood at thirty per cent in 1918. Following the ratification of article 231 of the Treaty of Versailles at the conclusion of the Great War, the Central Powers were made to give war reparations to the Allied Powers. Each of the defeated powers was required to make payments in either cash or kind. Because of the financial situation in Austria, Hungary, and Turkey after the war, few to no reparations were paid and the requirements for reparations were cancelled. Bulgaria, having paid only a fraction of what was required, saw its reparation figure reduced and then cancelled. Due to the lack of reparation payments by Germany, France occupied the Ruhr in 1923 to enforce payments, causing an international crisis and hyperinflation in Germany. As a result of all of this, income tax rates amongst the wealthy were maintained at a high level, far in excess of those charged in the years before the war, making the management of estates very difficult if they were not productive.
*****“The History of Silhouettes” by Emily Neville Jackson was published by The Connoisseur, in London in 1911. The first edition has blue cloth boards with gilt lettering on the cover. It has one hundred and twenty one pages of text and bibliography with an additional seventy two plates of photographs of silhouettes. Emily Jackson was a noted collector and authority on silhouettes, especially the work of Auguste Amant Constant Fidèle Edouart, who was a French-born portrait artist who worked in England, Scotland and the United States in the Nineteenth Century who specialised in silhouette portraits.
*******Francis Torond was an accomplished and successful silhouette artist of the late Georgian and Regency periods in England. He experienced financial difficulty and decided it was not a profitable career, so sadly only worked as a profilist for a decade. He is renowned today for his exquisite conversation pieces, and also for his clare-obscur style – the technique of using light and shade in a pictorial piece of art. Born around 1743, he emigrated withhis family from France to England around 1776, settling in Westminster in London. Francis Torond painted entirely in Indian ink on fine laid paper, using a quill pen to depict detail. He was incredibly skilled in highlighting the details of clothing and the background in which his sitters were painted. China, furniture and lighting were all beautifully painted. He did not use any mechanical means to produce his silhouettes, and he advertised that he could copy any silhouette onto furniture or jewellery. He died at his St Giles home in 1812.
********Elizabeth Bowes-Lyon, as she was known at the beginning of 1923 when this story is set, went on to become Queen of the United Kingdom and the Dominions from 1936 to 1952 as the wife of King George VI. Whilst still Duke of York, Prince Albert initially proposed to Elizabeth in 1921, but she turned him down, being "afraid never, never again to be free to think, speak and act as I feel I really ought to". He proposed again in 1922 after Elizabeth was part of his sister, Mary the Princess Royal’s, wedding party, but she refused him again. On Saturday, January 13th, 1923, Prince Albert went for a walk with Elizabeth at the Bowes-Lyon home at St Paul’s, Walden Bury and proposed for a third and final time. This time she said yes. The wedding took place on April 26, 1923 at Westminster Abbey.
*********On the 4th of November 1922, English archaeologist Howard Carter and his men discovered the entrance to the boy king, Pharaoh Tutankhamun's tomb in the Valley of the Kings. He unseals the entrance on the 16th of February 1923, discovering the most intact Egyptian burial chamber ever unearthed. It sparks a worldwide interest in all things Egyptian. The craze he started became known as Tutmania, and it inspired everything from the architecture of public building and private houses alike to interior design and fashion. Famously at the time, socialite Dolores Denis Denison applied one of the earliest examples of getting the media of the day to pay attention to her because of her dress by arriving at the prestigious private view of the King Tut Exhibition in London, dressed as an Egyptian mummy complete in a golden sarcophagus and had to be carried inside by her driver and a hired man. Although it started before the discovery of the tomb, the Art Deco movement was greatly influenced by Egyptian style. Many of the iconic decorative symbols we associate with the movement today came about because of Howard Carter’s discovery of Tutankhamun's tomb in the Valley of the Kings.
**********Egyptomania refers to a period of renewed interest in the culture of ancient Egypt sparked by Napoleon's Egyptian Campaign in the 19th century. Napoleon was accompanied by many scientists and scholars during this Campaign, which led to a large interest after the documentation of ancient monuments in Egypt. The ancient remains had never been so thoroughly documented before and so the interest in ancient Egypt increased significantly. Jean-François Champollion deciphered the ancient hieroglyphs in 1822 by using the Rosetta Stone that was recovered by French troops in 1799 which began the study of scientific Egyptology.
Cluttered with books and art, Viscount Wrexham’s library with its Georgian furnishings is different from what you might think, for it is made up entirely of 1:12 size dollhouse miniatures from my collection.
Fun things to look for in this tableau include:
The majority of the books that you see lining the shelves of the Viscount’s library are 1:12 size miniatures made by the British miniature artisan Ken Blythe. So too are all the books you see both open and closed on the Viscount’s Chippendale desk. Most of the books I own that he has made may be opened to reveal authentic printed interiors. In some cases, you can even read the words, depending upon the size of the print! I have quite a large representation of Ken Blythe’s work in my collection, but so little of his real artistry is seen because the books that he specialised in making are usually closed, sitting on shelves or closed on desks and table surfaces. Therefore, it is a pleasure to give you a glimpse inside one of the books he has made. “The History of Silhouettes” by Emily Nevill Jackson was published by The Connoisseur, in London in 1911. To give you an idea of the work that has gone into this volume and the others, the book contains thirty double sided pages of silhouette images and script and measures thirty-three millimetres in height and thirty millimetres in width and is only five millimetres thick. What might amaze you even more is that all Ken Blythe’s opening books are authentically replicated 1:12 scale miniatures of real volumes. To create something so authentic to the original in such detail and so clearly, really does make this a miniature artisan piece. Ken Blythe’s work is highly sought after by miniaturists around the world today and command high prices at auction for such tiny pieces, particularly now that he is no longer alive. I was fortunate enough to acquire pieces from Ken Blythe prior to his death about four years ago. His legacy will live on with me and in my photography which I hope will please his daughter. I hope that you enjoy this peek at just one of hundreds of his books that I own, and that it makes you smile with its sheer whimsy!
The miniature silhouettes that Lettice bought in Cornwall were made by Lady Mile Miniatures in the United Kingdom.
The Art Nouveau tea set I acquired from an online specialist of miniatures in E-Bay.
Also on the desk to the left stands a stuffed white owl on a branch beneath a glass cloche. A vintage miniature piece, the foliage are real dried flowers and grasses, whilst the owl is cut from white soapstone. The base is stained wood and the cloche is real glass. This I acquired along with two others featuring shells (one of which can be seen in the background) from Kathleen Knight’s Dollhouse Shop in the United Kingdom.
On the desk are some 1:12 artisan miniature ink bottles and a blotter on a silver salver all made by the Little Green Workshop in England who specialise in high end, high quality miniatures. The ink bottles are made from tiny faceted crystal beads and have sterling silver bottoms and lids. The ink blotter is sterling silver too and has a blotter made of real black felt, cut meticulously to size to fit snugly inside the frame.
The Chippendale desk itself is made by Bespaq, and it has a mahogany stain and the design is taken from a real Chippendale desk. Its surface is covered in red dioxide red dioxide leather with a gilt trim. Bespaq is a high-end miniature furniture maker with high attention to detail and quality.
In the background you can see the book lined shelves of Viscount Wrexham’s as well as a Victorian painting of cattle in a gold frame from Amber’s Miniatures in America, and a hand painted ginger jar from Thailand which stands on a Bespaq plant stand.
The Persian rug you can just glimpse in the bottom left-hand corer of the photo was hand woven by Pike, Pike and Company in the United Kingdom.
The gold flocked Edwardian wallpaper is beautiful hand impressed paper given to me by a friend, which inspired the whole “Cavendish Mews – Lettice Chetwynd” series.
September 18, 2019 – the offer www.flickr.com/photos/51192881@N00/48952476853/in/datetaken/
October 1, 2019 the payment $4,000 “friends and family” www.flickr.com/photos/51192881@N00/48949342351/in/photost...
Oct 19th - Oct 20th (almost 3 weeks later) buyer blocked with no tracking. He makes a post on wclub with a screenshot (the tiny screenshot that appears int the texts above) showing that he had paid $4,000- that the seller had blocked him on facebbook, Instagram and Flickr – and to date, had not actually mailed his dolls- she labels him "liar and scammer and bully" and sends above text.
She claims that only after she had shipped the buyer opened a paypal dispute- which she won
flickr.com/photos/51192881@N00/48987661016/in/datetaken/
But... the tracking showed that she paid for her label on Oct 20th (sunday) and dropped the package at USPS Oct 22. That was after the paypal dispute was long over.
2nd story- after she shipped the dolls and after buyer opened a paypal dispute, she was able to "intercept" the package and swap out the grails for something he "deserved"
Then it was pointed out that there is no "package intercept" for USPS international mail ....
3rd story- her neighbor the postal master was able to get the package for her so she could swap out the dolls.
evidently violating: www.law.cornell.edu/uscode/text/18/1708
Now she just admits she never sent the dolls and laughs at him (See her flickr page- there is only one rant still up)
Mengening Beach, Bali - Indonesia
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Swan Falls offers many places to explore along the south side of the Snake River. No matter which designated campsite you choose to post up at, you’re sure to get outstanding canyon views. Be sure to bring your fishing rod (and fishing license) on this particular hike, smallmouth bass can be found in the calmer waters along the banks of the river. The surrounding area is a combination of old jeep paths and foot trails that are easy to navigate. Bird watching is spectacular – many birds of prey such as owls, hawks, osprey, eagles, and falcons nest along this stretch of the Snake River.
Niagara USA offers a breathtaking view of one of nature’s marvels and an experience that will last a life time.
The Niagara Falls are the most powerful waterfalls in North America. These voluminous waterfalls are situated on the Niagara River, which drains Lake Erie into Lake Ontario and forms the international border between the Canadian province of Ontario and the U.S. state of New York and forms the southern end of the Niagara Gorge.
Vyšehrad is the oldest seat of Czech princes; in fact, the local settlement was established in the mid-10 th century. Situated on a rocky promontory above the Vltava River, it offers stunning views of the city, and the park area holds hidden architectural treasures including the rare Romanesque Rotunda of St Martin, the neo-Gothic Church of Sts Peter and Paul, the national cemetery Slavín, and the underground casements housing the some of the original Baroque statues from the Charles Bridge.
A chub (Leuciscus Cephalus, Kopvoorn, Döbel) eyeballs an articficial fly presented on a fluorocarbon tippet, a nylon 4x leader and a yellow floating flyline. The offer was not taken (in this case).
Location: river Kyll in the German Eifel.
Cavendish Mews is a smart set of flats in Mayfair where flapper and modern woman, the Honourable Lettice Chetwynd has set up home after coming of age and gaining her allowance. To supplement her already generous allowance, and to break away from dependence upon her family, Lettice has established herself as a society interior designer, so her flat is decorated with a mixture of elegant antique Georgian pieces and modern Art Deco furnishings, using it as a showroom for what she can offer to her well heeled clients.
Today however we are northwest of Lettice’s flat, in the working-class London suburb of Harlesden where Edith, Lettice’s maid, is paying an unexpected call on her parents whilst her mistress is away enjoying the distractions of the London Season. Edith’s father, George, works at the McVitie and Price biscuit factory in Harlesden, and her mother, Ada, takes in laundry at home. They live in a small, two storey brick terrace house which opens out directly onto the street, and is far removed from the grandeur of Lettice’s flat, but has always been a cosy and welcoming home for Edith. Even before she walks through the glossy black painted front door, Edith can smell the familiar scent of a mixture of Lifebuoy Soap, Borax and Robin’s Starch, which means her mother is washing the laundry of others wealthier than she in the terrace’s kitchen at the rear of the house.
“Mum!” Edith calls out cheerily as she opens the unlocked front door and walks in. “Mum, it’s me!”
“Edith!” Ada gasps in delighted surprise, glancing up to the door leading from the hallway into the kitchen. “I wasn’t expecting you. What a lovely surprise!”
Ada rises from her chair at the worn kitchen table and embraces her daughter lovingly. Holding her at arm’s length, she admires her three-quarter length black coat and purple rose and black feather decorated straw hat. “Look at you, my darling girl.” The older woman self-consciously pushes loose strands of her mousey brown hair back behind her ears. Chuckling awkwardly, she remarks with a downwards glance. “You’re far too fancy for the likes of us now, Edith.”
“Don’t talk nonsense, Mum!” Edith dismisses her mother’s comment with a flap of her hand. "My coat came from a Petticoat Lane* second-hand clothes stall. I picked it up dead cheap and remodelled it myself.”
“Taking after your old Mum then?” Ada remarks with a hint of pride.
“You taught me everything I know about sewing, Mum, and I’ll always be grateful for that.”
The joyful smile suddenly fades from Ada’s face as it clouds in concern. “But it’s Tuesday today. You don’t have Tuesdays off. Is everything alright, love?”
“It’s fine, Mum.” Edith assures her mother, placing a calming hand on her mother’s shoulder with one hand as she places her basket on the crowded kitchen table with the other. “Miss Lettice has gone to stay with friends on the Isle of Wight for Cowes Week**, so I thought I’d pop in and visit since I have a bit of free time whilst she’s away.”
“Oh! That’s alright then!” the older woman sighs with relief, fanning herself as she lowers herself back into her seat.
Feeling the stuffiness in the room from the lighted range and the moisture from the steaming tubs of washing, Edith takes off her coat and hangs it on a hook by the back door. She then places her hat on one of the carved knobs of the ladderback chair drawn up to the table next to her mother’s usual seat.
“Oh don’t put it there, love.” Ada chides. “It might get damaged. Such a pretty hat should sit on the table where it’s safe.”
“It’s nothing special, Mum. This came from Petticoat Lane too, and it’s not new. I decorated the hat with bits and bobs I picked up from a Whitechapel haberdasher Miss Lettice’s char***, Mrs. Boothby, told me about.”
“Well, homemade or not, it’s too pretty to hang there.”
“It’s my hat, Mum, and I promise you, it’ll be fine there.
“Well, suit yourself, love. Anyway, your timing is perfect. I just filled Brown Betty****. Grab yourself a cup and bring over the biscuit tin. Your Dad will be home for lunch soon. He’ll be glad to see you.”
Edith walks over to the big, dark Welsh dresser that dominates one side of the tiny kitchen and picks up a pretty floral teacup and saucer from among the mismatched crockery on its shelves: one of her mother’s many market finds that helped to bring elegance and beauty to Edith’s childhood home. She looks fondly at the battered McVitie and Price’s tin. “How’s Dad?”
“Oh, things are looking up for him.” Ada says proudly as she flips open her large sewing basket and fossicks through it looking for a spool of brightly coloured blue cotton thread.
“Oh?” Edith queries.
“Yes, there’s talk of him being made a line manager. Isn’t that a turn up for the books?”
“Oh Mum! That’s wonderful news.” The younger woman enthuses as she puts the empty teacup, saucer and biscuit tin on the table and sits down next to her mother. “You might be finally able to pack all this in.” She waves her hand about the kitchen at the tubs of washing, drying laundry and pressed linens.
“Oh I don’t know about that, Edith. Anyway, I have built up a good reputation over the years.”
“Yes,” Edith remarks scornfully. “For charging too little for the excellent work you do.” She looks over, past her mother, to a neat pile of lace edged linens. “What’s that you’re doing now, Mum?”
“Oh it’s just some work for Mrs. Hounslow. She wants her new sheets and pillowcases monogrammed.”
“And how much are you, not being paid, for that, Mum?” Edith emphasises.
“Oh Edith! Mrs. Hounslow’s a widow.”
“I know, Mum. I’ve grown up hearing about how Mrs. Hounslow’s husband died a hero in the siege of Mafeking in the Boer War. But I’ve never heard of her scraping for a penny for a scrap to eat. And where are those pretty lace trimmed sheets from?”
“Bishop’s in the High Street.”
“See! No second-hand sheets for old Widow Hounslow!”
“Now I won’t have a bad word said about her, Edith.” Ada wags her finger admonishingly at her daughter before selecting a needle from the red cotton lined lid of her basket and threads it. “She’s helped pay for many a meal in this house with her sixpences and shillings over the years. You should be grateful to her.”
“Pshaw!” Edith raises her eyes to the ceiling above. “I wish you’d let me help out more, Mum. I live in, so I don’t have the expenses of lodgings, and Miss Lettice pays me well.”
“Now, I won’t hear of it, Edith.” Ada raises her palms to her daughter, still clutching the threaded needle between her right index finger and thumb. “You earned that money with hard work at Miss Chetwynd’s. You pay enough to help keep us as it is.”
“But Mum,” Edith pours tea into her mother’s and then her own teacup. “If Dad does get this better job at McVitie’s, and I paid you a bit more of my wage, you probably really could give up washing, sewing and mending for the likes of Mrs. Hounslow.”
“And then what would I do, Edith?” The older woman adds a dash of milk to her tea.
“Well, you might like to put your feet up for a bit or buy a few nice new things for around here. Get rid of our battered old breadbin and those cannisters.” She points to the offending worn white enamel green trimmed pieces on the dresser.
“Oh, so we’re not grand enough then, Miss Edith?” Ada says in mock offence as she looks down her nose at her daughter and she raises herself and sits a little more erectly in her seat. “I love my breadbin thank you very much. That was a wedding gift from your Aunt Maude.”
“You know that’s not what I mean,” Edith replies, shaking her head exasperatedly. Adding milk and sugar to her own tea she continues, “I just want you to have nice things, Mum: things like those I have at Miss Lettice’s.”
“I’m so pleased you like it there, love.” Ada places a careworn hand lovingly on top of her daughter’s.
“Oh Mum, it’s so much better than Mrs. Plaistow’s was. It’s so much smaller than their townhouse, and I don’t have to traipse up and down stairs all day. There’s a gas stove, so I don’t have to fetch coal in or blacklead grates. Even if there were, Miss Lettice has Mrs. Boothby do all the hard graft I used to have to do at the Plaistow’s.”
“And Miss Chetwynd? She’s still being good to you?”
“Yes Mum.” Edith takes a sip of her tea. “I still haven’t broken her of the habit of just waltzing into the kitchen whenever she feels like it, rather than ringing the bell.”
“And her, a lord’s daughter.” Ada tuts, shaking her head.
“Well, a Viscount’s daughter at any rate.”
“You think she’d know better.”
“I’m sure she’s different when she goes home to Wiltshire. It does sound like a very grand house.”
“So much grander than here, Edith.”
“Now don’t start again, Mum. You know I didn’t mean anything by what I said before. Anyway. I have a something for you, but I shan’t give it to you if you’re going to be contrary!” Edith teases.
“Contrary indeed!” Ada snorts derisively.
Edith takes a bulky parcel wrapped in cream butcher’s paper tied up with brightly coloured string from her basket and places it carefully on the table before her mother.
“Well what is it?” Ada asks in surprise.
“Why don’t you open it, Mum, and find out.” Edith replies playfully in return.
With trembling fingers Ada tugs at the knot in the string. Loosening it causes the protective layer of paper to fall noisily away to reveal a beautiful, glazed teapot in the shape of a cottage with a thatched roof with the chimney as the lid.
“Oh Edith, love!” gasps Ada. “It’s beautiful!”
“Since you won’t let me give you more money, I may as well buy you some nice things Mum!”
“Oh this must have cost a fortune!” Ada appraises the paintwork on the pot. “For shame, Edith! You shouldn’t have spent your money on me.”
“Nonsense Mum! I bought this at the Caledonian Markets***** where it was so reasonably priced as it was on its own and didn’t have the milk jug and sugar bowl to match. Do you like it?”
“Like it, Edith? Oh, I love it!” Ada hugs her daughter, batting her eyelids as she attempts to keep back the tears of appreciation and joy.
“Good! Then we can have tea out of this, rather than old Brown Betty!”
“What?” Ada cries. “Oh no, I can’t well do that! This teapot is far too nice to use everyday! There’s nothing wrong with Brown Betty. Brown Betty was your Great Grandma’s!” She runs her hand lovingly over the handle of the pot. “No, I’ll keep this pot for good. I’ll take it up to the parlour and we’ll use it on Christmas Day, when you and your brother are home.”
“Oh Mum!” Edith sighs, shaking her head in loving despair at her mother who beams with delight at her new present.
*Petticoat Lane Market is a fashion and clothing market in Spitalfields, London. It consists of two adjacent street markets. Wentworth Street Market and Middlesex Street Market. Originally populated by Huguenots fleeing persecution in France, Spitalfields became a center for weaving, embroidery and dying. From 1882, a wave of Jewish immigrants fleeing persecution in eastern Europe settled in the area and Spitalfields then became the true heart of the clothing manufacturing district of London. 'The Lane' was always renowned for the 'patter' and showmanship of the market traders. It was also known for being a haven for the unsavoury characters of London’s underworld and was rife with prostitutes during the late Victorian era. Unpopular with the authorities, as it was largely unregulated and in some sense illegal, as recently as the 1930s, police cars and fire engines were driven down ‘The Lane’, with alarm bells ringing, to disrupt the market.
**Cowes Week is one of the longest-running regular regattas in the world, and a fixture of the London Season. With forty daily sailing races, up to one thousand boats, and eight thousand competitors ranging from Olympic and world-class professionals to weekend sailors, it is the largest sailing regatta of its kind in the world. Having started in 1826, the event is held in August each year on the Solent (the area of water between southern England and the Isle of Wight made tricky by strong double tides). It is focussed on the small town of Cowes on the Isle of Wight.
***A charwoman, chargirl, or char, jokingly charlady, is an old-fashioned occupational term, referring to a paid part-time worker who comes into a house or other building to clean it for a few hours of a day or week, as opposed to a maid, who usually lives as part of the household within the structure of domestic service. In the 1920s, chars usually did all the hard graft work that paid live-in domestics would no longer do as they looked for excuses to leave domestic service for better paying work in offices and factories.
****A Brown Betty is a type of teapot, round and with a manganese brown glaze known as Rockingham glaze. In the Victorian era, when tea was at its peak of popularity, tea brewed in the Brown Betty was considered excellent. This was attributed to the design of the pot which allowed the tea leaves more freedom to swirl around as the water was poured into the pot, releasing more flavour with less bitterness.
***** The original Caledonian Market, renown for antiques, buried treasure and junk, was situated in in a wide cobblestoned area just off the Caledonian Road in Islington in 1921 when this story is set. Opened in 1855 by Prince Albert, and originally called the Metropolitan Meat Markets, it was supplementary to the Smithfield Meat Market. Arranged in a rectangle, the market was dominated by a forty six metre central clock tower. By the early Twentieth Century, with the diminishing trade in live animals, a bric-a-brac market developed and flourished there until after the Second World War when it moved to Bermondsey, south of the Thames, where it flourishes today. The Islington site was developed in 1967 into the Market Estate and an open green space called Caledonian Park. All that remains of the original Caledonian Markets is the wonderful Victorian clock tower.
This cluttered, yet cheerful domestic scene is not all it seems to be at first glance, for it is made up of part of my 1:12 size dollhouse miniatures collection. Some pieces come from my own childhood. Other items I acquired as an adult through specialist online dealers and artists who specialise in 1:12 miniatures.
Fun things to look for in this tableau include:
The central focus of our story, sitting on Ada’s table, is the cottage ware teapot. Made by French ceramicist and miniature artisan Valerie Casson, it has been decorated authentically and matches in perfect detail its life-size Price Washington ‘Ye Olde Cottage Teapot’ counterparts. The top part of the thatched rood and central chimney form the lid, just like the real thing. Valerie Casson is renown for her meticulously crafted and painted miniature ceramics.
Surrounding the cottage ware teapot are non-matching teacups, saucers, a milk jug and sugar bowl, all of which have come from different miniature stockists both in Australia and the United Kingdom. The Brown Betty teapot in the foreground came from The Dolls House Shop in the United Kingdom.
Sitting atop a stack of neatly folded 1:12 size linens sits Ada’s wicker sewing basket. Sitting open it has needles stuck into the padded lid, whilst inside it are a tape measure, knitting needles, balls of wool, reels of cotton and a pair of shears. All the items and the basket, except for the shears, are hand made by Mrs. Denton of Muffin Lodge in the United Kingdom. The taupe knitting on the two long pins that serve as knitting needles is properly knitted and cast on. The shears with black handles in the basket open and close. Made of metal, they came from Doreen Jeffries’ Small Wonders Miniature Shop in the United Kingdom. The blue cotton reel and silver sewing scissors come from an E-Bay stockist of miniatures based in the United Kingdom.
Sitting on the table in the foreground is a McVitie and Price’s Small Petite Beurre Biscuits tin, containing a selection of different biscuits. The biscuits were made by hand of polymer clay by former chef turned miniature artisan, Frances Knight. Her work is incredibly detailed and realistic, and she says that she draws her inspiration from her years as a chef and her imagination. McVitie's (Originally McVitie and Price) is a British snack food brand owned by United Biscuits. The name derives from the original Scottish biscuit maker, McVitie and Price, Ltd., established in 1830 on Rose Street in Edinburgh, Scotland. The company moved to various sites in the city before completing the St. Andrews Biscuit Works factory on Robertson Avenue in the Gorgie district in 1888. The company also established one in Glasgow and two large manufacturing plants south of the border, in Heaton Chapel, Stockport, and Harlesden, London (where Edith’s father works). McVitie and Price's first major biscuit was the McVitie's Digestive, created in 1892 by a new young employee at the company named Alexander Grant, who later became the managing director of the company. The biscuit was given its name because it was thought that its high baking soda content served as an aid to food digestion. The McVitie's Chocolate Homewheat Digestive was created in 1925. Although not their core operation, McVitie's were commissioned in 1893 to create a wedding cake for the royal wedding between the Duke of York and Princess Mary, who subsequently became King George V and Queen Mary. This cake was over two metres high and cost one hundred and forty guineas. It was viewed by 14,000 and was a wonderful publicity for the company. They received many commissions for royal wedding cakes and christening cakes, including the wedding cake for Queen Elizabeth II and Prince Phillip and Prince William and Catherine Middleton. Under United Biscuits McVitie's holds a Royal Warrant from Queen Elizabeth II.
Also on Ada’s table in the foreground there are several packets of Edwardian cleaning and laundry brands that were in common use in the early Twentieth Century in every household, rich or poor. These are Sunlight Soap, Robin’s Starch, Jumbo Blue and Imp Washer Soap. All these packets were made by Little Things Dollhouse Miniatures in Lancashire.
Sunlight Soap was first introduced in 1884 by William Hesketh Lever (1st Viscount Leverhulme) and introduced to the market in 1904. It was produced at Port Sunlight in Wirrel, Merseyside, a model village built by Lever Brothers for the workers of their factories which produced the popular soap brands Lux, Lifebuoy and Sunlight.
Before the invention of aerosol spray starch, the product of choice in many homes of all classes was Robin starch. Robin Starch was a stiff white powder like cornflour to which water had to be added. When you made up the solution, it was gloopy, sticky with powdery lumps, just like wallpaper paste or grout. The garment was immersed evenly in that mixture and then it had to be smoothed out. All the stubborn starchy lumps had to be dissolved until they were eliminated – a metal spoon was good for bashing at the lumps to break them down. Robins Starch was produced by Reckitt and Sons who were a leading British manufacturer of household products, notably starch, black lead, laundry blue, and household polish. They also produced Jumbo Blue, which was a whitener added to a wash to help delay the yellowing effect of older cotton. Rekitt and Sons were based in Kingston upon Hull. Isaac Reckitt began business in Hull in 1840, and his business became a private company Isaac Reckitt and Sons in 1879, and a public company in 1888. The company expanded through the late Nineteenth and early Twentieth Centuries. It merged with a major competitor in the starch market J. and J. Colman in 1938 to form Reckitt and Colman.
Imp Washer Soap was manufactured by T. H. Harris and Sons Limited, a soap manufacturers, tallow melters and bone boiler. Introduced after the Great War, Imp Washer Soap was a cheaper alternative to the more popular brands like Sunlight, Hudsons and Lifebuoy soaps. Imp Washer Soap was advertised as a free lathering and economical cleaner. T. H. Harris and Sons Limited also sold Mazo soap energiser which purported to improve the quality of cleaning power of existing soaps.
Edith’s black dyed straw hat with purple roses and black feathers was made by an unknown artisan. 1:12 size miniature hats made to such exacting standards of quality and realism are often far more expensive than real hats are. When you think that it would sit comfortably on the tip of your index finger, yet it could cost in excess of $150.00 or £100.00, it is an extravagance. American artists seem to have the monopoly on this skill and some of the hats that I have seen or acquired over the years are remarkable. This hat is part of a larger collection I bought from an American miniature collector Marilyn Bickel.
In the background you can see Ada’s dark Welsh dresser cluttered with household items. Like Ada’s table, the Windsor chair and the ladderback chair to the left of the photo, I have had the dresser since I was a child. The shelves of the dresser have different patterned crockery and silver pots on them which have come from different miniature stockists both in Australia and the United Kingdom. There are also some rather worn and beaten looking enamelled cannisters and a bread tin in the typical domestic Art Deco design and kitchen colours of the 1920s, cream and green. Aged on purpose, these artisan pieces I recently acquired from The Dolls’ House Shop in the United Kingdom. There are also tins of various foods which would have been household staples in the 1920s when canning and preservation revolutinised domestic cookery. Amongst other foods on the dresser are a tin of Macfie’s Finest Black Treacle, two jars of P.C. Flett and Company jam, a tin of Heinz marinated apricots, a jar of Marmite and some Oxo stock cubes. All these items are 1:12 size artisan miniatures made by Little Things Dollhouse Miniatures in Lancashire, with great attention to detail paid to their labels and the shapes of their jars and cans.
Robert Andrew Macfie sugar refiner was the first person to use the term term Golden Syrup in 1840, a product made by his factory, the Macfie sugar refinery, in Liverpool. He also produced black treacle.
P.C. Flett and Company was established in Kirkwall in the Orkney Islands by Peter Copeland Flett. He had inherited a small family owned ironmongers in Albert Street Kirkwall, which he inherited from his maternal family. He had a shed in the back of the shop where he made ginger ale, lemonade, jams and preserves from local produce. By the 1920s they had an office in Liverpool, and travelling representatives selling jams and preserves around Great Britain. I am not sure when the business ceased trading.
The American based Heinz food processing company, famous for its Baked Beans, 57 varieties of soups and tinend spaghetti opened a factory in Harlesden in 1919, providing a great deal of employment for the locals who were not already employed at McVitie and Price.
Marmite is a food spread made from yeast extract which although considered remarkably English, was in fact invented by German scientist Justus von Liebig although it was originally made in the United Kingdom. It is a by-product of beer brewing and is currently produced by British company Unilever. The product is notable as a vegan source of B vitamins, including supplemental vitamin B. Marmite is a sticky, dark brown paste with a distinctive, salty, powerful flavour. This distinctive taste is represented in the marketing slogan: "Love it or hate it." Such is its prominence in British popular culture that the product's name is often used as a metaphor for something that is an acquired taste or tends to polarise opinion.
Oxo is a brand of food products, including stock cubes, herbs and spices, dried gravy, and yeast extract. The original product was the beef stock cube, and the company now also markets chicken and other flavour cubes, including versions with Chinese and Indian spices. The cubes are broken up and used as flavouring in meals or gravy or dissolved into boiling water to produce a bouillon. Oxo produced their first cubes in 1910 and further increased Oxo's popularity.
The large kitchen range in the background is a 1:12 miniature replica of the coal fed Phoenix Kitchen Range. A mid-Victorian model, it has hinged opening doors, hanging bars above the stove and a little bass hot water tap (used in the days before plumbed hot water).
“Some offer their wealth, their austerity, and their practice of yoga as sacrifice, while the ascetics with strict vows offer their study of scriptures and knowledge as sacrifice.”
(Bhagavad Gita)
This is a picture of Lal Baba who is a Saivite (follower of Shiva) sādhu.
He was born in the Indian state of Bihar but he stays most of the time in Varanasi (Benaras).
I didn’t see him since a few months, no one could tell me where he was whenever I was asking at the ghats so I was happy to see him again a few days ago as I was walking with my friend Rajesh along the Ganges.
People call him Lal Baba because he mostly wears garments in red shades, in Hindi “lal” means red.
His huge turban keeps a few meters of dreadlocks and gives him an impressive presence.
Sometimes people think that he can’t see much because of cataract but in fact his eyes have an amazing deep blue colour.
I told him that Benaras is not the same without him and he laughed.
This is a link to another picture with him shot a few years ago:
www.flickr.com/photos/designldg/422170201/in/set-72157600...
I might go and see him tomorrow as I told him that I’ll give him a few pictures this week.
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Boasting the widest beach in Aruba and famous for its pristine and soft white sands, Eagle Beach offers beautiful Caribbean ocean views, ample parking, shaded areas, some beach huts, and a variety of water sports.
Eagle Beach is home to two of the most photographed and renowned fofoti trees in Aruba, with its trademark silhouette pointing in the direction of the Caribbean. These trees have been starring in various Aruba advertising campaigns as unique and highly recognizable features.
Several of the Aruba low rise hotels are nearby or just across the road. Some provide cabanas and lounges for their guests.
Localizada ao longo da costa oeste da ilha, este trecho intocado de 0,7 milhas de areia branca e fina atrai visitantes e moradores locais por sua beleza natural e cena gastronômica animada. No entanto, a praia, também a mais larga da ilha, continua sendo um santuário tranquilo com muito espaço para que todos possam tomar sol, brincar ou passear. Mesmo se você não estiver hospedado em uma das propriedades à beira-mar, há muito estacionamento gratuito se você estiver dirigindo aqui durante o dia, e o acesso à praia é gratuito. E enquanto Aruba é notoriamente ventosa por causa dos ventos alísios que sopram em toda a ilha, a água em Eagle Beach é calma, sem algas ou rochas e é excelente para natação e atividades aquáticas. Embora não haja formações de corais ou recifes, há uma abundância de peixes coloridos e caranguejos nadando na água.
An der Westküste der Insel gelegen, zieht dieser unberührte, 1,1 km lange, puderweiße Sandstrand Besucher und Einheimische gleichermaßen wegen seiner natürlichen Schönheit und lebhaften Restaurantszene an. Der Strand, auch der breiteste der Insel, bleibt jedoch ein ruhiger Zufluchtsort mit viel Platz für alle zum Sonnenbaden, Spielen oder Spazierengehen. Auch wenn Sie nicht in einem der Strandhotels übernachten, gibt es viele kostenlose Parkplätze, wenn Sie für den Tag hierher fahren, und der Zugang zum Strand ist kostenlos. Und während Aruba wegen der Passatwinde, die über die Insel wehen, bekanntermaßen windig ist, ist das Wasser am Eagle Beach ruhig, ohne Algen oder Felsen und eignet sich hervorragend zum Schwimmen und für Wasseraktivitäten. Obwohl es keine Korallenformationen oder Riffe gibt, gibt es eine Fülle von bunten Fischen und Krebsen, die im Wasser schwimmen.
Gelegen langs de westkust van het eiland, trekt dit ongerepte 1,1 mijl lange stuk poederachtig wit zand zowel bezoekers als de lokale bevolking vanwege de natuurlijke schoonheid en de levendige eetcultuur. Het strand, ook het breedste van het eiland, blijft echter een rustig toevluchtsoord met genoeg ruimte voor iedereen om te zonnebaden, te spelen of een wandeling te maken. Zelfs als u niet in een van de accommodaties aan het strand verblijft, is er voldoende gratis parkeergelegenheid als u hier een dagje naartoe rijdt, en de toegang tot het strand is gratis. En terwijl Aruba bekend staat om de wind vanwege de passaatwinden die over het eiland waaien, is het water op Eagle Beach kalm zonder zeewier of rotsen en uitstekend geschikt voor zwemmen en wateractiviteiten. Hoewel er geen koraalformaties of riffen zijn, zwemt er een overvloed aan kleurrijke vissen en krabben in het water.
Ubicado a lo largo de la costa oeste de la isla, este prístino tramo de 0.7 millas de arena blanca atrae a visitantes y lugareños por igual por su belleza natural y su animada escena gastronómica. Sin embargo, la playa, también la más ancha de la isla, sigue siendo un santuario tranquilo con mucho espacio para que todos puedan tomar el sol, jugar o dar un paseo. Sin embargo, incluso si no se hospeda en una de las propiedades frente a la playa, hay mucho estacionamiento gratuito si conduce aquí durante el día, y el acceso a la playa es gratuito. Y aunque Aruba es famosa por el viento debido a los vientos alisios que soplan en la isla, el agua en Eagle Beach es tranquila, sin algas ni rocas, y es excelente para nadar y realizar actividades acuáticas. Aunque no hay formaciones de coral o arrecifes, hay una gran cantidad de peces de colores y cangrejos nadando en el agua.
Situato lungo la costa occidentale dell'isola, questo tratto incontaminato di 0,7 miglia di sabbia bianca e polverosa attira visitatori e gente del posto per la sua bellezza naturale e la vivace scena gastronomica. Tuttavia, la spiaggia, anche la più ampia dell'isola, rimane un tranquillo santuario con tanto spazio per prendere il sole, giocare o fare una passeggiata. Anche se non alloggi in una delle proprietà sulla spiaggia, tuttavia, c'è un ampio parcheggio gratuito se guidi qui per la giornata e l'accesso alla spiaggia è gratuito. E mentre Aruba è notoriamente ventosa a causa degli alisei che soffiano sull'isola, l'acqua di Eagle Beach è calma senza alghe o rocce ed è eccellente per nuotare e fare attività acquatiche. Anche se non ci sono formazioni coralline o barriere coralline, c'è un'abbondanza di pesci colorati e granchi che nuotano nell'acqua.
Située le long de la côte ouest de l'île, cette étendue immaculée de 0,7 mile de sable blanc poudreux attire les visiteurs et les habitants pour sa beauté naturelle et sa scène gastronomique animée. Cependant, la plage, également la plus large de l'île, reste un sanctuaire tranquille avec beaucoup d'espace pour que chacun puisse bronzer, jouer ou se promener. Même si vous ne séjournez pas dans l'une des propriétés en bord de mer, il y a beaucoup de places de parking gratuites si vous conduisez ici pour la journée, et l'accès à la plage est gratuit. Et tandis qu'Aruba est célèbre pour ses vents en raison des alizés qui soufflent sur l'île, l'eau d'Eagle Beach est calme, sans algues ni rochers et est excellente pour la baignade et les activités nautiques. Même s'il n'y a pas de formations coralliennes ou de récifs, il y a une abondance de poissons colorés et de crabes nageant dans l'eau.
島の西海岸に沿って位置する、この手付かずの 0.7 マイルのパウダー状の白い砂浜は、その自然の美しさと活気のあるダイニング シーンのために観光客や地元の人々を魅了します。しかし、島で最も広いビーチは、誰もが日光浴をしたり、遊んだり、散歩したりするのに十分なスペースがあり、静かな聖域のままです。ただし、ビーチフロントの宿泊施設に滞在していなくても、ここを 1 日運転している場合は無料の駐車場がたくさんあり、ビーチへのアクセスは無料です。アルバ島は貿易風が吹くため風が強いことで知られていますが、イーグル ビーチの水は海藻や岩がなく穏やかで、水泳やウォーター アクティビティに最適です。サンゴ礁やサンゴ礁はありませんが、水中には色とりどりの魚やカニが泳いでいます。
يقع على طول الساحل الغربي للجزيرة ، هذا الامتداد البكر الذي يبلغ طوله 0.7 ميل من الرمال البيضاء البودرة يجذب الزوار والسكان المحليين على حد سواء لجمالها الطبيعي ومشهد تناول الطعام المفعم بالحيوية. ومع ذلك ، يظل الشاطئ ، وهو أيضًا الأوسع في الجزيرة ، ملاذًا هادئًا مع مساحة كبيرة للجميع لأخذ حمام شمس أو اللعب أو التنزه. حتى إذا كنت لا تقيم في أحد العقارات المواجهة للشاطئ ، فهناك الكثير من مواقف السيارات المجانية إذا كنت تقود سيارتك هنا طوال اليوم ، والوصول إلى الشاطئ مجاني. وبينما تشتهر أروبا بالرياح بسبب الرياح التجارية التي تهب عبر الجزيرة ، فإن المياه على شاطئ إيجل هادئة مع عدم وجود أعشاب بحرية أو صخور وممتازة للسباحة والأنشطة المائية. على الرغم من عدم وجود تكوينات مرجانية أو شعاب مرجانية ، إلا أن هناك وفرة من الأسماك الملونة وسرطان البحر تسبح في الماء.
1990 Mercedes 500SEC auto.
H&H classic car auction, Buxton -
"Chassis No: WDB1260442A559370
MOT: November 2019
- 120,000 recorded miles and 6 previous keepers
- Subject to much improvement and said to have 'all working electrics'
- Offered with a MOT certificate into March 2019."
Estimate £12,000 to £14,000. Unsold.
All images available for licensing via me. I offer commercial and editorial pet photography on a commissioned basis. And with a pet picture database with hundreds of hand-picked images of dogs, cats, as well as horses, I might already have what you are looking for. All pictures here can be licensed.
For licensing and commission requests: info{at}elkevogelsang.com -
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© Elke Vogelsang
20190506_Fritz_FritzIsWaitingForYourOffer
Solitude offers a joy in dance, too. No audience needed, you know the moves by heart.
☆NEZA Featured Item☆
✦Get the Yaken mod on NEZA's marketplace → here!
I am once again blown away by the quality of Neza's mods! In this picture, I'm wearing the white version of the Yaken mod, but it comes in a total of four gorgeous shades-- natural, black, black/white, and white! You simply can't go wrong, no matter what version you choose! This mod is made for the Martian Mutt head from MARZ, a delightfully expressive and dynamic head. Go grab both if you haven't already!
All images available for licensing via me. I offer commercial and editorial pet photography on a commissioned basis. And with a pet picture database with thousands of hand-picked images of dogs, cats, as well as horses, I might already have what you are looking for. All pictures here can be licensed.
For licensing and commission requests: info{at}elkevogelsang.com -
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© Elke Vogelsang
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All pictures: © Elke Vogelsang
20190130_Momme_Momme
This Cedar Waxwing was one of many waxwings that were dining at Greenbelt Lake on this trip. I like the shot of the black mask of the bird that this shot offers.
Arby's of Temecula was nearby, I took a photo of the facade but it wasn't to my standard so I deleted it, this is the interior, its so 90's it hurts... I love it!
A look at the Arby's counter, the food was good although I usually don't eat here, specially with an In-N-Out Burger next door...
I just can´t get enough of them :)
(Who spots the fourth one?)
A playful group of young Soay sheep on Hirta, main island of St. Kilda archipelago.
The Soay sheep is an ancient breed, believed to be remnants of the earliest sheep kept in Europe in the Neolithic Era, and are small, short-tailed, usually brown with white bellies, and have naturally moulting fleeces. Due to their isolation they kept their neolithic gene material. Besides being ear-tagged and counted on a regular basis the sheep live completely independent from humans and are all over the place.
In June I had the privilege to spend some days camping on St. Kilda, a remote archipelago about 64 km north west of North Uig (Outer Hebridies) in the Atlantic Ocean. The main reason for this stay, observing puffins was not that successful, but St. Kilda offers a lot of other things both for the Wildlife and archeological and historical interested visitor. Having an adventurous mind and a high tolerance level for discomfort and wet, soaky and dirty personal belongings does not hurt either. However, it was a lifetime experience I am not wanting to miss.
Meva Weekend Offer
Meva Miley Pullover in cool Black or red xmas Style for Happy Weekend
and matching Macy Pants in cool Black or Xmas Red for The Saturday Sale now available in the Meva Mainstore maps.secondlife.com/secondlife/Manifesto/167/76/1525
I offer commercial and editorial pet photography on a commissioned basis. And with a pet picture database of more than 200 images, I might already have what you are looking for. All pictures here can be licensed.
For licensing and commission requests: info@elkevogelsang.com
________________________
Elke Vogelsang
Commercial and editorial pet photographer
info@elkevogelsang.com
________________________
All pictures: © Elke Vogelsang
20191122_Bounty_MisterSquintingEye
357/365 - 38/52
I stand in the distance
I view from afar
Should I offer some assistance
Should it matter who you are
We all get hurt by love
And we all have our cross to bear
But in the name of understanding now
Our problems should be shared
Confide in me, confide in me
I can keep a secret
And throw away the key
But sometimes to release it
Is to set our children free
We all get hurt by love
And we all have our cross to bear
But in the name of understanding now
Our problems should be shared
Stick or twist the choice is yours
Hit or miss what's mine is yours
Stick or twist the choice is yours
Hit or miss what's mine is yours
We all get hurt by love
And we all have our cross to bear
But in the name of understanding now
Our problems should be shared
So i had originally intended to do a classic silhouette shower death scene but my bathroom is really not big enough. I also wanted to try a monster from under the bed but again my bed is too high with storage so no can do. So what was i left with to do, pour some paint in my mouth and snarl as much as possible!
I wish i could say this was alright but the poster paint tasted weird and i am still rinsing my mouth out like crazy, thankfully it is subsiding though. I tried this shot in red as well but it seemed to loose impact so i opted for the yellow putrification one might see after death, plus it reminds me of Sin City. :)
I really need to brighten my shots up more, anyhoo off to bed, work tomoz then enjoying the weekend. Catch you laters guys. :)
The Teleidoscope - (38/52) Horror
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The Teleidoscope is a project that inspires 10 photographers to make 52 photos, one every week.
10 people, 10 different ideas for 52 themes, 52 weeks long.
Every week we will post our images on our site and our Flickr group.
You can join us!
Every saturday we will pick a winner whose photo will get a special extra place at our site!
theteleidoscope.paspartout.com/pages/portfolio
www.flickr.com/groups/theteleidoscope/
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Dodge--not yet an orphan. Do they still offer any automobiles? Oh wait! Challenger, Charger...anything else?
2021 Concours d'Lemons
Roc de l'Areny, Canillo at early sunrise. Carretera de Montaup, Canillo, Vall d'Orient, Andorra, Pyrenees
More Canillo city & Canillo parroquia images: Follow the group links at right side.
.......
About this image:
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* for large metadata-controlled business collections: photo-archives, travel agencies, tourism redactions
We offer 100.000+ photos of Andorra and North of Spain. The largest professional image catalog of Andorra from the newer history: all regions, all cities and villages, all times, all seasons, all weather(s). HighRes & HighColor GeoCoded stock-photo images including metadata in 4-5 languages. Prepared for an easy systematic organising of large image portfolios with advanced online / print-publishing as "Culture-GIS" (Geographic Info System). The big stockphoto collection from the Pyrenees.
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Ask for licence! lutz(at)lutz-meyer.com
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Early November around here is usually brutal for anyone who is affected by the seasons. Late autumn can steal your soul. The days are shorter, Daylight Time is over, and darkness comes like a surprise. And then the weather starts to turn. The earlier golden days are replaced by endless weeks filled with cold winds, joyless clouds and unending darkness. Frequent rains rip the leaves from the trees and rob them of their color. What a background for a presidential election.
Eight years ago, it was a nightmare. The weather started to turn on election day, and for weeks after that the darkness continued unbroken as events unfolded in Florida and Washington. Between the election and the day the Supreme Court ruled for Bush, the sun never came out -- or so it seems now, although I suppose there were days when it did. It was the death of hope. The heavens seemed to mock the very idea of hope. The same dark cycle played out more quickly four years ago. When the country was offered a choice between light and darkness, we once again found ourselves collectively sidetracked into the dark side.
It's different now. This year we had a pleasant autumn that continued, unseasonably warm, right through the election. It's only a matter of time before we catch up to the calendar and the season turns miserable again. But it's different now -- the cold and wet and darkness won't be reinforcing a deeper sense of hopelessness. This isn't 2000. It isn't 2004. It's 2008, Barack and Michelle Obama are headed for the White House, and there's a new sense of hope to warm our souls during the dark days. (And lots of hard work.)
This NASA/ESA Hubble Space Telescope image offers us the chance to see a distant galaxy now some 19.5 billion light-years from Earth (but appearing as it did around 11 billion years ago, when the galaxy was 5.5 billion light-years away and began its trek to us through expanding space). Known as HerS 020941.1+001557, this remote galaxy appears as a red arc partially encircling a foreground elliptical galaxy located some 2.7 billion light-years away. Called SDSS J020941.27+001558.4, the elliptical galaxy appears as a bright dot at the center of the image with a broad haze of stars outward from its core. A third galaxy, called SDSS J020941.23+001600.7, seems to be intersecting part of the curving, red crescent of light created by the distant galaxy.
The alignment of this trio of galaxies creates a type of gravitational lens called an Einstein ring. Gravitational lenses occur when light from a very distant object bends (or is ‘lensed’) around a massive (or ‘lensing’) object located between us and the distant lensed galaxy. When the lensed object and the lensing object align, they create an Einstein ring. Einstein rings can appear as a full or partial circle of light around the foreground lensing object, depending on how precise the alignment is. The effects of this phenomenon are much too subtle to see on a local level but can become clearly observable when dealing with curvatures of light on enormous, astronomical scales.
Credit: ESA/Hubble & NASA, H. Nayyeri, L. Marchetti, J. Lowenthal
#NASAMarshall #NASA #NASAHubble #Hubble #NASAGoddard #galaxy
"Miss Davenport, perhaps I have not made clear the limits of employment here...I mean...oh dear..."
Sponsored by Abstract Crown (Main Store - maps.secondlife.com/secondlife/Smart/116/159/3458)
Decor and Pose: Daddy's Chair by Abstract Crown
Additional Decor by DICTATORSHOP and Zerkalo.
Background by Tropix
His Garb by L. and Co Clothiers
Her Garb by QE Designs
If you follow me at all, you will note that there are two types of landscapes that fascinate me: mountains and desert. For some reason, they make me relax and I just seep in all that nature has to offer. One of the great desert destinations that I enjoy is Sedona. It is a beautiful place with the requisite sandstone rock formations. On my last visit there, my wife and I were traveling with great friends. I am the only photographer in the group, and my only real photography time is at sunrise. I usually head out before dawn and shoot until it is time to meet them for breakfast. On this occasion, I asked my wife if she wanted to come, not expecting her to say yes (she never has before). She shocked me by saying yes. We headed out before 5:30am, and I drove to this location overlooking the town. I got out of the car and set up. I don't think she got out of the car more than once, and it was for a short time. Needless to say, it was the last time she said that she would go with me for a shoot.
Galland Homes is pleased to offer a variety of bedroom furnishings at the new Illuminate event. The event begins March 18 @ Noon SL.
maps.secondlife.com/secondlife/YSL%20EXPO/132/60/32
All items are original mesh and sold separately.
You can choose from:
Cape Hatteras Slip Cover Chair - 3 LI;
Cape Hatteras Side Table in either a shabby chic teal or beach wood version - 1 LI;
Caper Hatteras Bookshelf, also in eithers a shabby chic teal or beach wood version - 1 LI;
Caper Hatteras Bookshelf, also in eithers ashabby chic teal or beach wood version - 1 LI;
Caper Hatteras Bookshelf, also in eithers a shabby chic teal or beach wood version - 1 LI; and
Cape Hatteras Dresser with rope handles, again offered in a shabby chic teal or beach wood version - 2 LI.
All items are copy/mod/no tran and mean to compliment the Cape Hatters Bed, which is offered in the March round of Fameshed.
Italien / Belluno - Marmolata
seen from Viel del Pan Path
gesehen vom Bindelweg
Hike on the Viel del Pan Path to Lake Fedaia
At the feet of the mighty Marmolada: the walking tour across the Viel del Pan near Canazei in the Val di Fassa offers spectacular views on the Dolomites.
Goal of our walking tour is the Lago di Fedaia on the same-named saddle across the Viel del Pan. This name is Ladin, it means “bread path” and is also marked in the Ladin version. It follows the 2,400 m high ridge between the Sella and Marmolada. We start at Canazei where we take the Belvedere-funicular which brings us up to Pecol. There it is possible to take another funicular up to the Col dei Rossi but this time we decide to walk up these last 400 meters. Here the landscape is characterized by Alpine meadows. The sweet marmots are not that shy, we can approach before they disappear in their holes.
Parallel the Downhill-Bike-Slope the path leads up quite steeply, across flower meadows and with the view on the Sella and Saslonch mountain groups. Arrived at the Col dei Rossi the panoramic view is awesome! Here the real Viel del Pan starts, it proceeds to the Viel del Pan mountain hut and further towards the Passo Fedaia. It is worth walking up to the Sass Capel for a short part, from the ridge you have a gorgeous view on the Sella and the peaks of the Fanes mountain group in Alta Badia.
Opposite we have the mighty glacier of the Marmolada with the blue lake of Fedaia below. There the Viel del Pan ends. The descent to the Passo Fedaia requires step security, the path is narrow and steep. Finally arrived at the bottom we take the local bus to come back to Canazei.
(trentino.com)
Marmolada (Ladin: Marmolèda; German: Marmolata, pronounced [maʁmoˈlaːta]) is a mountain in northeastern Italy and the highest mountain of the Dolomites (a section of the Alps). It lies between the borders of Trentino and Veneto. The Marmolada is an ultra-prominent peak (Ultra), known as the "Queen of the Dolomites".
Geography
The mountain is located about 100 kilometres (62 mi) north-northwest of Venice, from which it can be seen on a clear day. It consists of a ridge running west to east. Towards the south it breaks suddenly into sheer cliffs, forming a rock face several kilometres long. On the north side there is a comparatively flat glacier, the only large glacier in the Dolomites (the Marmolada Glacier, Ghiacciaio della Marmolada).
The ridge is composed of several summits, decreasing in altitude from west to east: Punta Penia 3,343 metres (10,968 ft), Punta Rocca 3,309 metres (10,856 ft), Punta Ombretta 3,230 metres (10,600 ft), Monte Serauta 3,069 metres (10,069 ft), and Pizzo Serauta 3,035 metres (9,957 ft). An aerial tramway goes to the top of Punta Rocca. During the ski season the Marmolada's main ski run is opened for skiers and snowboarders alike, making it possible to ski down into the valley.
History
Paul Grohmann made the first ascent in 1864, along the north route. The south face was climbed for the first time in 1901 by Beatrice Tomasson, Michele Bettega and Bartolo Zagonel.
Until the end of World War I the border between Austria-Hungary and Italy ran over Marmolada, so it formed part of the front line during that conflict. Austro-Hungarian soldiers were quartered in deep tunnels bored into the northern face's glacier, and Italian soldiers were quartered on the south face's rocky precipices. It was also the site of fierce mine warfare on the Italian Front. As glaciers retreat, soldiers' remains and belongings are occasionally discovered.
On July 3, 2022, a serac collapsed which led to the sliding downstream of over 200 000 m3 of ice and debris, killing eleven people and wounding eight more.
(Wikipedia)
Wanderung über den Bindelweg zum Fedaia See
Zu Füßen der mächtigen Marmolada: Die Wanderung über den Bindelweg bei Canazei im Fassatal ist Synonym für spektakuläre Ausblicke auf die Dolomiten.
Der Fedaia-See am gleichnamigen Passübergang ist das Ziel unserer Wanderung über den Bindelweg. Ladinisch auch unter dem Namen "Viel del Pan" (Brotweg) bekannt und so markiert, folgt er dem etwa 2.400 m hohen "kleinen" Kamm zwischen Sella und Marmolada. Wir starten in Canazei und nutzen die Belvedere-Kabinenbahn, die uns bis nach Pecol bringt. Von dort aus würde eine Seilbahn bis hoch zum Col dei Rossi fahren, aber diese letzten 400 m Steigung möchten wir lieber erwandern. Die Landschaft hier unter dem Pordoi-Joch ist von Almwiesen geprägt. Die süßen Murmeltiere, die hier ihre Gänge graben, scheinen Wanderer gewöhnt zu sein und lassen uns recht nahe heran kommen, bevor sie in ihrem Bau verschwinden.
Parallel zu Downhill-Bike-Piste geht es recht steil hoch, über Blumenwiesen und mit Sicht auf Sella und Langkofelgruppe. Dass die Wolken die Sonne immer wieder verdecken, ist ein Segen, der den Aufstieg weniger schweißtreibend macht. Am Col dei Rossi angekommen, ist die Aussicht wirklich der Hammer. Rosengarten, Platt- und Langkofel, Sella und natürlich die Marmolada mit dem Gran Vernel. Hier beginnt der eigentliche Bindelweg, der als Fahrweg zuerst bis zur Viel del Pan-Hütte führt. Von dort aus geht es dann über einen Wanderpfad weiter in Richtung Fedaiapass. Es lohnt sich, den Weg ein Stück zum Sass Capel hoch zu gehen, von der Kammhöhe aus kann man herrlich auf die Sellagruppe und die Gipfel von Alta Badia (Fanesgruppe) blicken.
Auf der anderen Seite steht der mächtige Marmolata-Gletscher und darunter der blaue Fedaia-See. Dort endet auch der Bindelweg. Der Abstieg zum Passo Fedaia verlangt doch ein wenig Trittsicherheit, um auf den engen Serpentinen durch die steilen Wiesenhänge nicht auszurutschen. Unten angekommen, nutzen wir den Linienbus, um nach Canazei zurück zu gelangen.
(trentino.com)
Die Marmolata (italienisch Marmolada, ladinisch Marmoleda, der Name soll von der Ähnlichkeit des Felsens mit Marmor herrühren) ist der höchste Berg der Dolomiten und Teil der Marmolatagruppe. Die Marmolata ist ein westöstlich verlaufender Gratrücken, der von der Punta Penia (3343 m s.l.m.) über die Punta Rocca (3309 m s.l.m.) und die Punta Ombretta (3230 m s.l.m.) zum Pizzo Serauta (3035 m s.l.m.) und der Punta Serauta (3069 m s.l.m.) führt. Dieser Gratrücken bricht nach Süden in einer geschlossenen, zwei Kilometer breiten und bis zu 800 Meter hohen Steilwand ins Ombrettatal ab. Die auf der Nordseite zum Passo Fedaia vergleichsweise sanft abfallende Flanke trägt den einzigen größeren Gletscher der Dolomiten (Ghiacciaio della Marmolada).
Zur Geschichte der Marmolata
Die Sage vom Marmolatagletscher
Eine Südtiroler Sage erklärt (ätiologisch) den Ursprung des Marmolatagletschers so: Ursprünglich gab es auf der Marmolata kein Eis und Schnee, sondern fruchtbare Almen und Wiesen. Vor einem Marienfeiertag im August unterbrachen die Bauern wie üblich die Heuernte und gingen ins Tal, um in die Kirche zu gehen. Doch zweien war die gebotene Feiertagsruhe gleichgültig, sie arbeiteten den ganzen Feiertag durch, um ihr Heu noch trocken in die Heuschober zu bringen. Tatsächlich fing es auch gleich an zu schneien. Doch es schneite immer weiter und hörte gar nicht mehr auf, bis schließlich die ganze Marmolata von einem Gletscher bedeckt war. Eine andere Version berichtet von einer gottlosen Gräfin, welche die Bauern zur Heuarbeit gezwungen hatte. Während sich die Bauern retten konnten, wurde die Gräfin samt Gesinde von den Schneemassen begraben.
Die Besteigungsgeschichte bis 1914
Am 3. August 1802 erreichen drei Priester (Don Giovanni Costadedòi, Don Giuseppe Terza, Don Tommaso Pezzei), ein Chirurg (Hauser) und ein bischöflicher Richter (Peristi) vom Passo Fedaia aus den Höhenkamm bei der Punta Rocca. Beim Abstieg verliert die Gruppe Don Giuseppe Terza vermutlich durch Spaltensturz. Es ist ein Unfall, der dem Aberglauben neue Nahrung gab, was dazu beigetragen haben mag, dass erst 50 Jahre später ein neuer Besteigungsversuch unternommen wurde. Diesmal waren es drei Priester aus dem Bereich Agordo (Don Pietro Munga, Don Alessio Marmolada, Don Lorenzo Nikolai) und der 17-jährige Adelsspross Gian Antonio De Manzoni. Als Führer der Gruppe wird der bergerfahrene „Führer“ Pellegrino Pellegrini engagiert, der den Gämsjäger Gasparo de Pian mitnimmt. Diese Sechsergruppe steigt am 25. August 1856 vom Passo Fedaia, mit einfachen Steigeisen ausgerüstet, über den Gletscher zum Grat an und bezeichnet sich als Erstbesteiger, obwohl ihr Bericht keinen Nachweis enthält, dass man die Punta Rocca tatsächlich bestiegen hat.
1860 bezeichnet sich John Ball (mit dem Führer Victor Tairraz und John Birkbeck) ebenfalls als Erstersteiger der Marmolata, was jedoch widerlegt wurde.
Tatsächlich wurde die Punta Rocca erst im Juli 1862 vom Wiener Bergsteiger und Gründungsmitglied des Österreichischen Alpenvereins Paul Grohmann auf der Nordroute bestiegen. Er fand weder auf dem kurzen, schwierigen Gipfelgrat, noch auf dem Gipfel Besteigungsspuren. Die um 35 Meter höhere Punta Penia wird am 28. September 1864 ebenfalls von Paul Grohmann gemeinsam mit den beiden Bergführern Angelo und Fulgenzio Dimai bestiegen. In den 1880er Jahren nimmt das Dolomitenbergsteigen einen gewaltigen Aufschwung, was zur Errichtung von Schutzhütten am Fedaiasattel (Alpenvereinssektion Bamberg) und beim Ombrettapass (Contrinhaus der Alpenvereinssektion Nürnberg) führt. Die Sektion Nürnberg bemühte sich auch um einen relativ einfach zu begehenden Weg auf die Punta Penia und finanziert die Versicherung des Westgrates, der von Hans Seyffert, Eugen Dittmann mit Führer Luigi Rizzi am 21. Juli 1898 erstbestiegen wurde. Der sehr beliebte, exponierte Klettersteig wurde am 5. August 1903 eröffnet.
Den ersten Weg durch die Südwand (Schwierigkeitsgrad II) fanden die Bergführer Cesare Tomè, Santo De Toni und ihr Begleiter Luigi Farenza am 21. August 1897 mit Hilfe einer Schlucht. Den Grat erreichten sie allerdings zwei Kilometer östlich des Hauptgipfels. Die erste Südwandroute auf die Punta Penia, die heute als „Via Classica“ (IV) bekannt ist, wurde am 1. Juni 1901 von den Bergführern Michele Bettega, Bortolo Zagonel und der Britin Beatrice Tomasson eröffnet.
Die Marmolata und der Erste Weltkrieg
Die Marmolata war im Ersten Weltkrieg als Grenzberg zwischen Österreich-Ungarn und Italien Frontgebiet. Die österreichischen Stellungen verliefen vom Passo Fedaia über den Sasso Undici zur Forcella Serauta und weiter entlang des Kammes nach Westen. Die italienischen Stellungen befanden sich ostwärts bzw. südlich davon. Die Italiener bemühten sich vor allem entlang des Grates Richtung Punta Rocca vorzudringen, was jedoch auch unter Einsatz von Sprengstollen nicht gelang. Um den Nachschub zu den Stellungen am Kamm sicherzustellen, gruben bzw. sprengten die Österreicher Stollen in den Gletscher, die neben der Versorgung auch Unterkunftszwecken dienten, was zur Errichtung einer regelrechten „Eisstadt“ führte. In Zusammenhang mit diesen Kampfhandlungen steht auch das größte Lawinenunglück der Alpingeschichte. Am 13. Dezember 1916 verschüttete eine Nassschneelawine das westlich des Fedaiapasses gelegene österreichische Reservelager Gran Poz, wobei an die 300 Soldaten ums Leben kamen (→ Lawinenkatastrophe vom 13. Dezember 1916).
Die Erschließung ab 1918
Nach dem Krieg schreiben vom 8. bis 9. September 1929 Luigi Micheluzzi, Roberto Perathoner und Demetrio Christomannos mit der Ersteigung des Südpfeilers der Punta Penia (VI) Alpingeschichte. Sie hatten lediglich ein Hanfseil mit und schlugen ganze sieben Haken. Bezüglich der korrekten Besteigung tauchten allerdings Zweifel auf. Jedenfalls bezeichneten einige Nachbegeher (Fritz Kasparek, Hans Steger) diesen Weg als den schwierigsten ihrer Kletterlaufbahn, vor dem Zweiten Weltkrieg wird er lediglich sieben Mal begangen. Mit der Südwestwand der Punta Penia (VI+) durch Gino Soldà und Umberto Conforto und vor allem mit der ebenfalls 1936 durch die von Batista Vinatzer und Ettore Castiglioni erstiegenen Südwand der Punta di Rocca (VI+) kamen noch vor dem Zweiten Weltkrieg hervorragende Routen dazu. Die Vinatzerführe trug lange Zeit den Ruf der schwierigsten Dolomitenführe. Nach dem Krieg trugen sich mit Armando Aste, Toni Egger, Claudio Barbier, Walter Philipp und Georges Livanos Spitzen des Nachkriegsbergsteigens in die Liste der Erstbegeher ein. In den 1980er Jahren sollte sich zeigen, dass die schon beendet erschienene Erschließung durch die Freikletterbewegung neue Impulse erhielt. Eine neue Generation eroberte die Silberplatten, wobei vor allem Heinz Mariacher Pionierarbeit leistete. Bekannt wurde auch der Weg durch den Fisch (IX-), den tschechische Bergsteiger erstbegingen.
Tourismus heute
Über die Westseite des Gletschers verläuft der anspruchsvollste Teil des sogenannten Dolomiten-Höhenweges Nr. 2. Auf die Punta Penia führt ein Klettersteig mit der Schwierigkeits-Bewertung B vom Contrinhaus auf der Südseite via Marmolatascharte und Westgrat (daher der Name Westgrat-Klettersteig). Der Klettersteig trägt auch den Namen Hans-Seyffert-Weg. Eine sehr eindrucksvolle Bergtour führt am Fuß der Marmolata-Südwand von Malga Ciapela über den Passo Ombretta und das Contrinhaus nach Alba bei Canazei.
Auf die Marmolata führt auch eine Seilbahn; die in den Jahren 2004 und 2005 erneuerte Anlage führt in drei Abschnitten von Malga Ciapela (1467 m s.l.m.) über die Stationen Banc/Coston d'Antermoia (2350 m) und Serauta (2950 m) auf die Punta Rocca genannte Bergstation (3265 m), von der man den Marmolata-Nebengipfel Punta Rocca (3309 m) in einer halben Stunde erreichen kann. Das in die Seilbahnstation Serauta integrierte Gebirgskriegsmuseum in 2950 m Seehöhe ist das wohl höchstgelegene Museum Europas. Von der Bergstation Punta Rocca lässt sich durch einen Stollen unschwer das kleine Felsheiligtum Madonna della Neve erreichen, das Papst Johannes Paul II. bei einem Besuch persönlich konsekriert hat.
Eine der längsten Skiabfahrten der Alpen, die Bellunese, ist ca. 12 km lang. Sie führt von der Punta Rocca 1900 Höhenmeter bergab über den Passo Fedaia nach Malga Ciapela.
Bis etwa 2000 fand auf dem Marmolata-Gletscher Sommerskifahren mit einigen Schleppliften statt. Dieses Angebot wurde danach seltener und 2005 – auch auf Druck von Umweltschutzverbänden – komplett gestrichen. Bis zum Jahr 2008 gab es eine weitere Liftkette von der Passhöhe des Fedaiapasses zur Punta Serauta. 2008 wurde der Schlepplift stillgelegt; 2012 brannte die Talstation der Sesselbahn auf der Passhöhe nieder und wurde seitdem nicht wieder aufgebaut. Die hierdurch stark verminderte Kapazität und der große Andrang führen oft zu langen Wartezeiten (eine Stunde und mehr) bei der Talstation der nun einzigen Seilbahn auf die Marmolata in Malga Ciapela.
Gletschersturz 2022
Am 3. Juli 2022 kam es zu einem Gletschersturz am Gipfelgletscher der Punta Rocca. Wohl aufgrund außergewöhnlich hoher Temperaturen und eindringenden Wassers riss ein Eisblock auf etwa 200 Meter Breite ab, die Eis- und Gesteinsmassen stürzten auf die darunterliegende Normalroute zur Punta Penia, auf der zu diesem Zeitpunkt mehrere Seilschaften unterwegs waren. Zahlreiche Tote und Vermisste waren die Folge. Als Auslöser wurde der Klimawandel gesehen: Nach einem warmen und niederschlagsarmen Winter habe sich im folgenden Sommer Schmelzwasser unter dem Gletschereis gesammelt und dessen Haftung reduziert.
Schutzhütten im Marmolata-Gebiet
Rifugio Contrin (2016 m, A.N.A., traditionsreiches Haus südwestlich der Marmolata-Südwand)
Rifugio Falier (2074 m, CAI, am Fuß der Marmolata-Südwand im Val Ombretta)
Bivacco Marco Dal Bianco (2727 m, Biwakschachtel am Passo Ombretta)
Capanna Punta Penia (3340 m, privat, kleine Schutzhütte in Gipfelnähe)
(Wikipedia)
Florence offers an enchanting array of cozy spots where visitors can relax and take in the breathtaking views of the sea. Each location provides a unique vantage point to witness the waves crashing against the shore, creating a serene atmosphere perfect for contemplation or leisure. It is essential to be mindful of rental options available in the area, ensuring a comfortable and enjoyable stay while exploring these picturesque settings.
maps.secondlife.com/secondlife/Florence/216/47/24
TNC Social Media Info:
Lisboa, or Lisbon offered many wonderful sites to see. Here are a few shots from around town. The Belem Tower was a great quick visit. It is amazing to me how much the remnants and signs of the Knights Templar are present around Portugal - the tower is no different. Captured about an hour prior to sundown, this side of the structure is greatly illuminated. The half moon makes an appearance in the sea of blue sky.
South Flagler House is an ultra-luxury waterfront condominium development located at 1355 South Flagler Drive in West Palm Beach, Florida. Developed by Related Ross and designed by the globally renowned Robert A.M. Stern Architects (RAMSA), the project features two 28-story limestone-clad towers rising from a shared garden podium. The development topped out in late 2025 and is scheduled for completion in Fall 2027.
Residences & Pricing
The project features 105 to 121 private residences, including townhomes, multi-bedroom condos, and expansive penthouses. Interiors are custom-designed by Pembrooke & Ives, combining classic Palm Beach elegance with floor-to-ceiling glass and expansive terraces overlooking the Intracoastal Waterway and Atlantic Ocean.
According to current Zillow property listings, available units broadly range from $7.5 million to over $28 million.
Large-scale penthouses within the complex have reportedly commanded contracts upwards of $40 million.
World-Class Amenities
The complex boasts approximately 50,000 square feet of resort-style amenities and hospitality-driven services.
Wellness & Pools: A 25-meter lap pool, lakefront cabanas, hot tub, and private men’s and women’s spas featuring ice plunges, steam rooms, and saunas.
Athletics & Recreation: A private pickleball court, sports simulator lounge, golf simulator, and state-of-the-art fitness center.
Leisure & Conveniences: On-site elevated dining, a coffee shop, private gardens, a children's playroom, co-working spaces, and a fenced outdoor dog run with a sculpture garden.
Service Layer: 24-hour onsite staff, concierge, 24-hour valet parking, private keyed elevators, and two deeded parking spaces per residence.
Situated along the Gold Coast at the southern edge of West Palm Beach’s arts district, South Flagler House sits right across the bridge from Palm Beach Island. It offers immediate access to the Norton Museum of Art, Palm Harbor Marina, and the luxury shopping of Worth Avenue.
Credit for the data above is given to the following websites:
www.google.com/search?q=south+flagler+house+west+palm+bea...
www.google.com/search?q=what+is+the+architectural+style+o...
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You must check out the Hallow Manor Event and HUNT by Silly Llama Productions!! Click on the links below to browse the items offered!
Dates of the Event: October 13 - November 1
Link to the Hunter's Guide: slproductions.online/hallow-manor-hunters-guide/
Link to the Shopping Gallery: slproductions.online/hm23-gallery/
Link to the list of participating designers: slproductions.online/news/designers-hm-2023/
Link to the Silly Llama Update Group inworld: world.secondlife.com/group/0d0c7df9-9d48-6b9c-32ec-d4d5b5...
Link to the Silly Llama Squad Discord: discord.com/invite/JCKqzQ5u9s
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Mengening Beach, Bali - Indonesia
Offer BALI PHOTOGRAPHY TOUR to discover the beauty of Bali with sharing our photography secret tips and post-processing technique to improve your photography skills.
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The main foyer grand staircase at Teatro Colón offers a hint of the opulence inside.
This building replaces the old Teatro Colón built in front of the Plaza de Mayo the site of stands the Banco Nación today.
Construction of the new building took approximately 20 years.
The foundation stone was placed 25 May, 1890, with the intention of opening the theatre before 12 October, 1892 coinciding with the fourth centenary of the discovery of America.
The initial project architect was Francesco Tamburini. Tamburini died in 1891 and work continued by his partner, Víctor Meano.
The work continued until 1894, then stagnated for financial reasons.
In 1904, after the death of Meano, the government commissioned Belgian Jules Dormal to complete the work.
Dormal introduced some structural modifications and definitely left his stamp on the French style decoration.
The theatre finally opened 25 May, 1908 with the opera Aida by Giuseppe Verdi.
May 25th is an important date in Argentina as it marks the annual celebration of the May Revolution.
May 25th is known as el Día de la Revolución de Mayo, or the Day of the May Revolution. The day marks the creation of the First Junta, a local authority that took over governance of Buenos Aires from the Spanish Viceroyalty on this date in 1810.
The Ralston Company's automotive roots stretch right back to the 1910's, but it wasn't until the late 1920's that the low-volume products offered really shone.
Like all luxury automotive companies, however, the Wall Street Crash and ensuing Great Depression upset the grand plans that they had put into place. Prior to WWII the Ralston Group was still based in Finland, where the assembly of it's cars took place. Many of the systems, however, were sourced from other makers or suppliers.
The Ralston Type 6 was launched in 1919, featuring a six-cylinder inline engine produced by engine specialist firm Continental Motors.
en.wikipedia.org/wiki/Continental_Motors_Company
The Continental engine was used, at the time, by a large number of small, independent vehicle manufacturers who were not in a position to be able to design, tool and produce their own engines independently.
The Type 6 covered a variety of frame lengths and body styles which evolved through the 1920, all models built in modest numbers. Economic volatility through this period led to the dissolution of many competitors in the luxury field, but Ralston, through modest ambition, was able to ride out the storms, if not able to capitalise fully during the fair weather periods. It must be remembered that Ralston was still manufacturing vehicle frames and finishing most bodies in the native Finland, and this compounded the difficulty in being able to react to rapidly changing market conditions.
Nonetheless, 1927 had been deemed the breakout year. The Type 8 was to be launched in mid 1928, using an engine from luxury competitor Auburn, who were readying their own straight 8, under new ownership by E.L. Cord. The Type 8 chassis was planned to support the 'senior' Ralstons - those Imperials, Limousines and Phaetons demanded by the most exclusive of customers, while the new Type-6 for 1927 would be renamed 'Lynx' and act as the 'junior' Ralston, in support of Roadsters, Speedsters and Coupes, in other words, all the smaller body styles, and in particular those that could be made in series production to help lower the cost.
In the end, things didn't go quite to plan. Both the Type 6 'Lynx' and the grand new Type 8 were launched just in time for the Wall Street Crash and financial crisis. The crisis ultimately killed off even more of the facing competition, but the actions to use type-production bodies on the established Type 6 chassis, along with a 'generic' engine, provided about the safest pathway through this period of automotive history. The image of the marque was upheld by the (barely, if at all profitable) Type 8, this series receiving some of the grandest body designs of any vehicle at this time. All variants of both the senior and junior cars were trimmed and detailed to the highest standards, the additional standardisation and volume of the junior Type 6 Lynx helping to reduce the bespoke items (and cost) on all but the most exclusive of fittings.
The car shown here is the Type 6 Lynx MkI-B of 1929 in Boat-tail Speedster (a bodystyle popular at the time). This model, along with all other revise 'B' models can be identified primarily by the reclined radiator grille and flowing fender design. The Boat-tail speedster was not one of the series production body styles, so production numbers for this variant were quite low. All the chassis and powertrain were shared with volume types, and from the cowl forward, this model is near identical to the much more common 'series' Coupe, Coupe-Cabriolet (both with rumble seats), and the Coupe-Sport.
The Type-6 Lynx was subsequently updated every two to three years up until the outbreak of WWII. At that point, the factory was given over briefly to the production of military vehicles, though a final series 'F', a non-luxury trimmed version of the preceding 1938-'E', and built in Sedan, Cabriolet-Sedan and a limited number of Coupe-Sport vehicles.
After the war production of passenger vehicles was largely transferred to the US (the main customer market), via a head quarter transition to Costa Rica, with the Type-8 (renamed to Tigre in 1938) powered by Cadillac V8 engines, initially at very low volumes. Ralston's first new post-war car was the Tigre MkII of 1954, using a modified 1948-53 Cadillac 'C' Body, frame, engine and underbody (some special versions used the long-wheelbase 'D' Body systems). There was no 'junior' Ralston at this time, and even in the vibrant US-market, total sales remained modest, requiring the continued adoption of major systems from a donor manufacturer.
This Ralston Typ-6 Lynx MkI B Boat-tail Speedster (1929) has be built on Lego miniland scale for Flickr LUGNuts 95th Build Challenge, - 'Designing the Ralston Legacy' - a challenge to design the fictitious Dragon 'Motorcycle' model for the fictitious Ralston company, though any of the previous Ralston challenge vehicles, the Tiger or the Rhino are also eligible to be submitted. The chief stipulation is that the model must feature a 'X' in the styling.