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This image offers some scale perspective for the falls and for the interesting rock formation situated to the left of the falls.
If you look closely along the top of the cliff face, at the point it slopes down to the water, you can see three people that had hiked over to the top of the falls. The most easily seen individual in the blue pants is right in the middle of the trio.
(Watch out for that one step back !)
Get ready for the BackBone Summer Splash Sale, where prices are so cool, even flamingos are trading their fancy feathers for fantastic discounts!
With a jaw-dropping 50% off everything (excluding gift cards and new releases), this sale will have you flapping your wings in excitement.
Available from NOW until July 8th at BackBone Main Store:
Starting in the late 1960s, Yamaha offered a range of attractive, similar looking 2-stroke engine motorcycles within their ‘Enduro’ series, suitable for off-road/trail riding and street riding. The engines were single cylinder units offered in a variety of displacements, this one sold as the 175 Enduro, positioned neatly between their 125 and 250 cc Enduro models.
Instead of pre-mixing oil and gasoline for the 2-stroke motors, Yamaha offered ‘Autolube’ which automatically mixed in the correct amount of 2-stroke oil so long as the oil supply tank was adequately filled. There’s a tell-tale oil tank level indicator window visible here on the trapezoid-shaped panel below the saddle. Autolube simplified operation so that only gasoline needed to be added to the fuel tank, not a mixture.
One of my good friends, a classmate named Scott who also happened to live down my street, owned a 1969 125cc Enduro that he bought using money he earned by delivering newspapers. My other friends and I were quite envious! I think that the going price for that 125 Enduro then was on the order of $325. Nowadays, over half of a century later, one of these Yamaha Enduro examples in excellent condition could be expected to sell at auction for several thousand dollars.
Went to Stirling tonight, as I was offered dinner by a friend. Unfortunately we missed each other repeatedly with incredible mistiming. While he was waiting in the bar, I was untangling wind-blown hair and touching up my lippy. While I was waiting there, he went out for some exercise and to enjoy an amazingly warm evening.
Messages between us only tantalised with promises of being nearly there. His message to say that he was finally back in the bar just missed me. It was only a few minutes too late to catch me before I joined the motorway back home.
As Burns wrote, "The best laid plans of mice and men gang aft agley."
This selfie is just to show that I really was there. Look - that's the interior of the lounge in Stirling.
Happily it was a very nice place to wait. The barmen were kind and helpful, even offering me a straw for my drink, probably to save my lipstick. My time there was pleasant, though not as pleasant as it would be with a dinner companion.
@designeour : Paramount Script & Sans by Roman Jokiranta Licenses Offered Standard File Types TTF, WOFF… bit.ly/1UlhrXr (via Twitter twitter.com/designeour/status/736724236186750978)
Orion Wyatt offers her a soft smile and nod, moving with her toward a more quiet, less trafficked area of the dance floor. "It's...a little less crowded, yes." He muses softly, "Although it isn't any less noisy." He pauses, a simple shrug. His yellow eyes sweep around, looking across the dance floor for a moment. "I can't believe this is our last Winter dance here, love," he pauses, "And what a beautiful one it is to end it on," He smiles as he steps up, offering her a hand to begin to dance. In a slow bow, he lowers himself, pecking gently at her hand before he sweeps her up closer, a smirk on his mouth, "Shall we?"
This image is being offered for the Smile on Saturday theme ofBackside. If you look at the boardwalk you should see the people walking away for the camera … displaying backsides.
Thanks in advance to all Flickr Friends for your Faves and Inspiring Comments. HSoS!
Since getting the Mirror-less full frame camera I've developed a new interest in working with Vintage film era Lenses. They often can provide a unique character to images and always get my mind more involved in creating images as I explore what it might have been like to shoot with older cameras where everything must be done manually.
For this early afternoon visit to the park like area around Lake Somerset in our community I mounted a made for Kodak's Retina series cameras some 50 years ago.
Specifics:
Retina-Curtagon, f/4 28mm lens made by Schneider-Kreuznach
Fotodiox PRO DKL to Canon EOS
Aperture f/5.6
Located in the Kaka'ako District, Kewalo Basin Harbor offers adventures in sailing, sunset cruises, scuba diving, and sports fishing. (Image captured on my iPhone 11 Pro Max)
I might sell some on eBay though, but if you're interested, the ones I'm sure on that I'm willing to sell are as follows:
-marionette
-Robin
-Spawn
-Season 1 Rick Grimes
-Gumball
-Mario
-Batman
-Shulk (Maybe)
Anything else, make an offer :)
Esmerelda / Come What May sailing in the Sound of Bute, Scotland. Inchmarnock and Arran in the distance
Log of the Dinghy Esmerelda or Come What May
Three seasons learning to sail (1998 - 2000)
May 1998
For years, it seems, it has been at the back of my mind that, when it was convenient, I would learn to sail my own boat. Life being such as it is, I have spent the last nine years living within ten minute's walk of the sea but have not been in a sailing boat in all that time. Last weekend, I answered an advert in the local paper. Now, I am the proud owner of a 14ft Lark sailing dinghy! Ian, the seller, kindly offered to teach me to sail her. She’s a modest little boat, but seems worth the price. Adam (my elder son) is delighted and is raring to have a go.
****
Yesterday evening was our first time out on the water, not on the tide, but on West Kirby marine lake in the Dee estuary. I felt very much an incompetent land-lubber. I have a whole new set of coordination skills to learn, certainly more than when learning to ride a motorcycle or drive a car, but this is part of the challenge. I think it helps to have the limbs and bodily plasticity of an octopus.
****
Ian took me out in the boat for the second time yesterday evening and it was beautiful! - sun sinking in the west, warm blue sky, a gentle breeze and the boat gliding effortlessly through the water. If I am not yet completely hooked, then I soon shall be. My aspirations are modest: I'd be thrilled simply to learn the necessary skills and gain the confidence to navigate the Wirral coast.
****
This sailing has really got a grip on me. I spent last Thursday night in Manchester so that I could start earlier on Friday in order to be home by 5 p.m. to take the boat out. It was wild! The wind was approaching force 4 and we managed to capsize twice, (although we were the last boat on the lake to do so). It is a wonderful activity which, like mountaineering, is completely absorbing both mentally and physically, and which, if you're not actually doing it, then you're thinking about doing it or pottering around with the equipment. I'm pleased, because it has restored a dimension to my life that has been sadly lacking for a few years. Alix and I have decided definitely to withdraw our house from sale and stay put here on the coast, at least for the foreseeable future.
Inanimate objects
I hesitate to consider my boat an inanimate object. She has several traits suggestive of animation, and female at that:
a nice shape,
moves gracefully,
behaves wilfully,
demands attention,
requires sensitive handling,
and on two occasions has been quite upset and ditched me.
Friday 12th June 1998
Stimulating, thrilling, absorbing and therapeutic.
We went out last Saturday and plan to again this Saturday. It is time I took it out on my own though, or rather with someone I can't rely on to take the initiative in a tricky situation. After all, the whole idea is to sail this boat myself. With this in mind, I persuaded my German colleage Tobias to come over on Sunday to join me. He has never sailed, so it'll be the blind leading the blind, but it has to be the quickest way to learn.
Sunday 14th June 1998
Achievement!
I took the boat out truly as 'skipper' this evening (with Tobias). The wind was northerly, gusting force 4, and slightly intimidating - I nearly called the whole thing off - but once we'd cast off it was magical!
Suddenly after all the flapping and palaver of rigging, all is quiet and smooth as we glide downwind. A slightly anxious moment ensues when I realize we'll have to gybe before we run out of lake, but this manoeuvre works smoothly and I realize with relief that I can actually tack back against the wind.
After an hour, despite some interesting moments, we have managed to avoid capsizing and are still relatively dry. We are rewarded by the sun peeping out from under the clouds just before it vanishes below the horizon.
Clynnog fawr, Lleyn Peninsula, north Wales, July 1998
Wonderful holiday! - the best I think for several years. Brothers Martin and Chris and our three families (15 of us in all) staying in a farm house together. Best of all was to see all the kids together (eight cousins and one half-sister) - how the older ones looked after and amused the younger ones, and also how the younger ones amused the adults, and how the adults are actually kids at heart and behave as such when they are all together. It was invaluable to have so many young cousins for Adam to play with, and to be able to let Ricky trot out into the large green spaces around the house and to play in the sand, knowing that there were nearly always three or four others keeping an eye on him.
The farm itself was in a beautiful location on a magnificent length of coast, north west facing, catching the best of the sunsets. The whole area is delightfully quiet and unspoilt (and only two hours drive from home, even towing the boat). The weather was not ideal, but we still managed to spend a large proportion of the time outside.
At the beginning of the week high winds, cloud and some rain made it quite unsuitable for sailing but we managed some hiking and some went horse riding. By Wednesday, the forecast was slightly better and we'd discovered relative shelter and what seemed to be a nice launching site at the northern end of Llanberis Lake, so we decided to sail come what may. [At this moment Come What May suggested itself as a name for my boat. Only later did I discern the name Esmerelda almost completely faded written on the hull.]
It turned out to be a delightful, sunny and warm afternoon, the shore had trees to climb, sticks and stones to splash in the water and soft grassy spots for picnics. We launched and I was able to take everyone out in turn. For Adam and Alix it was actually their first time, the complexities of child care being what they are. Adam was fairly excited but not a hundred percent confident, he finds it a little intimidating but hopefully that will change. It was the perfect day for him - gentle and warm.
The next day started fine with a light breeze. Majority interest however determined that we go riding again followed by a pub lunch, but in the afternoon I was determined to get the boat out. The tide was up and three of us succeeded in handling it down a steep track to the shore and then over small, slippery, seaweed-covered boulders to the water's edge.
I still find it miraculous how, once rigged, with a quick shove and hop in, we are gliding through the water as if by magic (hoping a freak gust doesn't turn us round before I grab hold of the tiller and get the centreplate down!)
Caernarfon Bay, and first time on the sea! The swell was a little daunting as we sailed into deeper water, especially with four adults aboard (not sailed with that many before), but I practised a few tacks, sailing up-wind and down-wind, and she seemed to handle alright without shipping water, albeit a bit heavy at the tiller, so I was happy. It was a delight with the rhythm of the waves and the late afternoon sun sparkling through the spray and sea to the open horizon; with our course set for the open Atlantic I just wanted to keep going. Fortunately, I didn't. All of a sudden there was no more resistance on the tiller and we swung round into the wind: the rudder had torn off its mounting! I was glad that I'd invested in some oars as a precaution with which we were able to turn about to face shoreward; then, by holding the rudder (fortunately still attached to the boat by the uphaul line) and leaning right into the water astern, we were able to hold a course back to the shore. I since realised that the reason the rudder felt so heavy in the first place was because it was not engaged in its fixed down position but trailing horizontally behind; the extra leverage combined with the weight in the boat must have sheared the two mounting bolts. I've now repaired it with four new reinforcing bolts. It was a learning experience and exciting at the time. The others all seemed to enjoy it and seemed to think it was all in a day's sailing adventures.
7th August 1998
Last weekend was wonderful. Summer finally seemed to have arrived: it was comfortable to spend dawn 'til dusk in shorts and T shirt and to sit out late in the garden for dinner with a bottle of wine after the kids were in bed. Adam and I went onto the beach on Sunday and spent a good hour just splashing in the sea and being crabs and sea-monsters wallowing in the deep soft sand. Simple happiness!
More exciting still, I took the boat out twice. First, on West Kirby marine lake completely on my own for the very first time. I was out on the water by 7.30 a.m., it was a gorgeous morning and I had the whole lake and, indeed it seemed, the whole estuary to myself. Second, again on my own, on the high tide for the first time. Two significant achievements which have given me such a thrill that I can't wait to do it again! In fact, I can now say that I have achieved my long held ambition of being able to sail my own boat on the sea, albeit in very easy conditions: a smooth surface and barely a breath of wind. I sailed for three hours on the high spring tide and was really chuffed to be out there on my own, but it would have been nice to have had some good company too. I feel this is only the beginning: my curiosity is already drawing me to peruse the second-hand yacht sections of the sailing magazines!
17th August 1998
I had my sailing abilities stretched this weekend when I took the boat out on the tide in a breeze that was slightly too strong for me (also my muscles and parts of the boat were well stretched). It was a humbling experience:
On the sea front, the breeze felt rather intimidating. The lifeguard on duty hailed me, having seen me with my boat the previous week,
"Going out today?"
I confided my reservations to him, but he replied, presumably intending to encourage me,
"Only way to learn, by experience!"
This was a challenge I felt bound to accept.
Having rigged and launched, all there was to do was push off and hop in. It was that moment of hesitation that reminded me of the feeling I had as a novice skier on the lip of my first black run: the point of no return. Hesitation over, the first few seconds I spent struggling to lower the rudder, which for some reason would not go down (because, I found out later, I'd hitched the uphaul too tight), while keeping an eye on other boats at their moorings skimming past me at an alarming rate even before I'd trimmed the sails. In the excitement, I forgot to lower the centreplate, which meant that having covered about half a mile in what seemed like about ten seconds I tried to come about into the wind but couldn't. Hemmed in by a sand bank on one side and an approaching groyne on the other, there seemed to be little room to manoeuvre and all I could do was gybe, but this didn't work properly either and I capsized. I realised the centreplate wasn't down when I tried to stand on it to pull the boat back upright, it then took me a few moments to lower it because first I had to untangle the anchor warp from the centreplate uphaul, the two having become intertwined. The boat then righted quite easily and I tacked back against the wind with the water gurgling reassuringly out through the self-bailers; I was determined not to be defeated.
Eventually though, the jib became wrapped around the forestay and I capsized again trying to unwind it. At this point I felt I was doing everything wrong and it was time to come in so I limped back to the slip still half full of water where by now a small group of spectators had gathered to watch me, including the lifeguard and two old sea-dogs who'd obviously been passing comment. Later, the lifeguard told me that the old sea-dogs were "impressed" that I'd got back without assistance. But really I don't suppose I impressed anyone much. I clearly have much to learn.
7th September 1998
I took Adam out in the boat on Saturday. There was almost no breeze: we seemed to spend long periods just playing with the sails trying to detect what little air movement there was. Adam had a go at the helm which quite thrilled him, and he even tacked. He was pretty good at holding a course when I told him to steer towards particular landmarks.
The dissipated remnants of hurricane Danielle have been lurking off the coast of Ireland these last few days and forecast to be moving across the British Isles; on Sunday the wind got up and there were gales forecast in the Irish Sea and I chickened out of going out on my own although several boats did sail on the high tide.
14th September 1998
Sunday was too windy for sailing. I'm going to have to experiment with techniques for reefing the sails, or sailing on the jib only.
18th September 1998
I saw a centre page pull-out guide in one of the yachting magazines this week entitled, "Your guide to crossing the Atlantic" - I dream.
9th October 1998
It's been cool and windy here but with a lot of bright sunshine interrupted by occasional showers. The leaves are starting to thin on the trees and most of the apples are in, except the late ripening ones. I was hoping there might have been a chance to take the boat out, but the weather really wasn't suitable. Most of the moored sailing boats are coming in onto dry land for the winter now.
I did get some useful clearing done in the garden and managed to build up our supply of fire-wood. Richard was following me behind the wheelbarrow and he managed to tumble into the pond!
It is simply beautiful being out in the garden. There is something very special about this time of year: the colours, the earthy smells and the sound of the wind in the trees.
20th October 1998
Autumn has set in a big way: chilly, grey and wet, and particularly dismal now that the nights are drawing in. Definitely time for the wood fire in doors. It was beautiful though in the garden on Sunday: I got a lot of clearing done and generated much material for bonfire night; also, I came across a hedgehog - not so rare in our garden but unusual in broad daylight and nice to see. Adam insisted I tell stories to him about hedgehogs for the rest of the day.
3rd November 1998
At 11 p.m. there was a 10 metre tide bursting on the sea wall with a strong northwesterly wind behind it and a full moon. I never saw such a high tide here. The sea was all over the road. I felt a strange, pleasant, almost terrified excitement because there is one recurring nightmare that I have occasionally had in adult life which involves standing on a foreshore and seeing the monster of all waves rising up and bearing towards me and the growing realisation that I won't escape it in time.
Our bonfire party is tomorrow. As usual, a huge pile of wood has appeared as though by magic in the night, the local contractors see it as an opportunity for free rubbish disposal and it will take four of us half the day to built it into burnable shape tomorrow, but this is all part of the fun. Adam is looking forward to it and so am I.
2nd December 1998
We like too much where we live: our wonderful garden, horses over the fence, lying in bed listening to the waves on a summers night, the crashing surf of a winter storm, opening the door to the tangy smell of sea air in the morning, sunrise in a crispy dawn sparkling on frost-covered sand, and the pink rays of setting sun over the water glowing off the distant Welsh hills. It's a clear, frosty night with a full moon. There's a thin, misty vapour over the water as the tide silently slides past the sea wall and the oyster catchers make their eerie call - I love it!
***
26th April 1999
Out sailing again - first launch this year. Saturday was a beautiful day and I took Adam out on the high tide in the evening while the sun was lowering in the west. It was neap and there was virtually no wind - very still, we moved like a whisper. It was so still that we went aground (neap tides don't leave much room to manoeuvre between sand banks) and didn't even notice that we were stuck for about a minute! It was good to be on the water again.
28th April 1999
The sun is a great red orb above the horizon. The boat is all set for launching at the next available opportunity - this weekend. It is a long weekend with the May Day holiday and there are high spring tides around midday - perfect!
14th May 1999
Sailing has been wonderful! Especially yesterday, when conditions were perfect and I spent three hours exploring some of the far reaches of the sand-banks several miles up and down the coast. I'm looking for the best route across the shallows that will allow me to circumnavigate the islands in the mouth of the Dee estuary on a single high tide. The timing is important in order to avoid being left high an dry.
18th May 1999
Sailing is good exercise: strong on the back and arms hauling the trailer along the road to and from the slipway, and then on the tummy muscles when leaning out to balance the boat when it's heeling over.
I had an embarrassing little incident two weeks ago in front of the lifeboat. It was a perfect day for sailing, sunny with a gentle breeze. I'd been out for about an hour and was starting to think about coming in for some lunch when I saw the Hoylake lifeboat coming past. This is a big, powerful, offshore boat with an experienced, sea-going crew. It pulled up close to our slipway, and the crew having passed some lines ashore set about some rescue exercises. Meanwhile, I thought I'd better make a good impression. I gave them a wide berth and tacked cleanly round to make my approach to the slipway in such a way as to avoid any risk of entanglement with their lines. Gliding in smoothly, I reached aft to raise the rudder to stop it grounding, but instead managed to pull the tiller off the rudder stock: the boat slewed round out of all control and, before I could do anything about it, heeled over wildly and capsized, right in front of the life-boat! What's more, a crewman was recording the whole incident on video! I righted the boat without assistance and then sailed out again to allow the self-bailers to empty the boat of water to avoid the embarrassment of having to do so ashore. Afterwards, our local lifeguard, who was also there on duty, remarked that I couldn't have chosen a better moment: the lifeboat only comes down here about once a year!
We've finally booked our holiday cottage for this summer: a house on the shores of Loch Torridon, way up in the north west of Scotland. I'm really looking forward to it. It is in one of the most beautiful parts of Scotland and a superb area for mountaineering. Everything is literally on the doorstep. There is access to the loch to launch the boat and the cottage lies at the very foot of one of the most spectacular mountains in Scotland, Liathach, the crest of which, soaring to 3,456ft directly above the sea, is considered to be one of the four classic ridge routes in the country. Of course, scope for serious mountaineering will be limited, but at least we will be four adults to share child minding. Unfortunately, the cottage was only available for one week and not two, but we plan to take the tent and tour for a few days after. I'm already really excited.
10th June 1999
Sailing, it is completely absorbing and I love it! This was my diary entry last weekend:
Onshore breeze, about force 3, which seems plenty strong enough for me single handed. The question arises how to launch at a right angle to the breeze with the sails up; hoisting the sails once afloat would be the better solution but with no means of holding the bow this could be awkward. I wheel the boat on the trolley half into the water then swing the trolley to head the boat into the wind, hoist the sails, rig the rudder, then manoeuvre the trolley so as to allow the boat to float, holding the bow. I'm glad Alix then turns up to retrieve the trolley. Which direction to cast off? Try to avoid the embarrassing and awkward situation of being blown back onto the sea wall before making way, but to make good way, must lower the plate and sheet-in immediately but can't lower the plate until in deeper water. Conundrum. Oh well, try it. Here goes. Shove, hop in and grab tiller. Impetus of shove already gone, drifting back on shore into small party launching rowing boat; sheet-in sheet-in: yes! now 45 degrees to wind and making way, miraculously avoid sea wall. Rudder down, plate down - no, not enough depth for plate, grounding on sand bank; half raise plate, can't tack, bear round with wind, avoid moored boats, must gybe - tricky in confined space, risk of capsize. Steady gybe by holding vang as boom swings across. Success! Now on course with clear water ahead.
It takes a few minutes of lively sailing to convince myself that I am really in control. The swell is slight but riding the waves is exciting as every other crest bursts on the bow, shooting spray up my bum leaning out over the windward gunwale. Shortly, the rhythmic plunge and rise through the waves works a very soothing effect, my senses become fully attuned to my immediate surroundings and all else seems a world away.
Hoylake Sailing Club Regatta, 15th June 1999
I actually took part in a race this weekend. The local sailing club held its annual regatta. While I was launching on Friday evening one of the officers of the club introduced himself and invited me to take part. It's quite an event locally, with a lot of visiting boats from the region and open to non-members.
So there I was on the water on Sunday morning with only the vaguest notion of what was expected. I was confused by the order of buoys and posts that marked out the course, which ones to pass on which side and in which order. Then there was the gun. There were meant to be six minute and three minute warning shots but I'm sure there was an extra one, and on which side of the line was I supposed to be? At the last moment but too late it suddenly became clear and the start gun found me on the wrong side of the line going the wrong way! The other boats were racing towards the first buoy whilst I having recrossed the line lagged hopelessly in their wake. For a while I was able to follow them, but as the wind got up and the sea became grey and choppy the field spread out and even some of the more experienced boats appeared to become confused and eventually I had to admit that I really didn't know where I was supposed to be heading! Oh well, I'll know what to expect another time.
I appreciated the opportunity to make contact with the sailing club. They seem to be a friendly and pleasantly informal lot and I may consider joining, partly for access to their rather nice clubhouse with bar overlooking the sea, but partly also because it represents a chance to get to know people whose company I might enjoy and who share an enthusiasm for sailing. It is not a sporty, highly competitive dinghy racing club, although they do organise racing on some Sundays. I have the impression that the competitive aspects are not taken too seriously. It is more a group of people who enjoy sailing in all its forms, which suits me. The attractive clubhouse is an added bonus.
It was not a competitive streak that induced me to participate in the race on Sunday, but an exploratory streak to see how I might enjoy it, and a sense of curiosity to see how my sailing matched up to others. I realised that racing is a good way to hone one's skills because I did a lot more manoeuvring and trying to maximise efficiency than when out on my own. I can see how racing could be enjoyable because it involves optimizing your performance, which can be thrilling and satisfying (and it would be nice to win sometimes too) but I can't yet see myself wanting to race regularly. Like skiing, I see sailing as a means of exploration rather than a competitive sport.
Tuesday 6th July 1999
We were sailing on Sunday, all of us together for a change. Rick was very excited before he got in, then once underway he kept saying, "Tip over!" and looking worried, but he got used to it for before long he was scrambling to the stern to grab the tiller saying, "Have it, Ricky do it!" Meanwhile Adam was intent that I tell him a story about some limpets who make friends with some ammonites. I am learning that taking the kids out demands additional skills to normal sailing competence.
We're soon away to Scotland for a fortnight. I actually bought myself a fishing rod and some tackle just in case the wind drops while out on the loch, as if I won't have enough to occupy myself with a boat and kids and magnificent nearby mountains. It telescopes down to 18 inches so it won't take up much space. I thought it might be fun for the kids too (good excuse, eh? Of course I'm just a big one.) I have fished exactly twice in my life and caught one trout about four inches long, so the family probably shouldn't rely on me for food.
Torridon and Kishorn, July 1999
[Monday 2nd August 1999, back home.] It is hard to be back after such a lovely break. Tragic actually. I suddenly see all the things that are wrong with my life here and what an effort it is to try to force myself to put up with them. Especially I see how drab, ugly and over-crowded are the areas where I live and work, even our little patch on the coast holds no magic compared with the northwest of Scotland.
While we were away it was wonderful to be able to spend so much time continually with Richard and Adam and coming back I realize how unnatural it is for a parent to see so little of his children as I normally do here. I have no illusions that we have a right to a perfect life - there is no reason why working for a living should be easy - but some things need to change.
The northwest of Scotland would certainly have limitations as a place to live, the principal of which would be an acceptable means to make a living, followed by the distance to secondary schooling for the boys. Also, family visits would be much less frequent, the midges bite terribly and the weather would not be as reliably good as we had it at least in the second week. But as for the rest of it - city life - I don't need it.
We spent the first week on the shores of Loch Torridon nestling at the foot of two of the principal mountains of the area. Torridon is rugged country - one of the last places in Britain to have glaciers as late as 9,000 BC - but like the whole west highland seaboard, sublimely beautiful. Other fjord-scape coastlines in the world are certainly more splendid, but Scotland has a special charm that appeals to me personally.
The peaks of Torridon rise straight out of the sea to over three thousand feet and are composed of thousand Myr old sandstone, which in the larger corries takes the form of sheer, dark grey precipices of giant masonry blocks, and on the tops, precariously placed boulders like part-melted stacks of huge dinner plates. Many of the peaks are capped with silver-grey quarzite which when wet glints and sparkles in the sun. The whole is founded on much older bed-rock (up to half the age of the earth) which shows itself in places as contorted swirls of intermingled shades of pink, orange and fiery red streaked with white. The region has remnants of the original Caledonian pine forest still undisturbed after eight thousand years. But the principal charms are the play of cloud and light on the hills and sea, and the unhurried style of life, where people still leave their house doors unlocked when they go out.
We had a fair bit of drizzle and overcast days in the first week, during the course of which ours was the only boat we saw afloat in the whole of Upper Loch Torridon. In fact, one afternoon, Martin and I were sitting in the boat in the middle of the loch, with the clouds low on the hills and the rain dribbling down the sails, awaiting any movement of air that might get us back to shore before tea, and I did start to wonder what it might take before I started to question my enjoyment!
Another day Martin and I thought we'd make the most of any time when the breeze died by trying my new fishing rod and three hundred piece fishing kit. Out on the water, the sails lolling impotenty, I gave Martin charge of the helm, should any light air arise to stir us, while I sorted hooks and fiddled, trying to remember how to tie them to the line. All of a sudden, there were ripples on the water, the sails filled, the boat heeled wildly and we were creating a creaming bow wave, covering the distance across the loch in a couple of minutes that it had taken us a whole afternoon the previous day, while I scrabbled to prevent fish hooks from littering the floor around our bare feet and at the same time tried to give instruction to Martin who'd never helmed a dinghy!
Come the weekend, the clouds evaporated and there followed six days of glorious hot weather when we were out everyday in T-shirts and shorts, even on the water and up at 3,000ft late into the evening - very unScottish! We found accommodation slightly farther south, with magnificent views from our living room window up into the majestic corries of Applecross and out to Skye, in a secluded bungalow just outside the small village of Achintraid on the shore of Loch Kishorn. Alix, Adam, Rick and I spent a couple of days of idyllic sailing when we were out for the whole day with picnic and cans of beer, mooring on uninhabited islands and remote beaches for long lunches, lounging in the sun, exploring the rock-pools for crabs and sea-anemones and swimming nude (there simply was no need for swimming costumes because no one was there!), although not for many minutes because the water was chilly. I love to abandon the trappings of civilization as much as possible on holiday - radio and television, swimming trunks, combing my hair, etc. I go happily for days washing and bathing only in salt-water with my hair gone wild, I like the feeling of it.
The Highlands can be extremely bleak and dreary ("driech" in the Scotch dialect) but only in some places and in certain weather. The atmosphere is often fresh and invigorating or imbued with a remarkable softness. Part of the beauty is this softness and the wonderful cloud-scapes. During our hot weather spell, although I wouldn't have wanted to change it, some of the distinctive charm was lost: it reminded me more of the Alps or the Sierra Nevada than Scotland.
I think we've all felt slightly down since returning, we had such a gorgeous few days. Sailing off the sea front here in Liverpool Bay has (at least temporarily) lost its appeal.
***
Sunday 19th March 2000
First launch of the year. It was wonderful to be on the water again! It is something very special to me. On the water, I am happy: life is as it should be and I don't want for anything. I was out at 8:30 a.m. for nearly three hours, and there was no one else.
28th March 2000
Summer time
We switched to British Summer Time this weekend and today the temperature has dropped to 3°C - it feels like January again! I did get out in the boat though, both on Saturday and Sunday. Good thing is, the kids have not adapted to the time change yet, so we get to sleep slightly later, but I wonder how long it'll take for them to catch on.
Sunday 2nd April 2000
Hoylake Sailing Club first dinghy race of the season.
It rained the whole weekend: a pretty much continuous light sea-drizzle which hardly let up even once. Alix took advantage of child-minding by parents and agreed to join me in the boat on Sunday (rare that we are ever in the boat together). At 9 a.m. there was a sea mist and hardly a breath of wind, and we really wondered whether we were silly, sitting bailing the rain out from where it collected from dribbling down the sails as fast as it came in, and feeling the wetness slowly creeping in down our necks. At the starter's gun, the few other boats all managed magically to coax some movement out of the still air, while it took a good two minutes before we managed first to point in the right direction then get underway, bringing up the rear. It was all quite amusing really, and in the end we were glad we'd made the effort to go out. Afterwards, all of us including the boys went into the clubhouse for a drink, then returned home for proper Sunday lunch of roast lamb, a good bottle of Rioja and an afternoon cozily by the living room fire. A near perfect Sunday.
Hoylake Sailing Club Regatta, Saturday 3rd and Sunday 4th June 2000
There were around 70 boats racing offshore, so quite a spectacle. I didn't race. I'm not convinced that racing is where my interest lies, I simply like to be out on the water and go where the whim takes me rather than jostle with other craft around buoys. The lifeguard introduced me to Billy who offered to take me out in Magnetic, his Cygnet cruising yacht. We walked out over the sand to his mooring in the outer channel. The tide comes up here with a rush; it is impressive like a fast flowing river, one minute you're lying aground and the next you're bobbing around floating free. It was interesting for a change and novel to be able to brew tea en route in the cabin, but it struck me how sluggish and how restricted in manoeuvring over the sand banks is a boat like Magnetic compared to my dinghy, so on Sunday I was happy to be back under my own sail.
Alix took the boys to the Millennium Dome in Greenwich at the weekend. It has been billed as a festival of Britain to match the great ones of the past but has had bad press and accusations of waste of public money. Alix thought it was accurate in presenting an impression of the state of Britain today in that it was confused and didn't seem to know what it was trying to be, and it had an abundance of what this country is famous for abroad: its queues.
12th June 2000
I'm considering an over-night sailing and camping expedition to Hilbre. The tides were right this weekend but the winds were too fierce for me, force 4 - 5 the whole time, and I didn't get out in the boat at all (I feel deprived). Beautiful sunny weather for the garden though; however, I had to use some of it on afternoon naps as, first Adam, then Richard, were sick during the night and left us very short of sleep.
16th June 2000
I went out on Tuesday evening just after I got home and it was gorgeous in the late light, sailing into the sunset. There was a significant breeze and I was even surfing in on some waves. This weekend the weather looks set lovely and, wind permitting, tomorrow we will all go out and perhaps anchor somewhere for a picnic.
19th June 2000
We are enjoying a heat wave; that is, I am enjoying it, but many are not. I wouldn't be surprised if some of the inner cities reached 90°F this weekend. We have a south wind, but plenty of breeze on the coast to be bearable. We all sailed on Sunday, cruising out to the far edge of the sandbank (about a mile offshore) where we beached, ate picnic lunch and had a swim; it is good to have a break to provide variety for Adam and Richard, otherwise they get restless just having to sit. After we returned, we all went to the beach again (with swimming costumes this time) to cool off while the tide was still up to swim in. Adam and Richard loved it. Later Alix and I were eating dinner on the lawn until 10 p.m. I love weekends like this and count it a great privilege to have the wonderful sea on the doorstep. Being back at work is definitely dull by comparison, but it is what I am paid for.
Monday 26th June 2000
We are in the 70s today, warmer than at the weekend with its brisk northwesterly breeze - too windy for sailing, unfortunately, which we’d been looking forward to as Alix’ sister and family were here to visit. We were a bit downcast from sadness that our visitors had to leave. The kids were so excited the whole time to have each other as playmates and they were all devastated when they had to part. They all shared the same bedroom and around seven each morning we heard the "gentle" patter of feet as they trooped down stairs, trying to be quiet but not quite succeeding, to organize their own breakfast before any of the adults appeared. On Sunday morning they even let themselves out of the house to play in the garden and in the lane before we got up - two of them still half in their night-clothes! And Adam was revelling in showing them around his home territory.
Sunday 30th July 2000
It's been a good weekend for sailing. Thursday evening was looking gorgeous and Adam decided to come with me (partly I suspect as a means of delaying his bed-time); unfortunately shortly after we launched some grey clouds coalesced above and released persistent rain for an hour. Friday really was gorgeous though: what little rain there was had cleared during the course of the day leaving a few fantastic cloud shapes and sparkling sunshine. I was the only boat out and I sailed until just after sunset in only my shorts and T-shirt. The breeze was very light and at one point I let myself hang backwards over the side with my hair almost dabbling in the water becoming almost dizzy from the huge upside down vista of red orb sun and pink tinted clouds gliding passed at water's-eye view. It was very pleasurable.
This morning Richard and I went out together. First time I've taken Richard alone. He was very good (in doing what he was told when told) and seemed really to enjoy and remain interested for the whole of nearly two hours that we were out (in perfect summer weather). He caused some amusement upon landing when he insisted in helping me by pushing the boat from behind with all his might up the slipway!
Saturday 5th August 2000
We are leaving for the Isle of Bute next Saturday and I feel there is a lot to rush to do before we go. Preparations for holidays these days are no longer a simple matter of organizing a rucksack on my back, boots on my feet and money in my pocket. There's the boat trailer to load - do the lights work? - need a new registration number plate to match the new car, grease the wheel bearings, where are all the straps and cords I used last year? Adam, Rick, where have you hidden xyz since I last saw you playing with it? Where are all the tent pegs? Does the camping stove work? etc. Alix tends to organise food and kids' clothes, which is a relief. All I've done is had a case of wine sent to the friends we're staying with for the first week (definitely essential provisions). I try to tell myself that this is a holiday and we're supposed to enjoy it, but I know I've worn myself down because I've succumbed to respiratory infection and my back is playing up (doesn't help to have to lift the boat trailer). None of this stopped us all going out sailing today though. We pottered along the shore to Leasowe beach and landed for the kids to build sand castles for half an hour (they like the break), then headed home before the tide went out. We saw lots of birds and a couple of very brightly coloured jelly fish.
Wednesday 9th August 2000
The boat and equipment is now loaded for the road and ready to go as soon as we can get out on Saturday morning. I avoid the check-list syndrome as much as possible and usually get by with a single pencilled sheet of paper scribbled a week in advance; I do what I consider necessary to avoid wasting time when we are actually away. High tide is about an hour before sunset and there is light air movement: if I feel I've worked well by the end of the day I'd be tempted to go out, although I'm not sure I want to face all the unloading and reloading again!
Isle of Bute and Argyll, August 2000
Our holiday was really wonderful. August Scottish weather again proved remarkably fine. There were only two days in nearly a fortnight when rain deterred us from doing what we had planned, and we had several magnificent days. Of our eleven days spent actually in Scotland, we sailed on six of them.
We enjoyed our time on the Isle of Bute spent with a long-standing friend David in his parental house. His parents are now dead but his sister lives there still. David lives in Switzerland, but returns every couple of years to supervise (and pay for) necessary structural upkeep as it is a large, rambling Victorian property. He generally invites a house-full of friends for the duration, which makes for a lively week - ideal for the kids, because there are other kids to play with, and for the adults too, who have the stimulus of each other's company.
The island is relatively close to Glasgow but, on its western shore particularly, it is quiet and has much of the character of more remote Hebridean islands. We had some fine sailing off the beaches in magnificent scenery and crystal-clear water. I also took some of the other guests out - I enjoy sharing their pleasure in it.
For the second week we moved farther westward and found a delightful camp spot on the shore of Loch Sween. It was a perfect, level, grassy platform a few yards above the shore, facing the sunsets. We had words with the local farmer who let us stay there and gave us access to a water tap, and who also offered to launch our boat from their adjacent field, enabling us to keep it moored right below the tent. We actually used two tents on this trip, letting Adam and Richard share the small backpacking tent together, which they enjoyed, thus leaving us some peace and privacy in the larger dome tent. It was very close to idyllic: we were completely secluded, I was able to read The Hobbit to Adam snuggled up to the campfire for his bedtime story, and we were very little harassed by midges, which is unusual for the Scottish west coast in August.
Upon arrival, it had been a hectic day travelling in the car, the kids had been fractious and were finally in bed, it was a beautifully placid evening with perhaps half an hour left of sun before sinking behind the hills, and I took the boat out. Ghosting along the middle of the loch with barely a whisper, making myself comfortable with my head resting on the thwart staring backwards up at the sky, I was so absorbed that I turned with a start when I suddenly realized I'd nearly bumped into an island full of seals! About a dozen of them on a craggy rock, about twenty yards long and four wide, breaking the surface of the water by about three feet. The rock was actually marked on the 1:50,000 map as a small blip but I hadn'd noticed it. It lay only about 500yd offshore from where we were camped, so we all returned there together in the morning for a closer look. There were several pups among them looking very cute.
Our nearest shop was 4 miles away by boat up the loch at Tayvallich on the opposite shore, but a 20 mile trip around by car, so we experienced the novelty of a family grocery shopping expedition by sail, making a fine day trip, with a good sea-food pub dinner thrown in.
Kilmartin Glen, not far away, is a centre for some of the earliest known settlements in Scotland, so on non-sailing days there were five thousand year old stone circles, burial sites, iron age fortresses, and also near by, tiny ruined churches dating back to the early Roman missionaries of the 6thC AD, some with original 12thC stone carvings still intact, as well as Castle Sween to explore. But I must say that I loved the sailing most: exploring the little islands, anchorages and unfamiliar harbour entrances. It is completely absorbing, demanding a wonderful combination of attention to physical coordination and judgment. That is what I find immensely satisfying about mountaineering too: this combination of physical challenges together with the continual need for reassessment of the situation in the light of one's knowledge of one's own abilities and of the objective dangers.
Tuesday 29th August 2000
I picked up a book from the library recently about how to build a wood and canvas kayak. I am wondering whether I could sustain the motivation and determination for such a project. This came after casually browsing for some information on glass fibre boat repairs: the boat could benefit from a little attention this year. I would like to paint her name on the hull. The word Esmerelda is just discernible written large on the side but so faded as to be almost invisible except in certain light. I'm still in two minds as to whether to call her this or Come What May, which refers to a remark made in conjuction with a decision to sail one day. To me, Esmerelda is the name of an elderly lady, and as time goes by I realize that she deserves the according level of respect.
Brother Martin and family came over the bank holiday and we sailed. Then today Adam and I happened to get the perfect combination of clear sunshine, fine breeze and high spring tide that allowed us to cross the sandbank and circumnavigate Hilbre, a feat that has been my aim since the beginning of the season, but from which I had been deterred either by too much or too little wind or insufficient tide. We spotted a dozen seals on the way, a pair of which followed us at close quarters for up to half a mile (Adam was thrilled).
Wednesday 13th September 2000
This day I was at home working, ostensibly, but there was mild, balmy sunshine and sufficient breeze to tempt me out onto the tide at midday. It was gorgeous and I made good way into the gentle south westerly air, ploshing pleasantly through the wavelets. Out of the distance, suggesting itself as a destination, appeared the HE2 East cardinal buoy that marks the east side of the West Hoyle Bank, beckoning me like a siren to go farther offshore than I have ever been, two and half miles out from the mouth of the Dee estuary. I decided I ought to be able to round it and return with the breeze behind me in time to cross the bank before the tide receded.
It was eerie being alone and so far out, with the buoy and its apparently resident population of perched seagulls on its large scaffold superstructure behung with lights, bells and other navigational symbols; the boat seemed small and fragile compared to its robust iron bulk.
On the way back the breeze became lighter. A seal investigated me closely, surfacing and blowing noisily just off the stern and rolling tummy-up as if to get a better look. Shortly afterwards the wind died.
I tried with the oars to get as far as possible, and then towed and hauled on the painter as the ebbing tide left me with barely enough depth to cover my ankles, but eventually had to deploy the anchors, abandon my vessel and walk home, some fifteen minutes back to Hoylake promenade.
Next high tide was not until midnight so I would have to walk out and wait for the flood two hours before, then row back in the dark. My main concern was to locate the boat on the vast expanse of sand in darkness; I had taken a compass bearing and, fortunately, noticed that the iron railings on the promenade caused the needle to deviate by about 30°!
Come What May / Esmerelda finally appeared as a ghostly white shadow in the torch beam. Waiting on board for the tide was a quietly serene experience, reclining quite comfortably in my 8mm wet suit in a slight drizzle. It was rather beautiful: wet but warm in the dark, with the night full of the sounds of oyster catchers and imagining the gurgling trickle of advancing water becoming louder by the minute, and a hint of moonlight behind the clouds.
20th September 2000
The season is distinctly about to slide into autumn. The apples have reached full ripeness and are starting to drop, and there are widespread hints of leaves starting to turn colour. The sunshine is warm during the day, but last night the temperature dropped nearly to 50°F for the first time probably in months. With the shorter days, the number of high tides potentially suitable for sailing becomes restricted; that combined with the higher probability of poor weather means sailing will be sporadic (I've been out only twice this month). But I love this season.
22nd November 2000
I'm enthralled with a book at the moment. It is a description of three seasons spent sailing up the eastern seaboard of North America, from Florida to the St. Lawrence, in a 16ft Wayfarer dinghy by Frank Dye. It is about exploration by sail stripped to its bare essentials, the idea of which appeals to me enormously, and is exactly the sort of sailing I'd love to do on this coast, although without some of the author's more hairy adventures. Among other things, he has opened my eyes to what an enormous and varied coast North America has - like distances on the land, the size of the coastline is difficult to conceive compared to this country.
Uber does it again with its latest service being offered in Stamford t.co/wueRNzQ6vb (via Twitter twitter.com/limoct/status/771798362890735616)
Mae is a sexy crop Top that will keep you warm and cozy during the winter! We made 23 NEW special prints and updated it to Gen.X Classic.
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Jonsrud Viewpoint offers one of the most classic vistas in the Pacific Northwest—a sweeping look over the Sandy River Valley, once carved by the floods and glaciers that flowed from Mount Hood. On a clear day, the mountain dominates the horizon, its snowy summit rising above layers of forest and farmland that stretch toward the Cascades.
That morning, the scene was dreamlike: a sea of fog drifted through the valley, wrapping the evergreens in shifting veils of silver. The treetops rose like islands from a clouded sea, and the soft light made the world feel hushed, suspended between earth and sky.
By afternoon, the mist had burned away, revealing a mosaic of autumn color—gold, amber, and evergreen spreading down to the river below. What began in mystery ended in clarity, as if the valley had taken a slow, luminous breath and opened its eyes to the day.
Private Rail Cars offers the Oliver Hazard Perry for hire or charter.
"Pullman built in 1954 for the Canadian National's "Super Continental", the car was rebuilt in 1982 and 1993 - 95. It was acquired by its current owner in 1997 and refurbished again in 2000.
The Oliver Hazard Perry features a master bedroom, two bedrooms with Captain's beds, two showers, a full kitchen, dining room for full meal service and a spacious lounge with large observation windows. Equipped with stereo sound system, a DVD player and wide-screen plasma TV.
Decor is a wealth of ribbon and burled mahogany woodwork throughout.
I offer commercial and editorial pet photography on a commissioned basis. And with a pet picture database of more than 200 images, I might already have what you are looking for. All pictures here can be licensed.
For licensing and commission requests: info@elkevogelsang.com
________________________
Elke Vogelsang
Commercial and editorial pet photographer
info@elkevogelsang.com
________________________
All pictures: © Elke Vogelsang
20201115_Scout_AlwaysHaveASlothWithYouInIsolation
Offered as a Public Service photo to help prevent any chance of misidentification.
Orange County, California USA
About a couple weeks ago I was offered a new career position at a major university. I thought and agonized about it for a few days. I made a list and I weighed the pros and cons of staying in Southern Utah or moving elsewhere. In the end, I turned down the career move.
One reason why I turned down the job offer is because of scenes like this and the ease and accessibility of getting to it whenever I want. It might not be a big reason for some but as a photographer outside of my day job this is important to me. I’m very fortunate to live in such a beautiful and unique part of the world. Many landscape photographers would love to live where I am. Heck, people from all over the world come and visit Utah as a once in a lifetime trip.
This was photographed earlier in the summer but I haven’t released this photo until now. I’m excited to hike and photograph the Narrows one final time this weekend. I’m hoping to get a couple more pictures of a couple places I missed earlier in the summer.
Southern Utah will draw you in with its beauty and it will keep you coming back. In my case the beauty of Southern Utah kept me here for the foreseeable future.
Equipment:
- Nikon D800e
- Nikkor 16-35mm f/4G ED VR
Software and Processing:
- Initial edits in Adobe Lightroom
- Shot 4 images at different focus points for focus stacking. Stacked in Helicon Focus
- Final post-processing in Adobe Photoshop (adjusted curves, orton effect, saturation boost, burn, dodge, added slight vignette sharpen)
Jatiluwih ricefield, Bali - Indonesia
Offer Bali Photography Tour to discover the beauty of Bali with sharing our photography secret tips and post-processing technique to improve your photography skills.
For more information regarding Bali photography tour please contact me at pandu.adnyana@yahoo.com | whatsapp: +6281338511929
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All images are copyrighted by PANDU ADNYANA. Do NOT use my images on personal or professional websites, blogs or any other digital or printing media without my explicit permission.
Most of the cars offered were in a relatively good shape. But some 15 cars were in a terrible condition, mostly caused by corrosion. I wonder what the value could be for the potential buyer. Spare parts? Garden object?
This pre-war Steyr Typ 50 was one of them.
The streamlined Steyr Typ 50 was developed in 1935 by engineer/director Karl Jenschke (1899-1969). The official presentation followed in February 1936 at the IAMA in Berlin.
The Steyr 50 was designed according to the new streamlined ideas which became more and more popular in the first half of the 1930s. Jenschke knew streamline specialist Hans Ledwinka. Although one could expect that Ledwinka or Ferdinand Porsche were involved in the development of the Typ 50 is this not true.
The Steyr 50 was quite popular in its homeland Austria. It received there the name Steyr-Baby. In neighbor country Germany was very little interest for this small car.
Typ 50 was replaced by Typ 55 in Spring 1938. It had a stronger engine but had the same body and equipment.
Seen at the viewing days of the Palmen Barnfind Collection Auction initiated by Gallery Aaldering, Brummen and provided by Classic Car Auctions, location Dordrecht.
More info: www.gallery-aaldering.com/nl/the-palmen-barnfind-collecti...
More photos: www.classiccar-auctions.com/nl/lot-details/18316/Main%20c...
984 cc 4 cylinder Boxer engine.
Ca. 750 kg.
Production Steyr 50/55 series: 1936-1940.
Production Steyr Typ 50: 1936-Spring 1938.
Original first reg. number: June 30, 1936.
No documents or reg. number present.
For sale since May 24, 2023.
Dordrecht, Einsteinstraat, May 29, 2023.
© 2023 Sander Toonen Halfweg | All Rights Reserved
My very lovely friend Tiffany Michelle Lloyd very kindly offered to use her skills to improve my rather scratchy, spotted old photos and she did a wonderful job with them. I thought it would be nice to re-post them one at a time and add a few notes.
This one was taken probably in the late 1970s or perhaps very early 80s. Back then there was no internet and it was terribly lonely for girls like me. Our only real outlet here in the UK were magazines and my favourite was World of Transvestism, which I am sure many of you UK ladies will remember.
At this time I lived with my mother but I still found times when I could dress up and be Elaine. I took these photos using an SLR camera and then developed and printed them myself to avoid taking them to the local chemist, which could have been embarrassing.
My outfit was very much the fashion at the time wearing a sweet pussy bow blouse with puffed sleeves and a fishtail skirt. I remember dreaming and wishing I could wear clothes like this each day and work in an office in the city being one of the girls and surrounded by nice male colleagues. I can't remember whether I thought of myself as a real girl or as an accepted Tgirl.
I do remember that I was very shy and quiet at the time though, and so loved dressing as a girl.
Anyway I shall post more soon.
Thank you again Tiffany! x
Keep safe everyone x
Watching the sun rise offers a profound lift to my mood.
I was planning to shot the Lone Tree, but there was too many other people already there, and several using torches, plus a couple of cars with lights on, so I moved on to a quiet spot where I could setup and wait for the sunrise, in peace.
This is an old photo, lightly re-edited using today's version of LR.
Camera - Canon EOS 5DsR;
Lens - EF 16-35 f/4L;
Settings 3mins, f/14, ISO100 @ 25mm;
Filters 2 stop hard grad to balance the sky to the lake reflection
Gitzo Tripod.
(Rynchops flavirostris)
Nyumba ya Mungu Dam
Tanzânia
(Versão portuguesa, mais abaixo)
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Skimmers, Thorns and an Imbecile: Our first Tanzanian Misadventure
The road out of Usariver was surprisingly smooth in most parts, freshly patched in places, but any comfort it might have offered was quickly erased by the guide’s aggressive driving. He weaved through the traffic like he was late for his own wedding, cutting corners, overtaking dangerously, and making poor Ana flinch every few minutes in the passenger seat.
And then, of course, there was the talking.
“You see, the problem is that the judge was completely corrupt,” he was saying. “I even paid the lawyer to talk to the judge—off the record, of course—but still, I lost the house.”
I glanced at Ana, who was gripping the door handle with one hand and wincing as he narrowly dodged a lorry. Her other hand was pressed to her temple, as if trying to block out the noise.
“So… what do you do, professionally?” he asked me, abruptly.
I hesitated. “Software development.”
“Oh! I studied that too,” he said, delighted. “But the smart ones go into sales. That’s where the money is.”
I nodded vaguely. He didn’t need encouragement—he was already back to listing his personal misfortunes in unfiltered detail.
Two hours of this. Two long hours of his monologue bouncing around the dusty interior of the vehicle, which, by the way, was filthy. It had clearly never been cleaned. Bits of old napkins fluttered in the breeze every time we opened a window, and more trash appeared each day, none of it ours.
We finally reached Kisangara, where we were supposed to pick up the local guide. Naturally, he wasn’t ready. We waited for what must have been half an hour.
“They’re just buying some chapatis,” we were told.
Chapatis, as we soon discovered, would be our staple food for nearly a week. That and samosas. With very few exceptions.
That day’s target, suggested entirely by the guide (not by us—we didn’t yet realize he had his own agenda), was the African Skimmer. A lifer for us, so we didn’t object. We had no reason to. Yet.
As we approached the dam area, my concern grew. Neither our guide nor the local seemed to know exactly which path to take. A few locals gestured and shouted that we should go another way.
He ignored them.
We ended up at the top of an impassable ravine. Dead end.
After a mix of blind guesses and backtracking, we finally found a small village. On the other side, the dam reservoir stretched into the morning haze. But the skimmers weren’t there.
We followed the shoreline for a while, encountering more obstructions. The landscape was stunning—rich with birds—but most were species we had already photographed elsewhere.
Still, the light was magical.
Then began the real madness. We went full off-road. No track, no path, just pure improvisation. We drove straight through acacia thickets, the thorny branches scraping the sides of the car and jabbing through the windows.
“Close them,” Ana muttered, shielding her arm from another jab.
We lurched over gullies and mounds, at times nearly tipping over. And strangely, I caught myself thinking: This is why you travel like this. No glossy eco-tour would bring you here.
Then another thought: And this is exactly the kind of beat-up car you want for it—scratches don’t matter when it’s already a wreck.
We finally emerged into a clearing with perfect visibility of the lake—alive with birds in every direction.
“Wait, wait,” I called out, pointing. “Malachite Kingfisher! Perfect light!”
“You already got that one earlier,” he said, without stopping.
“Yes, but this one is...”
“You need to focus,” he cut in, stepping on the gas.
I clenched my jaw. He drove another 50 meters and pointed toward the lake.
“Great White Pelican!”
I scanned. “Where?”
“There!” he insisted.
I eventually spotted it, 300 meters out at least.
“It’s too far,” I said. “Not worth a shot.”
“Take it as a record photo.”
“I don’t take record photos.”
He snorted and drove forward again, then stopped next to another pelican, this one closer.
“Is this close enough for you?” he barked.
“It’s better,” I replied carefully. It wasn’t ideal, but I didn’t want to argue.
Then we saw them—a group of 10 to 15 African Skimmers, some perched near the water, others gliding in elegant arcs before landing again. Finally.
We started photographing from a distance, hoping to get closer without disturbing them.
Suddenly, both guides got animated. “White-winged Tern!” they cried.
“We’ve got that one,” I said. “Photographed it in Australia.”
“No, no,” said our guide. “This one only occurs in Africa.”
“But isn't Chlidonias leucopterus?” I asked.
Blank stares.
To avoid seem hostile, I added, “We’ve only seen them in winter plumage. This one’s... spectacular.”
By now, the guide was out of the vehicle, camera in hand, fully focused—ironically—not on the skimmers we had come for, but on this tern. Meanwhile, the entire skimmer group took off and disappeared.
When he finally returned, he was glowing.
“Got some great shots!” he said.
“Of dots,” Ana murmured under her breath.
We drove on, passing dozens of birds that, while not new to us, would’ve made beautiful photos. He didn’t stop.
Eventually, we spotted three more skimmers resting. We managed to get a few decent shots—not quite the dramatic images I’d imagined of them skimming the water’s surface, but still, a win.
After we’d taken what we could, I asked if we could keep looking.
He drove a bit more, then veered off-track again, plowing through acacias like a man with a death wish.
I got the feeling the session was over.
“Couldn’t we keep searching for the skimmers?” I asked.
“They’ve flown. They don’t come back,” he replied, dismissively.
Just like that.
As we bounced away through the thorns once more, I stared out the window, the morning's golden light slowly turning harsh.
Disappointment settled in.
“So much for focus,” I muttered.
----------------------------------------------------------------------
Skimmers, Espinhos e um Imbecil: A nossa primeira desaventura na Tanzânia
A estrada desde Usariver até Kisangara estava, na verdade, em razoável estado — com algumas secções em obras, mas longe de ser má. O pior mesmo era a condução do nosso guia. Agressiva, impaciente, cheia de ultrapassagens perigosas e travagens bruscas que transformaram a viagem num verdadeiro teste aos nervos.
A Ana ia no banco da frente, coitada, sorte a minha. Não bastava ter de se agarrar ao puxador da porta cada vez que ele decidia jogar à roleta russa com camiões em sentido contrário, como ainda tinha de o ouvir. Durante duas horas.
“O juiz foi completamente corrupto,” dizia ele, indignado. “Até paguei ao advogado para ele comprar o juiz. Mesmo assim, tiraram-me a casa!”
Troquei olhares com a Ana, que cerrava os dentes a cada guinada.
“E tu? O que fazes profissionalmente?” — perguntou, de repente.
“Desenvolvimento de software,” respondi, meio contrariado.
“Ah, também estudei isso. Mas os inteligentes vão para vendas. É aí que está o dinheiro.”
E lá continuou, imperturbável, a contar-nos todos os detalhes dos seus problemas pessoais, do despejo à corrupção no sistema judicial, passando pelas oportunidades que achava que o mundo lhe devia.
Chegámos finalmente a Kisangara, onde devíamos apanhar o guia local. Claro que não estava pronto. Esperámos meia hora, talvez mais.
“Falta comprar os chapatis,” disseram-nos.
Chapatis — como haveríamos de descobrir, seriam a base da nossa alimentação nos cinco ou seis dias seguintes. Isso e chamuças, com raras excepções.
O objetivo do dia — proposto por ele, não por nós — era fotografar os African Skimmer. Uma espécie que ainda não tínhamos, por isso não nos opusemos. Não havia razão para isso. Ainda.
Quando nos aproximámos da barragem, comecei a ficar preocupado. Nenhum dos dois guias parecia saber exatamente qual o caminho a seguir. Alguns locais acenaram e disseram que devíamos virar noutro sentido.
Ele ignorou.
Acabámos num desnível intransponível, de onde não se via sequer o lago.
Após várias tentativas e erros, lá encontrámos uma aldeia. Ao passarmos por ela, avistámos finalmente a albufeira da barragem. Mas os skimmers não estavam lá.
Fomos seguindo a linha de água, contornando mais obstáculos. A paisagem era deslumbrante e havia aves por todo o lado, embora quase nenhuma fosse novidade para nós. Ainda assim, a luz matinal era magnífica.
E então começou o verdadeiro disparate. Entrámos em completo corta-mato, sem trilha, sem direção clara, a abrir caminho por entre acácias espinhosas que riscavam a carroçaria e entravam pelas janelas, obrigando-nos a fechá-las rapidamente. Passámos por valas, buracos e terrenos inclinados, por vezes a um triz de capotar.
E, no meio da loucura, tive um pensamento curioso: É por isto que não se vem com uma agência de turismo. Nenhum operador convencional nos traria aqui.
Logo seguido por outro: E é bom que o carro seja velho — tal como o meu — assim ninguém se preocupa com os riscos na chapa.
Finalmente, saímos das acácias para uma zona aberta, com vista magnífica sobre o lago, repleta de aves.
“Espera, espera!” — exclamei. “Malachite Kingfisher! E com luz perfeita!”
“Já fotografaste um ali atrás,” respondeu, sem sequer abrandar.
“Sim, mas este está muito melhor...”
“Precisas de te focar,” interrompeu, como se estivesse a ensinar um novato.
Contive-me no que me apetecia dizer. Passou mais uns metros e apontou para o meio do lago.
“Great White Pelican!”
Procurei e não via nada.
“Aonde?”
“Ali, ao centro!”
Finalmente identifiquei a silhueta, muito ao longe.
“Está demasiado longe para uma boa fotografia,” comentei.
“Tira como foto de registo.”
“Eu não tiro fotos de registo.”
Fez uma careta, arrancou de novo e parou ao lado de outro pelicano, este bem mais próximo.
“Agora está suficientemente perto?” disse, num tom que beirava o agressivo.
“Está melhor,” respondi sem entusiamo. Não estava, mas não valia a pena acirrar mais.
Momentos depois, vimos um grupo de 10 a 15 skimmers, pousados junto à água. Alguns esvoaçavam brevemente antes de voltar a pousar. Finalmente!
Começámos a fotografar ainda à distância, para não os afugentar.
Entretanto, o guia e o guia local começaram a exclamar entusiasmados. “White-winged Tern!”
“Já temos,” respondi. “Fotografámos na Austrália.”
“Impossível. Esta espécie só existe em África.”
Questionei. “Mas não é a Chlidonias leucopterus?”
Nenhuma reação.
Como não queria hostilizá-lo, disse: “Só as tínhamos visto em plumagem de inverno. Esta está muito mais bonita.”
Quando dei por ela, o guia já estava fora do carro, a fotografar a gaivina. Ignorou por completo os skimmers. Resultado: desapareceram. O bando tinha voado.
Quando finalmente regressou ao carro, vinha radiante.
“Tirei umas grandes fotos!” disse.
“De pontos,” murmurou a Ana.
Continuámos a avançar, passando por inúmeras espécies comuns, mas lindíssimas. Nada de parar. Até que vimos outro pequeno grupo de skimmers, pousados. Fotografámos o que conseguimos — não era a imagem sonhada, com eles a deslizar sobre a água, mas era o que havia.
Depois de algum tempo, sugeri continuar a procurar.
Ele arrancou, mas, passado pouco tempo, já ia de novo em corta-mato por entre as acácias.
Ficou claro: para ele, a sessão tinha terminado.
“Não podemos continuar a procurar os skimmers?”
“Já voaram. Não voltam mais,” disse, secamente.
E pronto. Estava decidido.
Enquanto nos afastávamos, entre ramos e espinhos, o sol começava a subir e a luz perdia a sua doçura.
Fiquei a olhar pela janela, a paisagem a fugir por entre os riscos da carroçaria.
Desilusão.
“Pois... tanto foco, e nem uma foto decente,” murmurei.
==================***==================
All my photos are now organized into sets by the country where they were taken, by taxonomic order, by family, by species (often with just one photo for the rarer ones), and by the date they were taken.
So, you may find:
- All the photos for this trip Tanzânia (2025) (377)
- All the photos for this order CHARADRIIFORMES (1170)
- All the photos for this family Laridae (Larídeos) (204)
- All the photos for this species Rynchops flavirostris (1)
- All the photos taken this day 2025/04/23 (15)
==================***==================
Vyšehrad is the oldest seat of Czech princes; in fact, the local settlement was established in the mid-10 th century. Situated on a rocky promontory above the Vltava River, it offers stunning views of the city, and the park area holds hidden architectural treasures including the rare Romanesque Rotunda of St Martin, the neo-Gothic Church of Sts Peter and Paul, the national cemetery Slavín, and the underground casements housing the some of the original Baroque statues from the Charles Bridge.
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★ For Maitreya Lara - Belleza Freya - Slink Hourglass★
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Larceny Barrel Proof offers a new opportunity to experience our acclaimed wheated Bourbon mashbill in its purest form: non-chill filtered and bottled at full barrel proof. Released three times per year in January, May, and September, each offering is a bold yet balanced special Small Batch Bourbon rich with depth and distinction. Much like Larceny Small Batch and Old Fitzgerald Bottled-in-Bond, Larceny Barrel Proof is a welcome reminder of just how good wheated Bourbons can be.
Tasting Notes
Color: Dark sepia
Aroma: Toasted bread, with maple and cinnamon
Taste: Rich molasses coats the tongue, with notes of fig and hazelnut
Finish: Nuanced flavor fades into lingering warmth
heavenhilldistillery.com/larceny-barrel-proof.php
Whisky Tasting, 03/23/2024, Nashville, TN
Canon EOS-1DS
EF 35.0 mm ƒ/1.4 L
ƒ/1.4 35.0 mm 1/30 400
Instagram in B&W Only | wheremyrunningshoestakeme | Instagram in Color | Lens Wide-Open
Modern Railroading On Ancient Infrastructure
Here's a Freight Car Friday offering that offers a nice contrast in eras. Surely the builders of this railroad could never have imagined that what they built would still be in use, relevant, and profitable going on two centuries later. I'm also sure they never could have envisioned the sheer size of trains today in length, height, and pure tonnage!
But here is the proof as we see TTX well cars loaded with colorfol double stacked domestic containers entrained in CSXT's daily hotshot Syracuse to Worcester intermodal train I022 is running late as it sails over the West Branch of the Westfield River (which is a designated National Wild and Scenic river) at MP 129.2 on modern day CSXT's Berkshire Subdivision. This double arch bridge dates from 1866 when it replaced an earlier structure dating from the Western Railroad's construction in 1841.
Three of the original bridges remain nearby, albeit bypassed over a century ago, and if you ever find yourself in the area I highly recommend you take a hike along the 5 mile out and back Keystone Arch Bridges (KAB) trail. It is a true gem of scenic and historic beauty following the river and parallel to the railroad which is never out of earshot and mostly in sight when the leaves are gone. For the student of railroad history it is the chance to walk through and over some remarkable infrastructure including a deep rock cut and two Keystone Arch Bridges that give the trail its name. I won't go into to much detail here and will instead direct you to these two links if you care to learn more: keystonearches.com/
lostnewengland.com/2022/07/boston-and-albany-railroad-arc...
Chester, Massachusetts
Saturday November 19, 2022
Thank you for taking the time to view fave & possibly make a comment. Your view on my images & my narrative is always appreciated. Thank you. Happy Days Happy Ways Happy weekend to one & all 🙏
United Airlines offers direct flights to Guam from four cities in Japan (Tokyo, Nagoya, Osaka, and Fukuoka).
ユナイテッド航空は日本各地の4都市（東京・名古屋・大阪・福岡）からグアムへ直行便を運航しています。
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✈️RWY6L↘ - N35260🇺🇸 - Boeing 737-824 - United Airlines - UA150(KIX-GUM)
*
✨Taken at Guam Antonio B. Won Pat International Airport(GUM) on May 29th, 2024, 15:21
*
📷Canon EOS R3
🔭RF200-800mm F6.3-9 IS USM (637mm)
⚙️MANUAL・F9.0・1/2500th・±0EV・ISO320(AUTO)
(DxO PureRAW v4)
*
Segaia offers African sunsets and stunning views of a dam on your doorstep - a watering-place where Zebra, Kudu, Impala, warthog and the odd leopard come to drink. Birdlife is prolific, as are large numbers of frogs, both of which treat visitors to their songs. One of the jewels of northern Gauteng, Segaia Bush Retreat offers an escape to the magic of the bush that reminds of areas far more remote. It is the perfect getaway for weary, ‘traffic-jammed’ city dwellers who do not want to spend hours on the road to get to a weekend destination, but require an atmosphere of peace and tranquillity combined with fresh air.
Info source URL: www.sa-venues.com/visit/segaiabushretreat/
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The photo was taken during 2018-08 at Segaia Bush Retreat, Buffelsdrift, Gauteng, South Africa.
I offer commercial and editorial pet photography on a commissioned basis. And with a pet picture database of more than 200 images, I might already have what you are looking for. All pictures here can be licensed.
For licensing and commission requests: info@elkevogelsang.com
________________________
Elke Vogelsang
Commercial and editorial pet photographer
info@elkevogelsang.com
________________________
All pictures: © Elke Vogelsang
20181224_Rakuya_HeadTiltingRakuya
All images available for licensing via me. I offer commercial and editorial pet photography on a commissioned basis. And with a pet picture database with thousands of hand-picked images of dogs, cats, as well as horses, I might already have what you are looking for. All pictures here can be licensed.
For licensing and commission requests: info{at}elkevogelsang.com -
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This evocative collection offers a cinematic journey through the Spanish Golden Age, a period defined by immense cultural flourishing and profound social contrasts. Each image serves as a window into the 16th and 17th centuries, blending historical atmosphere with dramatic chiaroscuro lighting. The set explores the diverse strata of imperial society: from the majestic galleons preparing for transoceanic voyages in misty harbors to the quiet, focused intensity of master painters and scholars in their studios.
The visual narrative traverses the opulence of the royal court and its noblemen, the spiritual silence of Gothic cloisters, and the gritty, vibrant life of the streets where "pícaros" share bread and veterans gather in dim taverns. High-stakes drama is captured through the clash of rapiers in shadowed alleys and the grand theatrical performances in a traditional "Corral de Comedias." Together, these frames pay homage to the era of Velázquez, Cervantes, and Lope de Vega, reimagining the textures, emotions, and legends of Spain’s most influential historical epoch.
The images have been generated by Artificial Intelligence.
Dear contacts and visitors,
I'm offering this photo in a larger resolution [1680x1050px] for you to use as a desktop wallpaper or facebook cover if you wish!
If you re-blog the photo please be kind and leave a link to the original! Thank you!
Previous desktop offer - www.flickr.com/photos/jup3nep/8613630858/
A cloud is a visible mass of liquid droplets or frozen crystals made of water or various chemicals suspended in the atmosphere above the surface of a planetary body. These suspended particles are also known as aerosols. Clouds in Earth's atmosphere are studied in the cloud physics branch of meteorology. Two processes, possibly acting together, can lead to air becoming saturated; cooling the air or adding water vapor to the air. In general, precipitation will fall to the surface; an exception is virga, which evaporates before reaching the surface.
The international cloud classification system is based on the fact clouds can show free-convective upward growth like cumulus, appear in non-convective layered sheets such as stratus, or take the form of thin fibrous wisps, as in the case of cirrus. Prefixes are used in connection with clouds: strato- for low clouds with limited convection that form mostly in layers, nimbo- for thick layered clouds that can produce moderate to heavy precipitation, alto- for middle clouds, and cirro- for high clouds.
While a majority of clouds form in Earth's troposphere, there are occasions when clouds in the stratosphere and mesosphere can be observed. These three main layers of the atmosphere where clouds may be seen are collectively known as the homosphere. Above this lies the thermosphere and exosphere, which together make up the heterosphere that marks the transition to outer space. Clouds have been observed on other planets and moons within the Solar System, but, due to their different temperature characteristics, they are composed of other substances such as methane, ammonia, and sulfuric acid.
You can read more on clouds on Wiki - en.wikipedia.org/wiki/Cloud
All images available for licensing via me. I offer commercial and editorial pet photography on a commissioned basis. And with a pet picture database with thousands of hand-picked images of dogs, cats, as well as horses, I might already have what you are looking for. All pictures here can be licensed.
For licensing and commission requests: info{at}elkevogelsang.com -
FACEBOOK | INSTAGRAM | WEBSITE
© Elke Vogelsang
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licensing dog images
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licensing pet photos
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commercial dog photographs
commercial pet photographs
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studio dog photography
studio dog photographs
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studio pet photography
studio pet photographs
license images of dogs
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commercial licenses for dog photos
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Not the great splash of color that some sunsets offer up but still an beauty!! Some rays of hope to end the day a bit of gold to warm the soul!! Photo taken at El Franco Lee Park!! Want to take this time to wish all of my Flickr friends a Happy Thanksgiving!! I know that it is really an American Holiday but we pause and give thanks for the many blessings that we have received this year!! In spite of the difficulties that we have had this year we still have so much to be thankful for!! Most of all am thankful for the many friends that I have both here on Flickr and those that stand by me when times get tough!! I am blessed to live in a place where we have such an abundance! A huge thank you for each and every one of my Flickr friends for your support and for your comments! Have a wonderful and blessed day!
Some of you will know that I am no fan of Explore and so make no big deal about it!! I take each photo one at a time and find many more photos that should be recognized!! I would normally change the settings so that most people can't see the photo but since it is Thanksgiving I'll let it be this one time! Happy Thanksgiving once again!!
DSC07909uls
Cavendish Mews is a smart set of flats in Mayfair where flapper and modern woman, the Honourable Lettice Chetwynd has set up home after coming of age and gaining her allowance. To supplement her already generous allowance, and to break away from dependence upon her family, Lettice has established herself as a society interior designer, so her flat is decorated with a mixture of elegant antique Georgian pieces and modern Art Deco furnishings, using it as a showroom for what she can offer to her well heeled clients.
Today however we are northwest of Lettice’s flat, in the working-class London suburb of Harlesden where Edith, Lettice’s maid, is paying an unexpected call on her beloved parents whilst her mistress is away visiting her own parents in Wiltshire. Edith’s father, George, works at the McVitie and Price biscuit factory in Harlesden as a Line Manager, and her mother, Ada, takes in laundry at home. They live in a small, two storey brick terrace house which opens out directly onto the street, and is far removed from the grandeur of Lettice’s Mayfair flat, but has always been a cosy and welcoming home for Edith. Usually even before she walks through the glossy black painted front door, Edith can smell the familiar scent of a mixture of Lifebuoy Soap, Borax and Robin’s Starch, which means her mother is washing the laundry of others wealthier than she in the terrace’s kitchen at the rear of the house. Yet with her father’s promotion, Edith’s mother is only laundering a few days a week now, and today, rather than soap and starch greeting her on the street, she can hear familiar laughter.
“Mum!” Edith calls out cheerily as she opens the unlocked front door and walks in. “Mum, it’s me! Is that Bert with you?”
She takes a deep breath and holds it with anticipation as she runs down the narrow corridor with excited footsteps past the front room and down into the kitchen, which serves as the heart of Edith’s parent’s home. Bursting through the kitchen door she beams and gasps with delight, for there at Ada’s old and worn round kitchen table sits her mother and her brother Bert. Edith’s little brother works aboard the SS Demosthenes as a dining saloon steward, sailing between England and Australia. Australia was where Bert spent Christmas 1922, so he wasn’t with his family for Christmas. Yet now, just like in the postcard he sent from Queensland showing a bird called a kookaburra inside the shape of the great southern continent surrounded by yellow wattle flowers, he is home on shore leave.
“Bert!” Edith gasps in delight. “You’re home!”
“Hullo Edith!” Bert says with an equally happy smile as he leaps out of the comfortable Windsor chair usually inhabited by their father and enfolds his sister in an embracing hug.
“Oh Bert.” Edith presses herself against her brother, the comforting smell of their mother’s lux soap flakes filling her nostrils. Pressing her hands against his hips, she breaks their embrace and pushes herself back. “Let me look at you then!”
Although a year younger than his sister, Bert is taller than Edith now, after a final growth spurt when he was in his late teens. Dressed in one of their mother’s home knitted jumpers and a pair of grey flannel trousers his skin looks sun kissed after spending a few days ashore in Melbourne during the height of summer in the southern hemisphere before sailing back, and the sun has given his sandy blonde hair some natural highlights.
“The sea air agrees with you, Bert.”
“More likely the Australian sun!” Ada remarks as she picks herself up out of her own chair with a slight groan. “Just look at those colourful cheeks and those freckles.” She waves her hand at her son lovingly. “We don’t usually see them until high summer.”
“Hullo Mum!” Edith walks up and embraces her mother. ‘How are you?”
“Oh, I’m grand now our Bert is home, and you are too, Edith love.” Ada says in reply, a broad smile gracing her lips and a happy brilliance in her brown eyes. “Now, put that basket down and have a seat. I’ll pop the kettle on and brew us a fresh pot.” She begins to bustle around the great blacklead range and moves the heavy kettle onto the hob. Turning back to the table she picks up the beautiful, glazed teapot in the shape of a cottage with a thatched roof with the chimney as the lid, which Edith bought for her from the Caledonian Market**, and makes a grand sweeping gesture to show Edith it’s presence. “See Edith, a special occasion calls for the use of my special teapot.”
“Any day should be a special enough day for you to use that pretty teapot that Edith gave you, Mum.” Bert says, sitting back down at the table.
“That’s what I tell her!” Edith agrees.
“But then it wouldn’t be a special teapot any more, would it?” Ada says, stepping behind Bert and going to the small tough sink the corner of the kitchen where she turns the squeaky taps and rinses out the pot. “No. It’s a special teapot for special occasions.” She takes up the yellow tea towel with red stitching that hangs over a metal rail above the range and dries the pot. “I used it on Christmas Day didn’t I, Edith love?”
“Yes,” Edith agrees. “But you haven’t used it a day since then.”
“That’s because there hasn’t been a special occasion worthy of using it,” Ada defends. “Until Bert came home, that is.” She gently squeezes her son’s left shoulder.
“I give up!” Edith throws her hands in the air. She shucks off her black three quarter length coat and hangs it on a hook by the back door. She then places her hat on one of the carved knobs of the ladderback chair drawn up to the table next to her mother’s usual seat.
“Oh I told you, Edith!” Ada chides. “Don’t put your pretty hat there, love.” She walks over to the Welsh dresser that dominates one wall of the crowded kitchen and pulls out the battered tea cannister. “It might get damaged. Such a pretty hat should sit on the table where it’s safe. You know Edith made that, don’t you Bert?”
“Yes, I do, Mum.” Bert acknowledges cheerfully. “Our Edith is the cleverest girl I know.”
“I keep saying Mum, the hat’s nothing special. And besides, I didn’t make it. It came from Petticoat Lane***, just like my coat, and it’s not new. I simply decorated the hat with bits and bobs I picked up from a Whitechapel haberdasher Miss Lettice’s char****, Mrs. Boothby, told me about.”
“Well, homemade or not, it’s still too pretty to hang there.”
“It’s my hat, Mum. I always hang it there and it’s always fine, and I promise you, it’ll be fine there today.”
“Well, suit yourself, love. You’re an adult now, just the same as Bert.” Ada remarks dismissively but looks at her daughter doubtfully as she scoops out some black dried tea leaves and puts the heaped spoonfuls into the pot. “But don’t say I didn’t warn you.”
“So,” Bert sinks back into his seat and toys with his teacup decorated with pink roses, slowly turning it in its saucer. “What’s the gossip with you then, Edith? How’s your Frank then? Mum says that she and Dad haven’t met him yet.”
“It’s become quite the mute point.” Ada remarks as she turns back from the dresser and folds her arms akimbo, frowning at her daughter.
“And I hope,” Edith defends herself, challenging her mother’s steely stare. “That she told you why.”
“I did!” Ada says crisply.
“Word is you’re meeting his mum soon, Edith.” Bert says excitedly.
“Well, not his mum. His parents died of the Spanish Flu, but I’m meeting his Granny, who is a bit like his surrogate mum.”
“That’s nerve wracking.” Bert replies.
“I know! I’m so nervous.” Edith confides, lowing her voice as she leans across the table conspiratorially and reaches for the battered McVitie and Price biscuit tin.
“That’s why I can’t get a girl to come home here.” Frank says with a wink and slight indicating nod to their mother. “Imagine meeting Mum.” He lifts the lid off the tin for his sister and lets her make her selection. “They’re all too scared of her.”
“Cheeky!” Ada says, laughing good naturedly and swatting her son with the tea towel. “Any girl would be lucky to have me as a prospective mother-in-law.” She shuffles her shoulders and tilts her head upwards as her face forms into a dignified expression. “Or boy.” she adds with undisguised meaning and importance.
“So, me and Frank are just fine, thanks Bert. We’re just tickety-boo.*****!” Edith tells her brother before popping a biscuit into her mouth.
“Tickety-boo!” Bert enthuses. “You are up on all the latest small talk and phrases, living with your Miss Chetwynd up in Mayfair.”
“She comes home with new phrases all the time.” Ada places the freshly refilled cottage ware teapot down on the table between them all. “Goodness knows I can’t keep up with her. It’s the influence of all those fine ladies and gentlemen and moving picture stars that frequent Mis Chetwynd’s flat.”
“Moving picture stars? Really” Bert asks excitedly.
“Oh Bert!” Edith scoffs, flapping her hand playfully at him. “I only answer the door to them, or serve them tea. And Miss Lettice has only had one moving picture star to tea since I’ve been there: Wanetta Ward.” She sighs. “She’s so beautiful! She works for Gainsborough Pictures******. You’re more likely to have a longer conversation with a moving picture star on board your ship as a dining saloon steward, Bert, than ever I will at Miss Lettice’s.”
“I doubt that. There aren’t that many moving picture stars sailing between Australia and home, well none that I know of. Although they are mad for moving pictures over there. There are picture houses everywhere, and they even make their own films there, just like here.”
“Anyway, I’m not the interesting one, Bert.” Edith says, seeing a way to turn the conversation to her brother and his news. “You are. Tell me about life on the ship this voyage.”
A short while later over tea and biscuits, Edith is brought up to date with Bert’s latest adventures on board his ship, and the interesting people he has served as a first-class saloon steward.
“Oh!” Ada suddenly gasps. “Bert! Aren’t you going to give Edith her present?”
“Present?” Edith asks with a querying look to her brother.
“Yes, Edith love. Don’t you remember Bert wrote it in his last postcard to us?”
Edith casts her mind back a few weeks to when her mother showed her the postcard Bert had sent from Australia.
“Right you are Mum!” Bert agrees. “So Edith, on Christmas Day, the Second Officer, Mr. Collins, organised a trip for we lads and some of the girls on the ship’s staff who were away from home for Christmas and that were at a loose end. A lot found their own amusements in Melbourne. It’s such a big and vibrant city, full of fun things to do. But about twenty of us didn’t have anywhere to go, so we said yes.”
“What did you do, Bert? What had Mr. Collins organised?” Edith asks in suspense.
“Well, Mr. Collins was born in Melbourne. Well no, actually he was born a few hours outside of Melbourne in the country at a place called Yarra Glen. It’s quite famous and lots of toffs go there to holiday, not that was where Mr. Collins took us.” Bert quickly adds, seeing the excitement in his sister’s face. “No, Mr. Collins was born on a farm out there – something they call a cattle station – and he took us all out there for a picnic on his parent’s station.”
“But a station is a railway station.” Edith mutters, shaking her head, her face crumpling in disbelief.
“Well in Australia there are railway stations and cattle station, which are big farms. So, Mr. Collins packed us all into a railway carriage at Flinders Street Railway Station and off we went. We left at ten in the morning and we didn’t get to the railway station at the Yarra Glen until nearly midday.”
“Was it hot?” Edith asks. “You always say Australia is hot around this time of year.”
“Well it was, but it was alright because we opened up our window in our carriage and poked our heads out so we could look at the passing countryside, so we had a nice breeze. The countryside is so different to here. It’s all yellow grasses and funny trees with washed out leaves: no real greenery at all so to speak, but it’s still really beautiful in its own way.”
“Hmph!” Ada snorts from her chair. “Nothing beats the Kentish countryside for beauty.”
“Well I guess beauty is a subjective thing, Mum.” Bert goes on, “Mr. Collins was telling us on the train trip down that sometimes travelling artists set up camp on his parent’s property just so that they can paint the landscape.”
“Fancy that, Frank!” Edith enthuses. “Did you like it?”
“Oh yes! It’s very pretty, in a foreign kind of way. Not many flowers. But we saw jumping kangaroos from the train on the trip down. They sat in the grass and watched us pass, and then some of them just up and jumped away. They can move very quickly when they jump. Anyway, we finally pulled into Yarra Glen. We had to wait whilst a big party of toffs and all their mountains of luggage were taken care of and packed up into cars. Mr. Collins says that there is a famous opera singer who lives out there, named Nellie Melba*******.”
“I’ve heard nellie Melba sing before!” Ada exclaims, dropping her pink and yellow floral teacup into her saucer and clapping her hands.
“You have, Mum?” Edith asks, the look of lack of comprehension on her face matching her brother’s as they both look to her.
“Well, not live of course!” Ada says, taking up her cup of tea before continuing. “But once when I was at Mrs. Hounslow’s, I heard her sing. She was playing records on her gramophone, and I asked who it was, and she invited me to stand in her parlour and listen to her recording of Nellie Melba sing ‘Ave Maria’.” Her children pull a face at the mention of their landlady, the rich and odious old widow whom they both grew up hearing about regularly, and seeing on the rare occasions she would deign to stop by to collect their rent in person, rather than her rent collector. “Now don’t be like that, children! Mrs. Hounslow’s husband died a hero in the siege of Mafeking in the Boer War.”
“And neither you, nor she will ever let us forget it.” Bert drones, rolling his eyes.
“Now I won’t have a bad word said about her, Bert.” Ada wags her finger admonishingly at her son. “She’s helped pay for many a meal in this house with her sixpences and shillings over the years, especially during the war when things were hard. You should be grateful to her. We all should be.”
“Pshaw!” Edith raises her eyes to the ceiling above. “Enough about old Widow Hounslow! Go on with your story, Bert.”
“Well,” Bert continues. “Miss Melba must have been home and hosting a big house party, but once they were all packed off, we were ushered to a charabanc******** which took us out to Mr. Collins’ family farm. Once we got to the house – which they call a homestead – Mrs. Collins, Mr, Collins’ mum, had picnic baskets for us, full of delicious sandwiches and pies and cakes. There was even beer and stout for us to drink. When Mr. Collins lead us away from the house to where we were to take our picnic, he took us to a place where there was a stream, so we could dunk the bottles of beer and stout into it to keep them warm. We tethered them to the bank with string he gave us. And so, we sat under these big trees with white bark and ate and drank and had a jolly time of it, all at Mr. Collin’s expense.”
“That was nice of him, Bert.” Edith remarks.
“It was! We were ever so grateful. He had brought a cricket bat and stumps from the house with him, so we played some cricket after luncheon until it got too warm, and then we sang Christmas carols.”
“It must have felt odd, singing Christmas carols in the summer sunshine.”
“Not really Edith.” Bert replies. “Christmas is Christmas all over the world, no matter what the weather, if you are in high spirits.”
“And the gift?” Ada says, patting her son’s arm as a reminder.
“So, when we were walking back from out picnic by the stream, I was carrying one of the picnic baskets, and I noticed what a pretty painted lid it had. When we arrived back at the homestead, I asked Mr. Collins’ mother about it. It turns out that Mr. Collin’s brother and his wife live on the property as well. She cooks for the farmhands and helps keep house for old Mrs. Collins, and she also makes picnic baskets from the reeds growing around the stream we used to keep our beer and stout warm. Her husband carves the lids and she paints them, and she sells them in Yarra Glen.” Bert reaches under the table and pushing his seat backwards, he stands up and places a picnic basket on the table. “So this is for you. It’s the picnic basket I brought back to the house, and then brought all the way from Australia for you. A belated Merry Christmas, big sister.”
Edith gasps and raises her hands to her mouth as a smile fills her face. The beautiful picnic hamper sitting proudly on the table has woven pale reed sides and two hinged lids on the top, both painted with stylised leaves and creamy yellow daisies.
“Oh Bert!” Edith gasps, as tears well in her eyes. “Oh it’s lovely!” She gets up and hurries over to her brother and embraces him. “Thank you so much!”
“I’m so glad you like it, Edith.” Bert replies. “I got more than a bit of ribbing from the other chaps on the sailing home. They took up calling me ‘Basket Bert’.”
“Oh they didn’t, Bert?” Edith cries. “I’m sorry.”
“Nothing for you be sorry for, Edith, but I afraid that I think it will stick,” Frank adds. “However it’s worth it, if you like the basket. I thought if things were still going well with Frank, you two might use it to go on a picnic in summer.”
“Oh, I will Bert!” Edith replies as she runs her hand along the thin and elegant handle. “It’s wonderful! Thank you so much!”
*The SS Demosthenes was a British steam ocean liner and refrigerated cargo ship which ran scheduled services between London and Australia via Cape Town. It stopped at ports including those in Sydney and Melbourne. She was launched in 1911 in Ireland for the Aberdeen Line and scrapped in 1931 in England. In the First World War she was an Allied troop ship.
**The original Caledonian Market, renown for antiques, buried treasure and junk, was situated in in a wide cobblestoned area just off the Caledonian Road in Islington in 1921 when this story is set. Opened in 1855 by Prince Albert, and originally called the Metropolitan Meat Markets, it was supplementary to the Smithfield Meat Market. Arranged in a rectangle, the market was dominated by a forty six metre central clock tower. By the early Twentieth Century, with the diminishing trade in live animals, a bric-a-brac market developed and flourished there until after the Second World War when it moved to Bermondsey, south of the Thames, where it flourishes today. The Islington site was developed in 1967 into the Market Estate and an open green space called Caledonian Park. All that remains of the original Caledonian Markets is the wonderful Victorian clock tower.
***Petticoat Lane Market is a fashion and clothing market in Spitalfields, London. It consists of two adjacent street markets. Wentworth Street Market and Middlesex Street Market. Originally populated by Huguenots fleeing persecution in France, Spitalfields became a center for weaving, embroidery and dying. From 1882, a wave of Jewish immigrants fleeing persecution in eastern Europe settled in the area and Spitalfields then became the true heart of the clothing manufacturing district of London. 'The Lane' was always renowned for the 'patter' and showmanship of the market traders. It was also known for being a haven for the unsavoury characters of London’s underworld and was rife with prostitutes during the late Victorian era. Unpopular with the authorities, as it was largely unregulated and in some sense illegal, as recently as the 1930s, police cars and fire engines were driven down ‘The Lane’, with alarm bells ringing, to disrupt the market.
****A charwoman, chargirl, or char, jokingly charlady, is an old-fashioned occupational term, referring to a paid part-time worker who comes into a house or other building to clean it for a few hours of a day or week, as opposed to a maid, who usually lives as part of the household within the structure of domestic service. In the 1920s, chars usually did all the hard graft work that paid live-in domestics would no longer do as they looked for excuses to leave domestic service for better paying work in offices and factories.
*****Believed to date from British colonial rule in India, and related to the Hindi expression “tickee babu”, meaning something like “everything's alright, sir”, “tickety-boo” means “everything is fine”. It was a common slang phrase that was popular in the 1920s.
******Islington Studios, often known as Gainsborough Studios, were a British film studio located on the south bank of the Regent's Canal, in Poole Street, Hoxton in Shoreditch, London which began operation in 1919. By 1920 they had a two stage studio. It is here that Alfred Hitchcock made his entrée into films.
*******Dame Nellie Melba was an Australian operatic lyric coloratura soprano. She became one of the most famous singers of the late Victorian era and the early Twentieth Century, and was the first Australian to achieve international recognition as a classical musician. She took the pseudonym "Melba" from Melbourne, her home town. Melba studied singing in Melbourne and made a modest success in performances there. After a brief and unsuccessful marriage, she moved to Europe in search of a singing career. She succeeded in London and Paris. Her repertoire was small; in her whole career she sang no more than 25 roles and was closely identified with only ten. She was known for her performances in French and Italian opera, but sang little German opera. She returned to Australia frequently during the Twentieth Century, singing in opera and concerts, and had a house, “Coombe Cottage” built for her in the Yarra Valley outside of Melbourne.
********A charabanc or "char-à-banc" is a type of horse-drawn vehicle or early motor coach, usually open-topped, more common in Britain, but also found in places like Australia during the early part of the Twentieth Century. It has benched seats arranged in rows, looking forward, commonly used for large parties, whether as public conveyances or for excursions.
This cluttered, yet cheerful domestic scene is not all it seems to be at first glance, for it is made up of part of my 1:12 size dollhouse miniatures collection. Some pieces come from my own childhood. Other items I acquired as an adult through specialist online dealers and artists who specialise in 1:12 miniatures.
Fun things to look for in this tableau include:
The central focus of our story, sitting on Ada’s table, is the wicker picnic basket that Bert brought home for Edith. In truth it is not Australian made, but was made by an unknown miniature artisan in America. The floral patterns on the top have been hand painted. The hinged lids lift, just like a real hamper, so things can be put inside.
In front of the basket stands Ada’s cottage ware teapot. Made by French ceramicist and miniature artisan Valerie Casson, it has been decorated authentically and matches in perfect detail its life-size Price Washington ‘Ye Olde Cottage Teapot’ counterparts. The top part of the thatched rood and central chimney form the lid, just like the real thing. Valerie Casson is renown for her meticulously crafted and painted miniature ceramics.
Surrounding the cottage ware teapot are non-matching teacups, saucers, a milk jug and sugar bowl, all of which have come from different miniature stockists both in Australia and the United Kingdom.
Sitting on the table in the foreground is a McVitie and Price’s Small Petite Beurre Biscuits tin, containing a selection of different biscuits. The biscuits were made by hand of polymer clay by former chef turned miniature artisan, Frances Knight. Her work is incredibly detailed and realistic, and she says that she draws her inspiration from her years as a chef and her imagination. McVitie's (Originally McVitie and Price) is a British snack food brand owned by United Biscuits. The name derives from the original Scottish biscuit maker, McVitie and Price, Ltd., established in 1830 on Rose Street in Edinburgh, Scotland. The company moved to various sites in the city before completing the St. Andrews Biscuit Works factory on Robertson Avenue in the Gorgie district in 1888. The company also established one in Glasgow and two large manufacturing plants south of the border, in Heaton Chapel, Stockport, and Harlesden, London (where Edith’s father works). McVitie and Price's first major biscuit was the McVitie's Digestive, created in 1892 by a new young employee at the company named Alexander Grant, who later became the managing director of the company. The biscuit was given its name because it was thought that its high baking soda content served as an aid to food digestion. The McVitie's Chocolate Homewheat Digestive was created in 1925. Although not their core operation, McVitie's were commissioned in 1893 to create a wedding cake for the royal wedding between the Duke of York and Princess Mary, who subsequently became King George V and Queen Mary. This cake was over two metres high and cost one hundred and forty guineas. It was viewed by 14,000 and was a wonderful publicity for the company. They received many commissions for royal wedding cakes and christening cakes, including the wedding cake for Queen Elizabeth II and Prince Phillip and Prince William and Catherine Middleton. Under United Biscuits McVitie's holds a Royal Warrant from Queen Elizabeth II.
Edith’s black dyed straw hat with purple roses and black feathers was made by an unknown artisan. 1:12 size miniature hats made to such exacting standards of quality and realism are often far more expensive than real hats are. When you think that it would sit comfortably on the tip of your index finger, yet it could cost in excess of $150.00 or £100.00, it is an extravagance. American artists seem to have the monopoly on this skill and some of the hats that I have seen or acquired over the years are remarkable. This hat is part of a larger collection I bought from an American miniature collector Marilyn Bickel.
In the background you can see Ada’s dark Welsh dresser cluttered with household items. Like Ada’s table, the Windsor chair and the ladderback chair to the left of the photo, I have had the dresser since I was a child. The shelves of the dresser have different patterned crockery and silver pots on them which have come from different miniature stockists both in Australia and the United Kingdom. There are also some rather worn and beaten looking enamelled cannisters and a bread tin in the typical domestic Art Deco design and kitchen colours of the 1920s, cream and green. Aged on purpose, these artisan pieces I recently acquired from The Dolls’ House Shop in the United Kingdom. There are also tins of various foods which would have been household staples in the 1920s when canning and preservation revolutinised domestic cookery. Amongst other foods on the dresser are a tin of Macfie’s Finest Black Treacle, two jars of P.C. Flett and Company jam, a tin of Heinz marinated apricots, a jar of Marmite, some Bisto gravy powder, some Ty-Phoo tea and some Oxo stock cubes. All these items are 1:12 size artisan miniatures made by Little Things Dollhouse Miniatures in Lancashire, with great attention to detail paid to their labels and the shapes of their jars and cans.
Robert Andrew Macfie sugar refiner was the first person to use the term term Golden Syrup in 1840, a product made by his factory, the Macfie sugar refinery, in Liverpool. He also produced black treacle.
P.C. Flett and Company was established in Kirkwall in the Orkney Islands by Peter Copeland Flett. He had inherited a small family owned ironmongers in Albert Street Kirkwall, which he inherited from his maternal family. He had a shed in the back of the shop where he made ginger ale, lemonade, jams and preserves from local produce. By the 1920s they had an office in Liverpool, and travelling representatives selling jams and preserves around Great Britain. I am not sure when the business ceased trading.
The American based Heinz food processing company, famous for its Baked Beans, 57 varieties of soups and tinend spaghetti opened a factory in Harlesden in 1919, providing a great deal of employment for the locals who were not already employed at McVitie and Price.
Marmite is a food spread made from yeast extract which although considered remarkably English, was in fact invented by German scientist Justus von Liebig although it was originally made in the United Kingdom. It is a by-product of beer brewing and is currently produced by British company Unilever. The product is notable as a vegan source of B vitamins, including supplemental vitamin B. Marmite is a sticky, dark brown paste with a distinctive, salty, powerful flavour. This distinctive taste is represented in the marketing slogan: "Love it or hate it." Such is its prominence in British popular culture that the product's name is often used as a metaphor for something that is an acquired taste or tends to polarise opinion.
In 1863, William Sumner published A Popular Treatise on Tea as a by-product of the first trade missions to China from London. In 1870, William and his son John Sumner founded a pharmacy/grocery business in Birmingham. William's grandson, John Sumner Jr. (born in 1856), took over the running of the business in the 1900s. Following comments from his sister on the calming effects of tea fannings, in 1903, John Jr. decided to create a new tea that he could sell in his shop. He set his own criteria for the new brand. The name had to be distinctive and unlike others, it had to be a name that would trip off the tongue and it had to be one that would be protected by registration. The name Typhoo comes from the Mandarin Chinese word for “doctor”. Typhoo began making tea bags in 1967. In 1978, production was moved from Birmingham to Moreton on the Wirral Peninsula, in Merseyside. The Moreton site is also the location of Burton's Foods and Manor Bakeries factories. Typhoo has been owned since July 2021 by British private-equity firm Zetland Capital. It was previously owned by Apeejay Surrendra Group of India.
The first Bisto product, in 1908, was a meat-flavoured gravy powder, which rapidly became a bestseller in Britain. It was added to gravies to give a richer taste and aroma. Invented by Messrs Roberts and Patterson, it was named "Bisto" because it "Browns, Seasons and Thickens in One". Bisto Gravy is still a household name in Britain and Ireland today, and the brand is currently owned by Premier Foods.
Oxo is a brand of food products, including stock cubes, herbs and spices, dried gravy, and yeast extract. The original product was the beef stock cube, and the company now also markets chicken and other flavour cubes, including versions with Chinese and Indian spices. The cubes are broken up and used as flavouring in meals or gravy or dissolved into boiling water to produce a bouillon. Oxo produced their first cubes in 1910 and further increased Oxo's popularity.
The large kitchen range in the background is a 1:12 miniature replica of the coal fed Phoenix Kitchen Range. A mid-Victorian model, it has hinged opening doors, hanging bars above the stove and a little bass hot water tap (used in the days before plumbed hot water).
Cavendish Mews is a smart set of flats in Mayfair where flapper and modern woman, the Honourable Lettice Chetwynd has set up home after coming of age and gaining her allowance. To supplement her already generous allowance, and to break away from dependence upon her family, Lettice has established herself as a society interior designer, so her flat is decorated with a mixture of elegant antique Georgian pieces and modern Art Deco furnishings, using it as a showroom for what she can offer to her well heeled clients.
Today we are in Lettice’s chic, dining room, which stands adjunct to her equally stylish drawing room. She has decorated it in a restrained Art Deco style with a smattering of antique pieces. It is also a place where she has showcased some prized pieces from the Portman Gallery in Soho including paintings, her silver drinks set and her beloved statue of the ‘Modern Woman’ who presides over the proceedings from the sideboard.
Lettice is hosting a luncheon for her future sister-in-law Arabella Tyrwhitt who will soon marry her eldest brother Leslie. As Arabella has no sisters, and her mother is too unwell at present to travel up to London from Wiltshire, Lettice has taken it upon herself to help Arabella shop and select a suitable trousseau. So, she has brought her to London to stay in Cavendish Mews, rather than opening up the Tyrwhitt’s Georgian townhouse in Curzon Street for a week, so from there she can take Arabella shopping in all the best shops in the West End, and take her to her old childhood chum and best friend Gerald Bruton’s couturier in Grosvenor Street for her wedding dress. Lettice has invited a few of her friends from her Embassy Club coterie whom Arabella met there the other night. Lettice has asked her best girlfriend, the recently married Margot Channon and one of her other dear friends Minnie Palmerston. As both ladies are married, Lettice is hoping they may be able to shed some light on what life is like as a married woman with Arabella whilst also sharing in an afternoon of delicious food and delightful gossip.
“Oh Gerald will make you the most wonderful wedding dress, Bella,” Margot enthuses to Arabella. “Believe me! He made me the most stylish gown for my wedding last year. You’ll be the talk of the Wiltshire downs.”
“I think your mother is a wonderful sport letting Lettice help you pick your wedding gown, Bella.” exclaims Minnie. “My mother wouldn’t let me choose so much as a button without her say so, and my wedding dress wasn’t anywhere near as modern and fashionable as I would have liked. It wasn’t even made by the couturier I wanted! I had to settle for old fashioned Lucille*.”
“Well,” Arabella says a little awkwardly. “My mother, err, she isn’t all that well at present, you see.”
“So,” Lettice quickly pitches in to avoid Arabella any awkward explanations. “I’m doing Lady Tyrwhitt the biggest favour whilst she is indisposed, by hosting Bella here in my flat and taking her shopping.” Arabella smiles in relief at her future sister-in-law who sits to her right at the head of the table. “I mean, what’s the point in opening up their London townhouse for just a few days when Bella is welcome here at any time?”
“And where everything is so lovely and welcoming.” Arabella says gratefully.
“Hhmm… that’s most sensible, Lettice.” Minnie says.
“And this way, I can take Bella to places like the Embassy Club whilst she’s up here, as well as take her frock shopping.” Lettice giggles with a wink at Bella. “I can show here what she’s missing being stuck in dull old Wiltshire.”
“Oh, it’s not as dull as all that, Tice,” Arabella remarks, her face flushing with mild embarrassment as she feels so unworldly in comparison to Lettice and her smart London friends. “After all, we have cattle shows, garden parties and…”
“Cattle shows!” baulks Margot, her left hand pressing over her mouth in horror, her diamond engagement ring glinting under the light of the dining room. “How beastly! I do hope that there aren’t any cattle shows I have to go on Cornwall! I should dislike that intensely.”
“I agree!” nods Minnie, her green glass chandelier earrings bobbing about as they dangle from her lobes.
“You both grew up in London, so of course a cattle show is beastly to you two,” Lettice replies. “But Bella and I both grew up in the country, so we are used to life there. Cattle shows are part of county social life.”
“If I had to go and look at beastly… well beasts, in order to meet eligible men,” Minnie says with an air of distaste as she wrinkles her nose. “I think I’d rather stay single.”
“Good job the closest thing you’ve come to the countryside is Hyde Park on a summer’s day then isn’t it, Minnie?” retorts Lettice with a playful smile.
“I quite enjoy the county social round,” Arabella admits with a shy smile. “And whilst I’m so grateful for you taking me to nightspots around London, Tice, I don’t think I’ll ever be a nightclub kind of girl.”
“Poor darling,” Lettice teases her good naturedly as she speaks out to her other friends at the table. “She doesn’t know yet how deliciously addictive nightclubs can be.”
“We’ll fix that,” giggles Margot, reaching out a hand across the table, past the central floral arrangement of lightly fragrant white roses in a glass bowl and enveloping Arabella’s smaller hand with her own. “Don’t you worry about that Lettice.”
Picking up her thoughts on life in Wiltshire, Bella adds, “Wiltshire isn’t quite the ends of the earth socially. Don’t forget, we do have balls and parties to go to there, like your mother’s glittering Hunt Ball.”
“Yes,” titters Minnie. “Where Lettice met that dishy Selwyn Spencely!”
Margot joins in with Minnie’s girlish peals.
“Oh do stop you two!” Lettice says with a playful wave of her hand. “I’ve only had to opportunity to have luncheon with him once thus far since the ball.”
“But you are planning to see him again, aren’t you Tice?” asks Arabella.
“Of course she is,” teases Margot with a wag of her bejewelled finger. “You can see it written all over her face!”
“Lettice!” Minnie cries, pointing her her elegant finger at her friend across the table. “You’re holding out on us. You’ve arranged to see him again, haven’t you?”
“Lettice!” gasps Margot. “Not fair! Spill the beans at once!”
“Well,” Lettice admits. “He did ring me this morning.”
“And?” Margot and Minnie ask, their breath baited with excitement.
“And we’ve arranged to have luncheon again after Bella returns home to Wiltshire.”
Margot and Minnie squeal and clap with delight, gushing forth congratulations as though Lettice had just announced her engagement to Selwyn.
“I hope you aren’t putting off seeing him just because I’m here, Tice.” Bella says quietly, a guilty look crossing her pretty face.
“Not at all, Bella!” Lettice reaches over and squeezes Arabella’s hand comfortingly. “He telephoned whilst you were in the bathroom this morning. You are my guest and as such, you have my undivided attention. Mr. Selwyn Spencely can wait a few days.”
“Well, they do say that absence makes the heart grow fonder.” remarks Margot. “It certainly did for Dickie and I.”
“Where are you going, Lettice?” asks Minnie eagerly.
“I’ll tell you where, but not what day.” Lettice agrees. “The last thing I want is for you and Charles to be sitting, goggle eyed at the next table.”
“As if I would!” Minnie gasps, pressing a hand dramatically to her chest.
“As if you wouldn’t, more like!” Lettice retorts.
“Well,” Minnie looks across an Margot guiltily. “Yes, we would.”
The pair giggle conspiratorially.
“So where?” Minnie asks.
“The Café Royal.**”
“Oh how deliciously luxurious, Lettice darling!” Margot enthuses.
“I shall have Charles book us a table there every night for the fortnight after Bella leaves.” giggles Minnie teasingly, but her wink to Lettice assures her that she won’t.
“Oh Minnie!” Margot laughs. “You are awful!”
Just as Margot and Minnie break into more girlish titters, Edith, Lettice’s maid, emerges from the kitchen through the green baize door and walks towards the table with a tray on which she carries four of her home made orange curd tarts.
“Ah! What good timing!” Lettice claps her hands. “Edith, you are a brick! Ladies, dessert!”
Edith bobs a curtsey to her mistress and begins to serve the desserts to her guests first by carefully holding the tray on an angle to Arabella’s left, so she may easily help herself to one without the whole tray tipping forward and the tarts spilling onto the polished parquetry dining room floor.
“Thank you for that roast beef luncheon, Edith,” Arabella remarks as she selects the tart closest to her. “It was quite delicious.”
“You’re welcome, Miss Tyrwhitt.” Edith murmurs in reply, her face flushing with pleasure at the compliment.
Edith moves on and serves Minnie and then Margot, before finally coming back to Lettice who selects the one remaining tart from the tray. Ensuring that everyone has a replenished drink, Edith retreats to the kitchen, allowing the four ladies to carry on their conversation undisturbed by her presence.
“This looks delicious, Lettice darling.” remarks Margot as she looks down at the tart before her, the pastry a pale golden colour, a twist of candied orange and a dollop of whipped cream decorating its top.
“Yes,” concurs Minnie. “You’re so lucky Lettice. I don’t know how you manage to find such good staff in London.”
“I told you, Minnie. Mater gave me the telephone number of an excellent agency. That’s where I got Edith from. I’ll give it to you.”
“Oh,” Minnie sulks. “I think even if I employed the most perfectly qualified maid, I’d do something to muck the whole arrangement up. I usually do.”
“Good heavens, whatever are you talking about, Minnie?” Lettice exclaims.
“She’s only saying that because of her dining room faux pas.” Margot elucidates as she picks up her spoon and fork to commence eating her tart.
“What dining room faux pas?” Lettice asks.
Minnie looks around Lettice’s dining room at the restrained black japanned furnishings, white Art Deco wallpaper and elegant decorations. “I should just have done what Margot did and engaged you to decorate it for me.” she remarks as she picks up her own spoon and fork and begins to disseminate her dessert.
“What dining room faux pas?” Lettice asks again.
“At least you have taste, Lettice, unlike me.” Minnie continues uninterrupted.
“Nonsense Minnie darling, you have one of the most tasteful and fashionable wardrobes in London!” Margot counters.
“Well, it obviously doesn’t extend to my ability as an interior decorator.” Minnie grumbles back as she stabs her tart with her fork.
“Minnie, what dining room faux pas?” Lettice asks again, the smallest lilt in her raised voice betraying her frustration at being ignored.
“Well, you know how Charles’ grandfather left us the house in St John’s Wood?” Minnie asks.
“Yes,” Lettice says, laying aside her spoon and fork, leaving her trat untasted as she looks intently into the green eyes of her redheaded friend.
“When we moved in, it was full of all of old Lady Arundel’s ghastly furniture. Charles’ grandfather hadn’t done a single thing to update the place, so it was all dusty of festoons and potted palms.”
“So pre-war Edwardian!” adds Margot just before she pops the daintiest piece of tart into her mouth, smiling as she tastes it.
“Charles says to me when I complain about how dark and cluttered it is: ‘Minnie darling, why don’t you redecorate’. So of course I thought to myself that if you could do it so effortlessly, why couldn’t I?”
“I wouldn’t say effortlessly, Minnie darling.” Lettice corrects her friend. “Anyway, do go on. I’m all ears.”
“Well, I was delighted! My first real project as a wife, making a comfortable home for my husband. I asked Charles what room I should start with, and he suggested the dining room. After all, bringing potential business partners home to his dead grandmother’s fusty old dining room wouldn’t look very good, would it?”
“Indeed not, Minnie darling.” Lettice agrees, her lids lowering slightly as she concentrates on her friend’s story.
“He said that perhaps rather than throw out Lady Arundel’s dining table, I might start by picking some papers that went well with the dark furniture and red velvet seats, but would match our wonderful modern paintings which we hung in place of the muddy oils that were in there.”
“You could see where the old paintings had been by the non-faded patches of red flocked wallpaper.” Margot titters.
“That sounds ghastly,” Lettice remarks. “How sensible Charles was to suggest the walls first. Then you can decide what your new dining room furnishings will be once you are ready, and there’s no rush to fling out what you have at present.”
“Very well observed, Lettice darling.” Margot agrees.
“So where is the faux pas in that, then?” asks Lettice, looking across the roses of the centrepiece at her two friends in a perplexed fashion.
“The faux pas is what I chose!” pouts Minnie. “I’d started off so well too. I had the old black marble fireplace torn out and replaced with a lovely new surround.”
“Very streamline and modern,” Margot agrees, taking another mouthful of tart.
“Oh yes!” Minnie exclaims. “Quite to die for. Then I went to Jeffrey and Company*** looking for papers. It’s where my mother got our wallpapers for our homes when I was growing up.”
“Mine too.” affirmed Margot.
“And the assistant showed me the most divine poppies pattern on a geometric background. I thought to myself that being red, the poppies were a perfect choice for the walls.”
“It sounds perfect to me, Minnie darling.” Lettice says. “I still don’t see where the faux pas is?”
“You haven’t seen it on the walls.” Margot remarks half under her breath, looking apologetically at Minnie.
“No, it’s true Margot.” Minnie admits defeatedly with a sigh. “It sounds wonderful, but it looks positively awful!”
“Oh I wouldn’t have said that,” Margot counters. “It is rather busy and rather draws attention away from your paintings, but it isn’t awful.”
“Well Charles thinks it is! He says it’s like eating in a Maida Vale**** dining room! He doesn’t even want to eat in there now, and he certainly won’t bring any potential business partners around for dinner. He’s rather take them to his club!” Minnie whines. She drops her cutlery with a clatter onto the black japanned dining room table’s surface and hurriedly snatches her napkin from her lap. Carefully she dabs at the corners of her eyes.
“Oh Minnie!” Margot says, quickly getting up from her seat, dropping her own napkin on the seat of her chair and walking around to her friend where she wraps her arms around her shoulders comfortingly.
“Minnie darling. Please don’t cry.” Lettice gasps, standing up in her seat.
“You have modern wallpaper, but it doesn’t feel like Maida Vale in here.” Minnie says tearfully, thrusting her arms around in wild gesticulations.
Discreetly, Arabella moves Minnie’s half empty champagne flute out of her immediate reach to avoid any adding any drama with the spilling of drinks or shattering of glass to what is already an uncomfortable enough situation with the young woman sobbing in her seat whilst being comforted by her friends. Quietly Arabella wonders if the hot rush of London life with all its drama is all that good for the constitution if people behave this way over luncheon tables in the capital, and she secretly longs to retreat to the safety of her much quieter home of Garstanton Park back in Wiltshire.
“Do you need the smelling salts, Miss?” Edith, who unnoticed with Minnie’s loud crying and moaning, has slipped back into the dining room from the kitchen.
“What?” Lettice turns and registers her maid’s presence. “Ahh, no. No thank you Edith. Mrs. Palmerston is just having another one of her momentary dramas.”
“I am not!” bursts out Minnie, causing her already flushed face to go even redder as another barrage of tears and moaning escapes her shuddering frame.
“Of course you are, Minnie darling.” Lettice counters calmly in a good natured way. Turning back to her anxious maid she adds, “It will be over in a minute. Thank you, Edith.”
“Very good Miss.” Edith replies bewilderingly with raised eyebrows and an almost imperceptible shake of her head as she looks again at Mrs. Palmerston, red faced and weeping in her chair, her bare arms being rubbed by Mrs. Channon who coos and whispers quietly into her ears.
“Minnie has always been highly strung.” Lettice quietly assures Arabella whom she notices is looking particularly uncomfortable in her seat. “It will pass in a moment, and then we’ll get on with luncheon.”
After a few minutes of weeping, Minnie finally calms down, and both Lettice and Margot return to their seats to finish their desserts, all three behaving as if Minnie’s outburst had never occurred, and that such behaviour was not only understandable, but perfectly normal. Arabella, with her head down, eyes focussed squarely upon her half eaten tart says nothing and follows suit. For a few moments, nothing breaks the silence but the sound of cutlery scraping against crockery.
“I know, Minnie darling,” Lettice breaks the embargo on speaking cheerfully. “Why don’t I come and look at your dining room.”
“Oh would you?” exclaims Minnie with a sigh of relief. “Could you? Oh! That would be marvellous! What a brick you are, Lettice.” Then she pauses, her sudden happy energy draining away just as quickly. “But you can’t.” She shakes her head. “You’re redecorating Margot’s.”
Arabella unconsciously holds her breath, waiting for Minnie to start crying again.
“Well, yes I am,” Lettice agrees. “But there’s no reason why I can’t have two clients at once.”
“She’s not actually doing anything at ‘Chi an Treth’ at present,” Margot says, picking up her wine glass and draining it. “Are you Lettice darling?”
“Well I can’t right now, you see Minnie.” Lettice elucidates. “Funnily enough I’m waiting for Margot’s wallpapers to be printed by Jeffrey and Company, but they won’t be ready for a few weeks. So I can come and have a look, maybe make some recommendation for you and Charles to consider. Then if you’re happy, I can commence work after I’ve finished Margot’s.”
“Oh, but what about Bella? You’re helping her shop for her trousseau.” Minnie protests.
“I can assure you, I don’t need any help shopping for clothes.” Arabella says, releasing her pent-up breath. “Tice has pointed me in the direction of Oxford Street, so I can take myself there.”
“As it happens, we’re visiting Gerald on Thursday for Bella’s first consultation for her wedding dress. Why don’t I come on Thursday for luncheon whilst Bella and Gerald consult? She doesn’t need me to help her decide what she wants. She already has a good idea, don’t you Bella?”
Arabella nods emphatically.
“Well Thursday is cook’s afternoon off, but if you think you could cope with some sandwiches.” Minnie says hopefully.
“That’s settled then!” Lettice says with a sigh.
Suddenly the mood in the room lightens and spontaneous conversation begins to bubble about Lettice’s dining table again as Margot and Minnie ask Arabella about her plans for her wedding dress.
*Lucile – Lucy, Lady Duff Gordon was a leading British fashion designer in the late Nineteenth and early Twentieth Centuries who use the professional name Lucile. She was the originator of the “mannequin parade”, a pre-cursor to the modern fashion parade, and is reported to have been the person to first use the word “chic” which she then popularised. Lucile is also infamous for escaping the Titanic in a lifeboat designed for forty occupants with her husband and secretary and only nine other people aboard, seven being crew members. When hemlines rose after the war, her fortunes reversed as she couldn’t change with the times, always wanting to use too much fabric on gowns that were too long and too fussy and pre-war.
**The Café Royal in Regent Street, Piccadilly was originally conceived and set up in 1865 by Daniel Nicholas Thévenon, who was a French wine merchant. He had to flee France due to bankruptcy, arriving in Britain in 1863 with his wife, Célestine, and just five pounds in cash. He changed his name to Daniel Nicols and under his management - and later that of his wife - the Café Royal flourished and was considered at one point to have the greatest wine cellar in the world. By the 1890s the Café Royal had become the place to see and be seen at. It remained as such into the Twenty-First Century when it finally closed its doors in 2008. Renovated over the subsequent four years, the Café Royal reopened as a luxury five star hotel.
***Jeffrey and Company was an English producer of fine wallpapers that operated between 1836 and the mid 1930s. Based at 64 Essex Road in London, the firm worked with a variety of designers who were active in the aesthetic and arts and crafts movements, such as E.W. Godwin, William Morris, and Walter Crane. Jeffrey and Cmpany’s success is often credited to Metford Warner, who became the company’s chief proprietor in 1871. Under his direction the firm became one of the most lucrative and influential wallpaper manufacturers in Europe. The company clarified that wallpaper should not be reserved for use solely in mansions, but should be available for rooms in the homes of the emerging upper-middle class.
****Although today quite an affluent suburb of London, in 1922 when this scene is set, Maida Vale was more of an up-and-coming middle-class area owing to its proximity to the more up market St John’s Wood to its west. It has many late Victorian and Edwardian blocks of mansion flats. Charles’ remark that he felt like he was in a Maida Vale dining room was not meant to be taken as a compliment considering they live in St John’s Wood.
Lettice’s fashionable Mayfair flat dining room is perhaps a little different to what you might think, for it is made up entirely of 1:12 size dollhouse miniatures I have collected over time.
Fun things to look for in this tableau include:
The orange curd tarts with their twist of orange atop each are made by Beautifully Handmade Miniatures in Kettering in the United Kingdom. The empty wine glasses and the glass bowl in the centre of the table are also 1:12 artisan miniatures all made of hand spun and blown glass. They too are made by Beautifully Handmade Miniatures. The vase is especially fine. If you look closely you will see that it is decorated with flower patterns made up of fine threads of glass. The cream roses in the vase were also hand made by Beautifully Handmade Miniatures. The Art Deco dinner set is part of a much larger set I acquired from a dollhouse suppliers in Shanghai, as is the cutlery set. The champagne flutes that are filled with glittering golden yellow champagne were made by Karen Ladybug Miniatures in the United Kingdom. The candlesticks were made by Warwick Miniatures in Ireland, who are well known for the quality and detail applied to their pieces.
In the background on the console table stand some of Lettice’s precious artisan purchases from the Portland Gallery in Soho. The silver drinks set is made by artisan Clare Bell at the Clare Bell Brass Works in Maine, in the United States. Each goblet is only one centimetre in height and the decanter at the far end is two- and three-quarter centimetres with the stopper inserted. Lettice’s Art Deco ‘Modern Woman’ figure is actually called ‘Christianne’ and was made and hand painted by Warwick Miniatures in Ireland. ‘Christianne’ is based on several Art Deco statues and is typical of bronze and marble statues created at that time for the luxury market in the buoyant 1920s.
Lettice’s dining room is furnished with Town Hall Miniatures furniture, which is renown for their quality. The only exceptions to the room is the Chippendale chinoiserie carver chair (the edge of which just visible on the far left-hand side of the photo) which was made by J.B.M. Miniatures.
The carpet beneath the furniture is a copy of a popular 1920s style Chinese silk rug hand made by Mackay and Gerrish in Sydney, Australia. The paintings on the walls are 1:12 artisan pieces made by Amber’s Miniatures in the United States. The geometric Art Deco wallpaper is beautiful hand impressed paper given to me by a friend, which inspired the whole “Cavendish Mews – Lettice Chetwynd” series.
A Capped Langur during an early morning foraging giving me the chance to frame him from close. Caring a hang at my close presence he offered me this very natural pose. Pics was taken in Manas National Park, Assam, India.
University Canada West-UCW, is an innovative business and technology-oriented institution located in the heart of vibrant Vancouver. Established in 2004, UCW offers a range of career-focused programs including the Bachelor of Commerce, Bachelor of Arts in Business Communication, Associate of Arts and Master of Business Administration. Courses are offered at our two downtown Vancouver campuses and online too. Offering courses online brings flexibility to education, allowing those who may not have otherwise had the opportunity to gain respected qualifications. UCW Vancouver is a University with a clear vision—to be a leading, respected independent University in Canada and abroad, known for innovation and effectiveness in preparing motivated students for professional-level careers and societal leadership. UCW Vancouver’s learning environment is dynamic and practical.
The City of Vancouver is a coastal, seaport city on the mainland of British Columbia. Located on the western half of the Burrard Peninsula, Vancouver is bounded to the north by English Bay and the Burrard Inlet and to the south by the Fraser River. It has an area of 114 square kilometers (44 square miles) with a population of 631,486 (according to the 2016 census. Vancouver is the largest city in British Columbia, and the eighth largest municipality in Canada; the Greater Vancouver metropolitan area (which includes neighboring cities such as Burnaby, Richmond, and Surrey) is the third largest in Canada. The coordinates: 49° 15' 39.14\" N, 123° 6' 50.23\" W measure from the City Hall. It has the Pacific time zone: GMT -8 as part of the Pacific maritime ecozone and has a huge and famous park called Stanley Park is one of the largest urban parks in North America. A very diverse city with a very high standard of living is also one of the most expensive cities in the world and for sure the most expensive one in North America. It is a beautiful city with water and forest and flowers all over.
A cidade de Vancouver é uma cidade costeira e portuária da Colúmbia Britânica, no Canadá. Localizada na metade ocidental da Península Burrard, Vancouver é delimitada ao norte pela English Bay e pela Burrard Inlet e ao sul pelo rio Fraser. Tem uma área de 114 quilômetros quadrados (44 milhas quadradas) com uma população de 631.486 (de acordo com o censo de 2016. Vancouver é a maior cidade da Colúmbia Britânica e o oitavo maior município do Canadá; a área metropolitana da Grande Vancouver (que inclui cidades vizinhas como Burnaby, Richmond e Surrey) é a terceira maior do Canadá. As coordenadas: 49° 15' 39.14\" N, 123° 6' 50.23\" W medem da Prefeitura. Tem o fuso horário do Pacífico : GMT -8 faz parte da ecozona marítima do Pacífico e tem um enorme e famoso parque chamado Stanley Park é um dos maiores parques urbanos da América do Norte. Uma cidade muito diversificada com um alto padrão de vida sendo também uma das mais caras cidades do mundo e com certeza a mais cara da América do Norte, é uma bela cidade com água e floresta e flores por toda parte.
La ciudad de Vancouver es una ciudad portuaria costera en la parte de tierra firma de la Columbia Británica. Ubicada en la mitad occidental de la península de Burrard, Vancouver limita al norte con English Bay y Burrard Inlet y al sur con el río Fraser. Tiene un área de 114 kilómetros cuadrados (44 millas cuadradas) con una población de 631,486 (según el censo de 2016). Vancouver es la ciudad más grande de la Columbia Británica y el octavo municipio más grande de Canadá; el área metropolitana del Gran Vancouver (que incluye ciudades vecinas como Burnaby, Richmond y Surrey) es la tercera más grande de Canadá. Las coordenadas: 49° 15' 39.14\" N, 123° 6' 50.23\" W miden desde el Ayuntamiento. Tiene la zona horaria del Pacífico : GMT -8 como parte de la ecozona marítima del Pacífico y tiene un enorme y famoso parque llamado Stanley Park es uno de los parques urbanos más grandes de América del Norte. Una ciudad muy diversa con un nivel de vida muy alto siendo también una de las más caras ciudades del mundo y seguramente la más cara de América del Norte. Es una ciudad hermosa con agua y bosques y flores por todas partes.
La ville de Vancouver est une ville portuaire côtière située sur le continent de la Colombie-Britannique. Située sur la moitié ouest de la péninsule Burrard, Vancouver est délimitée au nord par English Bay et Burrard Inlet et au sud par le fleuve Fraser. Il a une superficie de 114 kilomètres carrés (44 miles carrés) avec une population de 631 486 (selon le recensement de 2016. Vancouver est la plus grande ville de la Colombie-Britannique et la huitième plus grande municipalité du Canada; la région métropolitaine du Grand Vancouver (qui comprend villes voisines telles que Burnaby, Richmond et Surrey) est le troisième plus grand au Canada. Les coordonnées : 49° 15' 39.14\" N, 123° 6' 50.23\" W mesurent à partir de l'hôtel de ville. Il a le fuseau horaire du Pacifique : GMT -8 dans le cadre de l'écozone maritime du Pacifique et possède un immense et célèbre parc appelé Stanley Park est l'un des plus grands parcs urbains d'Amérique du Nord.Une ville très diversifiée avec un niveau de vie très élevé étant également l'un des plus chers villes du monde et certainement la plus chère d'Amérique du Nord, c'est une belle ville avec de l'eau, de la forêt et des fleurs partout.
La città di Vancouver è una città portuale costiera sulla terraferma della Columbia Britannica. Situata nella metà occidentale della penisola di Burrard, Vancouver è delimitata a nord da English Bay e Burrard Inlet ea sud dal fiume Fraser. Ha un'area di 114 chilometri quadrati (44 miglia quadrate) con una popolazione di 631.486 (secondo il censimento del 2016. Vancouver è la città più grande della Columbia Britannica e l'ottavo comune più grande del Canada; l'area metropolitana di Greater Vancouver (che comprende città vicine come Burnaby, Richmond e Surrey) è la terza più grande del Canada. Le coordinate: 49° 15' 39.14\" N, 123° 6' 50.23\" W misurano dal municipio. Ha il fuso orario del Pacifico : GMT -8 come parte dell'ecozona marittima del Pacifico e ha un enorme e famoso parco chiamato Stanley Park è uno dei più grandi parchi urbani del Nord America.Una città molto diversificata con uno standard di vita molto elevato è anche una delle più costose città del mondo e sicuramente la più cara del Nord America, è una bellissima città con acqua, foreste e fiori dappertutto.
De stad Vancouver is een kust-, zeehavenstad op het vasteland van Brits-Columbia. Vancouver, gelegen op de westelijke helft van het schiereiland Burrard, wordt in het noorden begrensd door English Bay en de Burrard Inlet en in het zuiden door de Fraser River. Het heeft een oppervlakte van 114 vierkante kilometer (44 vierkante mijl) met een bevolking van 631.486 (volgens de volkstelling van 2016. Vancouver is de grootste stad in British Columbia, en de achtste grootste gemeente in Canada; het grootstedelijk gebied van Vancouver (dat omvat naburige steden zoals Burnaby, Richmond en Surrey) is de derde grootste in Canada. De coördinaten: 49° 15' 39.14\" N, 123° 6' 50.23\" W meten vanaf het stadhuis. Het heeft de Pacific-tijdzone : GMT -8 als onderdeel van de maritieme ecozone van de Stille Oceaan en heeft een enorm en beroemd park genaamd Stanley Park is een van de grootste stadsparken in Noord-Amerika. Een zeer diverse stad met een zeer hoge levensstandaard die ook een van de duurste is steden in de wereld en zeker de duurste in Noord-Amerika.Het is een prachtige stad met water en bos en bloemen overal.
Die Stadt Vancouver ist eine Küsten- und Seehafenstadt auf dem Festland von British Columbia. Vancouver liegt in der westlichen Hälfte der Burrard-Halbinsel und wird im Norden von der English Bay und dem Burrard Inlet und im Süden vom Fraser River begrenzt. Es hat eine Fläche von 114 Quadratkilometern (44 Quadratmeilen) mit einer Bevölkerung von 631.486 (laut Volkszählung von 2016). Vancouver ist die größte Stadt in British Columbia und die achtgrößte Gemeinde in Kanada; die Metropolregion Greater Vancouver (einschließlich Vancouver). Nachbarstädte wie Burnaby, Richmond und Surrey) ist die drittgrößte in Kanada. Die Koordinaten: 49° 15' 39,14\" N, 123° 6' 50,23\" W, gemessen vom Rathaus. Es hat die pazifische Zeitzone : GMT -8 als Teil der pazifischen maritimen Ökozone und hat einen riesigen und berühmten Park namens Stanley Park ist einer der größten städtischen Parks in Nordamerika.Eine sehr vielfältige Stadt mit einem sehr hohen Lebensstandard, die auch eine der teuersten ist Städte der Welt und mit Sicherheit die teuerste in Nordamerika, eine wunderschöne Stadt mit Wasser und Wald und Blumen überall.
Η πόλη του Βανκούβερ είναι μια παραθαλάσσια, παραθαλάσσια πόλη στην ηπειρωτική χώρα της Βρετανικής Κολομβίας. Βρίσκεται στο δυτικό μισό της χερσονήσου Burrard, το Βανκούβερ οριοθετείται στα βόρεια από τον κόλπο English Bay και την είσοδο Burrard και νότια από τον ποταμό Fraser. Έχει έκταση 114 τετραγωνικά χιλιόμετρα (44 τετραγωνικά μίλια) με πληθυσμό 631.486 (σύμφωνα με την απογραφή του 2016. Το Βανκούβερ είναι η μεγαλύτερη πόλη στη Βρετανική Κολομβία και ο όγδοος μεγαλύτερος δήμος στον Καναδά· η μητροπολιτική περιοχή του Ευρύτερου Βανκούβερ (η οποία περιλαμβάνει γειτονικές πόλεις όπως το Μπέρναμπυ, το Ρίτσμοντ και το Σάρεϊ) είναι η τρίτη μεγαλύτερη στον Καναδά. Οι συντεταγμένες: 49° 15' 39,14\" Β, 123° 6' 50,23\" μέτρο Δ από το Δημαρχείο. Έχει τη ζώνη ώρας του Ειρηνικού : GMT -8 ως μέρος της θαλάσσιας οικοζώνης του Ειρηνικού και έχει ένα τεράστιο και διάσημο πάρκο που ονομάζεται Stanley Park είναι ένα από τα μεγαλύτερα αστικά πάρκα στη Βόρεια Αμερική. Μια πόλη με πολύ μεγάλη ποικιλία με πολύ υψηλό βιοτικό επίπεδο είναι επίσης μια από τις πιο ακριβές πόλεις στον κόσμο και σίγουρα η πιο ακριβή στη Βόρεια Αμερική.Είναι μια όμορφη πόλη με νερό και δάσος και λουλούδια παντού.
مدينة فانكوفر هي مدينة ساحلية ساحلية تقع على البر الرئيسي لكولومبيا البريطانية. تقع فانكوفر في النصف الغربي من شبه جزيرة بورارد ، ويحدها من الشمال خليج إنجليش ومدخل بورارد ومن الجنوب نهر فريزر. تبلغ مساحتها 114 كيلومترًا مربعًا (44 ميلًا مربعًا) ويبلغ عدد سكانها 631،486 نسمة (وفقًا لتعداد عام 2016. فانكوفر هي أكبر مدينة في كولومبيا البريطانية ، وثامن أكبر بلدية في كندا ؛ منطقة العاصمة الكبرى فانكوفر (التي تشمل المدن المجاورة مثل برنابي وريتشموند وساري) هي ثالث أكبر مدن كندا. الإحداثيات: 49 ° 15 '39.14 \ "شمالاً ، 123 ° 6' 50.23 \" غربًا من قاعة المدينة. بها المنطقة الزمنية للمحيط الهادئ : GMT -8 كجزء من منطقة المحيط الهادئ البحرية وبها حديقة ضخمة وشهيرة تسمى حديقة ستانلي وهي واحدة من أكبر المنتزهات الحضرية في أمريكا الشمالية. مدينة متنوعة للغاية مع مستوى معيشي مرتفع للغاية وهي أيضًا واحدة من أغلى مدن في العالم وبالتأكيد أغلى مدينة في أمريكا الشمالية ، إنها مدينة جميلة بها مياه وغابات وأزهار في كل مكان.
バンクーバー市は、ブリティッシュコロンビア州本土にある沿岸の港湾都市です。バラード半島の西半分に位置するバンクーバーは、北はイングリッシュベイとバラード入り江に、南はフレーザー川に囲まれています。面積は114平方キロメートル（44平方マイル）で、人口は631,486人です（2016年の国勢調査によると、バンクーバーはブリティッシュコロンビア州で最大の都市であり、カナダで8番目に大きい自治体です。バーナビー、リッチモンド、サリーなどの近隣の都市は、カナダで3番目に大きい都市です。座標：市庁舎から北緯49度15分39.14インチ、西経123度6分50.23インチ。太平洋のタイムゾーンがあります。 ：太平洋海事エコゾーンの一部としてのGMT -8で、スタンレーパークと呼ばれる巨大で有名な公園があります。これは北米で最大の都市公園の1つです。非常に多様な都市であり、生活水準も非常に高く、最も高価な都市の1つです。世界の都市、そして確かに北米で最も高価な都市です。それは水と森と花がいたるところにある美しい都市です。
वैंकूवर शहर ब्रिटिश कोलंबिया की मुख्य भूमि पर एक तटीय, बंदरगाह शहर है। बर्रार्ड प्रायद्वीप के पश्चिमी भाग में स्थित, वैंकूवर उत्तर में इंग्लिश बे और बर्रार्ड इनलेट और दक्षिण में फ्रेजर नदी से घिरा है। इसका क्षेत्रफल 631,486 (2016 की जनगणना के अनुसार) की आबादी के साथ 114 वर्ग किलोमीटर (44 वर्ग मील) है। वैंकूवर ब्रिटिश कोलंबिया का सबसे बड़ा शहर है, और कनाडा में आठवीं सबसे बड़ी नगरपालिका है; ग्रेटर वैंकूवर महानगरीय क्षेत्र (जिसमें शामिल है) पड़ोसी शहर जैसे बर्नाबी, रिचमंड, और सरे) कनाडा में तीसरा सबसे बड़ा है। निर्देशांक: 49° 15' 39.14\" N, 123° 6' 50.23\" W सिटी हॉल से मापता है। इसमें प्रशांत समय क्षेत्र है : जीएमटी -8 प्रशांत समुद्री इकोज़ोन के हिस्से के रूप में और स्टेनली पार्क नामक एक विशाल और प्रसिद्ध पार्क है, जो उत्तरी अमेरिका के सबसे बड़े शहरी पार्कों में से एक है। एक बहुत ही विविध शहर जिसमें उच्च जीवन स्तर भी सबसे महंगे में से एक है दुनिया में शहर और निश्चित रूप से उत्तरी अमेरिका में सबसे महंगा। यह एक सुंदर शहर है जिसमें पानी और जंगल और फूल हैं।
溫哥華市是不列顛哥倫比亞省大陸的沿海海港城市。溫哥華位於伯拉德半島的西半部，北接英吉利灣和伯拉德灣，南接弗雷澤河。面積 114 平方公里（44 平方英里），人口 631,486 人（根據 2016 年人口普查。溫哥華是不列顛哥倫比亞省最大的城市，加拿大第八大城市；大溫哥華都會區（包括本拿比、里士滿和素裡等鄰近城市是加拿大第三大城市。坐標：49° 15' 39.14\" N, 123° 6' 50.23\" W 從市政廳測量。它有太平洋時區: 格林威治標準時間 -8 作為太平洋海洋生態區的一部分，擁有一個名為斯坦利公園的巨大而著名的公園，是北美最大的城市公園之一。一個非常多樣化的城市，生活水平很高，也是最昂貴的城市之一世界上最貴的城市，當然也是北美最貴的城市。它是一個美麗的城市，有水、森林和鮮花。
Cavendish Mews is a smart set of flats in Mayfair where flapper and modern woman, the Honourable Lettice Chetwynd has set up home after coming of age and gaining her allowance. To supplement her already generous allowance, and to break away from dependence upon her family, Lettice has established herself as a society interior designer, so her flat is decorated with a mixture of elegant antique Georgian pieces and modern Art Deco furnishings, using it as a showroom for what she can offer to her well heeled clients.
Today however, we are following Edith, Lettice’s maid, as she heads east of Mayfair, to a place far removed from the elegance and gentility of Lettice’s flat, in London’s East End. As a young woman, Edith is very interested in fashion, particularly now that she is stepping out with Mr. Willison the grocer’s delivery boy, Frank Leadbetter. Luckily like most young girls of her class, her mother has taught Edith how to sew her own clothes and she has become an accomplished dressmaker, having successfully made frocks from scratch for herself, or altered cheaper existing second-hand pieces to make them more fashionable by letting out waistlines and taking up hems. Thanks to Lettice’s Cockney charwoman*, Mrs. Boothby, who lives in nearby Poplar, Edith now has a wonderful haberdasher in Whitechapel, which she goes to on occasion on her days off when she needs something for one of her many sewing projects as she slowly adds to and updates her wardrobe. Mrs. Minkin’s Haberdashery is just a short walk from Petticoat Lane**, where Edith often picks up bargains from one of the many second-hand clothes stalls. Today she is visiting Mrs. Minkin with her friend and fellow maid, Hilda, who works for Edith’s former employer, Mrs. Plaistow and has Thursdays free until four o’clock.
“Cor, you are so lucky Edith,” remarks Hilda as the two friends stand at Mrs. Minkin’s cluttered, but well ordered shop counter. “Your Miss Lettice seems never to be home. Weekend parties and all that.”
“Are you complaining, Hilda?” Edith asks her friend as she gazes around the floor to ceiling shelves full of ribbons and bobbins, corsetry, elastics tapers, and fabrics and breathes in the smell of fabrics, and the cloves and lavender used by Mrs. Minkel to keep the moths at bay.
“Oh no!” Hilda defends with a shake of her head. “I’m so happy that you’ve got spare time in her absence to catch up with me, Edith. I just wish I had such luxury. You remember what it was like. I’m lucky if Mr. and Mrs. Plaistow go to Bournemouth for a fortnight in high summer, and even then, I get penalised by being paid board wages*** since they take Cook with them.”
“Miss Lettice has only gone down to Wiltshire for the weekend, Hilda,” Edith confirms, toying with a reel of pale blue cotton she plans to buy along with a reel of yellow and a reel of red cotton. “She’ll be back on Monday, so it would hardly be worth putting me on board wages.”
“She never does though, does she? Not even for Christmas when she goes home, and you go to your parents?”
“Well, no.” Edith admits, dropping her head as her face flushes with embarrassment. She knows how much better off she is with Lettice than in her old position as a parlour maid alongside Hilda at Mrs. Plaistow’s in Pimlico. Mrs. Plaistow is a hard employer, and very mean, whereas Lettice is the opposite, and she knows that she is very spoilt in her position as live-in domestic for a woman who is not at home almost as often as she is. “But,” she counters. “When Miss Lettice does come back, she’ll be bringing her future sister-in-law with her, and then I’ll be busy picking up after two flappers rather than one, and she often entertains when she has guests, so I’ll have my work cut out for me between cleaning and cooking for the pair of them.”
“Still, it’s not the same.” Hilda grumbles. “Even if you do have to work hard, it’s not like the hard graft I have to suffer under Mrs. Plaistow. Did I tell you that Queenie chucked in her position?”
“No!” Edith gasps, remembering Mrs. Plaistow’s cheerful head parlour maid who was kind and friendly to both her and Hilda. “She was always so lovely. You’ll miss her.”
“Will I ever.” Hilda agrees. “She’s gone home to Manchester, well to Cheshire actually. Said she’s done with the big lights of London now, and she wants to be closer to her mum now that she’s getting on a bit.”
“That’s nice for her.”
“That’s what she said, but I think she really found a new position to get away from Mrs. Plaistow and all her mean ways.”
“What’s her new position?”
“She’s working as a maid in Alderley Edge for two old spinster sisters who live in a big old Victorian villa left to them by their father who owned a cotton mill. She wrote to me a few weeks ago after she settled in. She told me that the old ladies don’t go out much as one of them is an invalid, and they seldom entertain. Half the house is shut up because it’s too hard for them to use it. There’s a cook, a gardener cum odd job man, and like you a char comes in to do the hard jobs, so she’s finding it much easier. She writes that she can even take the train in to Manchester on her afternoons off to go shopping and see her old mum.”
“That sounds perfect. Does that mean you’ll become the head parlour maid now, Hilda?”
Hilda cocks an eyebrow at her friend and snorts with derision. “Don’t make me laugh. This is Mrs. Plaistow we’re talking about.”
“Yes, but you seem the most obvious choice to fill Queenie’s spot.” Edith says cheerily. “You’ve been there for what, three years now?” Hilda nods in agreement to Edith’s question. “So, you’d be perfect.”
This time it is Hilda’s head that sinks between her shoulders in a defeated fashion, the pale brown knit of her cardigan suddenly hanging lose over her plump frame as she hunches forward slightly.
“Of course you would, Hilda!” Edith assures her friend, placing a comforting hand on her forearm.
“Mrs. Plaistow doesn’t think so. She says I need more experience.”
“Oh what rubbish!” Edith cries, the outrage and indignation for her friend’s plight palpable in her voice. “Three years is more than enough experience!”
“She’s gone and hired a new girl after putting an advertisement in The Lady****. Her name’s Agnes.”
Both girls look at one another, screw up their face at the name, mutter their disapproval and then burst into girlish laughter as they chuckle over the faces each other pulled in their shared disgust. It is then that Edith has a momentary pang of loss as she remembers the nights she and Hilda used to share in their tiny attic room at the top of Mrs. Plaistow’s tall Pimlico townhouse. It might have been cold with no heating to be had, but all the girlish silliness and fun they had made up for the lack of warmth: talking about the handsome soldiers they met on their shared days off, discussing what their weddings would be like – each being the other’s bridesmaid – and constant discussions about what was fashionable to wear.
“Mrs. Plaistow’s just being her usual penny-pinching self.” Edith remarks. “She just doesn’t want to increase your wages and pay you what you’re really worth. I bet she hired this Agnes at a lesser wage than Queenie got, and even then, I don’t think Queenie was paid her worth.”
“Probably not.” Hilda says in return.
“I don’t know why you put up with her, Hilda. There are plenty of jobs going for parlour maids. I got out and look at me now. I’ve overheard Miss Lettice talk about something called ‘the servant problem’ with some of her married lady friends, where people cannot find quality domestics like us unless they can provide good working conditions. That’s why my wage at Miss Lettice’s is higher than it was at Mrs. Plaistow’s, and why I have a nice bedroom of my own with central heating and a comfy armchair to sit in.”
“And Miss Lettice is a nice mistress.” Hilda adds. “Who’s away half the time.”
“And Miss Lettice is nice mistress.” Edith agrees. “I can always give you the details of the agency in Westminster that I registered myself with, which led Miss Lettice to me. It has a very good clientele.”
“I don’t think a duchess will pay any better than Mrs. Plaistow will.” remarks Hilda disparagingly. “Anyway, I’ve been making enquiries on my days off, not today of course, and putting my name about Westminster and St. James’, so who knows.”
“Well, the offer is there if you fancy.” Edith begins.
“Here we are, Edit, my dear!” Mrs. Minkin chortles cheerily, breaking the girls’ conversation as she appears through the door leading from her storeroom, a bolt of pretty blue floral cotton across her ample arms. “Mr. Minkin needs to keep to buying fabric and leave it to me to arrange it in my own back room.” She wags a pudgy finger decorated with a few sparkling gold rings warningly as she places the fabric down in front of the gleaming cash register. “It was hidden, but now it is found Edit my dear.”
A refugee from Odessa as a result of a pogrom***** in 1905, Mrs. Minkin’s Russian accent, still thick after nearly twenty years of living in London’s East End, muffles the h at the end of Edith’s name, making the young girl smile, for it is an endearing quality. Edith likes the Jewess proprietor with her old fashioned upswept hairdo and frilly Edwardian lace jabot running down the front of her blouse, held in place by a beautiful cameo – a gift from her equally beloved and irritating Mr. Minkin. She always has a smile and a kind word for Edith, and her generosity towards her has found Edith discover extra spools of coloured cottons or curls of pretty ribbons and other notions****** in the lining of her parcel when she unpacks it at Cavendish Mews. Mrs. Minkin always insists when Edith mentions it, that she wished all her life that she had had a daughter, but all she ever had were sons, so Edith is like a surrogate daughter to her, and as a result she gets to reap the small benefits of her largess, at least until one of her sons finally makes her happy and brings home a girl she approves of.
“Thank you, Mrs. Minkin.” Edith says.
“Have you seen the latest edition of Weldon’s*******, Edit my dear?” the older woman asks as she jots down the fabric price in pencil on a notepad by the register. “There’s a very nice pattern for a frock with side and back flounces in it.”
“That’s what this fabric is for!” Edith says excitedly. “I think it will make a lovely summer frock.”
“I thought so.” Mrs. Minkin says with a wink. “I’m getting to know my Edit’s style. No?”
Edith nods shyly in agreement.
“Now, anything else, Edit my dear?”
“I’ll take these three cottons too please, Mrs. Minkin.” Edith places her hands over the spools and rolls them forward across the glass topped counter.
“Of course, Edit my dear.” the older woman chortles. “Some buttons too?” She indicates with the sweeping open handed gesture of a proud merchandiser to a tray of beautifully coloured glass, Bakelite and resin buttons expertly laid out next to the till.
“Oh,” Edith glances down at them quickly. “No thank you Mrs. Minkin. I have some buttons at home in my button jar.”
“Nonsense!” she scoffs in reply, expertly flicking through the cards of buttons. “A new dress must have new buttons.” She withdraws a set of six faceted Art Deco glass buttons that perfectly match the blue of the flowers on the fabric Edith is buying. “You take these as a gift from me. Yes?”
“Oh, but Mrs. Minkin!” Edith begins to protest, but she is silenced by the Jewess’ wagging finger.
“I’ll just fold them in here with the dress fabric.” She announces as if nothing were more normal. “You take them home with you and when you have made the frock, you wear it in here for me so I can see my buttons.”
Then just as she is slipping the buttons into a fold in the patterned cotton, a contemplative look runs across her face. She glances at Edith and then shifts her head. “You know what would go nicely with this fabric?” she asks rhetorically as she deposits the cloth onto a pile of brown paper next to the register and leans back. Stretching her arms over a basket of various brightly coloured and patterned fabric rolls she plucks a hat stand from behind her on which sits a beautiful straw hat decorated with a brightly coloured striped ribbon and some dainty fabric flowers in the palest shade of blue and golden red. “This.” She places it on the counter between herself and the two maids, smiling proudly as though the hat were a beautiful baby.
“Oh Edith!” gasps Hilda. “Isn’t it lovely?”
“Oh yes it is.” agrees Edith.
“And with your blonde hair it would be perfect.” Hilda adds enthusiastically.
“Your friend has a good eye.” Mrs. Minkin pipes up, nodding in agreement at Hilda, blessing her with a magnanimous smile. “It would suit you very nicely.”
“Oh no, Mrs. Minkin.” Edith protests.
“Now, I can’t give it away,” the Jewess answers, squeezing her doughy chin between the thumb and forefinger of her left hand as she contemplates the pretty bow and flowers. “But for you, my dear Edit, I sell it for twelve and six.”
“Twelve and six!” gasps Edith. “Oh Mrs. Minkin, even at that generous price I could never afford it.” She gingerly reaches out and toys with one of the fabric blooms as it sits tantalisingly on the hat’s brim.
“Ahh,” sighs the older woman as she reaches over, picks up the hat stand and hat with a groan and returns it to the display top of the mahogany drawers behind her. “Pity. Your friend its right. It really would suit you.”
“I’m only a maid, Mrs. Minkin,” Edith reminds her. “And whilst I might get paid more generously than some,” She dares to glance momentarily at Hilda who does not return her gaze, distracting herself looking through a basket of balls of wool. “I’m afraid it’s Petticoat Lane for me, where I can buy a straw hat cheaply and decorate it myself with ribbons from here.”
“And you’ll do a beautiful job of it I’m sure, Edit my dear.” Mrs. Minkin replies consolingly. “Just remember to echo the colours on your new frock. Yes?”
“Alright Mrs. Minkin. I will.”
“Good girl.” Mrs. Minkin purrs.
Just as the older woman turns back to the two girls, Edith notices for the first time a small square box displayed next to the hat. The cover features the caricature of a woman in profile with a fashionable Eaton crop******** wearing a pearl necklace reaching into her handbag. “May-Fayre Handkerchiefs,” she reads aloud softly.
“Oh, I just received a delivery of them.” Mrs. Minkin reaches down and pulls open one of the drawers and withdraws another box. “They’re British made, and very good quality. Look.” She points proudly to some red writing on the face of the box. “The colours are guaranteed permanent.”
“Hankies?” Hilda queries. “You don’t need hankies, Edith. You’ve got loads of them.”
“Not for me, Hilda: for Mum,” Edith explains. “For Christmas.”
“But it’s summer. That’s months away!” Hilda splutters.
“I know, but I don’t see why I can’t do a spot of early Christmas shopping.” Edith defends her actions. “It will save me having to join the crowds desperately looking for gifts in December. How much are they Mrs. Minkin?”
“They’re three shillings and ninepence.” Mrs. Minkin replies. “You’re a sensible girl, Edit my dear. You shop for bargains, and you look for gifts all year round. What a pity you aren’t Jewish. You’d make a good wife for my Gideon.”
“No thank you, Mrs. Minkin,” Edith laughs. “No matchmaking for me.”
“Never mind.” Mrs. Minkin chuckles, joining in Edith’s good-natured laughing as she carefully folds brown paper around Edith’s fabric, buttons, box of handkerchiefs and spools of cotton.
“Besides,” Edith adds. “I already have a chap I’m walking out with. I can’t very well walk out with two, can I?”
“Well, a clever girl like you must have dozens of young men vying for her attentions, I’m sure.” The older woman ties Edith’s purchases up with some twine which she expertly trims with a pair of sharp shears.
“I wouldn’t say dozens. Anyway, just one will do me fine, Mrs. Minkin.”
“Now, the fabric is six shillings,” the proprietoress mutters, half to herself. “And the handkerchiefs three shillings and ninepence. With the three cottons, that comes to ten shillings exactly.” She enters the price into the register which clunks and groans noisily before the bright ting of a bell heralds the opening of the cash drawer at the bottom.
Edith opens her green leather handbag and pulls out her small black coin purse and carefully counts out the correct money in her palm. “Cheaper than a new straw hat.” She hands it over to Mrs. Minkin, who carefully puts it in the various denomination drawers of the till before pushing the cash drawer closed.
“Right you are Edit my dear. There you are.” Mrs. Minkin says cheerfully as she hands over Edith’s brown paper wrapped package bound with twine. “Now, what may I hep you with, my dear?” She turns her attention to Hilda.
“Me?” Hilda gulps, pressing the fingers of her right hand to her chest. “Oh, I’ve just come to keep my friend company. I don’t sew.”
“What?” The older woman’s eyes grow wide as she looks the rather dowdy brunette in the brown cardigan up and down appraisingly. “Not sew? What girl cannot sew?”
“Well I can’t,” Hilda replies. “And that’s a fact.”
“Foyl meydl*********!” gasps the Jewess aghast, her hand clasping the cameo at her throat. “All girls should know how to sew, even if badly.” She folds her arms akimbo over her large chest, a critical look on her face. “No goy********** will want to marry you if you can’t sew, my dear! Edit my dear,” She turns her attention away from Hilda momentarily. “You need to take your friend in hand and teach her how to sew.” She turns back to Hilda. “Your friend can show you. She knows how to make a silk purse from a sow’s ear. Eh?”
Hilda looks in terror at Edith, who bursts out laughing at her friend’s horrified face. Wrapping her arm comfortingly around her friend, Edith assures Mrs. Minkin that she will take Hilda under her wing. Winking conspiratorially at Hilda so that the proprietoress cannot see, she ushers her friend out of the haberdashery and back out onto the busy Whitechapel street outside with a cheery goodbye to Mrs. Minkin.
*A charwoman, chargirl, or char, jokingly charlady, is an old-fashioned occupational term, referring to a paid part-time worker who comes into a house or other building to clean it for a few hours of a day or week, as opposed to a maid, who usually lives as part of the household within the structure of domestic service. In the 1920s, chars usually did all the hard graft work that paid live-in domestics would no longer do as they looked for excuses to leave domestic service for better paying work in offices and factories.
**Petticoat Lane Market is a fashion and clothing market in Spitalfields, London. It consists of two adjacent street markets. Wentworth Street Market and Middlesex Street Market. Originally populated by Huguenots fleeing persecution in France, Spitalfields became a center for weaving, embroidery and dying. From 1882, a wave of Jewish immigrants fleeing persecution in eastern Europe settled in the area and Spitalfields then became the true heart of the clothing manufacturing district of London. 'The Lane' was always renowned for the 'patter' and showmanship of the market traders. It was also known for being a haven for the unsavoury characters of London’s underworld and was rife with prostitutes during the late Victorian era. Unpopular with the authorities, as it was largely unregulated and in some sense illegal, as recently as the 1930s, police cars and fire engines were driven down ‘The Lane’, with alarm bells ringing, to disrupt the market.
***Board wages were monies paid in lieu of meals and were paid in addition to a servant’s normal salary. Often servants were paid board wages when their employer went on holiday, or to London for the season, leaving them behind with no cook t prepare their meals. Some employers paid their servants fair board wages, however most didn’t, and servants often found themselves out of pocket fending for themselves, rather than having meals provided within the household.
****The Lady is one of Britain's longest-running women's magazines. It has been in continuous publication since 1885 and is based in London. It is particularly notable for its classified advertisements for domestic service and child care; it also has extensive listings of holiday properties.
*****Pogroms in the Russian Empire were large-scale, targeted, and repeated anti-Jewish rioting that began in the Nineteenth Century. Pogroms began to occur after Imperial Russia, which previously had very few Jews, acquired territories with large Jewish populations from the Polish–Lithuanian Commonwealth and the Ottoman Empire from 1772 to 1815. The 1905 pogrom against Jews in Odessa was the most serious pogrom of the period, with reports of up to 2,500 Jews killed. Jews fled Russia, some ending up in London’s east end, which had a reasonably large Jewish community, particularly associated with clothing manufacturing.
******In sewing and haberdashery, notions are small objects or accessories, including items that are sewn or otherwise attached to a finished article, such as buttons, snaps, and collar stays. Notions also include the small tools used in sewing, such as needles, thread, pins, marking pens, elastic, and seam rippers.
*******Created by British industrial chemist and journalist Walter Weldon Weldon’s Ladies’ Journal was the first ‘home weeklies’ magazine which supplied dressmaking patterns. Weldon’s Ladies’ Journal was first published in 1875 and continued until 1954 when it ceased publication.
********The Eton crop is a type of very short, slicked-down crop hairstyle for women. It became popular during the 1920s because it was ideal to showcase the shape of cloche hats. It was worn by Josephine Baker, among others. The name derives from its similarity to a hairstyle allegedly popular with schoolboys at Eton.
*********”Foy meydl” is Yiddish for “lazy girl”.
**********”Goy” is Yiddish for a gentile, non-Jew.
Mrs. Minkin’s cluttered haberdashers with its bright wallpaper and assortment of notions is not all it seems to be at first glance, for it is made up of part of my 1:12 size dollhouse miniatures collection. Some pieces come from my own childhood. Other items I acquired as an adult through specialist online dealers and artists who specialise in 1:12 miniatures.
Fun things to look for in this tableau include:
The pretty straw picture hat on the left, decorated with a real fabric ribbon and artificial flowers is an artisan piece and was acquired through Doreen Jeffries’ Small Wonders miniature shop in the United Kingdom. 1:12 size miniature hats made to such exacting standards of quality and realism are often far more expensive than real hats are. When you think that it would sit comfortably on the tip of your index finger, yet it could cost in excess of $150.00 or £100.00, it is an extravagance. American artists seem to have the monopoly on this skill and some of the hats that I have seen or acquired over the years are remarkable. In this case, the straw hat was made by a British artisan. In complete contrast, the hat on the right with its restrained decoration is a mass manufactured hat and came from Melody Jane’s Doll House in the United Kingdom. Contrary to popular belief, fashion at the beginning of the Roaring 20s did not feature the iconic cloche hat as a commonly worn head covering. Although invented by French milliner Caroline Reboux in 1908, the cloche hat did not start to gain popularity until 1922, so even though this story is set in that year, picture hats, a hangover from the pre-war years, were still de rigueur in fashionable society even after this. Although nowhere near as wide, heavy, voluminous or as ornate as the hats worn by women between the turn of the Twentieth Century and the Great War, the picture hats of the 1920s were still wide brimmed, although they were generally made of straw or some lightweight fabric and were decorated with a more restrained touch.
The May-Fayre handkerchief box and the lisle hose box sitting directly behind it come from Shepard’s Miniatures in the United Kingdom, who have a dizzying array of packaging pieces from the late 1800s to the 1970s. The Warner Brothers corset box behind them and the corset box sitting on the second shelf to the left were made meticulously by Little Things Dollhouse Miniatures in Lancashire. The box of Wizard tapes on the top shelf to the left and the pink corsetry box on the bottom shelf to the left I acquired from an American miniature collector Marilyn Bickel as part of a larger collection of 1:12 artisan miniature hats, gloves, accessories and haberdashery goods. Edith’s green leather handbag also comes from Marilyn Bickel’s collection.
The jewellery stand, complete with jewellery comes from a 1:12 miniature supplier in Queensland. The round mirror, which pivots, and features a real piece of mirror was a complimentary gift from the same seller.
The basket in the midground to the right, filled with embroidery items is a 1:12 miniature I have had since I was a teenager. I acquired it from a high street shop that specialised in dolls and doll house accessories.
The Superior Quality buttons on cards in the foreground next to the cash register are in truth tiny beads. They, along with basket of rolled fabrics in the left midground, the spools of cottons and the balls of wool in the basket on the right all come from various online shops who sell dollhouse miniatures.
The brightly shining cash register was supplied by Beautifully Handmade Miniatures in Kettering in the United Kingdom.
The mahogany stained chest of drawers on which the hats, jewellery, mirror and boxes stand I have had since I was around ten years old.