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Ukrainian Divine Liturgy - Hieromartyr Anthimus & Venerable Theoctistus, celebrated by Rt Revd Mitred Archpriest Mykola Matwijiwskyj
© Mazur/cbcew.org.uk
Charles D'Olive (WWI pilot trained at Chanute) presents autographed lithograph of WWI aerial combat to Octave Chanute III at Chanute's 50th anniversary dinner.
Chanute Collection, Champaign County Historical Archives
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Danelectro DJ12 Chili Dog Octave pedal.
Like the direct level at just over a half, one octave down full on and two octaves down about a quarter.
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edgar oliver & the octave doktors have made an album together. to celebrate the creation of this album we are performing material from the album at axis theatre.
a newly revealed track is here:
soundcloud.com/octave-doktors/summer-snow-edgar-oliver
the performance is five suggested dollars & copies of the album will be available.
the fundraiser for the album is here: [the video is supremely strange.]
www.indiegogo.com/projects/desire-the-sea/
we will play at 8pm sharp.
refreshments will come from your own pocket.
the facebook invite to the november 7 performance:
www.facebook.com/events/720118178041829/
more demo tracks can be heard here:
True-Tone alto neck, dinged.
Over the years Buescher appears to have made periodic alterations to the neck taper and octave pip to improve response and intonation. Such change are far from obvious to the eye.
One thing that's easy to pick out is the markings on the True-Tone alto necks. They are usually stamped with a mark on the ring above the neck's tenon sleeve. You'll find either an asterisk (*) or number one (1) on the True-Tone necks; there are also necks with two asterisks (**) floating around, though those may belong to the later New Aristocrat alto horns.
I have no idea what they're supposed to mean or why the markings are there. The asterisk and number 1 marked necks are supposed to be identical, inside and out, but I don't know. However I'm pretty sure than any True-Tone neck will fit on any True-Tone body - the tenon dimensions did not change.
The neck numbers on the New Aristocrat alto necks introduce a lot of confusion. Buescher offered three different necks with different tapers, each for a different set of playing characteristics. The numbers were 01, 02 and 03. In general if you see what looks like a True-Tone neck but it's got two digits stamped on the horn, it's a New Aristocrat neck. Could be the ** stamped necks are for the New Aristocrat as well.
Again, I do know that the New Aristocrat necks fit onto True-Tone horns. You can take a New Aristocrat 01 neck, put it on a True-Tone alto and it works great. The 01 neck tends to clear up some characteristic tuning problems the True-Tone altos have above high A or so.
The 01 neck seems to have become Buescher's standard neck taper for the early Aristocrats, so you see necks for those horns stamped with 01. The Aristocrat necks have a brace, though, so they're easily distinguishable from earlier horns.
25th January 2020 at the Recital Room, City Halls, Glasgow.
Celtic Connections Festival, www.celticconnections.com/.
Country: Ireland (Scottish resident). Style: Traditional Scottish Folk.
Lineup: Malin Lewis (scottish smallpipes), Jarlath Henderson (uilleann pipes/low whistle), .Ali Hutton (g), and guest: Shona Mooney (fiddle).
Malin Lewis from the Isle of Skye is just 20 and is studying piping on the degree course at the Royal Conservatoire. They started making his own instruments aged 14 and plays a Smallpipes with a Lindsay System Chanter (which extends the range of the instrument to two octaves). Lewis started performing with Jarlath Henderson and Ali Hutton last year and for this concert Shona Mooney was added. I have photographed Henderson, Hutton and Mooney with other groups (to view click on the musicians name in my tags)
More information: www.facebook.com/MalinmakesMusic/.
The Seventh Day within the Octave of the Epiphany
"Having laid their offerings at the feet of Jesus, as the sign of the alliance they had, in the name of all mankind, contracted with him, and laden with his graces and blessings, the Magi take their leave of the Divine Babe; for such was his will. They take their departure from Bethlehem, and the rest of the world seems a wilderness to them. Oh, if they might be permitted to fix their abode near the new-born King and his incomparable Mother! But no; God's plan for the salvation of the world requires that everything savouring of human pomp and glory should be far from him who had come to take upon himself all our miseries.
"Besides, they are to be the first messengers of the Gospel; they must go and tell to the Gentiles that the Mystery of Salvation has begun, that the earth is in possession of its Saviour, and that their salvation is nigh at hand. The star does not return to them; they needed it to find Jesus; but now they have him in their hearts, and will never lose him." ~ The Liturgical Year
Image: The Altarpiece of the Three Kings, Stefan Lochner, Cologne Cathedral.
Charles Octave Levy ‘Salome’, Museo Municipal de Bellas Artes Juan Manuel Blanes, Montevideo, Uruguay
Ukrainian Divine Liturgy - Hieromartyr Anthimus & Venerable Theoctistus, celebrated by Rt Revd Mitred Archpriest Mykola Matwijiwskyj
© Mazur/cbcew.org.uk
139947 Douglas A-4A Skyhawk. Falsely marked in Blue Angels colours. Octave Chanute Aerospace Museum 20th July 2012
edgar oliver & the octave doktors have made an album together. to celebrate the creation of this album we are performing material from the album at axis theatre.
a newly revealed track is here:
soundcloud.com/octave-doktors/summer-snow-edgar-oliver
the performance is five suggested dollars & copies of the album will be available.
the fundraiser for the album is here: [the video is supremely strange.]
www.indiegogo.com/projects/desire-the-sea/
we will play at 8pm sharp.
refreshments will come from your own pocket.
the facebook invite to the november 7 performance:
www.facebook.com/events/720118178041829/
more demo tracks can be heard here:
Late in this horn model's production run Martin started including a keywork mechanism designed to help top register C# sound with better intonation.
When you play high C# a lever attached to the octave key causes the Bis key tone hole to lower slightly, flattening the intonation a bit.
An improved, adjustable mechanism with a similar purpose also appeared on first Committee model horns; I don't know if the Committee II horns had it. The Centennial and 'Committee III' (commonly known as "The Martin") horns did not.