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The canary-yellow chapel building at the junction of Middle Road and Waterloo Street is the new home of Objectives, a centre for photography and films
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Universal, 15 Chapters, 1938. Starring Larry “Buster” Crabbe, Jean Rogers, Charles Middleton, Frank Shannon, Beatrice Roberts, Richard Alexander, Donald Kerr, C. Montague Shaw, Wheeler Oakman.
Flash Gordon’s Trip to Mars picks up almost exactly where Flash Gordon left off, with our courageous trio of interplanetary adventurers–Flash Gordon (Larry “Buster” Crabbe), Dale Arden (Jean Rogers), and Dr. Zarkov (Frank Shannon)–returning to Earth from the planet Mongo. They are greeted to a royal welcome, since their voyage has saved the Earth from being destroyed by the late Emperor Ming of Mongo. Zarkov, however, attempts to curb the Earthlings’ ebullience by cautioning them that the defeat and death of Ming does not mean that their planet is free from other threats of extraterrestrial invasion. As usual, Zarkov is correct; shortly after his warning speech, the Martian Queen Azura (Beatrice Roberts) begins an operation designed to siphon off the “nitron” (aka nitrogen) in the Earth’s atmosphere. Azura’s primary goal is to create nitron-powered weapons with which to wage a war against her mortal foes, the Clay People of Mars. She’s indifferent to the devastating effect that it will have on the Earth, while her chief adviser and military consultant regards the destruction of Earth as the main attraction of the plan. That adviser is none other than Ming (Charles Middleton), still very much alive and longing for revenge on Flash and Zarkov for toppling him from his throne and driving him into exile on Mars.
As the Earth begins to experience catastrophic floods and storms, due to the effects of Azura’s “Nitron Lamp,” Zarkov, Flash, and Dale launch another interplanetary trip to discover the cause of the catastrophes, which Zarkov has determined are due to a beam that emanates from outer space. They discover an unexpected stowaway aboard after takeoff–reporter “Happy” Hapgood (Donald Kerr), who had set out to track down Zarkov and get his opinion of the world-wide disasters. Not long after arriving on Mars, our quartet of Earth adventurers find themselves embroiled in the war between Azura and the Clay People. The latter are one-time rivals of the Queen, who have been transformed into living clay by Azura’s magical powers and banished to underground caverns from whence they carry on a guerilla war against Azura’s forces. The Clay People’s king enlists the aid of Flash and his party, as both of them want to stop Azura’s nitron-collecting plans, and, with additional aid from Prince Barin (Richard Alexander)–who arrives on Mars to try to convince the Martians to expel Ming–Flash and his party pit themselves against Azura’s magic, Ming’s machinations, Ming’s savage allies the Forest People, and many other hazards, in their quest to save the Earth.
Flash Gordon’s Trip to Mars is fully as good as the first Flash Gordon serial, although its strengths are in slightly different areas. While Trip to Mars doesn’t measure up to Flash Gordon when it comes to colorful characters and fantastic monsters, its focused plotline surpasses the episodic story of the earlier serial. In Flash Gordon, the protagonists merely responded to the perpetual perils that were hurled at them by Ming, King Vultan, and King Kala, while Ming’s own plans for destroying the Earth were largely abandoned after the first chapter in favor of his attempts to marry Dale and destroy Flash. In Trip to Mars, Flash, Dale, and Zarkov initiate events instead of just coping with them, and Ming’s new grand design drives the plot far more strongly than his earlier one, giving the good guys a clear-cut objective (the destruction of the Nitron Lamp) beyond simple escape from Mongo.
While Trip to Mars has no characters to rival Flash Gordon’s King Vultan and no bizarre beasts like the Orangopoid or the Fire Dragon, it still has excellent other-worldly atmosphere. The sets are not as varied and intricate as in the first serial, but still surpass the backdrops of almost any other chapterplay. Especially striking are Ming’s “powerhouse,” with its laboratory equipment and its disintegration room, Azura’s massive palace with its unique architectural design (particularly the futuristic pocket doors), the Clay People’s eerie caves, and the wonderfully-designed realm of the Forest People, with its twisted trees, climbing vines, hidden tunnels amid tree roots, and treehouse-like observation platforms.
In addition to the big sets, there are dozens of other major and minor props and special effects that make Trips to Mars memorably atmospheric; there’s the the Martians’ flying capes, the Martian televiewer screens (which are cleverly incorporated into the recap sequences at the beginning of each chapter), the Clay People’s vapor-healing chamber, and the bridge of light that connects Azura’s rocket tower to the rest of her palace and is powered by a simple switch like any Earthling lamp (the scene where Flash and Zarkov are first forced to cross the unsafe-looking thing is quite funny), to name but a few. I also appreciate the fact that Azura’s spaceship squadrons–her “stratosleds”–are designed differently than any of the ships in the first Flash Gordon serial; one would expect the aerial fleets of differing planets to differ in appearance. Another neat touch of internal consistency is the use of three completely different forms of salute by the three principal Martian races–Queen Azura’s subjects, the Clay People, and the Forest People.
The serial’s screenplay maintains good continuity with the previous Flash outing, despite being the work of a completely different team of writers–Ray Trampe, Norman S. Hall, Wyndham Gittens, and Herbert Dalmas. The new writing team avoids any of the clunky lines that occasionally crept into Flash Gordon’s dialogue exchanges; they also, despite having to resort to a few flashbacks to the first serial for padding purposes, manage to make their plot fit its fifteen-chapter length quite nicely. The major plot thread of the heroes’ attempts to destroy Ming and Azura’s Nitron Lamp is skillfully interwoven with several subplots–the Clay People’s efforts to regain their natural shape, the attempts by both Flash and Ming to get hold of the Black Sapphire of Kalu (a talisman that can neutralize Azura’s magic), and Ming’s plot to undermine Azura and seize the Martian throne.
Trip to Mars’ script wisely spreads its plot developments over the course of the serial, instead of introducing all its ideas in the first chapter and letting them tread water until the final one: the Clay People aren’t introduced till the second chapter or the Forest People until the sixth, while Prince Barin first arrives in Chapter Seven. The Nitron Lamp is destroyed in Chapter Nine and rebuilt over the course of the following chapters until it must be destroyed again at the climax, and one of the principal villains is killed off in Chapter Thirteen.
The cliffhangers aren’t quite as varied as in the first Flash serial, due to the lack of the various monsters that frequently attacked Flash for chapter-ending purposes in the earlier outing. However, writers still manage to avoid excessive repetition; for instance, while there are three chapter endings involving stratosled crashes, each one is set up differently–the first has Flash crashing a stratosled into another stratosled to stop it from bombing Dale and Happy, the second has a stratosled crashing on top of Flash and Zarkov, and the third has Flash and the pilots of a ’sled grapping for the controls as it soars towards yet another crash. There’s also an excellent cliffhanger in which Flash, Dale, Happy, and Zarkov are surrounded by an ever-narrowing ring of fire in the Forest People’s kingdom, and a memorably unusual one that has a hypnotized Dale stabbing an unsuspecting Flash in the back.
Though Trip to Mars has no swordfights or wrestling matches corresponding to those in Flash Gordon, it still features a nice variety of action scenes–including stratosled dogfights, fights among the vines and treetops of the Forest Kingdom, and chases through Azura’s big palace; the palace sequence in Chapter Five, which has the nimble Flash vaulting through windows to avoid the guards, is a particular standout. Directors Ford Beebe (a Universal serial veteran) and Robert Hill (a talented director who rarely escaped from low-budget independent serials and B-films) do a fine job of orchestrating these action scenes, assisted by stuntmen Eddie Parker (doubling Buster Crabbe), George DeNormand, Tom Steele, Bud Wolfe, and Jerry Frank. All of the aforementioned stuntmen, except Parker, also pop up in minor acting roles.
The performances in Trip to Mars are all first-rate; the returning actors from the first serial are all just as good as they were in Flash Gordon, while the new major players fit in smoothly. Buster Crabbe’s Flash is just as tough, chipper, athletic, and likable as in the first serial–and a good deal more wise and resourceful than before, improvising strategy and coming up with plans in tough situations instead of just trying to batter his way out. Frank Shannon’s Zarkov, as consequence of Flash’s new-found intelligence, has a reduced part, not guiding the good guys’ actions as he did in the first serial; he still functions as the scientific brains of the group, though, and is still as intense, serious, and sincere as before.
Jean Rogers, with her long blonde hair bobbed and dyed brown to better match the comic-strip version of Dale Arden (she’s also dressed in less arresting fashion), isn’t as stunning as in Flash Gordon, but is still a warm, welcome, and lovely presence. Her part here is smaller than in the first serial, though, since Ming is not romantically interested in her this time out (Ming, though no gentleman, evidently prefers blondes). Richard Alexander’s Prince Barin is a lot more self-assured when it comes to delivering dialogue this time around (helped, no doubt, by the absence of any overly high-flown lines), while his convincingly royal bearing and his commanding size are as effective as before.
Charles Middleton’s Ming is even more entertainingly sinister here than he was in Flash Gordon, getting a good deal more screen time and given a more devilish appearance by a notably forked beard. Though still given opportunities to break into tyrannical and bloodthirsty rages (particularly in his insane rant in the final chapter), Middleton spends much of the serial displaying duplicity and sly subtlety instead, since his Ming must pretend to friendship with Azura even while plotting against her. Middleton carries off this slightly more multi-faceted version of Ming masterfully, winning a few laughs with his crafty cynicism while remaining thoroughly sinister and hateful.
Beatrice Roberts does a fine job as Queen Azura, eschewing the sneering, aggressive demeanor of other serial villainesses for a regal, dignified manner (with a wryly humorous undercurrent) that contrasts interestingly with her often cruel behavior. Her Azura comes off as selfish and ruthless, but not an abusive tyrant like Ming. Donald Kerr as reporter Happy Hapgood, the other principal new character, is as controversial among fans as most other serial comedy-relief characters are. Speaking for myself, though, I found him quite likable and entertaining; he provides an amusingly commonplace point-of-view towards the fantastic world of Mars and is never obtrusive, gratingly stupid, or obnoxious. Additionally, his character is allowed to be quite heroic and helpful when the chips are down, a far cry from one-dimensional cowardly “comic” pests like Sonny Ray in Perils of Pauline or Lee Ford in SOS Coast Guard.
Wheeler Oakman is very good as Tarnak, Ming’s wily lab assistant and co-conspirator against Azura. C. Montague Shaw, concealed under heavy makeup for most of the serial, conveys an impressive air of ruined dignity as the King of the Clay People and manages to seem both sinister and sympathetic at different times. Usual hero Kane Richmond brings appropriate depth of characterization to his key role as a Martian pilot, who proves instrumental in helping Flash overthrow Ming in the later chapters. Anthony Warde has a small part as Toran, king of the Forest People, but extracts as much snarling nastiness as possible from the role. Future director Thomas Carr is his second-in-command, Kenne Duncan is the officer in charge of Azura’s airdrome, Lane Chandler and Jack Mulhall both appear as pilots of her Death Squadron, and Warner Richmond has a small role as one of Ming’s palace cohorts.
Hooper Atchley and James Blaine pop up as self-important Earth scientists, propounding ingenious and inaccurate theories as to the causes of the damage brought about by the Nitron Lamp, while Edwin Stanley is the general presiding over a council comprised of these two and additional savants. Louis Merrill (a radio actor who played character roles in several feature films) has a brief but memorable turn as the blunt and slightly uncouth Dr. Metz, who alone among the scientists has the humility to admit that Zarkov is the only one capable of unravelling the riddle of the disasters. Merrill’s characterization is so vivid that one wishes the actor had taken a larger part in this chapterplay or in other serials.
Flash Gordon’s Trip to Mars is a nearly ideal sequel, in that it manages to preserve the basic strengths of its predecessor while deviating from it in some areas and improving on it in others. It’s also a nearly ideal serial, independent of its relation to the earlier Flash Gordon; it balances good acting, atmosphere, action, and plotting in such fine style that it would still be a notable achievement if it were the sole entry in the Flash Gordon series.
Flash, Dale, and Dr. Zarkov return from their former space adventures only to find that their enemy, Ming the Merciless of planet Mongo, has a new weapon: a deadly ray that crosses space to wreak havoc on earth. Earth's only hope is for our heroes to take off again and stop the ray at its source on Mars, where they (and a stowaway) familiar to sci-fi serial fans as Happy Hapgood the space traveling reporter). Must battle Ming's ally, Queen Azura, who turns her enemies into lumpish clay people.With the aid of the Clay People and Prince Barin, Flash and his friends are triumphant in destroying the ray and putting an end to the scheme of Ming the Merciless. Can they survive 15 chapters of deadly perils? Find out next week...
The Deadly Ray From Mars was an edited version of the 1938 Universal serial "Flash Gordon's Trip to Mars" that was released to TV in a syndication package in 1966.
Mars Attacks the World was the feature version of the 1938 serial titled Flash Gordon's Trip to Mars. aka "Space Soldiers' Trip to Mars" - USA (TV title)
Mars Attacks the World is the feature compilation version of the serial Flash Gordon's Trip to Mars, while Rocket Ship is the the feature compilation of the serial Flash Gordon.
Jean Rogers as Dale Arden
Charles Middelton as Emperor Ming
Frank Shannon as Dr. Zarkov
Beatrice Roberts as Queen Azura
Richard Alexander as Prince Barin
Montague Shaw as The Clay King
Donald Kerr as Happy Hapgood the space traveling reporter.
The title of this serial was originally going to be "Flash Gordon and the Witch Queen of Mongo." It was changed so that Universal could save money by shooting the outdoor scenes on the back lot and not have to build costly sets, and by reusing the set for Emperor Ming's palace.
In the stock footage from Flash Gordon, shown in this film, as Flash is telling The Clay People about his previous encounter with Emperor Ming, Ming is bald and Dale Arden has blond hair. In this sequel, Ming has "pasted on" hair and Dale is a brunette. It has been reported that Jean Rogers (Dale Arden) had many other film roles pending at that time (1938) which had called for her to portray a brunette.
King Features Syndicate released the 3 Flash Gordon serials as well as "Buck Rogers," Red Barry", "Ace Drummond" and other comic strip cliffhangers to US TV in 1951. Because the television show Flash Gordon, starring Steve Holland as Flash, was in syndication in late 1953, the three Universal Pictures Flash Gordon theatrical serials were retitled for TV broadcast. Flash Gordon became "Space Soldiers", Flash Gordon's Trip to Mars became "Space Soldiers' Trip to Mars", and Flash Gordon Conquers the Universe became "Space Soldiers Conquer the Universe". To this day both the 3 original "Flash Gordon" serial titles and the 3 "Space Soldiers" titles are used.
Chapter Titles:
1. New Worlds To Conquer
2. The Living Dead
3. Queen of Magic
4. Ancient Enemies
5. The Boomerang
6. Treemen of Mars
7. Prisoner of Monga
8. Black Sapphire of Kalu
9. Symbol of Death
10. Incense of Forgetfulness
11. Human Bait
12. Ming the Merciless
13. Miracle of Magic
14. Beasts at Bay
15. An Eyes For An Eye
www.youtube.com/watch?v=sDQjTZvVXWU
www.youtube.com/watch?v=fF6EKawN_e8
www.youtube.com/watch?v=npiN_r7gGS4 -- Co-written by Groucho's good friend, Nunnally Johnson. Johnny Carson said that he felt like Mr. Johnson's son, looks and all.
The Campaign for Vicksburg
The primary strategic objective of the Union in the western theater of the Civil War was to obtain full control of the entire course of the Mississippi River, thus making it available for Northern commerce. Also, Union control of the Mississippi would geographically cut the Confederacy in two. By the winter of 1862-63, Union control had been established as far south as Vicksburg, and as far north as Baton Rouge. However, the Confederacy had retained control of the Mississippi between those points by holding powerful fortresses at Vicksburg and Port Hudson.
Lt. Gen. John C. Pemberton commanded the Confederate Department of Mississippi and East Louisiana. Maj. Gen. Ulysses S. Grant commanded the Union Army of the Tennessee. Both assumed command during October 1862 and both were West Pointers. Grant’s initial offensive to gain control of the Mississippi using the railroads of western Mississippi as a main supply line failed on 20 December 1862 when Confederate cavalry destroyed his base of supply. This forced Grant to return to Memphis, and sealed the fate of Maj. Gen. William T. Sherman’s cooperating amphibious expedition at Chickasaw Bayou on 27-29 December 1862. Early in1863, Grant moved the bulk of his army from Memphis to three camps in Louisiana opposite Vicksburg: Lake Providence, Milliken’s Bend, and Young’s Point.
During a miserably wet winter, Grant’s attempts to bypass Vicksburg by digging canals at Lake Providence, DeSoto Point, and Duckport all failed. Other Bayou Expeditions also failed: The Yazoo Pass Expedition at Fort Pemberton on 20 March, and the Steele’s Bayou Expedition on Rolling Fork Creek in late March. The Vicksburg defenses seemed invulnerable.
However, Grant never lost sight of his objective: "To secure footing upon dry ground on the east side of the river from which the troops could operate against Vicksburg." On 31 March, Grant marched his army southward through Louisiana, corduroying roads and building bridges as he went. He
hoped to find a lightly-defended point on the Mississippi shore south of Vicksburg.
Grant’s first plan was to cross the Mississippi River at Confederate occupied Grand Gulf. At Grant’s request, on the night of 16 April, Flag Officer David D. Porter ran the Vicksburg batteries. Porter’s seven ironclads and four transports were to provide gunnery support and transport for Grant’s troops. By 28 April, the bulk of Grant’s army had assembled at Hard Times Plantation, Louisiana, with plans to land at Grand Gulf, Mississippi. The next day, a determined effort by Porter’s ironclad gunboats failed to knock out the Grand Gulf guns. Undaunted, Grant moved his army further south to Disharoon’s Plantation.
On 30 April his men, transported by Porter’s boats (which had run the Grand Gulf batteries the previous night), landed unopposed at Bruinsburg. Moving inland, on 1 May the Union force encountered Brig. Gen. John Bowen’s Confederates five miles west of Port Gibson.
Though the Confederates were greatly outnumbered, they fought so tenaciously that an entire day was required to drive them back across Bayou Pierre. Grant then outflanked Bowen by a river crossing of Bayou Pierre at Grindstone Ford and advanced to Hankinson’s Ferry on the Big Black River. This forced Bowen to evacuate Grand Gulf. Grant immediately converted Grand Gulf to a forward supply depot. Grant decided not to advance directly on Vicksburg from Hankinson’s Ferry because of considerations of terrain and tactics.
He boldly turned northeast toward Edwards to cut the railroad. He planned to cut off Pemberton’s supplies, as well as to draw the Confederates out of their fortifications. Grant’s plan changed after the battle of Raymond on 12 May, when Maj. Gen James McPherson’s corps was attacked by Confederate Brig. Gen. John Gregg’s brigade. While at Dillon’s farm Grant was informed of the Union victory at Raymond.
He daringly decided to turn his army toward Jackson, assuming that a large Confederate force was assembling there. Gen. Joseph E. Johnston hadrecently arrived at Jackson with 5,000 Confederate troops. He abandoned Jackson on 14 May after a brief fight with Grant’s soldiers. The next day the Union army turned toward Vicksburg, leaving Sherman’s corps behind to destroy the city. Pemberton had moved 23,000 men eastward out of Vicksburg to defend his railroad supply line.
On 15 May, he marched to interdict the Union supply line at Dillon’s farm. The Union and Confederate armies clashed at Champion Hill on 16 May, where a decisive Confederate defeat forced Pemberton to withdraw toward Vicksburg. Pemberton withdrew the bulk of his army across the Big Black Bridge, leaving Bowen with a force of 7,000 men to defend a fortified bridgehead. Bowen’s defenses collapsed under Union assault early on 17 May, turning an orderly retreat into the Vicksburg defenses into a rout. By nightfall, Sherman had bridged the Big Black River at Bridgeport, and was on the road to Vicksburg.
Pemberton was able to rally his disorganized and demoralized troops in the trenches of Vicksburg. On 19 May they to repulsed an assault, primarily by Sherman’s corps. On 22 May a second assault by Grant’s entire army was also repulsed.
Unwilling to expend more lives in attempts to take the city by storm, Grant began siege operations. By the end of June, with all communication by either land or river cut off, Pemberton realized that he could neither break out nor hope for rescue by Johnston’s Army of Relief. After 47 days of siege, Pemberton accepted Grant’s terms, including the parole of all Confederate troops.
Fortress Vicksburg was officially surrendered at 10:00 a.m. on 4 July 1863. Port Hudson on the Mississippi River was now flanked and rendered inconsequential due to the surrender of Vicksburg. The river fortress was surrendered on 9 July 1863. Union control of the Mississippi was complete, and the strategic objective in the west had been achieved. Grant would write, “The fate of the Confederacy was sealed when Vicksburg fell.”
Vicksburg National Military Park
National Park Service
A United Launch Alliance (ULA) Atlas V rocket with the Mobile User Objective System (MUOS-1) satellite for the U.S. Navy lifts off from Space Launch Complex-41 at Cape Canaveral Air Force Station, Florida, on Feb. 24, 2012. Photo credit: United Launch Alliance
Touch the Art, Smell the Art, Move like the Art. . .
The current exhibition at the MU Gallery explores 17 different ways to experience art and artifacts. The show features some of the most recognizable names in contemporary art like:
Andy Warhol
Pablo Picasso
Judy Chicago
And Salvador Dali
It occurred to me while lying in bed this morning, that I could use the cap from a microscope objective holder to mate a microsope objective lens with some sort of T-mount tube. It works!
The camera body is just for show, normally it would go on the camera that took the picture.
Still over French territory, we approach a ridge called Crêts de la Neige, with GVA airport, Geneva itself, the lake, Switzerland, the Salève, and the Alps (which are back in France) beyond. Mont Blanc rises above it all.
www.flashearth.com/?lat=46.29713&lon=5.950339&z=1... www.flashearth.com/?lat=46.29713&lon=5.950339&z=1...
Objectives of School Health Programs : lnkd.in/efkvxNV
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Website: trinitycarefoundation.org/preventive/school-health-program
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Signed in person for Kayla's adventure book during Family Day at the Smithsonian Air and Space Museum, Udvar-Hazy facility, 25 Apr. 2015.
Selected as an astronaut in 1990, Currie completed the Astronaut Candidate Training Program in 1991.
A veteran of four space shuttle missions, she has accrued 1,000 hours in space. She flew as mission specialist 2, flight engineer, on STS 57 (1993), STS-70 (1995), STS-88 (the first International Space Station assembly mission - 1998) and STS-109 (2002).
STS-57/Endeavour (June 21 to July 1, 1993). The primary mission objective was the retrieval of the European Retrievable Carrier satellite (EURECA).
Additionally, the mission featured the first flight of Spacehab, a commercially provided middeck augmentation module to conduct microgravity experiments, as well as a spacewalk by two crewmembers, during which Currie operated the shuttle's robotic arm.
Spacehab carried 22 individual flight experiments in materials and life sciences research. STS-57 orbited the Earth 155 times and covered 4.1 million miles in 239 hours and 45 minutes.
STS-70/Discovery (July 13 to July 22, 1995). The five-member crew deployed the final NASA Tracking and Data Relay Satellite to complete the constellation of NASA's orbiting communication satellite system.
The crew also conducted a myriad of biomedical and remote sensing experiments. STS-70 orbited the Earth 143 times, traveling 3.7 million miles in 214 hours and 20 minutes.
STS-88/Endeavour (December 4 to December 15, 1998) was the first International Space Station assembly mission. During the 12-day mission, the U.S.-built node was mated with the Russian-built Functional Cargo Block (FGB).
The crew performed three spacewalks and the initial activation and first ingress of the station, preparing it for future assembly missions and full-time occupation. The crew also deployed two satellites, Mighty Sat 1 and SAC-A.
Currie's primary role during the mission was to operate the shuttle's 50-foot robotic arm. The mission was accomplished in 185 orbits of the Earth and covered 4.7 million miles in 283 hours and 18 minutes.
STS-109/Columbia (March 1 to March 12, 2002). STS-109 was the fourth Hubble Space Telescope (HST) servicing mission and the 108th flight of the space shuttle.
Hubble's scientific capabilities and power system were significantly upgraded with the replacement of both solar arrays and the primary power control unit, the installation of the Advanced Camera for Surveys, and a scientific instrument cooling system.
Currie's primary role was to operate the shuttle's 50-foot robot arm to retrieve and redeploy the telescope during a series of five consecutive spacewalks performed by four crewmembers.
STS-109 orbited Earth 165 times, traveling 3.9 million miles in 262 hours and 10 minutes.
This is a view from about two thirds of the way up the mountain looking at the stone signal house at the top.
Main objective of the project in development is the control of Digital Cameras (pocket or DSLR) via USB.
(not using CHDK for Canon, we really talk with the Camera via USB)
At the moment we are able to control via USB Canon and Nikon cameras (shooting immediate or in time lapse, time shutter speed)
We are working with external sensor (light, movement, sound etc) to trigger the shoot as the event is reached.
The Digital camera control with PIC Technology control is coming!
More info on pic-ap-board.blogspot.it
Harvesting Objectives
Logging is, of course, the only way to implement
objectives that focus on the generation of revenue
from timber production. However, it is also a key step
in the development of other management goals. For
example, if you wish to create new forest stands,
whether they are single-species plantations or
mixed-species multi-age natural stands, harvesting is
generally necessary to create the appropriate site
conditions (available sunlight, reduced competitive
vegetation, bare mineral soil) for the establishment
and growth of new seedlings. The type and amount of
regeneration will significantly depend on the
harvesting method that is employed. Similarly,
harvesting is necessary if you want to alter stand
structure, shapes and boundaries to create desirable
aesthetic patterns.
Business is An organization where good and services are selling and purchasing for money is called the business”. Before starting your business you have to decide about the goals and business objectives. Some business objectives like Customer services, Competitive Analysis, Change Management, Growth etc.
2013/03/05 Rally to Prosecute Oakland Police Officer MIGUEL MASSO!
"
Letter to Attorney General Kamala Harris
2/27/2013
JUSTICE FOR ALAN BLUEFORD
To: California Attorney General Kamala Harris
From: The Justice for Alan Blueford Coalition
We call upon you as the Attorney General for the State of California to prosecute Oakland Police Officer Miguel Masso for the murder of Alan Blueford.
Alan Blueford was 18 years old and was about to graduate from Skyline H.S. in Oakland. Just after midnight, on May 6, 2012, Alan and two of his friends were waiting for some girls to pick them up on 90th Ave, when a car slowly pulled up with its lights off. It was an OPD vehicle. Alan ran. OPD Officer Masso gave chase. A few blocks later, Alan was shot and killed by Masso. Masso also shot himself in the foot. Over a dozen witnesses said that Alan had no weapon and posed no threat to the officer.
Alameda County District Attorney Nancy O’Malley is derelict in her duties with respect to the Oakland Police Department. Despite the findings of continued non-compliance of the OPD by Federal Monitor Robert Warshaw, O’Malley has functioned as a rubber stamp for the OPD. She has failed to charge a single OPD officer for any criminal wrong-doing. Specifically on the killing of Alan Blueford, our coalition did a thorough analysis of the DA’s findings and found them to be biased, unprofessional and extraordinarily selective in its use of witness statements.
Some excerpts from our report:
“ALAN BLUEFORD SHOULD NEVER HAVE BEEN STOPPED.
Mr. Blueford’s stop and subsequent death were the result of racial profiling. The officers had no reason to stop these individuals other than their own racial prejudices. OPD statistics indicate that had the three individuals spotted across the street by Officers Masso and Fesmire been white, they would not have been stopped.”
“THE USE OF DEADLY FORCE BY OFFICER MASSO WAS UNJUSTIFIED, BECAUSE THE EVIDENCE SUGGESTS THAT ALAN BLUEFORD DID NOT HAVE A GUN WHEN HE WAS SHOT.
The DA’s report states: ‘Officer Masso fired a third round at Mr. Blueford, which he fired because Mr. Blueford was still looking directly at him with the gun in his hand.’ At this point — by everyone’s account — Alan was on the ground, lying flat on his back. Alan Blueford was mortally wounded by this third shot, and yet the only gun that could have been in Alan’s hand was found twenty feet away.” from where Alan lay, up an inclined driveway, ‘atop a pile of garden rocks’ and was only noticed several minutes later.”
We also call on you to reopen all the cases of OPD officer-involved shootings from the Riders case in 2003 to the present, due to the pattern of flawed and biased investigations which has shown an unprincipled relationship, lacking objectivity, between the D.A’s office and the Oakland Police Department which continues to lead to OPD officers being unjustly cleared and immune from criminal charges for brutality and murder.
Finally, we demand that you create a strategy and policy to end the criminalization of the Black and Brown Communities, stop the militarized Oakland Police Department from terrorizing Black and Brown Communities, and allow the Black and Brown communities of Oakland to exercise their right to political, social and economic self-determination.
We are holding a rally on Tuesday, March 5th at 3pm at Nancy O’Malley’s office at 12th and Oak St in Oakland. We demand that you announce the prosecution of OPD’s Miguel Masso for the murder of Alan Blueford.
See our website for our detailed analysis of the D.A.’s “investigative” report: justice4alanblueford.org
email us at: alanblueford@yahoo.ca
"
Letter source:
justice4alanblueford.org/2013/03/04/letter-to-attorney-ge...
This Management by Objectives explanation diagram originally appeared at idoinfotech.com/71/management/management-by-objectives-mb...
Ruth Simutombo takes her children to school.
The main objective of the Social Cash Transfer (SCT) Programme is to reduce extreme poverty and the intergenerational transfer of poverty. The SCT Programme has been operating in Zambia since 2003 and is implemented by the Ministry of Community Development, Mother and Child Health (MCDMCH). Several positive impacts among beneficiary households include reduced poverty, increased food security, improved child wellbeing, improved living conditions and greater productivity and asset ownership.
©FAO/Ivan Grifi