View allAll Photos Tagged objective
Color – Shae-Lyn Rafferty
Objective 3: Composition Techniques – Use the guide on the website
•Rule of Thirds
•Perspective and depth
•Fill the Frame
•Backgrounds
•Texture
•Diagonals
•Space and/or Space to Move
Objective 4: Lighting (side, back, soft, hard, fill)
Types of lighting and how they contribute to the image: Soft lighting allowing an enhancement of the items within the photo.
Objective 5: Post Production (resize, contrast, sharpening, and others you have done)
Corrections/adjustments made: Re-Sized, Contrast/ Brightness and Black and White layer.
Objective 6: Critique
Analyze your photograph for strengths and areas for improvement (consider composition, lighting, exposure, overall feel, etc.)
Strength: Allows a lot of depth to be shown
Area for growth: I could have straightened out the photo a bit
Objective 7: Photographic Styles (ex. portrait, landscape, etc.) – Explain why the settings and composition are appropriate for the style of photography. (How did you create the shot?)
Type/style of photography: Black and White
The camera mode (P, Tv, Av, M): Manual
f stop used: 5.6
shutter speed used: 1/13
ISO used: 400
Exposure compensation: 55.0 mm
Focal length: 3.5- 5.6
Under the Swastika
In the history of the Friends of the Kunsthalle too the seizure of power by the Nazis is a deep cut. The Nazi regime developed a practice of arts funding which was marked by the mandatory relationship of art and state.
The enforced conformity of friends meant the loss of independence and the orientation of the association's activities to the objectives of the National Socialist government. Decisive for this change of course, was the board meeting on 10 June 1933. The poet and art historian Wilhelm Niemeyer played the key role as the representative of the Militant League for German Culture (Kampfbund). The Kampfbund was a Nazi-oriented organization which represented a nationalist-racist concept of art. Although Niemeyer since 1927 no longer belonged to the board of the association, he participated against the resistance of Gustav Pauli and the other board members at the meeting to introduce a list of the Executive Board drawn up by the Kampfbund.
As a result of the meeting Pauli on the same day sent a list of candidates for the election of the new board of the Friends to the Kampfbund. This was his last official act for the Friends of the Kunsthalle. The new board then was no longer elected but appointed by the First Mayor Carl Vincent Krogmann and was completely re-assembled, with two exceptions.
New chairman became Hermann Maetzig who also headed the official business at the Kunsthalle from the beginning of October, Pauli in late September 1933 as director of the Kunsthalle was sent into retirement. On the part of the club members, there was no opposition against the replacement of the Board, they confirmed this one after a short debate on their general meeting on 31 October 1933.
The era Maetzig did not last long. Already in April 1934, he had to give up all offices for belonging to the Freemasons. His successor Wilhelm Freiherr Kleinschmit of Lengefeld remained until August 1937 executive director of the Kunsthalle and Chairman of Friends. In the action "degenerate art" to which the set up by Pauli collection of modern art in the summer of 1937 fell victim he did not participate. However, in the tenure of Kleinschmit fell the exclusion of Jewish club members. This marks the blackest chapters in the history of the club.
At the beginning of 1936, the Statute of friends was officially completed by an "Aryan paragraph". But already at the end of the fiscal year 1935, the Jewish members had been forced to leave the club. In September 1935, the new program of events was sent with a message of Kleinschmit. It was said there, the membership card will be issued only to those persons who signed a statement that they were "Aryans".
Alone in September and October 1935, 29 Jewish donors, so financially particularly committed members, had to leave the club. Among them are such famous names as Bleichröder, Budge or Warburg. In addition, there were also about 100 regular members who had been excluded. Against this background is hardly surprising that the number of members of the Friends in 1936 with 1,124 members reached a historic low.
The lecture program of friends during the Nazi period designed primarily Wilhelm Niemeyer, who was secretary of the association since August 1933. As already Pauli, he also succeeded to win a number of known German art historians. Speeches were held by university professors as Hans Jantzen, Hans Kauffmann or the befriended with Niemeyer, Wilhelm Pinder. Although the Kunsthalle was closed at the beginning of World War II to the public, the friends continued to offer lectures. Those ones, however, unlike as in the days of the Weimar Republic, as regards contents offered only little direct references to the collection fund of the Kunsthalle.
Unter dem Hakenkreuz
Auch in der Geschichte der Freunde der Kunsthalle stellt die Machtergreifung der Nationalsozialisten einen tiefen Einschnitt dar. Das NS-Regime entwickelte eine Praxis der Kunstförderung, die durch die zwangsweise Verbindung von Kunst und Staat gekennzeichnet war.
Die Gleichschaltung der Freunde bedeutete den Verlust der Selbstständigkeit und die Ausrichtung der Vereinsaktivitäten auf die Ziele der nationalsozialistischen Regierung. Entscheidend für diesen Kurswechsel wurde die Vorstandssitzung am 10. Juni 1933. Der Dichter und Kunsthistoriker Wilhelm Niemeyer spielte als Repräsentant des Kampfbundes für deutsche Kultur die maßgebliche Rolle. Der Kampfbund war eine NSDAP-nahe Organisation, die einen völkisch-rassistischen Kunstbegriff vertrat. Obwohl Niemeyer seit 1927 nicht mehr dem Vorstand des Vereins angehörte, nahm er gegen den Widerstand Gustav Paulis und der übrigen Vorstandsmitglieder an der Sitzung teil, um eine vom Kampfbund erstellte Vorstandsliste einzubringen.
Als Ergebnis der Sitzung schickte Pauli noch am selben Tag eine Vorschlagliste für die Wahl des neuen Vorstandes der Freunde an den Kampfbund. Dies war seine letzte Amtshandlung für die Freunde der Kunsthalle. Der neue Vorstand wurde dann nicht mehr gewählt, sondern vom Ersten Bürgermeister Carl Vincent Krogmann bestimmt und war bis auf zwei Ausnahmen völlig neu zusammengesetzt.
Neuer Vorsitzender wurde Hermann Maetzig, der ab Anfang Oktober auch die Amtsgeschäfte in der Kunsthalle leitete; Pauli wurde Ende September 1933 als Direktor der Kunsthalle in den Ruhestand versetzt. Von Seiten der Vereinsmitglieder gab es keinerlei Widerstände gegen die Neubesetzung des Vorstandes, sie bestätigten diesen nach kurzer Aussprache auf ihrer Mitgliederversammlung am 31. Oktober 1933.
Die Ära Maetzig währte nicht lange. Bereits im April 1934 musste er wegen seiner Zugehörigkeit zu den Freimaurern alle Ämter aufgeben. Sein Nachfolger Wilhelm Freiherr Kleinschmit von Lengefeld blieb bis August 1937 verantwortlicher Leiter der Kunsthalle und Vorsitzender der Freunde. An der Aktion „entartete Kunst“, der im Sommer 1937 die von Pauli aufgebaute Sammlung der Moderne zum Opfer fiel, war er allerdings nicht beteiligt. In Kleinschmits Amtszeit kam es jedoch zum Ausschluss der jüdischen Vereinsmitglieder. Dies markiert das schwärzeste Kapitel in der Geschichte des Vereins.
Zu Beginn des Jahres 1936 wurde die Satzung der Freunde offiziell um einen „Arierparagraphen“ ergänzt. Doch bereits am Ende des Geschäftsjahres 1935 hatten die jüdischen Mitglieder den Verein verlassen müssen. Im September 1935 wurde das neue Veranstaltungsprogramm mit einer Mitteilung Kleinschmits versandt. Dort hieß es, die Mitgliedskarte werde nur an solche Personen ausgestellt, die eine Erklärung unterschrieben, dass sie „ arischer Abstammung“ seien.
Allein 29 jüdische Stifter, also finanziell besonders engagierte Mitglieder, mussten im September und Oktober 1935 den Verein verlassen. Unter ihnen finden sich so berühmte Namen wie Bleichröder, Budge oder Warburg. Hinzu kamen noch ungefähr 100 ordentliche Mitglieder, die ausgeschlossen wurden. Vor diesem Hintergrund verwundert wenig, dass die Mitgliederzahl der Freunde im Jahr 1936 mit 1.124 Mitgliedern einen historischen Tiefststand erreichte.
Das Vortragsprogramm der Freunde während der NS-Zeit gestaltete in erster Linie Wilhelm Niemeyer, der seit August 1933 Schriftführer des Vereins war. Wie bereits Pauli gelang es auch ihm, eine Reihe bekannter deutscher Kunsthistoriker zu gewinnen. Es sprachen Universitätsprofessoren wie Hans Jantzen, Hans Kauffmann oder der mit Niemeyer befreundete Wilhelm Pinder. Obwohl die Kunsthalle mit Beginn des Zweiten Weltkrieges für das Publikum geschlossen wurde, boten die Freunde weiterhin Vorträge an. Diese wiesen allerdings – anders als zu Zeiten der Weimarer Republik – inhaltlich nur wenig direkte Bezüge zum Sammlungsbestand der Kunsthalle auf
freunde-der-kunsthalle.de/meta/ueber-uns/geschichte/unter...
These images are part of an exhibit of Jacinda Russell's "Strange Artifacts" at the New Harmony Gallery of Contemporary Art. Amazing, haunting, beautiful works.
The overall objective of SWITCH Africa Green is to support 7 countries in Africa to achieve sustainable development by engaging in transition towards an inclusive green economy, based on sustainable consumption and production patterns, while generating growth, creating decent jobs and reducing poverty. The objective will be achieved through support to private sector led inclusive green growth.
FAIRBAIN, Christopher K.; FAHRENKRUG, Johannes; RUFFENACH, Collin. Objective-C fundamental. São Paulo: Novatec, 2012. 400 p.
Quantidade de exemplar: 2
I love love love this photo, I've always thought "feet" pictures were so cute, and the love the colored filter I put on too. To improve I would have liked to give some of the rocks more color, instead of just being solid colored, they look a little too blown out. 20/20
creative; artwork; visuals; graphic; designer; flyers; posters; business,cards-stunning,creative,vibrant,website design,addvertis,marketing,experts,effective,intelligentunique,communication,affordable,graphical process,successful ideas,meeting deadlines,innovative,relentless passion,clients objectives,budget,brands,logos,posters,leaflets,good reputaion
Bioderma White Objective Serum mutlak düzenli olarak ve doğru bir biçimde kullanmak gerekiyor. Doğru kullanım ise şöyle. Günde bir kere o da gece yatmadan önce cilt serinin diğer ürünü ile temizlendikten sonra (White Objective H20 ) direk olarak lekenin olduğu lokasyona uygulanır. Bu yüz veya boyun bölgesi olabilir Durulama gerektirmez.
www.portakalrengi.com/bioderma-white-objective-night-seru...
www.portakalrengi.com/bioderma-white-objective-serisi
www.portakalrengi.com/bioderma
Bioderma White Objective Serum bileşenleri şunlardır:
Aqua/water/eau, dıcaprylyl carbonate, octocrylene, butyl methoxydıbenzoylmethane, dımethıcone, dıpropylene glycol, alumınum starch octenylsuccınate, ascorbyl glucosıde, ptfe, arachıdyl alcohol, butylene glycol, glyceryl stearate, peg-100 stearate, behenyl alcohol, nıacınamıde, andrographıs panıculata leaf extract, glycyrrhıza glabra (lıcorıce) root extract, lysıne azelate, hexapeptıde-2, mannıtol, xylıtol, rhamnose, fructoolıgosaccharıdes, lamınarıa ochroleuca extract, arachıdyl glucosıde, ammonıum acryloyldımethyltaurate/vp copolymer, xanthan gum, pentaerythrıtyl tetra-dı-tbutyl hydroxyhydrocınnamate, sodıum metabısulfıte, caprylıc/caprıc trıglycerıde, sodıum hydroxıde, dısodıum edta, methylparaben, ethylparaben, phenoxyethanol.
Our last objective, and with the sun going down at pace it suddenly looked like a long way with a camp spot still to find. Our first real experience of the rocky terrain of the walk which helped underpin the feeling of journey which was to be a constant of the whole weekend.
Hip and Butt Enlargement Pills in Nelspruit+27824800380,Hips Enlargement Cream in kabokweni Leg Hips and Bums Enlargement Cream Big Butt Pills Bum and Hip Enlargement in pienaar emoyeni +27824800380Legs Bum Enlargement Pills Hips Enlargement Cream Hip in thekwane north/ thekwane south. Bum Enlargement Big Booty Enlargement in msholozi white river+27824800380.Legs Buttocks Enlargement Creams For Bigger Bum Bums in mataffen .Legs and Hips +27824800380. Creams Pills To Make Your Booty, Legs, Hips. Breasts. Bums Bigger in Nelspruit , kabokweni, pienaar emoyeni, kanyamazane likazi,mataffen, kamagugu, thekwane north and south . bigger Hips ,Bums, Breasts Enlargement +27824800380 .Breast Enlargement Cream in Mpumalanga , secunda, standerton ,Carolina Ermelo ,
Hip and Butt Enlargement Pills in South Africa +27824800380. Hips Enlargement in whiteriver . Hips and Bums Enlargement in kanyamazane . Big Butt ,Bum and Hip Enlargement in west acres nelspruit +27824800380 .Legs, Bum Enlargement Pills in Carolina. Hips Enlargement Cream in springs . Hip and Bum Enlargement in lavumisa eswatini, Big Booty Enlargement Pills in bulemba eswatini+27824800380,Legs Buttocks Enlargement Creams in manzini Swaziland, For Bigger Bum Bums Booty, Legs and Hips in pigs peak+27824800380.Creams Pills To Make Your Booty Legs Hips, Breasts, Bums Bigger in lobambo eswatini . Pills For bigger Hips and Bums Breasts Enlargement in Mbabane +27824800380 .Breast Enlargement Cream Big Booty Pills in ngonini eswatini +27824800380, Pills For Big Bums Butt Enlargement in NGWENYA SWAZILAND . Cream Hip and Bum Enlargement IN NHLANGANO SWAZILAND . Cream FOR Hips and Bums Enlargement IN MHLOSHENI,LUBULI,MPAKA, HLUTHI . Cream +27824800380 .Cream For Hips and Buttocks Enlargement IN MANZINI SWAZILAND . Big Booty Pills FOR SALE IN MGAZINI IN ESWATINI +27824800380 . Pills For Big Bums Butt Enlargement Cream IN SIMUNYE , BIG BEND ,MHLUME,,LUVE, MLIBA WhatsApp OR CALL +27824800380 Our unique combo of Hips and Butt Enlargement pills /capsules and Hips and Bums Enlargement Cream is a game-changer for accelerating Curves, Legs, Booty Bum and Buttocks Growth. Bringing out the wellness and beauty CALL OR WHATSAPP +27824800380 objectives from the inside out. They are the ultimate blend to help you achieve your goals faster and naturally without any complications or side effects..
New Page 1
As Tunnel Rat and his team sink into the shadows, the unknown group continue forward. Tunnel Rat hears weapons quietly readied as his team prepares to attack.TUNNEL RAT: Wait! It's Snake Eyes.SHIPWRECK: Call me Davey Jones. How'd you guys get out?SCARLETT: Long story. Whats going on?TUNNEL RAT: The whole team's here. We came to get you guys and to put an end to this gene program Cobra started.GUNG HO: Guys, we better get moving. Falcon will be waiting.TUNNEL RAT: Right. Snake Eyes, you and Beach Head are with me. Scarlett, we got Lift Ticket on his way for the rest of you. Hawk will debrief you and assign your duties.
The objective of the workshop was:
Sensitise participants from each country to IWRM.
Define key stakeholders and target audiences at national level for the project.
Make sure that participants plan events to engage key IWRM stakeholders in the country.
Creating a network of people who are capable of engaging key stakeholders to support the implementation of IWRM at national level.
More: www.aio-iwrm.org
Photo Credit: SIDS AIO IWRM
Artist: Wilson McGee
Title: Trip to Medusa
Media: Lithograph
Description: Black, blue, brown and white - three non-objective blue designs.
Signed: "W. McGee" Lower right
ACQ. No: 76-93
Edition No: 22/25
The general objective of the meeting is to create a multi-stakeholder framework for active
participation and investment in Forest Landscape Restoration (FLR). The meeting will bring together
key actors from the Private Sector, Civil Society and Churches to share experiences and make
commitments towards landscape restoration.