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Joan Miró
Spanish, 1893-1983
Stuffed parrot on wood perch, stuffed silk stocking with velvet garter and doll's paper shoe suspended in hollow wood frame, derby hat, hanging cork ball, celluloid fish, and engraved map, 31 7/8 x 11 7/8 x 10 1/4"
The third main difference is the hull where the turret is mounted. On the Object 430 Version II, the turret ring is level with the rest of the hull, while the Object 416's turret ring is lower than the front hull.
Restoration of paintings, sculptures and art objects. Fine Art Conservation since 2002. In Wervik, hidden between the greenery, lies the studio where FrederikCnockaert restores artworks. It is a large building with plenty of light and space to freshen up, restore or conserve the various types of artworks he receives. Cnockaert learnt the trade at specialised schools and gained an impressive amount of work experience at importantmuseums in Flemish cities famous for their art. The most beautiful piece he has ever been allowed to restore was a painting by Theodoor van Loon, a contemporary of Rubens.Restoring artworks requires knowledge of all types of painting techniques and materials, and the experience to be able to repair the damage flawlessly. Frederik Cnockaert has both. At the Higher Institute for Fine Arts Saint-Luke's in Ghent, he got his degree in Monumental Fine Arts. He went on to receive a postgraduate in conservation and restoration of artefacts at the Royal Academy of Fine Arts, also in Ghent. At the Royal Academy of Fine Arts in Antwerp, he perfected his gold leaf techniques and mastered restoring polychromy on statues. With his studies, Cnockaert could have also become a fine arts painter. But it doesn't appeal to him, it isn't his calling. Restoring is. After his studies, he restored paintings for the Museum of Fine Arts and the Museum of Industrial Archaeology and Textiles (MIAT) in Ghent. He went on to work in museums in Antwerp and in Bruges, he was the conservator-restorer for several historical city museums, such as the Groenige Museum, the Gruuthuse Museum and many others, for eight years. The time was right In 2002, he established himself in Wervik as an independent restorer, with his company Kunst En Restauratie ATelier (Art and Restoration Studio), shortened to Kerat. “ All artwork deserves the same professional approach, no matter how famous.” ART experts You can see more on www.kerat.be www.art-restaurateur.fr When questions, contact us..
Wonderflex is made from an old Ohm tester for a body, a cheap old plastic camera for a head, and some flexable lamp arms for legs and arms.
a 5 cm tall silver collectors figure represents a very familiar sight on the streets of Lisbon in the Winter
Marko Batista
Temporary Objects and Hybrid Ambients
Vžigalica gallery / Museum and Galleries of Ljubljana
Trg francoske revolucije 7, Ljubljana
May 27 - July 6, 2014
Production: Aksioma - Institute for Contemporary Art Ljubljana and Museum of Modern and Contemporary Art Koroška, 2014
Coproduction: Vžigalica gallery / Museum and Galleries of Ljubljana, 2014
Photo: Adriana Aleksić