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While in Portsmouth, Massachusetts, an aeroplane was spelling out messages in the sky- clearly it was somebody's lucky day! We travel to the States regularly so this one was particularly relevant to us...
Meet Carmen. She is my work (in progress!) and now she is copying me work— And this is how my daughter works. I think she sees me too much in front of my computer doing just this... Ha! She is hilarious
Note the yellowish stripe right above its eye and those faint gray streaks on its pale yellow breast. This bird is resting in a gray dogwood shrub.
Schematic and notes, photographed right out of my notebook
Blog Entry:
cmpalmer.blogspot.com/2007/09/arduino-beakmans-motor-and....
Instructables
Tim managed to give himself Mallet Finger putting up an umbrella. It was when Crowded House brought the weather with them.
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Note taped to a glass door of an abandoned building in Saginaw, Michigan that reads "A little work will make a lifetime of memories". I'm not really sure what they mean by that.
A rather passive aggressive note my roommate's boyfriend left, because apparently he can't handle it if we don't flush every time we pee. He doesn't live here, but acts like it.
I think I might have this framed.
View of “Gerundi circular” (2021) by Claudia Pagès in the exhibition “Panorama 21. Apunts per a un incendi dels ulls” (“Panorama 21: Notes for an Eye Fire”), MACBA Museu d'Art Contemporani de Barcelona, 22 October 2021–27 February 2022. Curated by Hiuwai Chu and Latitudes. Photo: Roberto Ruiz.
Claudia Pagès’ mesmerizing new video installation revolves around global maritime routes, legal jargon, and the relentless flow of commerce and people that has characterized capitalism in action.
Filmed in a seamless 360-degree loop, the footage blends the rhythmic gestures of three performers and layers of handwritten texts into a series of music-video sequences.
The panoramic narrative is set around three distinctive and interconnected sites related to the past and present of Barcelona’s commercial port: the ship-shaped business hub of the World Trade Center, the 19th-century customs building, and the harbour breakwater. Completing the installation is a cardboard carpet printed with snippets of phrases derived from law manuals in which Pagès mixes up gerunds (a verb form that does not inflect gender or number) and considers bodies as both objects and actants. Gerundi Circular bears witness to the logistical intricacies of the city as a seemingly frictionless interface between the open space of the sea and manmade infrastructures, behaviours, and languages.
Performers: Esther Arribas, Stefan Govaart, Claudia Pagès.
Music Production: Pau Riutort.
Sound: Angel Studio.
Thanks to: Tallers Soteras, Font Packaging, Eager Led.
Co-produced by: Museu d’Art Contemporani de Barcelona and ELAMOR.
www.macba.cat/en/exhibitions-activities/exhibitions/notes...
It's been a while. This is the top of my computer desk. The springtime sun has perked up the bonsai and the cacti; they'll be going outside soon. Also featured is my impractically large and ever-growing shot glass collection.
Keep falling at your mouth
Mid-sweet talk, newspaper word cut outs
Speak no feeling no, I don't believe you
You don't care a bit, you don't care a bit
Hide and seek
Hide and seek
Hide and seek
Juliana Mello ©
® les-vers-de-juke