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From Evernote:
Grace Lee Whitney - ‘Star Trek’ - 60’s...
Clipped from: jeanjeanie61.tumblr.com/post/33222593884
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Elizabeth Taylor
Source URL: theswinginsixties.tumblr.com/post/33114525820
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Audrey is the definition of elegance
Source URL: danahuffsmith.tumblr.com/post/32787088262
Julie Newmar as Catwoman.
Source URL: theswinginsixties.tumblr.com/post/32321254989
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Source URL: fywhitehair.tumblr.com/post/32160751459
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These were all over some of the walls near Juliet's balcony. I thought it was crazy, but the overall effect is actually kind of pretty.
A pen and a note
Is this all that I have earned?
The words you wrote
Are from lessons you have learned
About who you are inside
What are you trying to hide?
Cause I can see through you so clearly.
A singing hippo from a 19th century illustration graces the front cover of our Hippo Birthday greeting card. Sir Hippo sings a tune while Mr. Lion accompanies him on piano. This card is a Hippo Mojo Exclusive, which means you won't find it elsewhere!
A note of remembrance placed on the remnant of steel structure recovered from the World Trade Center and erected in memorial in Dracut, Massachusetts.
I pray that I've shown these memorials in a respectful way.
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From Evernote:
What would khaleesi wear? Giuseppe Zanotti necklace
Clipped from: whatwouldkhaleesiwear.tumblr.com/post/42572682060
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Source URL: jodhpursandsons.tumblr.com/post/42548032872
Honor Blackman & Her Girls - ‘Goldfinger’ -...
Source URL: jeanjeanie61.tumblr.com/post/42575055506
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Source URL: vintagegal.tumblr.com/post/42593845190
Vampira c. 1950s
Source URL: vintagegal.tumblr.com/post/42625194264
Nettie Rosenstein Suit - Photo By Louise Dahl-Wolfe For Harper’s...
Source URL: jeanjeanie61.tumblr.com/post/42626359475
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Denny: "Thanks for believing in me. I know I didn't make it easy for you the last couple of months."
Scenes drawn from the home and life of Isa Milman (the woman I was then married to) and I, made together with our dog Jesse, our friends Bruce Blaney, Patti Tanaka, their children Sean and Jason, among many others. I began this as a love poem to Isa, but before I finished the film everything had changed. 1968/69 was a period of violent transition for many of us. The film was formally challenging, editing footage with in-camera superimpositions and cutting black and white with color.