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Source: livinghistories.newcastle.edu.au/nodes/view/32400
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
Lobular carcinomas are so cytologically bland that they present devilish problems with false-negative biopsies. However, false-positives can also be a problem, as shown in this node, which could be misinterpreted as keratin-positive cells in the medullary sinus, thus a false-positive for isolated tumor cells (ITC). In fact, these are benign mast cells that have converted the chromogen in the absence of any antibody-antigen or avidin-biotin reaction.
Just building a node globe that takes any XML and does this to it - then you click or roll over the nodes and it gives you access to the node (attributes & values)
Pics from various XML code just made up out of copied parts. Made it up to 400 nodes. Some were pre-auto adjusting node size.
Front view of racked nodes S-Series nodes: scale-out NAS hardware product. Photo taken May 2013. More information: www.emc.com/storage/isilon/platform-nodes-accelerators.htm
Front view of racked X-Series nodes: scale-out NAS hardware product. Photo taken May 2013. More information: www.emc.com/storage/isilon/platform-nodes-accelerators.htm
Left view of racked nodes including S-Series scale-out NAS hardware product. Photo taken May 2013. More information: www.emc.com/storage/isilon/platform-nodes-accelerators.htm
Left view of racked nodes, including X- and S-Series scale-out NAS hardware product. Photo taken May 2013. More information: www.emc.com/storage/isilon/platform-nodes-accelerators.htm
Introduced, cool-season, perennial, dense, tussocky C3 grass to 60 cm tall and with short soft hairs on nodes. Leaves are bright green, very fine and rough to the touch; erect when young, but drooping in larger plants. Ligules are short, white membranes 0.5–2.5 mm long. Flowerheads are open panicles to 25 cm long; they break off at maturity and blow along. Spikelets are 1-flowered and have 2 purplish glumes. Lemmas are 1.5-2 mm long and about as broad, with a nearly straight 2-3.5 cm long awn attached off-centre. Flowers in spring. A native of South America, it is mostly found on light soils in areas of disturbance (e.g. roadsides and overgrazed pastures), low productivity and/or ground cover. A Weed of National Significance, it readily invades any sort of grassy vegetation. Extremely poor feed value; animals forced to graze it may eventually starve to death. Plants and seed banks are long lived, but seedlings are susceptible to competition. Managed with a combination of methods: competitive pastures; windbreaks; minimising soil disturbance; machinery, fodder and livestock hygiene; cropping; physical removal; and registered herbicides.
Source: livinghistories.newcastle.edu.au/nodes/view/32971
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
A couple of my new fav. things by nyagos kidd (NODe) pig on sofa is one of those things I saw and had to have, The window raindrops is one as well comes with two pieces one with static raindrops and the other with raindrops that slowly make their way down your window.
If you do buy the Raindrops windows let me warn you that the moving raindrops prim is very very thin you may want to use the edit tool to take it out and position it on your window.
my original E2E quilting design.
uploaded for Say Yes Juliet.
i'm loving the pale blue thread on the grey!!!
Source: livinghistories.newcastle.edu.au/nodes/view/33003
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
Pics from various XML code just made up out of copied parts. Made it up to 400 nodes. Some were pre-auto adjusting node size.
Please visit our new site at livinghistories.newcastle.edu.au/nodes/view/65554 for hundreds more photos from Peter Sansom who worked on the Broadmeadow-Newcastle line for many years. He has kindly given permission to Cultural Collections, the University of Newcastle (Australia) Library to publish them.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose please obtain permission by contacting the University of Newcastle's Cultural Collections.
If you have any further information about the image, please contact us or leave a comment.
Daggers are Difficult to ID, but I took a Stab at a few recently ...
I've seen & photographed the caterpillar to this one. First adult I've had. Posted on BAMONA and BugGuide: bugguide.net/node/view/1190454
May 11, 2015
Columbia, MO
The image shows details of plants of Common Reed (Phragmites australis) growing above high water mark on a beach in Cornwall.
Rhizomes are horizontal underground stems. In the first image, spring tides have washed away the sand that originally covered the base of the plant and the rhizomes can be seen. These stems act as a food store as well as a means of vegetative reproduction.
In this image you can see that there is a constriction in the rhizome – a node – from which a leafy shoot and adventitious roots arise.
The section of rhizome is approximately 10 cm long.
Source: livinghistories.newcastle.edu.au/nodes/view/232
This photograph was taken by Brian R Andrews of Killingworth NSW. Brian worked for 20 years as a Draftsman for Coal and Allied Industries Limited. This photograph is part of Brian's private collection. Brian has kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to his collection and allowed us to publish the images.
If you wish to reproduce the image, you must obtain permission by contacting Cultural Collections at the University of Newcastle, NSW, Australia.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you would like to comment on the photograph, please contact Cultural Collections at the University of Newcastle, NSW, Australia, or leave a comment in the box below.
Angel_F was featured at the Node Fest @ Forte Prenestino,
on April 16th - 17th
A book presentation and the interactive installation "my Ubiquitous Body" were shown
more info at
Most of the amyloid consisted of acellular pink globules that effaced and expanded the node, but this image shows the characteristic involvement of blood vessel walls
Source: livinghistories.newcastle.edu.au/nodes/view/32406
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
www.automatedhome.co.uk/Content/NodeZero-Gallery.html
My Node0 built in a double wardrobe cupboard. Gets quite hot in there with all the kit though. I did add a ceiling extract fan (an in-line bathroom type) that is controlled by an X10 AD10. This means I can turn it on/off as necessary. I currently have it turning on at 08:30 and off when the Comfort alarm is armed to night mode (as the fan is a little noisy). The next upgrade is to fit a quieter fan with a bigger air flow as Node0 still gets very warm in the summer.
FullStack 2016 - the conference on JavaScript, Node & Internet of Things, Wednesday, 13th - Friday, 15th July at CodeNode, London. Images Copyright www.edtelling.com. skillsmatter.com/conferences/7278-fullstack-2016-the-conf...