View allAll Photos Tagged node
Angel_F was featured at the Node Fest @ Forte Prenestino,
on April 16th - 17th
A book presentation and the interactive installation "my Ubiquitous Body" were shown
more info at
The image shows details of plants of Common Reed (Phragmites australis) growing above high water mark on a beach in Cornwall.
Rhizomes are horizontal underground stems. In the first image, spring tides have washed away the sand that originally covered the base of the plant and the rhizomes can be seen. These stems act as a food store as well as a means of vegetative reproduction.
In this image you can see that there is a constriction in the rhizome – a node – from which a leafy shoot and adventitious roots arise.
The section of rhizome is approximately 10 cm long.
When it variously has it, Global illumination is like Radiosity. When making to off sees the cuff, it is Sharp.
Preliminary Report on Unidentified Object 92002, "The Chiron Derelict"
I created a new video to demonstrate the (hand-cranked) flickering backlight of the Neuronal Node. (This is the Director's Cut - if you saw the video when I posted earlier pictures, the music is better now and the whole thing has been reworked. The video is over on YouTube, because Flickr's video player doesn't seem to work very well.) Enjoy!
Discovered by a robot probe exploring the minor planet 2060 Chiron, object 92002 appears to be nothing less than an interstellar spacecraft of nonhuman origin.
The relevant probe imagery was suppressed, and an unprecedented manned exploration mission was dispatched to investigate the artifact.
Adrift, apparently long abandoned, the vessel is nonetheless far from lifeless. Indeed, the ship itself is alive. It shows every indication of being a complex colony organism composed of many disparate subunits, which the exploration team calls "nodes".
This appears to be no natural space-going lifeform, but a deliberately assembled combination of biomechanoid modules. Most of the nodes are so completely self-contained, so tightly specialized, and so efficient at their functions, that they must have been genetically engineered with near godlike skill.
This "neuronal" node appears to be a small-scale neural network, equivalent in decision-making power to perhaps a few dozen biological neurons. These nodes - many thousands of them, no two exactly alike - are part of a larger apparent network that covers the derelict's surface in complex stripes and webs, integrating other types of nodes at times.
Many of the derelict's neuronal nodes seem to be still active, even when excised and placed in shielded storage. There are dark patches, but it would be prudent to assume that the derelict as a whole may be, even now, intelligent and aware.
The unexpected discovery of such an advanced alien artifact so close to Earth is alarming, and the apparent abandonment of the vessel by its presumed crew is hardly reassuring. If they - whoever they are - are not still on board...where did they go?
This is an illuminated alien/organic greeble study for Greeble De Mayo 2015, Week Three.
Most of the amyloid consisted of acellular pink globules that effaced and expanded the node, but this image shows the characteristic involvement of blood vessel walls
Source: livinghistories.newcastle.edu.au/nodes/view/32406
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
Source: livinghistories.newcastle.edu.au/nodes/view/1626
This photograph is from the archives of the Coalfields Heritage Group, based at the Sir Edgeworth David Memorial Museum at Kurri Kurri. It was scanned by Cultural Collections at the University of Newcastle, Australia.
Please contact Cultural Collections if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you have any information about this photograph, please contact us.
Source: livinghistories.newcastle.edu.au/nodes/view/32412
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
Preliminary Report on Unidentified Object 92002, "The Chiron Derelict"
Update: a new video to demonstrate the (hand-cranked) flickering backlight of the Neuronal Node. (This is the Director's Cut - if you saw the video when I first posted this picture, the music is better now and the whole thing has been reworked. The video is over on YouTube, because Flickr's video player doesn't seem to work very well.) Enjoy!
Discovered by a robot probe exploring the minor planet 2060 Chiron, object 92002 appears to be nothing less than an interstellar spacecraft of nonhuman origin.
The relevant probe imagery was suppressed, and an unprecedented manned exploration mission was dispatched to investigate the artifact.
Adrift, apparently long abandoned, the vessel is nonetheless far from lifeless. Indeed, the ship itself is alive. It shows every indication of being a complex colony organism composed of many disparate subunits, which the exploration team calls "nodes".
This appears to be no natural space-going lifeform, but a deliberately assembled combination of biomechanoid modules. Most of the nodes are so completely self-contained, so tightly specialized, and so efficient at their functions, that they must have been genetically engineered with near godlike skill.
This "neuronal" node appears to be a small-scale neural network, equivalent in decision-making power to perhaps a few dozen biological neurons. These nodes - many thousands of them, no two exactly alike - are part of a larger apparent network that covers the derelict's surface in complex stripes and webs, integrating other types of nodes at times.
Many of the derelict's neuronal nodes seem to be still active, even when excised and placed in shielded storage. There are dark patches, but it would be prudent to assume that the derelict as a whole may be, even now, intelligent and aware.
The unexpected discovery of such an advanced alien artifact so close to Earth is alarming, and the apparent abandonment of the vessel by its presumed crew is hardly reassuring. If they - whoever they are - are not still on board...where did they go?
This is an illuminated alien/organic greeble study for Greeble De Mayo 2015, Week Three.
Tres empreses de Sitges distingides amb els Guardons Empresa Origen Garraf
www.visitsitges.com/ca/premis-origen-garraf-2021/
La Fundació Ave Maria, la Fundació Hospital Sant Joan Baptista de Sitges i la Fundació del Sitges- Festival Internacional de Cinema de Catalunya han rebut el reconeixement a la Finca Mas Solers de Sant Pere de Ribes, en un acte celebrat ahir dimecres, que ha comptat amb la presència de les sis alcaldesses de la comarca del Garraf.
Source: livinghistories.newcastle.edu.au/nodes/view/1643
This photograph is from the archives of the Coalfields Heritage Group, based at the Sir Edgeworth David Memorial Museum at Kurri Kurri. It was scanned by Cultural Collections at the University of Newcastle, Australia.
Please contact Cultural Collections if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you have any information about this photograph, please contact us.
The photographs should be shared only with permission, and in the form they have been uploaded here, with no cropping or further editing, and the watermark must remain in place. Copyright on all these images remains with the photographer, Neil Fellowes
Amyloid accounted for about 90% of the node's volume, but the residual lymphoid tissue looked benign, with small but well formed germinal centers.
Source: livinghistories.newcastle.edu.au/nodes/view/25391
This photograph was taken by Brian R Andrews of Killingworth, NSW. Brian worked for 20 years as a Draftsman for Coal & Allied Industries Limited. This photograph is part of Brian's private collection. Brian has kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to his collection and allowed us to publish the images.
If you wish to reproduce the image, you must obtain permission by contacting Cultural Collections at the University of Newcastle, NSW, Australia.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you would like to comment on the photograph, please contact Cultural Collections at the University of Newcastle, NSW, Australia, or leave a comment.
This photograph, like the majority of the 50,000+ photos in our Flickr site was scanned by a volunteer. When we have sufficient funds in the Vera Deacon Regional History Fund, we are able to give these wonderful people some paid employment. If you would care to make a small donation to this fund, please see libguides.newcastle.edu.au/benefactors/new for more information and a link to the donation form.
www.visualcomplexity.com/vc/project_details.cfm?id=264&am...
Notes
Looking for a new way to surf the Gnutella network - a P2P community sharing network (http://www.gnutella.com) - Gregory Bray decided to use a web spider, as a means of collecting information from each node, in order to create a map of the network and gather statistics without changing the Gnutella protocol. After the web spider downloads all the information it can find, a simple parser creates the statistics and outputs the data file in a graph using aiSee Graph Layout Software (http://www.aisee.com). As the author explains: "So far the largest data set I have collected was about 80,000 nodes in half an hour (...) way more than the 10 or 20 thousand that the common user can see".
Source: livinghistories.newcastle.edu.au/nodes/view/53812
This image was scanned from a photograph in the University's historical photographic collection held by Cultural Collections at the University of Newcastle, NSW, Australia.
If you have any information about this photograph, or would like a higher resolution copy, please contact us.