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Name: High Tower
Designer: Valentina Minayeva (?)
Parts: 60
Paper size: 4,0 х 12,0 (1:3)
Final height: ~ 14,0 cm
without glue
Name: Yas
Length: 141m
World's largest yacht number: 10
Shipyard: Abu Dhabi Mar (ADM) Shipyard
Price: 155 000 000€
Named for Canadian soldier John MacGregor, VC (1888-1952), Duck Lake Trails, qathet Region, B.C.
www.canada.ca/en/department-national-defence/services/med...
iPhone SE
4.15mm f/2.2 back camera
Blogged: myfashionistaheart.blogspot.com/2017/03/in-the-name-of-lo...
Thank you for viewing (even though it's so late)
Please add to any groups I may have missed!
The Columbia Center, formerly named the Bank of America Tower and Columbia Seafirst Center, is a skyscraper in downtown Seattle, Washington, United States. The 76-story structure is the tallest building in Seattle and the state of Washington, reaching a height of 933 ft (284 m). At the time of its completion, the Columbia Center was the tallest structure on the West Coast; as of 2017 it is the fourth-tallest, behind buildings in Los Angeles and San Francisco.
The Columbia Center, developed by Martin Selig and designed by Chester L. Lindsey Architects, began construction in 1982 and was completed in 1985. The building is primarily leased for class-A office spaces by various companies, with the lower floors including retail space and the upper floors featuring a public observatory and private club lounge. The tower has the highest public viewing area west of the Mississippi River. It occupies most of the block bounded by Fourth and Fifth Avenues and Cherry and Columbia Streets.
Columbia Center was designed by Washington architect Chester L. Lindsey. The base of the building is clad in Rosa Purino Carnelian granite. The building's structure is composed of three geometric concave facades with two setbacks, causing the building to appear like three towers standing side by side.
Ground level elevation on the Fifth Avenue side of the building is higher than on the Fourth Avenue side; the part of Cherry Street it faces was identified as one of the steepest streets in the Central Business District with a slope of 17.1%. The tower was originally designed to be about 306.5 m (1,006 ft), but federal regulations by the Federal Aviation Administration (FAA) would not allow it to be that tall so close to the nearby Sea-Tac Airport. Although city land use regulations at the time were intended to limit skyscrapers to about 50 stories, the developer, Martin Selig, obtained the necessary permits for a 76-story skyscraper due to a part of the law that allowed bonus height for providing retail space with street access. Because three separate stories could access the street on the sloped site, the developers were allowed a bonus for each of the three stories they set aside for retail, which was reportedly an unintended loophole in the law. There is an observation deck on the 73rd floor which offers views of Seattle and environs. The top two floors of the building (75th and 76th) are occupied by the private Columbia Tower Club, which houses a restaurant, bar, library, and meeting rooms. The 40th floor is accessible to the public and features a Starbucks cafe. An underground concourse connects the building to the nearby Seattle Municipal Tower and Bank of America Fifth Avenue Plaza.
The tower, originally proposed as Columbia Center, opened under the name Columbia Seafirst Center after its largest tenant and financier, Seafirst Bank, and then changed to the Bank of America Tower, when Seafirst, which had been owned by Bank of America since 1983, was fully integrated into Bank of America. That name gave it the nickname "BOAT" (Bank of America Tower). In November 2005, the building's name was changed back to Columbia Center after the bank reduced its presence in the building. Bank of America still maintains office space within the building, but has since closed the bank branch at the base of the tower.
Development and construction
Martin Selig, a local real estate developer who had recently opened the Fourth and Blanchard Building, announced plans for a 75-story office building at 4th Avenue and Columbia Street in October 1980. The $120 million project, named the "Columbia Center", would be funded by the Seafirst Mortgage Company and constructed by Howard S. Wright. Selig borrowed $205 million in 1981 to develop the property. The Columbia Seafirst Center, as it came to be known, was constructed by Howard S. Wright starting in 1982 with a 120-foot (37 m) deep excavation hole that required 225,000-cubic-yards of dirt and soil to be removed. This was one of the largest foundations for a building in Seattle along with concrete footings extending 134 feet (41 m) below street level. While the structural steel of the building was built at a rate of 2 floors per week, the building itself was completed on January 12, 1985,[10] and opened on March 2 of that same year. U.S. Steel Corporation was contracted to provide 16,000 short tons (15,000 t) of steel for construction. It was approximately 50% taller than the previous tallest skyscraper in Seattle, the 630-foot (190 m) Seattle First National Bank Building (now Safeco Plaza) that opened in 1969.
Financial issues and height controversy
Selig continued to own and manage the building until 1989, when financial problems forced him to sell it to Seafirst Corporation for $354 million. Management was taken over by the Tishman West Company of Los Angeles.
Controversy regarding the skyscraper's size contributed to the passage of a 1989 law called the Citizen's Alternative Plan (CAP) that enforced more stringent restrictions on the size of buildings in Downtown Seattle. In 1990, after rejecting earlier plans for 300-foot (91 m) antennas, Seattle and the FAA granted permission to erect two 192-foot (59 m) antennas on top of Columbia Center, which were expected to be used for broadcasting radio and television throughout the region. Though the FAA was originally worried about the tower's height encroaching the airspace, they deemed the addition of the antennas not problematic. The antennas were not built before the permits expired in 1994, however.
Ownership changes
EQ Office bought Columbia Center from Seafirst in 1998 for $404 million. The New York State Common Retirement Fund bought a 49.9% stake in the building and then several years later sold its share back to EQ Office. In 2007, Columbia Center was sold by EQ Office to Boston-based Beacon Capital Partners for $621 million; Beacon later defaulted on a loan in 2010, the height of the Great Recession, at a time when vacancies reached 40%. On August 7, 2015, Hong Kong-based Gaw Capital Partners purchased the building for $711 million.
Renovations
On July 1, 2013, the Columbia Center's observation deck, known as the Sky View, was remodeled from 270 degrees to a 360 degree viewing area. The observation deck underwent further renovations in 2018, adding two express elevators and a new lounge. The 4th Avenue entrance was also renovated.
(Wikipedia)
Das Columbia Center ist das höchste Gebäude in Seattle und im US-Bundesstaat Washington. Mit einer Gesamthöhe von 285 Metern war es bei der Fertigstellung 1985 der höchste Wolkenkratzer westlich des Mississippi, wurde allerdings 1989 durch den U.S. Bank Tower in Los Angeles mit 310 Metern übertroffen. Die Höhe des Columbia Centers beträgt einschließlich einer Antennenkonstruktion auf dem Dach 295 Meter. Diese wird jedoch nicht als Teil des Gebäudearchitektur angesehen, und somit nicht zur formalen Höhe gewertet.
76 oberirdische Etagen dienen als Büroraum, die sieben Kellergeschosse werden vielseitig genutzt. Der Wolkenkratzer sollte ursprünglich etwa 306,5 Meter hoch werden. Die FAA erlaubte die Höhe nicht, da sich das Gebäude dafür zu nah am Flughafen Seattle/Tacoma befände, wodurch ein höheres Sicherheitsrisiko entstünde. Es wurde in das Projekt Raum für die Öffentlichkeit und Einzelhandel einbezogen, damit die zulässige Höhe nicht zu sehr eingeschränkt werden kann. Das 73. Stockwerk dient nun teilweise als Aussichtspunkt, von dem sich Seattle und seine Umgebung überblicken lässt. Der Columbia Tower Club verteilt sich auf die beiden obersten Stockwerke (75 und 76) und besteht aus einem Restaurant, einer Bar, einer Bibliothek und einigen Tagungsräumen. Ein unterirdischer Gang verbindet das Columbia Center mit dem nahegelegenen Seattle Municipal Tower und dem Bank of America Fifth Avenue Plaza.
Mehrere größere Unternehmen mieten Büros im Columbia Center. Dazu zählen vor allem die Bank of America, Heller Ehrman LLP und Amazon.com.
Ursprünglich trug der Wolkenkratzer seinen heutigen Namen. Später wurde er nach der dort ansässigen Seafirst Bank als Columbia Seafirst Center bezeichnet. Diese gehörte seit 1983 zur Bank of America, wurde im Laufe der 1980er Jahre jedoch vollständig integriert. Daher bekam das Gebäude den Namen Bank of America Tower mit dem Spitznamen BOAT. Im November 2005 wurde es wieder in The Columbia Center (TCC) umbenannt.
Am 16. Juni 2004, noch vor Herausgabe ihres 9/11 Commission Report, machte die Untersuchungskommission zum 11. September 2001 nicht in die Tat umgesetzte Pläne der Terroristen bekannt, die vorsahen mit zehn entführten Passagierflugzeugen die höchsten Gebäude in Kalifornien und im Staate Washington zu beschädigen bzw. zu zerstören. Neben dem Columbia Center in Seattle habe auch der U.S. Bank Tower in Los Angeles zu den Zielen gehört.
(Wikipedia)
strawflower [xerochrysum]
Strawflower is the popular name for X. bracteatum in Europe, while in Australia it is known as an everlasting or paper daisy... wikipedia
Thanks for looking... :)
Do not use this image on any media without my permission. All rights reserved.
Just coming light and two Pigeons are feeding on the grass at Stutton Mill. The one on the right is a genuine wild Stock Dove which are found in reasonable numbers in Suffolk. Breeds in mature trees and old farm buildings.The bird on the left is a Racing/Feral Pigeon complete with ring on its left leg.These are the descendants of wild Rock Doves and this one has a white rump.
. . . After a 2 week absence from the cabin guess *who* was sitting in a nearby tree catching some winks as we pulled in the driveway? Since he is going to be a regular around here, I think we should name him/her! I had an idea, but will accept entries for a few days or so. My name has something to do with what type of owl he/she is, a Barred Owl. GO!
Have a great weekend Facebook and Flickr friends!
named after the knight Götz von Berlichingen (1480- 1562), known as the "knight with the iron hand" and famous as the "inventor" of the wish "kiss my ass" :-)
On my way home from picking up my "critter" in Gunnison (staying with a friend while I was in Ohio), I spent 2 days loving the serene cool of Crested Butte and above. Pictured is the pond at Paradise Divide….I call it Paradise Pond, and it was paradise at 8 a.m., I had it all to myself at 42 F.!!! I was finally cooling off!! And enjoying the flowers and view of Cinnamon Mountain.
34067 Tangmere heading back out from the yard at Carnforth to take over the Northern Belle excursion from Leeds to Carlisle.
Name is Dii McKeenan. The deal is: I take one of him, he takes one of me. This is my part, and if he fails, I guess I'm going to have him visiting a session at any book club (am I too evil mister Titus Thistle? lol).
We can all use some fortitude right now.
"During the 1930s, Mayor Fiorello LaGuardia named them (the lions) Patience and Fortitude, for the qualities he felt New Yorkers would need to survive the economic depression. These names have stood the test of time: Patience still guards the south side of the Library's steps and Fortitude sits unwaveringly to the north." nypl.org
Lake Worth Beach is a city in Palm Beach County, Florida, United States, which takes its name from the body of water along its eastern border known as the Lake Worth Lagoon. The lake itself was named for General William J. Worth, who led U.S. forces during the last part of the Second Seminole War. As of 2010, the population estimated by the U.S. Census Bureau was 34,910. It is a principal city of the Miami metropolitan area, which was home to an estimated 6,012,331 people in 2015.
Lake Worth Beach was incorporated as the "Town of Lake Worth" in June 1913. Many of the first residents were farmers from other parts of the American south and mid-west, looking to benefit from the growing winter vegetable market of the time. The city benefited with the rest of south Florida during the Florida land boom of the 1920s. A wooden automobile traffic bridge over Lake Worth was completed in 1919. The first casino and municipal beach complex was completed shortly thereafter. The 1920s also saw the completion of the Gulf Stream Hotel, now on the National Register of Historic Places.
The city was severely damaged in the 1928 hurricane, toppling the bell tower on the elementary school (today the City Hall Annex) and destroying the beachfront casino and automobile bridge over Lake Worth. This led to a severe economic decline within the community, during the Great Depression. Things were so dire in the city in the 1930s, that President Franklin D. Roosevelt's Works Progress Administration built a striking, moorish-styled "City Gymnasium" on the corner of Lake Avenue and Dixie Highway. The building today serves as City Hall.
William A. Boutwell, who ran the Boutwell Dairy from 1927 to 1956, is credited with inventing half & half creamer; the dairy later merged with Alfar Creamery and then T.G. Lee, who distributed the product more widely until it became an American diner staple.
Development started again after World War II with many modest pensioners, especially from Quebec, Finland, and eventually Germany, moving to the city and building 1,000-square-foot (93 m2) cottages. These new immigrants brought their industrious nature with them as well as their native customs, restaurants, shops, and churches and for decades the town flourished. To this day, one can find an abundance of beer halls, chocolatiers, Bavarian delicatessens, and Lutheran churches, which stand out in the semitropical urban sprawl of South Florida.
The South Florida construction boom brought a new wave of immigrants in the past few decades. Central Americans have added a Hispanic aspect to Lake Worth's culture. Included in the 1980s immigration were many Guatemalan-Mayans who consider themselves indigenous people, rather than "Hispanic" or "Latino" and some may not speak Spanish. They mostly converse in Mam, Q'anjob'al, or any one of 22 existing Mayan languages spoken in Guatemala. Adding to the racial and linguistic mix of the city is a large Haitian population, speaking Haitian Creole and French.
During a short period of neglect and decline in the 1980s and 1990s, Lake Worth, in the words of then-city commissioner Dennis Dorsey, "had become known as the skin-flick capital of the country." The venue now known as the Lake Worth Playhouse was the Playtoy, and was well known in Palm Beach County as the theater that showed x-rated movies; Deep Throat was shown there, motivating a police raid.
The downtown area has seen a huge resurgence in interest and now sports an array of art galleries, sidewalk cafés and night clubs. Once moribund property values have soared. The city's main street, Lake Avenue, contains some of the oldest commercial structures in South Florida, including the Art Deco Lake Worth Playhouse.
The city was hit especially hard by Hurricanes Frances, Jeanne, and Wilma in 2004 and 2005. The fishing pier was quite damaged but was repaired (with the help of FEMA) and reopened in May 2009. The pier is currently open to the public with entry fees of $1 per adult sightseer, and $3 per adult fisherman. The city's public swimming pool has been restored, and besides serving to instruct Palm Beach County residents in swimming and water safety, hosts water-sport competitions. The pier is home to a tide gauge with a sporadic history, showing an above average rate of sea level rise.
In 2015, the city was accused of asking for business licenses from surrounding churches.
In 2019 a ballot initiative to change the name of the city to Lake Worth Beach passed with a narrow margin. The city states that the name change "will be implemented slowly".
Credit for the data above is given to the following website:
Kingfisher
Irish Name:
Cruidín
Scientific name:
Alcedo atthis
Bird Family:
Kingfisher
amber
Conservation status
Status
Resident on Irish streams, rivers and canals.
Identification
Very distinctive when seen well with its brightly-coloured plumage. The underparts are a bright orange-red, while the wings and back of the head are dark blue. The back, rump and tail are a bright, almost "electric" blue and usually draw attention to a flying bird. Despite these bright colours, can be easily overlooked perched motionless on a branch beside a stream or river on the look-out for fish. During the breeding season, females have a small red patch at the base of the bill, which is not shown by adult males.
Voice
A shill whistled “chee-kee”, frequently repeated. It is usually one first signs that a Kingfisher is present along a stream or river.
Diet
Various species of small fish (Stickleback, Minnow, and Chub) and larger aquatic insects caught by plunge-diving from a perch or while hovering.
Breeding
Kingfishers breed in tunnels dug in vertical banks along streams and rivers.
Wintering
A very sedentary species, Kingfishers rarely move from their territories. However, some may move to lakes and coasts during extended spells of poor weather.
Monitored by
Waterways Bird Survey.
Named for its loud ‘bob white’ call, this quail is a small chunky bird with short rounded wings. Males have a black cap, white throat and chin, and a white stripe through and above the eye to the back of the head. Females have a tan colored throat and no black neck collar.
Bobwhite quail live in brushy areas interspersed with fields. They prefer edges, fencerows and areas with vegetative cover.
Bobwhites are active during the day; they feed on seeds, fruit, insects and green plants. Pairs are monogamous with pair bonds sometimes persisting between breeding seasons. Males advertise during the May to August breeding season with a distinctive bob-bob-white call.
Females lay large clutches of up to 14 eggs, which hatch after 23 days. The precocial young are about the size of a quarter coin, and feed largely on insects. The chicks double their weight every 10 days can fly within 2-3 weeks.
Bobwhites are commonly seen in groups known as coveys. Coveys usually consist of about 10-30 birds, depending on the time of year. Every night, for safety, the covey forms a circle with their heads facing outwards, away from each other and their tails together. If a predator startles them, the covey flushes in all directions.
I found this male and female at Dinner Island Wildlife Management Area in Hendry County, Florida.
The theme for “Smile on Saturday!” is “what’s in a name”. I knew what name I wanted to select for this theme immediately: Gemma.
A girl’s name, Gemma, is of Latin origin, meaning "gem", "gemstone" or "jewel". In Hebrew it has the meaning of "little dove". It was the third most popular female name in 1984 in the UK. Records also indicate that 3,426 girls in the United States have been named Gemma since 1880. The greatest number of people were given this name in 2012, when 1,011 people in the U.S. were given the name Gemma.
Saint Gemma was an Italian saint canonized in 1940. However I like the name Gemma because of two actresses who scored major breakthroughs in their careers in 1976: British actress Gemma Jones (whom I remember best as the straight talking Cockney Louisa Trotter the BBC television drama “The Duchess of Duke Street”) and Irish actress Gemma Craven (whom I still love to watch sing and dance across my television screen in my favourite musical “The Slipper and the Rose – the Story of Cinderella”).
This photograph is actually of Gemma Craven’s name, taken from the billing on the back page of the very rare “The Slipper and the Rose – the Story of Cinderella” movie tie in book adapted by Bryan Forbes from the original script written by Bryan Forbes, Robert B. Sherman and Richard A. Sherman, published by Namara Publications and Quartet Books in 1976.
The names of all Dutch victims of the Holocaust on this memorial in Amsterdam: 102,000 Dutch Jews and 220 Sinti and Roma.
The Mithraic Mysteries were a mystery religion practised in the Roman Empire from about the 1st to 4th centuries AD. The name of the Persian god Mithra (proto-Indo-Iranian Mitra), adapted into Greek as Mithras, was linked to a new and distinctive imagery. Writers of the Roman Empire period referred to this mystery religion by phrases which can be anglicized as Mysteries of Mithras or Mysteries of the Persians; modern historians refer to it as Mithraism,[1] or sometimes Roman Mithraism.The mysteries were popular in the Roman military.
Worshippers of Mithras had a complex system of seven grades of initiation, with ritual meals. Initiates called themselves syndexioi, those "united by the handshake".They met in underground temples (called mithraea), which survive in large numbers. The cult appears to have had its centre in Rome.
Numerous archaeological finds, including meeting places, monuments and artifacts, have contributed to modern knowledge about Mithraism throughout the Roman Empire.The iconic scenes of Mithras show him being born from a rock, slaughtering a bull, and sharing a banquet with the god Sol (the Sun). About 420 sites have yielded materials related to the cult. Among the items found are about 1000 inscriptions, 700 examples of the bull-killing scene (tauroctony), and about 400 other monuments.[9] It has been estimated that there would have been at least 680 mithraea in Rome.[10] No written narratives or theology from the religion survive, with limited information to be derived from the inscriptions, and only brief or passing references in Greek and Latin literature. Interpretation of the physical evidence remains problematic and contested.
The Romans regarded the mysteries as having Persian or Zoroastrian sources. Since the early 1970s the dominant scholarship has noted dissimilarities between Persian Mithra-worship and the Roman Mithraic mysteries. In this context, Mithraism has sometimes been viewed as a rival of early Christianity with similarities such as liberator-saviour, hierarchy of adepts (archbishops, bishops, priests), communal meal and a hard struggle of Good and Evil (bull-killing/crucifixion).The name Mithras (Latin, equivalent to Greek “Μίθρας” is a form of Mithra, the name of an Old Persian god– a relationship understood by Mithraic scholars since the days of Franz Cumont. An early example of the Greek form of the name is in a 4th century BC work by Xenophon, the Cyropaedia, which is a biography of the Persian king Cyrus the Great.
The exact form of a Latin or classical Greek word varies due to the grammatical process of declension. There is archeological evidence that in Latin worshippers wrote the nominative form of the god’s name as “Mithras”. However, in Porphyry’s Greek text De Abstinentia («Περὶ ἀποχῆς ἐμψύχων»), there is a reference to the now-lost histories of the Mithraic mysteries by Euboulus and Pallas, the wording of which suggests that these authors treated the name “Mithra” as an indeclinable foreign word.
Related deity-names in other languages include
Sanskrit Mitra (मित्रः), the name of a god praised in the Rig Veda.In Sanskrit, "mitra" means "friend" or "friendship"
the form mi-it-ra-, found in an inscribed peace treaty between the Hittites and the kingdom of Mitanni, from about 1400 BC.
Iranian "Mithra" and Sanskrit "Mitra" are believed to come from an Indo-Iranian word mitra meaning "contract, agreement, covenant".
Modern historians have different conceptions about whether these names refer to the same god or not. John R. Hinnells has written of Mitra / Mithra / Mithras as a single deity worshipped in several different religions. On the other hand, David Ulansey considers the bull-slaying Mithras to be a new god who began to be worshipped in the 1st century BC, and to whom an old name was applied.
Mary Boyce, a researcher of ancient Iranian religions, writes that even though Roman Empire Mithraism seems to have had less Iranian content than historians used to think, still "as the name Mithras alone shows, this content was of some importance.Much about the cult of Mithras is only known from reliefs and sculptures. There have been many attempts to interpret this material.
Mithras-worship in the Roman Empire was characterized by images of the god slaughtering a bull. Other images of Mithras are found in the Roman temples, for instance Mithras banqueting with Sol, and depictions of the birth of Mithras from a rock. But the image of bull-slaying (tauroctony) is always in the central niche.Textual sources for a reconstruction of the theology behind this iconography are very rare. (See section Interpretations of the bull-slaying scene below.)
The practice of depicting the god slaying a bull seems to be specific to Roman Mithraism. According to David Ulansey, this is "perhaps the most important example" of evident difference between Iranian and Roman traditions: "... there is no evidence that the Iranian god Mithra ever had anything to do with killing a bull."n every Mithraeum the centrepiece was a representation of Mithras killing a sacred bull, called the tauroctony.
The image may be a relief, or free-standing, and side details may be present or omitted. The centre-piece is Mithras clothed in Anatolian costume and wearing a Phrygian cap; who is kneeling on the exhausted bull, holding it by the nostrils[33] with his left hand, and stabbing it with his right. As he does so, he looks over his shoulder towards the figure of Sol. A dog and a snake reach up towards the blood. A scorpion seizes the bull's genitals. A raven is flying around or is sitting on the bull. Three ears of wheat are seen coming out from the bull's tail, sometimes from the wound. The bull was often white. The god is sitting on the bull in an unnatural way with his right leg constraining the bull's hoof and the left leg is bent and resting on the bull's back or flank.[34] The two torch-bearers are on either side, dressed like Mithras, Cautes with his torch pointing up and Cautopates with his torch pointing down. Sometimes Cautes and Cautopates carry shepherds' crooks instead of torches.
Tauroctony from the Kunsthistorisches Museum
The event takes place in a cavern, into which Mithras has carried the bull, after having hunted it, ridden it and overwhelmed its strength.[38] Sometimes the cavern is surrounded by a circle, on which the twelve signs of the zodiac appear. Outside the cavern, top left, is Sol the sun, with his flaming crown, often driving a quadriga. A ray of light often reaches down to touch Mithras. At the top right is Luna, with her crescent moon, who may be depicted driving a biga.[39]
In some depictions, the central tauroctony is framed by a series of subsidiary scenes to the left, top and right, illustrating events in the Mithras narrative; Mithras being born from the rock, the water miracle, the hunting and riding of the bull, meeting Sol who kneels to him, shaking hands with Sol and sharing a meal of bull-parts with him, and ascending to the heavens in a chariot.[39] In some instances, as is the case in the stucco icon at Santa Prisca mithraeum, the god is shown heroically nude. Some of these reliefs were constructed so that they could be turned on an axis. On the back side was another, more elaborate feasting scene. This indicates that the bull killing scene was used in the first part of the celebration, then the relief was turned, and the second scene was used in the second part of the celebration.Besides the main cult icon, a number of mithraea had several secondary tauroctonies, and some small portable versions, probably meant for private devotion, have also been found.[The second most important scene after the tauroctony in Mithraic art is the so-called banquet scene.The banquet scene features Mithras and the Sun god banqueting on the hide of the slaughtered bull. On the specific banquet scene on the Fiano Romano relief, one of the torchbearers points a caduceus towards the base of an altar, where flames appear to spring up. Robert Turcan has argued that since the caduceus is an attribute of Mercury, and in mythology Mercury is depicted as a psychopomp, the eliciting of flames in this scene is referring to the dispatch of human souls and expressing the Mithraic doctrine on this matter. Turcan also connects this event to the tauroctony: the blood of the slain bull has soaked the ground at the base of the altar, and from the blood the souls are elicited in flames by the caduceus.Mithras is depicted as being born from a rock. He is shown as emerging from a rock, already in his youth, with a dagger in one hand and a torch in the other. He is nude, standing with his legs together, and is wearing a Phrygian cap.
However, there are variations. Sometimes he is shown as coming out of the rock as a child, and in one instance he has a globe in one hand; sometimes a thunderbolt is seen. There are also depictions in which flames are shooting from the rock and also from Mithras' cap. One statue had its base perforated so that it could serve as a fountain, and the base of another has the mask of the water god. Sometimes Mithras also has other weapons such as bows and arrows, and there are also animals such as dogs, serpents, dolphins, eagles, other birds, lion, crocodiles, lobsters and snails around. On some reliefs, there is a bearded figure identified as Oceanus, the water god, and on some there are the gods of the four winds. In these reliefs, the four elements could be invoked together. Sometimes Victoria, Luna, Sol and Saturn also seem to play a role. Saturn in particular is often seen handing over the dagger to Mithras so that he can perform his mighty deeds.
In some depictions, Cautes and Cautopates are also present; sometimes they are depicted as shepherds.
On some occasions, an amphora is seen, and a few instances show variations like an egg birth or a tree birth. Some interpretations show that the birth of Mithras was celebrated by lighting torches or candles.[One of the most characteristic features of the Mysteries is the naked lion-headed figure often found in Mithraic temples, named by the modern scholars with descriptive terms such as leontocephaline (lion-headed) or leontocephalus (lion-head). He is entwined by a serpent (or two serpents, like a caduceus), with the snake's head often resting on the lion's head. The lion's mouth is often open, giving a horrifying impression. He is usually represented as having four wings, two keys (sometimes a single key), and a scepter in his hand. Sometimes the figure is standing on a globe inscribed with a diagonal cross. In the figure shown here, the four wings carry the symbols of the four seasons, and a thunderbolt is engraved on the breast. At the base of the statue are the hammer and tongs of Vulcan, the cock, and the wand of Mercury. A more scarcely represented variant of the figure with a human head is also found.
Although animal-headed figures are prevalent in contemporary Egyptian and Gnostic mythological representations, an exact parallel to the Mithraic leontocephaline figure is not found.
The name of the figure has been deciphered from dedicatory inscriptions to be Arimanius (though the archeological evidence is not very strong), which is nominally the equivalent of Ahriman, a demon figure in the Zoroastrian pantheon. Arimanius is known from inscriptions to have been a god in the Mithraic cult (CIMRM 222 from Ostia, 369 from Rome, 1773 and 1775 from Pannonia).
While some scholars identify the lion-man as Aion (or Zurvan, or Cronus) others assert that it is Ahriman.[51] There is also speculation that the figure is the Gnostic demiurge, (Ariel) Ialdabaoth. Although the exact identity of the lion-headed figure is debated by scholars, it is largely agreed that the god is associated with time and seasonal change.[53] An occultist, D. J.Cooper, speculates to the contrary that the lion-headed figure is not a god, but rather represents the spiritual state achieved in Mithraism's "adept" level, the Leo (lion) degree. Rituals and worship[edit]
According to M. J. Vermaseren, the Mithraic New Year and the birthday of Mithras was on December 25. However, Beck disagrees strongly.Clauss states: "the Mithraic Mysteries had no public ceremonies of its own. The festival of natalis Invicti [Birth of the Unconquerable (Sun)], held on 25 December, was a general festival of the Sun, and by no means specific to the Mysteries of Mithras." Mithraic initiates were required to swear an oath of secrecy and dedication, and some grade rituals involved the recital of a catechism, wherein the initiate was asked a series of questions pertaining to the initiation symbolism and had to reply with specific answers. An example of such a catechism, apparently pertaining to the Leo grade, was discovered in a fragmentary Egyptian papyrus (P.Berolinensis 21196),and reads:
... He will say: 'Where ... ?
... he is/(you are?) there (then/thereupon?) at a loss?' Say: ... Say: 'Night'. He will say: 'Where ... ?' ... Say: 'All things ...' (He will say): '... you are called ... ?' Say: 'Because of the summery ...' ... having become ... he/it has the fiery ... (He will say): '... did you receive/inherit?' Say: 'In a pit'. He will say: 'Where is your ...?... (Say): '...(in the...) Leonteion.' He will say: 'Will you gird?' The (heavenly?) ...(Say): '... death'. He will say: 'Why, having girded yourself, ...?' '... this (has?) four tassels. Very sharp and ... '... much'. He will say: ...? (Say: '... because of/through?) hot and cold'. He will say: ...? (Say): '... red ... linen'. He will say: 'Why?' Say: '... red border; the linen, however, ...' (He will say): '... has been wrapped?' Say: 'The savior's ...' He will say: 'Who is the father?' Say: 'The one who (begets?) everything ...' (He will say): '('How ?)... did you become a Leo?' Say: 'By the ... of the father'. ... Say: 'Drink and food'. He will say '...?'
'... in the seven-...
Almost no Mithraic scripture or first-hand account of its highly secret rituals survives;with the exception of the aforementioned oath and catechism, and the document known as the Mithras Liturgy, from 4th century Egypt, whose status as a Mithraist text has been questioned by scholars including Franz Cumont. The walls of Mithraea were commonly whitewashed, and where this survives it tends to carry extensive repositories of graffiti; and these, together with inscriptions on Mithraic monuments, form the main source for Mithraic texts.
Nevertheless, it is clear from the archeology of numerous Mithraea that most rituals were associated with feasting – as eating utensils and food residues are almost invariably found. These tend to include both animal bones and also very large quantities of fruit residues.The presence of large amounts of cherry-stones in particular would tend to confirm mid-summer (late June, early July) as a season especially associated with Mithraic festivities. The Virunum album, in the form of an inscribed bronze plaque, records a Mithraic festival of commemoration as taking place on 26 June 184. Beck argues that religious celebrations on this date are indicative of special significance being given to the Summer solstice; but this time of the year coincides with ancient recognition of the solar maximum at midsummer, whilst iconographically identical holidays such as Litha, St John's Eve, and Jāņi are observed also.
For their feasts, Mithraic initiates reclined on stone benches arranged along the longer sides of the Mithraeum – typically there might be room for 15 to 30 diners, but very rarely many more than 40 men. Counterpart dining rooms, or triclinia, were to be found above ground in the precincts of almost any temple or religious sanctuary in the Roman empire, and such rooms were commonly used for their regular feasts by Roman 'clubs', or collegia. Mithraic feasts probably performed a very similar function for Mithraists as the collegia did for those entitled to join them; indeed, since qualification for Roman collegia tended to be restricted to particular families, localities or traditional trades, Mithraism may have functioned in part as providing clubs for the unclubbed.However, the size of the Mithraeum is not necessarily an indication of the size of the congregation.
Each Mithraeum had several altars at the further end, underneath the representation of the tauroctony, and also commonly contained considerable numbers of subsidiary altars, both in the main Mithraeum chamber and in the ante-chamber or narthex.[68] These altars, which are of the standard Roman pattern, each carry a named dedicatory inscription from a particular initiate, who dedicated the altar to Mithras "in fulfillment of his vow", in gratitude for favours received. Burned residues of animal entrails are commonly found on the main altars indicating regular sacrificial use. However, Mithraea do not commonly appear to have been provided with facilities for ritual slaughter of sacrificial animals (a highly specialised function in Roman religion), and it may be presumed that a Mithraeum would have made arrangements for this service to be provided for them in co-operation with the professional victimarius of the civic cult. Prayers were addressed to the Sun three times a day, and Sunday was especially sacred.
It is doubtful whether Mithraism had a monolithic and internally consistent doctrine. It may have varied from location to location. However, the iconography is relatively coherent. It had no predominant sanctuary or cultic centre; and, although each Mithraeum had its own officers and functionaries, there was no central supervisory authority. In some Mithraea, such as that at Dura Europos, wall paintings depict prophets carrying scrolls,but no named Mithraic sages are known, nor does any reference give the title of any Mithraic scripture or teaching. It is known that intitates could transfer with their grades from one Mithraeum to another.
Mithraeum
See also: Mithraeum
A mithraeum found in the ruins of Ostia Antica, Italy
Temples of Mithras are sunk below ground, windowless, and very distinctive. In cities, the basement of an apartment block might be converted; elsewhere they might be excavated and vaulted over, or converted from a natural cave. Mithraic temples are common in the empire; although unevenly distributed, with considerable numbers found in Rome, Ostia, Numidia, Dalmatia, Britain and along the Rhine/Danube frontier; while being somewhat less common in Greece, Egypt, and Syria.According to Walter Burkert, the secret character of Mithriac rituals meant that Mithraism could only be practiced within a Mithraeum.Some new finds at Tienen show evidence of large-scale feasting and suggest that the mystery religion may not have been as secretive as was generally believed.
For the most part, Mithraea tend to be small, externally undistinguished, and cheaply constructed; the cult generally preferring to create a new centre rather than expand an existing one. The Mithraeum represented the cave to which Mithras carried and then killed the bull; and where stone vaulting could not be afforded, the effect would be imitated with lath and plaster. They are commonly located close to springs or streams; fresh water appears to have been required for some Mithraic rituals, and a basin is often incorporated into the structure. There is usually a narthex or ante-chamber at the entrance, and often other ancillary rooms for storage and the preparation of food. The extant mithraea present us with actual physical remains of the architectural structures of the sacred spaces of the Mithraic cult. Mithraeum is a modern coinage and mithraists referred to their sacred structures as speleum or antrum (cave), crypta (underground hallway or corridor), fanum (sacred or holy place), or even templum (a temple or a sacred space).
In their basic form, mithraea were entirely different from the temples and shrines of other cults. In the standard pattern of Roman religious precincts, the temple building functioned as a house for the god, who was intended to be able to view through the opened doors and columnar portico, sacrificial worship being offered on an altar set in an open courtyard; potentially accessible not only to initiates of the cult, but also to colitores or non-initiated worshippers.Mithraea were the antithesis of this.
Degrees of initiation
In the Suda under the entry "Mithras", it states that "no one was permitted to be initiated into them (the mysteries of Mithras), until he should show himself holy and steadfast by undergoing several graduated tests."Gregory Nazianzen refers to the "tests in the mysteries of Mithras".
There were seven grades of initiation into the mysteries of Mithras, which are listed by St. Jerome.Manfred Clauss states that the number of grades, seven, must be connected to the planets. A mosaic in the Ostia Mithraeum of Felicissimus depicts these grades, with symbolic emblems that are connected either to the grades or are just symbols of the planets. The grades also have an inscription beside them commending each grade into the protection of the different planetary gods. In ascending order of importance, the initiatory grades were:
en.wikipedia.org/wiki/Mithraic_mysteries
In the Mithraic ceremonies, there were seven degrees of initiations: Corax (Raven), Nymphus (Bridegroom), Miles (Soldier), Leo (Lion), Perses (Persian),Heliodromus (Courier of the Sun), and Pater (Father). Those in the lowest ranks, certainly the Corax, were the servants of the community during the sacred meal of bread and water that formed part of the rite.
The area where the concentration of evidence for Mithraism is the most dense is the capital, Rome, and her port city, Ostia. There are eight extant mithraea in Rome of as many as seven hundred (Coarelli 1979) and eighteen in Ostia. In addition to the actual mithraea, there are approximately three hundred other mithraic monuments from Rome and about one hundred from Ostia. This body of evidence reveals that Mithraism in Rome and Ostia originally appealed to the same social strata as it did in the frontier regions. The evidence also indicates that at least some inhabitants knew about Mithraism as early as the late first century CE, but that the cult did not enjoy a wide membership in either location until the middle of the second century CE.
As the cult in Rome became more popular, it seems to have "trickled up" the social ladder, with the result that Mithraism could count several senators from prominent aristocratic families among its adherents by the fourth century CE. Some of these men were initiates in several cults imported from the eastern empire (including those of Magna Mater and Attis, Isis, Serapis, Jupiter Dolichenus, Hecate, and Liber Pater, among others), and most had held priesthoods in official Roman cults. The devotion of these men to Mithraism reflects a fourth-century "resurgence of paganism," when many of these imported cults and even official Roman state religion experienced a surge in popularity although, and perhaps because, their very existence was increasingly threatened by the rapid spread of Christianity after the conversion of the emperor Constantine in 313 CE.
global.britannica.com/topic/heliodromus
Mithraism had a wide following from the middle of the second century to the late fourth century CE, but the common belief that Mithraism was the prime competitor of Christianity, promulgated by Ernst Renan (Renan 1882 579), is blatantly false. Mithraism was at a serious disadvantage right from the start because it allowed only male initiates. What is more, Mithraism was, as mentioned above, only one of several cults imported from the eastern empire that enjoyed a large membership in Rome and elsewhere. The major competitor to Christianity was thus not Mithraism but the combined group of imported cults and official Roman cults subsumed under the rubric "paganism." Finally, part of Renan's claim rested on an equally common, but almost equally mistaken, belief that Mithraism was officially accepted because it had Roman emperors among its adherents (Nero, Commodus, Septimius Severus, Caracalla, and the Tetrarchs are most commonly cited). Close examination of the evidence for the participation of emperors reveals that some comes from literary sources of dubious quality and that the rest is rather circumstantial. The cult of Magna Mater, the first imported cult to arrive in Rome (204 BCE) was the only one ever officially recognized as a Roman cult. The others, including Mithraism, were never officially accepted, and some, particularly the Egyptian cult of Isis, were periodically outlawed and their adherents persecuted.
ecole.evansville.edu/articles/mithraism.html
Some words were enough for God to precipitate the most beautiful of his creatures at the bottom of the abyss. Lucifer, the carrier of Light, pulled(entailed) with him a third(third party) of the angels in its revolt. Hell was created for him. We know the continuation(suite) … The column of July Place de la Bastille, was set up between 1833 and 1840. In its summit, thrones the "Spirit of liberty" conceived(designed) by the sculptor Auguste Dumont. Curious tribute returned by Louis Philippe to the insurgents who knocked down(spilled) Charles X and the Absolute monarchy three years earlier. Lucifer picked up. No detail misses(is lacking) … Torch in the hand, the Angel has just broken his chains(channels) and dashes to new conquests. Under its impressive base is a crypt sheltering some 500 rests of Fighters of 1830, as well as Egyptian mummy brought back(reported) by Napoleon.Durant la commune de Paris en 1870, après avoir abattu la colonne Vendôme, les communards s’en prirent à celle de la Bastille… sans succès. Ni le dispositif d’explosifs souterrains, ni le tir d’une trentaine d’obus depuis les buttes Chaumont n’en virent pas à bout. La flamme du porteur de Lumière refusa de s’éteindre…
During the municipality of Paris in 1870, having brought(shot) down the column Vendôme, the Communards took themselves in that of the Bastille unsuccessfully. Neither the device(plan) of subterranean explosives, nor the shooting(firing) of around thirty shells since mounds Chaumont transfer(fire) it to end. The flame of the carrier of Light refused to go out …Lucifer was so far away...?
« Non Serviam »- « Je ne servirai pas ! »
Quelques mots suffirent à Dieu pour précipiter la plus belle de ses créatures au fond de l’abîme. Lucifer, le porteur de Lumière, entraîna avec lui un tiers des anges dans sa révolte. L’enfer fut créé pour lui. Nous connaissons la suite…La colonne de Juillet Place de la Bastille, fut érigée entre 1833 et 1840. À son sommet, trône le « Génie de La Liberté » conçu par le sculpteur Auguste Dumont. Curieux hommage rendu par Louis Philippe aux insurgés qui renversèrent Charles X et la Monarchie absolue trois ans plus tôt. Lucifer a repris du poil de la bête. Aucun détail ne manque… Torche à la main, l’Ange vient de briser ses chaînes et s’élance vers de nouvelles conquêtes. Sous son imposant piédestal se trouve une crypte abritant quelques 500 restes des combattants de 1830, ainsi qu’une momie égyptienne rapportée par Napoléon.Durant la commune de Paris en 1870, après avoir abattu la colonne Vendôme, les communards s’en prirent à celle de la Bastille… sans succès. Ni le dispositif d’explosifs souterrains, ni le tir d’une trentaine d’obus depuis les buttes Chaumont n’en virent pas à bout. La flamme du porteur de Lumière refusa de s’éteindre…
www.pariszigzag.fr/histoire-insolite-paris/qui-est-vraime...
Today's photo tour sends us over to Disney's Pop Century Resort for a shot of the giant jukebox. Can you imagine the size of the quarter you would need to have to be able to listen to a song? It would have to be pretty big. LOL. This resort is all about over-sized "old time" items. They have larger then life Play doh containers and huge Sony Walkman's. What's your favorite? Have a magical day!
Name: Rufous-backed kingfisher
Scientific: Ceyx rufidorsa
Malay: Pekaka Api
Family: Alcedinidae
IUCN Red List (v3.1, 2016): Least Concern
Gear: SONY α1 + SEL600F40GM
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Copyright © 2022 Nur Ismail Photography. All rights reserved. Do not use or reproduce these images on websites, blogs or publications without expressed written permission from the photographer.
For any enquiries, please visit my website: www.nurismailphotography.com or email at nismailm@gmail.com.
Meanwhile, at Jerry's apartment, Jerry has the whole gang over as Ultraman's* parents are in town.** But he didn't know the entire family was coming...
"Hey! Hey! and Ho! Ho!"
Ultraman: Whoa! Ultraman Power and Ultraman Neos! POSE!
"POSE!" "POSE!"
...laughter...
George: Oh, I'm sure this is going to work out just fine...
...laughter...
Elaine: So all of your family is named after Ultraman?
Ultraman Papa: Yes! We are the Ultraman Family!
Uncle Leo: It's a fine family, a FINE family!
...laughter...
Elaine: No, but your son... is that your son back there, coming out of the restroom?
Ultraman Mama: Yes! Our wonderful boy!
Elaine: Okay, so when did you get the name 'Ultraman Mama'?
Ultraman Mama: Well you can also call me ウルトラの母.
Elaine: I... don't think I can...
...laughter...
Elaine: What does that mean?
Ultraman Mama: Oh, sweety, it means Urutora no Haha.
Elaine: ...
Uncle Leo: That's a fine name! A FINE name!
...laughter...
Elaine: 'Haha' as in laughter?
Ultraman Mama: No, 'Haha' as in Mother. I am Mother of Ultra.
Elaine: So... did you have a name before you had your son?
Ultraman Mama: Of course! Ultrawoman Marie!
Ultraman Papa: And mine name was Ultraman Ken! But now you can call me ウルトラの父, or Urutora no Chichi.
Elaine: Right... Chichi...
...laughter...
Ultraman Neos: Man, where is the food! I'm Ultra-starving!
Ultraman Great: We gotta wait for the others!
Kramer: Oh, there's more coming? Hey, yeah, that's good.
Elaine: But, I mean, why do you all name yourselves after him? Why is he the center of the family?
Ultraman Papa: Is your name Elaine anything? Ultra Elaine? Elaine Big Head? Something like that?
...laughter...
Elaine: No, it's just Elaine! Well, Elaine Benes.
Ultraman Papa: Ah, you wouldn't really understand then.
Uncle Leo: You can call me Ultra Leo! Hellooooo~~!!
...laughter...
...applause...
__________________________
A year of the shows and performers of the Bijou Planks Theater.
Funko
Mini Moments
Seinfeld - Jerry's Apartment
Jerry
George
Elaine
Kramer
Bandai
Ultraman
Ultraman Neos
Ultraman Power
Ultraman Papa
Ultraman Mama
Super Deformed
Finger Puppet
isoner Please correct us if we're wrong on Neos or Great. 😊
* Ultraman visited first!
www.flickr.com/photos/paprihaven/51928817750/
** Then his parents!
Named: "Lina"
First flown with the Airbus test registration F-WWIT, this aircraft was delivered to Avolon Aerospace and leased to Pegasus Airlines as TC-NCA in Mar-19. Current, updated 20-Feb-22.
My name is Carey and besides Photography my passion is music.
I am a singer/songwriter and if you enjoy my photos I would love hear what you think of my music.
If you go to www.Jango.com , an internet radio site,and put in Carey Newton as the artist you can listen to some of my songs.
I also have a free download of the song Enchanted Mountain at
www.cdbaby.com/cd/careynewton
Can also be found on iTunes
The name "Portland Bill" has its roots in "The Beel" as named on early maps. This derived from the beak shape of Portland Bill. From 1588 onwards, when the area was part of a crucial Armanda invasion-warning network, it was often named "The Beacon".
As Portland Bill's largest and most recent lighthouse, the Trinity House operated Portland Bill Lighthouse is distinctively white and red striped, standing at a height of 41 metres (135 ft). It was completed by 1906 and first shone out on 11 January 1906. The lighthouse guides passing vessels through the hazardous waters surrounding the Bill, while also acting as a way-mark for ships navigating the English Channel.
Name - 'H.C. Ørsted'
Manufacturer Serial Number (MSN) - 39017
Line Number - 4234
Aircraft Type - Boeing 737-8JP(WL)
First Flight - 18. Oct 2012
Production Site - Renton (RNT)
Airframe Status - Active
The pass is named for Togwotee, a subchief under Chief Washakie of the Sheepeater tribe, a branch of the Shoshones. Togwotee led a U.S. government exploratory expedition over this pass in 1873.
The name Swift is highly appropriate as they hold the record for level flight speed under their own power (69.3 miles per hour). But this was during a turbo-charged screaming flight, whereas the usual flight speed was 22-26 mph. Other birds like Peregrine Falcons can reach much greater speeds but only when freefalling using the power of gravity. They fly around with their beaks open catching insects which they store in a ball to bring back to their youngsters in the nest. Analysis of just 12 food balls revealed more than 300 species of insect and spider. It is thought that each Swift may catch 10,000 insects in a day, which is more (numerically) than any other British bird.
The other interesting thing about Swifts is that once they leave their nest, their feet won't touch the ground for two or three years until they nest themselves. By this time the young Swift will have made two or three return journeys to sub-Saharan Africa. They eat, drink, sleep and even mate on the wing, only landing when they nest. The oldest known Swift was ringed as a nestling in Switzerland and was caught back there 21 years later, by which time it was estimated to have flown perhaps 3 million miles.
The scientific name Apus apus comes from the Greek " a pous" meaning without foot. Swift legs are so small that it was once believed that they did not have any feet. If a Swift gets grounded it cannot spring back into the air like all other birds with normal sized legs. Several times I have found grounded Swifts and have saved their lives by launching them back into the air. An immensely satisfying thing to do. I think you can just about see some of its tiny toes emerging from the plumage. And speaking of Swift toes, they have four toes pointing forwards which is known as pamprodactylous. Most birds have three toes forwards and a hind toe pointing back.
I photographed this newly arrived individual in Yorkshire at the weekend using 1/2000 exposure.