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In My Tho, the provincial capital of Dinh Tuong Province in Vietnam's IV Corps. In 1968 the control and administration of the CIA's infamous PHOENIX Program was transferred to the U.S. Army.
Her gaze is timeless, her presence a story whispered through centuries. Inspired by the Pre-Raphaelites, this portrait embodies a myth reborn in auburn and bloom.
The Postcard
A Valentine's Series postcard that was posted in Margate on the 1st. September 1910 to:
Miss W. Betts,
190, Lavender Hill,
Clapham Junction,
London.
The message on the back of the card was as follows:
"'The Mulberry Tree',
Dane Road,
Margate.
Dear Winn,
I am having a grand time.
The weather has been
unsettled until today, now
it is simply great.
Love from Bert".
The Mulberry Tree at 53 Dane Road is still going strong as a pub, although it doesn't appear to offer accommodation any more.
Margate
Margate is a seaside town in Thanet, Kent, England, 24 km north-east of Canterbury. It includes Cliftonville, Garlinge, Palm Bay and Westbrook.
The town has been a significant maritime port since the Middle Ages, and was associated with Dover as part of the Cinque Ports in the 15th. century. It became a popular place for holidaymakers in the 18th. century, owing to easy access via the Thames, and later with the arrival of the railways.
Popular landmarks include the sandy beaches and the Dreamland amusement park. During the late 20th. century the town went into decline along with other British seaside resorts, but attempts are being made (2021) to revitalise the economy.
History of Margate
Margate was recorded as "Meregate" in 1264 and as "Margate" in 1299, but the spelling continued to vary into modern times. The name is thought to refer to a pool gate or gap in a cliff where pools of water are found, often allowing swimmers to jump in.
Margate gives its name to the relatively unknown yet influential Battle of Margate. It started on the 24th. March 1387, and was the last major naval battle of the Caroline War phase of the Hundred Years' War.
Despite the battle being named after Margate, very little actually happened near the coastal town - the battle is named after Margate as this was where an English fleet of 51 vessels was anchored.
Margate has been a leading seaside resort for at least 250 years. Like its neighbour Ramsgate, it has been a traditional holiday destination for Londoners drawn to its sandy beaches. Margate had a Victorian jetty which was largely destroyed by a storm in 1978.
In the late 18th. century, the town was chosen by the physician John Coakley Lettsom as the location for the Royal Sea Bathing Hospital, which was the first of its kind in Great Britain.
Like Brighton and Southend, Margate was infamous for gang violence between mods and rockers in the 1960's, and mods and skinheads in the 1980's.
The Turner Contemporary Art Gallery occupies a prominent position next to the harbour, and was constructed there with the specific aim of revitalising the town. The Thanet Offshore Wind Project, completed in 2010, is visible from the seafront.
Margate Tourism
For at least 250 years Margate has been drawing Londoners to its beaches, Margate Sands. The bathing machines in use at Margate were described in 1805 as:
"Four-wheeled carriages, covered with canvas, and
having at one end of them an umbrella of the same
materials which is let down to the surface of the water,
so that the bather descending from the machine by a
few steps is concealed from the public view, whereby
the most refined female is enabled to enjoy the
advantages of the sea with the strictest delicacy".
The Dreamland Amusement Park (featured in "The Jolly Boys' Outing" episode of the TV series Only Fools and Horses) is situated in the centre of Margate. After its closure in 2006, it reopened in 2015 following a lengthy campaign by the "Save Dreamland" Campaign Group.
The Scenic Railway roller coaster at Dreamland, which opened in 1920, is Grade II* Listed, and is the second oldest in the world. It was severely damaged by fire on the 7th. April 2008, but has now been fully restored and reopened to the public.
Cliftonville, next to Margate, had an Arnold Palmer mini golf course. It closed, and was illegally converted into a skate park, which was later shut down by the council amid safety concerns.
Margate Theatres and Exhibitions
There are two notable theatres, the Theatre Royal in Addington Street – the second oldest theatre in the country – and the Tom Thumb Theatre, the second smallest in the country, in addition to the Winter Gardens.
The Theatre Royal was built in 1787, burned down in 1829 and was remodelled in 1879. From 1885 to 1899, actor-manager Sarah Thorne ran a school for acting at the Theatre Royal which is regarded as Britain's first formal drama school.
Actors who received their initial theatrical training there include Harley Granville-Barker, Evelyn Millard, Louis Calvert, George Thorne, Janet Achurch, Adelaide Neilson and Irene and Violet Vanbrugh.
An annual jazz festival takes place in June.
In September, an annual car show commences known as "Oh So Retro" featuring classic and retro vehicles, trade stalls and family-friendly entertainment.
Margate Museum in Market Place explores the town's seaside heritage in a range of exhibits and displays.
The Margate Grotto and Caves
The Shell Grotto, has walls and roof covered in elaborate decorations of over four million shells. These cover 2,000 square feet (190 m2) in complex patterns. It was discovered in 1835, and is of unknown age and origin. It has been designated as a Grade I listed building.
First discovered in 1798, the Margate Caves (also known as the Vortigern Caves) are situated at the bottom of Northdown Road.
The Walpole Bay Tidal Pool
The Walpole Bay Tidal Pool is a Grade 2 listed tidal sea bathing pool built in 1937. The pool covers over four acres, and its dimensions are 450 ft long, 300 ft wide at the seaward end and 550 ft long at the landward end. The water in the pool is refreshed by the incoming tide twice a day, and fresh water springs rise from the beach within the walls.
The Turner Contemporary Gallery
The former chairman of the Margate Civic Society, John Crofts, had a plan to develop a centre that would show the link that the painter JMW Turner shared with Margate. Turner described the Thanet skies as "The loveliest in all Europe."
Crofts became increasingly determined to create such a gallery, and in 1998 the Leader of Kent County Council met a number of people from the art world to discuss the idea.
They hoped that the centre would regenerate the once-thriving town of Margate and offer an alternative to Margate's traditional tourist trade. The County Council offered to partly fund the building of the Turner Gallery. In 2001 the Turner Contemporary was officially established. The view from the gallery is similar to that seen by Turner from his lodging house.
To reduce the cost, Thanet District Council chose a new site inland from the harbour wall. The scheme was supported by the artist Tracey Emin, who was brought up in Margate. The building itself was designed by David Chipperfield Architects after the abandonment of the design by Snøhetta + Spence.
Building work started in 2008, but the project's initiator, John Crofts, died in 2009. The Turner Contemporary Gallery officially opened on the 16th. April 2011.
Historic Sites in Margate
There is a 16th.-century, two-storey timber-framed Tudor house built on a flint plinth in King Street.
Margate's Jubilee Clock Tower was built to commemorate Queen Victoria's Golden Jubilee in 1887, although not completed until 1889. It had a Time Ball mechanism, mounted on a mast atop the tower, which was raised a few minutes before 1 pm each day and dropped at precisely 1 pm, thereby allowing residents, visitors and ships to know the exact time.
The Time Ball fell out of use many years ago, but the Margate Civic Society raised funds to have the Time Ball repaired and brought back into use. This was successful, and a civic ceremony celebrated the restoration on the 24th. May 2014, Queen Victoria's birthday, and the 125th. anniversary of the Clock Tower's official opening. The Time Ball now drops at 1 pm each day, and is one of only a handful of working time balls in the world.
Draper's Mill is a smock mill built in 1845 by John Holman. It was working by wind until 1916 and by engine until the late 1930's. It was saved from demolition, and is now restored and open to the public.
Cultural References to Margate
Margate features at the start and as a recurrent theme in Margate writer Iain Aitch's travelogue, A Fete Worse Than Death. The author was born in the town.
T. S. Eliot, who in 1921 recuperated after a mental breakdown in the suburb of Cliftonville, commented in his poem The Waste Land Part III - The Fire Sermon:
"On Margate sands.
I can connect
Nothing with nothing".
Margate features as a destination in Graham Swift's novel Last Orders and its film adaptation. The character Jack Dodds had asked to have his remains scattered at Margate, and the book tells the tale of the drive to Margate and the memories evoked on the way.
The Victorian author William Thackeray used out-of-season Margate as the setting for his early unfinished novel 'A Shabby Genteel Story'.
"Margate" is the title of a UK single released by Chas & Dave in 1982.
"Margate Fhtagn" is a song by UK steampunk band The Men That Will Not Be Blamed For Nothing. The story related in the song combines the Victorian tradition of the seaside holiday with the works of H. P. Lovecraft, specifically the Cthulhu Mythos, to tell the tale of a Victorian family going on a seaside holiday to Margate, which gets interrupted by Cthulhu rising from the sea.
It is thought that Ralph Vaughan Williams wrote his Lark Ascending whilst walking along the cliffs in Margate.
Margate in Film and Television
J. M. W. Turner's long-term relationship with Mrs. Sophia Booth of Margate was featured in the film Mr. Turner (2014).
The railway station and Dreamland feature prominently in the Only Fools & Horses episode "The Jolly Boys' Outing" (1989).
In series 4 (2017) of the British television crime drama Peaky Blinders, the character Alfie Solomons chooses to reside at Margate, where he's shot on the beach by Tommy Shelby.
The town appeared on BBC TV's The Apprentice in May 2009.
The 2012 BBC television drama series True Love was set and filmed in Margate. The show had its first public screening at the Turner Contemporary.
The 2014 ITV sitcom Edge of Heaven was set in a 1980's-themed bed and breakfast establishment in Margate.
The Sacrorum Antistitum
So what else happened on the day that the card was posted?
Well, on the 1st. September 1910, Pope Pius X promulgated the Sacrorum Antistitum (Oath against Modernism).
The Oath directed that all Roman Catholic bishops, priests and teachers take an oath against the Modernist movement, which called for a departure from following traditional teachings of the Church.
The requirement was mandatory until 1967.
The Mormon Tabernacle Choir
Also on that day, the Mormon Tabernacle Choir's music was recorded commercially for the first time. The choir's records and CD's have sold millions of copies since then.
Mythos of Avalon...A mythical being from a distant world that is similar to Earth atmosphere called Avalon. Only worthy noble person can set eyes on this outstanding creature. It is not a demon nor an angel nor any other mythical beings, which some might think, but a being of his or her own. Legend says that the being Mythos has telekinetic, telepathic, & telekinesis like powers even has elemental or arcane sorcery depending how the Mythos adapt to his or her surroundings. Like any other being there always has evil or good side. Mythos speaks ancient Mythorian originally, but they too can speak Elvish or Orcish or sometimes demonic or angelic depending who they are allies with. Also, Mythos amazing strength, unity, wisdom, respect, & courage brings balance to their order unlike their counter parts like the Mythordia that only brings chaos, destruction, & despair.
Collaboration beetween Biennalist and Ultracontemporay
Art Format
www.emergencyrooms.org/formats.html
Documenta From Wikipedia,
The Fridericianum during documenta (13)
documenta is an exhibition of contemporary art which takes place every five years in Kassel, Germany. It was founded by artist, teacher and curator Arnold Bode in 1955 as part of the Bundesgartenschau (Federal Horticultural Show) which took place in Kassel at that time.[1] It was an attempt to bring Germany up to speed with modern art, both banishing and repressing the cultural darkness of Nazism.[2] This first documenta featured many artists who are generally considered to have had a significant influence on modern art (such as Picasso and Kandinsky). The more recent documentas feature art from all continents; nonetheless most of it is site-specific.
Every documenta is limited to 100 days of exhibition, which is why it is often referred to as the "museum of 100 days".[3] Documenta is not a selling exhibition. It rarely coincides with the three other major art world events: the Venice Biennale, Art Basel and Skulptur Projekte Münster, but in 2017, all four were open simultaneously.
Etymology of documenta
The name of the exhibition is an invented word. The term is supposed to demonstrate the intention of every exhibition (in particular of the first documenta in 1955) to be a documentation of modern art which was not available for the German public during the Nazi era. Rumour spread from those close to Arnold Bode that it was relevant for the coinage of the term that the Latin word documentum could be separated into docere (Latin for teach) and mens (Latin for intellect) and therefore thought it to be a good word to describe the intention and the demand of the documenta.[4]
Each edition of documenta has commissioned its own visual identity, most of which have conformed to the typographic style of solely using lowercase letters, which originated at the Bauhaus.[5]
History
Stadtverwaldung by Joseph Beuys, oaktree in front of the museum Fridericianum, documenta 7
Art professor and designer Arnold Bode from Kassel was the initiator of the first documenta. Originally planned as a secondary event to accompany the Bundesgartenschau, this attracted more than 130,000 visitors in 1955. The exhibition centred less on "contemporary art“, that is art made after 1945: instead, Bode wanted to show the public works which had been known as "Entartete Kunst" in Germany during the Nazi era: Fauvism, Expressionism, Cubism, Blauer Reiter, Futurism and Pittura Metafisica. Therefore, abstract art, in particular the abstract paintings of the 1920s and 1930s, was the focus of interest in this exhibition.
Over time, the focus shifted to contemporary art. At first, the show was limited to works from Europe, but soon covered works by artists from the Americas, Africa and Asia. 4. documenta, the first ever to turn a profit, featured a selection of Pop Art, Minimal Art, and Kinetic Art.[6] Adopting the theme of Questioning Reality – Pictorial Worlds Today, the 1972 documenta radically redefined what could be considered art by featuring minimal and conceptual art, marking a turning point in the public acceptance of those styles.[7] Also, it devoted a large section to the work of Adolf Wolfli, the great Swiss outsider, then unknown. Joseph Beuys performed repeatedly under the auspices of his utopian Organization for Direct Democracy.[8] Additionally, the 1987 documenta show signaled another important shift with the elevation of design to the realm of art – showing an openness to postmodern design.[9] Certain key political dates for wide-reaching social and cultural upheavals, such as 1945, 1968 or 1976/77, became chronological markers of documenta X (1997), along which art's political, social, cultural and aesthetic exploratory functions were traced.[10] Documenta11 was organized around themes like migration, urbanization and the post-colonial experience,[11] with documentary photography, film and video as well as works from far-flung locales holding the spotlight.[7] In 2012, documenta (13) was described as "[a]rdently feminist, global and multimedia in approach and including works by dead artists and selected bits of ancient art".[12]
Criticism
documenta typically gives its artists at least two years to conceive and produce their projects, so the works are often elaborate and intellectually complex.[13] However, the participants are often not publicised before the very opening of the exhibition. At documenta (13), the official list of artists was not released until the day the show opened.[14] Even though curators have often claimed to have gone outside the art market in their selection, participants have always included established artists. In the documenta (13), for example, art critic Jerry Saltz identified more than a third of the artists represented by the renowned Marian Goodman Gallery in the show.[14]
Directors
The first four documentas, organized by Arnold Bode, established the exhibition's international credentials. Since the fifth documenta (1972), a new artistic director has been named for each documenta exhibition by a committee of experts. Documenta 8 was put together in two years instead of the usual five. The original directors, Edy de Wilde and Harald Szeemann, were unable to get along and stepped down. They were replaced by Manfred Schneckenburger, Edward F. Fry, Wulf Herzogenrath, Armin Zweite, and Vittorio Fagone.[15] Coosje van Bruggen helped select artists for documenta 7, the 1982 edition. documenta IX's team of curators consisted of Jan Hoet, Piero Luigi Tazzi, Denys Zacharopoulos, and Bart de Baere.[16] For documenta X Catherine David was chosen as the first woman and the first non-German speaker to hold the post. It is also the first and unique time that its website Documenta x was conceived by a curator (swiss curator Simon Lamunière) as a part of the exhibition. The first non-European director was Okwui Enwezor for Documenta11.[17]
TitleDateDirectorExhibitorsExhibitsVisitors
documenta16 July – 18 September 1955Arnold Bode148670130,000
II. documenta11 July – 11 October 1959Arnold Bode, Werner Haftmann3381770134,000
documenta III27 June – 5 October 1964Arnold Bode, Werner Haftmann3611450200,000
4. documenta27 June – 6 October 196824-strong documenta council1511000220,000
documenta 530 June – 8 October 1972Harald Szeemann218820228,621
documenta 624 June – 2 October 1977Manfred Schneckenburger6222700343,410
documenta 719 June – 28 September 1982Rudi Fuchs1821000378,691
documenta 812 June – 20 September 1987Manfred Schneckenburger150600474,417
documenta IX12 June – 20 September 1992Jan Hoet1891000603,456
documenta X21 June – 28 September 1997Catherine David120700628,776
documenta118 June – 15 September 2002Okwui Enwezor118450650,924
documenta 1216 June – 23 September 2007Roger M. Buergel/Ruth Noack[19]114over 500754,301
documenta (13)9 June – 16 September 2012Carolyn Christov-Bakargiev187[20]904,992[21]
documenta 148 April – 16 July 2017 in Athens, Greece;
10 June – 17 September 2017 in KasselAdam Szymczykmore than 1601500339.000 in Athens
891.500 in Kassel
documenta fifteen18 June 2022 – 25 September 2022 in Kasselruangrupa[22]
2012's edition was organized around a central node, the trans-Atlantic melding of two distinct individuals who first encountered each other in the "money-soaked deserts of the United Arab Emirates". As an organizing principle it is simultaneously a commentary on the romantic potentials of globalization and also a critique of how digital platforms can complicate or interrogate the nature of such relationships. Curatorial agents refer to the concept as possessing a "fricative potential for productive awkwardness," wherein a twosome is formed for the purposes of future exploration.[23]
Venues
documenta is held in different venues in Kassel. Since 1955, the fixed venue has been the Fridericianum. The documenta-Halle was built in 1992 for documenta IX and now houses some of the exhibitions. Other venues used for documenta have included the Karlsaue park, Schloss Wilhelmshöhe, the Neue Galerie, the Ottoneum, and the Kulturzentrum Schlachthof. Though Okwui Enezor notably tried to subvert the euro-centric approach documenta had taken, he instigated a series of five platforms before the Documenta11 in Vienna, Berlin, New Delhi, St Lucia, and Lagos, in an attempt to take documenta into a new post-colonial, borderless space, from which experimental cultures could emerge. documenta 12 occupied five locations, including the Fridericianum, the Wilhelmshöhe castle park and the specially constructed "Aue-Pavillon", or meadow pavilion, designed by French firm Lacaton et Vassal.[24] At documenta (13) (2012), about a fifth of the works were unveiled in places like Kabul, Afghanistan, and Banff, Canada.[13]
There are also a number of works that are usually presented outside, most notably in Friedrichsplatz, in front of the Fridericianum, and the Karlsaue park. To handle the number of artworks at documenta IX, five connected temporary "trailers" in glass and corrugated metal were built in the Karlsaue.[25] For documenta (13), French architects Anne Lacaton and Jean-Philippe Vassal constructed the temporary "Aue-Pavillon" in the park.
Rahmenbau (1977) by Haus Rucker und Co.
A few of the works exhibited at various documentas remained as purchases in Kassel museums. They include 7000 Eichen by Joseph Beuys; Rahmenbau (1977) by Haus-Rucker-Co; Laserscape Kassel (1977) by Horst H. Baumann; Traumschiff Tante Olga (1977) by Anatol Herzfeld; Vertikaler Erdkilometer by Walter De Maria; Spitzhacke (1982) by Claes Oldenburg; Man walking to the sky (1992) by Jonathan Borofsky; and Fremde by Thomas Schütte (one part of the sculptures are installed on Rotes Palais at Friedrichsplatz, the other on the roof of the Concert Hall in Lübeck).
documenta archive
The extensive volume of material that is regularly generated on the occasion of this exhibition prompted Arnold Bode to create an archive in 1961. The heart of the archive’s collection comes from the files and materials of the documenta organization. A continually expanding video and image archive is also part of the collection as are the independently organized bequests of Arnold Bode and artist Harry Kramer.
Management
Visitors
In 1992, on the occasion of documenta IX, for the first time in the history of the documenta, more than half a million people traveled to Kassel.[26] The 2002 edition of documenta attracted 650,000 visitors, more than triple Kassel's population.[27] In 2007, documenta 12 drew 754,000 paying visitors, with more than one-third of the visitors coming from abroad and guests from neighboring Netherlands, France, Belgium and Austria among the most numerous.[28] In 2012, documenta (13) had 904,992 visitors.[21]
References
Adrian Searle (June 11, 2012), "Documenta 13: Mysteries in the mountain of mud", The Guardian.
Roberta Smith (June 14, 2012), Art Show as Unruly Organism The New York Times.
Arnold Bode coined this phrase for the first time in the prologue of the first volume of the catalogue: documenta III. Internationale Ausstellung; Catalogue: Volume 1: Painting and Sculpture; Volume 2: Sketches; Volume 3: Industrial Design, Print; Kassel/Köln 1964; p. XIX
Kimpel, Harald: documenta, Mythos und Wirklichkeit. Köln 1997, ISBN 3-7701-4182-2
Alice Rawsthorn (June 3, 2012), A Symbol Is Born The New York Times.
The documenta IV Exhibition in Kassel (1968) German History in Documents and Images (GHDI).
Helen Chang (June 22, 2007), "Catching the Next Wave In Art at Documenta", The Wall Street Journal.
Roberta Smith (September 7, 2007), "Documenta 5" The New York Times.
Gimeno-Martinez, Javier; Verlinden, Jasmijn (2010). "From Museum of Decorative Arts to Design Museum: The Case of the Design museum Gent". Design and Culture. 2 (3).
dX 1997 Archived 2013-06-14 at the Wayback Machine, documenta XII.
Stephan Valentin (June 12, 2007), An art show in Kassel, Germany, rivals Venice Biennale The New York Times.
Roberta Smith (June 14, 2012), Art Show as Unruly Organism The New York Times.
Kelly Crow (June 8, 2012), A Party, Every Five Years, for 750,000 Guests The Wall Street Journal.
Jerry Saltz (June 15, 2012), Jerry Saltz: "Eleven Things That Struck, Irked, or Awed Me at Documenta 13" New York Magazine.
Michael Brenson (June 15, 1987), "Documenta 8, Exhibition In West Germany", The New York Times.
Michael Kimmelman (July 5, 1992) "At Documenta, It's Survival Of the Loudest", The New York Times.
Jackie Wullschlager (May 19, 2012) Vertiginous doubt Financial Times.
Julia Halperin, Gareth Harris (July 18, 2014) How much are curators really paid? Archived July 20, 2014, at the Wayback Machine The Art Newspaper.
Holland Cotter (22 June 2007). "Asking Serious Questions in a Very Quiet Voice". The New York Times. Retrieved 2014-08-29.
Ulrike Knöfel (8 June 2012). "What the 13th Documenta Wants You to See". Der Spiegel.
"904,992 people visit documenta (13) in Kassel". documenta und Museum Fridericianum Veranstaltungs-GmbH. 16 September 2012. Archived from the original on 25 February 2014. Retrieved 8 August 2013.
Russeth, Andrew (2019-02-22). "Ruangrupa Artist Collective Picked to Curate Documenta 15". ARTnews.com. Retrieved 2020-01-05.
"In Germany, Disguising Documentary As Art". The Huffington Post. Retrieved 2015-09-28.
Stephan Valentin (June 12, 2007), An art show in Kassel, Germany, rivals Venice Biennale International Herald Tribune.
Roberta Smith (June 22, 1992), A Small Show Within an Enormous One The New York Times.
d9 1992 Archived 2014-02-22 at the Wayback Machine, documenta XII.
Adrian Searle (June 19, 2007), 100 days of ineptitude The Guardian.
Catherine Hickley (September 24, 2007), "Documenta Contemporary Art Show Draws Record 754,000 to Kassel", Bloomberg.
Carly Berwick (May 17, 2007), "Documenta 'Mystery' Artists Are Revealed; Buzz Strategy Fizzles", Bloomberg.
Rachel Donado (April 5, 2017), German Art Exhibition Documenta Expands Into Athens, The New York Times.
Catherine Hickley (November 27, 2017), Documenta manager to leave post after budget overruns The Art Newspaper.
Further reading
Hickley, Catherine (2021-06-18). "This Show Sets the Direction of Art. Its Past Mirrored a Changing World". The New York Times.
Nancy Marmer, "Documenta 8: The Social Dimension?" Art in America, vol. 75, September 1987, pp. 128–138, 197–199.
other biennales :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
lumbung
Short concept by ruangrupa for documenta 15
"We want to create a globally oriented, cooperative, interdisciplinary art and culture platform that will remain effective beyond the 100 days of documenta fifteen. Our curatorial approach aims at a different kind of collaborative model of resource use—economically, but also in terms of ideas, knowledge, programs, and innovation."
ruangrupa’s central curatorial approach for documenta fifteen is based on the principles of collectivity, resource building, and equal sharing. They aim to appeal not just to an art audience but to a variety of communities, and to promote local commitment and participation. Their approach is based on an international network of local, community-based organizations from the art and other cultural contexts and can be outlined by the Indonesian term lumbung. lumbung, directly translatable as “rice barn,” is a collective pot or accumulation system used in rural areas of Indonesia, where crops produced by a community are stored as a future shared common resource and distributed according to jointly determind criteria. Using lumbung as a model, documenta fifteen is a collective resource pot, operating under the logics of the commons. It is an agglomeration of ideas, stories, (wo)manpower, time, and other shareable resources. At the center of lumbung is the imagination and the building of these collective, shared resources into new models of sustainable ideas and cultural practices. This will be fostered by residencies, assemblies, public activities, and the development of tools.
Interdisciplinarity is key in this process. It is where art meets activism, management, and networking to gather support, understand environments, and identify local resources. These elements then create actions and spaces, intertwine social relations and transactions; they slowly grow and organically find a public form. This is a strategy “to live in and with society.” It imagines the relations an art institution has with its community by being an active constituent of it. Strategies are then developed based on proximity and shared desires.
The main principles of the process are:
• Providing space to gather and explore ideas
• Collective decision making
• Non-centralization
• Playing between formalities and informalities
• Practicing assembly and meeting points
• Architectural awareness
• Being spatially active to promote conversation
• A melting pot for and from everyone’s thoughts, energies, and ideas
#documentakassel
#documenta
#documenta15
#artformat
#formatart
#rundebate
#thierrygeoffroy
#Colonel
#CriticalRun
#venicebiennale
#documentafifteen
#formatart
#documentacritic
#biennalist
#ultracontemporary art
protestart
LEGAL NOTICE | protected work • All Rights reserved! © B. Egger photographer retains ownership and all copyrights in this work.
photographer | Bernard Egger.. • collections • sets
event | 2011 ENNSTAL-CLASSIC • Styria 💚 Austria
© Copyright Information | Dieses Foto darf keinesfalls publiziert oder an nicht berechtigte Nutzer weitergegeben werden. Für eine Nutzungsvereinbarung kontaktieren Sie bitte Bernard Egger.
Todos los Derechos Reservados • Tous droits réservés • Todos os Direitos Reservados • Все права защищены • Tutti i diritti riservati
licence | for any user agreement please contact Bernard Egger.
---
rumoto images, pure passion, Bernard Egger, 写真家, カメラマン, 摄影师, Ennstal-Classic, Nikon FX, Моторспорт фотография, Motorsport, Моторспорт, classiche, classica, classic, classical, vintage, storiche, historic, historisch, historique, old, heritage, sports cars, машина, авто, Automobile, 車, Sportwagen, classic sports cars, Oldtimer, passion, Passione, Mythos, legends, Leggenda,
Ennstal-Classic 2011 # 16 Alfa Romeo 6C, 2488 ccm, 105 PS, 1934 - van Stokrom (D)
LEGAL NOTICE | protected work • All Rights reserved! © B. Egger photographer retains ownership and all copyrights in this work.
photographer | Bernard Egger.. • collections • sets
event | 2010 ENNSTAL-CLASSIC • Styria 💚 Austria
© Copyright Information | Dieses Foto darf keinesfalls publiziert oder an nicht berechtigte Nutzer weitergegeben werden. Für eine Nutzungsvereinbarung kontaktieren Sie bitte Bernard Egger.
Todos los Derechos Reservados • Tous droits réservés • Todos os Direitos Reservados • Все права защищены • Tutti i diritti riservati
licence | for any user agreement please contact Bernard Egger.
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rumoto images, 2010 Ennstal-Classic, 写真家, カメラマン, 摄影师, Bernard Egger, photography, Nikon FX, Моторспорт фотография, Motorsport, Моторспорт, classiche, classica, classic, classical, vintage, storiche, historic, historisch, historique, heritage, sports cars, машина, авто, Automobile, 車, Sportwagen, classic sports cars, Oldtimer, passion, Passione, Mythos, legends, Leggenda,
A Montage of some impressions from the international group exhibition "Mythos Tour de France" in the NRW-Forum Düsseldorf running from 19th of May to 30th of July 2017)
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Eine Montage einiger Eindrücke aus der Internationalen Gruppen-Ausstellung Mythos Tour de France" im NRW-Forum Düsseldorf (19.05.-30.07.2017)
I took my new ND filter to IOA to try a few shots, and was really looking forward to having fun with the Mythos building. I had just as much fun shooting it as I hoped I would. I know I'm pushing the pixels/color again, but I think it works for this. Hope you like it as much as I do!
LEGAL NOTICE | protected work • All Rights reserved! © B. Egger photographer retains ownership and all copyrights in this work.
photographer | Bernard Egger.. • collections • sets
event | 2011 ENNSTAL-CLASSIC • Styria 💚 Austria
© Copyright Information | Dieses Foto darf keinesfalls publiziert oder an nicht berechtigte Nutzer weitergegeben werden. Für eine Nutzungsvereinbarung kontaktieren Sie bitte Bernard Egger.
Todos los Derechos Reservados • Tous droits réservés • Todos os Direitos Reservados • Все права защищены • Tutti i diritti riservati
licence | for any user agreement please contact Bernard Egger.
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rumoto images, pure passion, Bernard Egger, 写真家, カメラマン, 摄影师, Ennstal-Classic, Nikon FX, Моторспорт фотография, Motorsport, Моторспорт, classiche, classica, classic, classical, vintage, storiche, historic, historisch, historique, old, heritage, sports cars, машина, авто, Automobile, 車, Sportwagen, classic sports cars, Oldtimer, passion, Passione, Mythos, legends, Leggenda,
Ennstal-Classic 2011 - # 38 BMW 328 Roadster - 1939, 1971 ccm, 80 PS - Dr. Otten (D)
LEGAL NOTICE | protected work • All Rights reserved! © B. Egger photographer retains ownership and all copyrights in this work.
photographer | Bernard Egger.. • collections • sets
event | 2010 ENNSTAL-CLASSIC • Styria 💚 Austria
© Dieses Foto darf ohne vorherige Lizenzvereinbarung keinesfalls publiziert oder an nicht berechtigte Nutzer weiter gegeben werden.
Todos los Derechos Reservados • Tous droits réservés • Todos os Direitos Reservados • Все права защищены • Tutti i diritti riservati
licence | for any user agreement please contact Bernard Egger.
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rumoto images, 2010 Ennstal-Classic, 写真家, カメラマン, 摄影师, Bernard Egger, photography, Nikon FX, Моторспорт фотография, Motorsport, Моторспорт, classiche, classica, classic cars, vintage cars, storiche, historic cars, motoring, historique, heritage, sports cars, машина, авто, Automobile, 車, european cars, Sportwagen, classic sports cars, Oldtimer, Passione, Mythos, legends, Leggenda,
press - L - to see it large and on black.
press - F - if you like it :)
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Click here to see an overview of the whole set of beers
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'Rock' Face carvings on the exterior of the Mythos Restaurant at Islands of Adventure.
Universal Studios Orlando.
LEGAL NOTICE | protected work • All Rights reserved! © B. Egger photographer retains ownership and all copyrights in this work.
photographer | Bernard Egger.. • collections • sets
event | 2010 ENNSTAL-CLASSIC • Styria 💚 Austria
© Dieses Foto darf ohne vorherige Lizenzvereinbarung keinesfalls publiziert oder an nicht berechtigte Nutzer weiter gegeben werden.
Todos los Derechos Reservados • Tous droits réservés • Todos os Direitos Reservados • Все права защищены • Tutti i diritti riservati
licence | for any user agreement please contact Bernard Egger.
-
rumoto images, 2010 Ennstal-Classic, 写真家, カメラマン, 摄影师, Bernard Egger, photography, Nikon FX, Моторспорт фотография, Motorsport, Моторспорт, classiche, classica, classic cars, vintage cars, storiche, historic cars, motoring, historique, heritage, sports cars, машина, авто, Automobile, 車, european cars, Sportwagen, classic sports cars, Oldtimer, Passione, Mythos, legends, Leggenda,
■ new album ► TEN YEARS AFTER • 2010 • ENNSTAL-CLASSIC
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1939 BMW 328 Kamm Coupé (c) Egger :: rumoto images 2227 orig.
Shape: NV Custom
Body: Maitreya PetiteX
Head: Genus MorphToon
Skin: Genus Skin Aphrodite Icy w/makeup (Gacha)
Hair: Truth Tempted
Outfit: Enfant Terrible Isla
Jewelry: Beloved Jewelry Yalena/Ysoral Laurine Bindi
Flowers: Genus Faces of Mythos Aphrodite Flowers Pink
This paper toy is a chibi Mytho, Prince Siegfried from the story, The Prince and The Raven, written by Drosselmeyer, who shattered his heart in order to defeat the Raven, based on the Japanese The Ugly Duckling/Swan Lake-inspired magical girl ballet anime television series Princess Tutu, the...
www.papercraftsquare.com/princess-tutu-chibi-mytho-free-p...