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Built in phases between 1911 and 1959, this Prairie and Organic Modern-style house and office were designed by Frank Lloyd Wright to serve as his family residence and studio, with two fires leading to substantial reconstruction of the house in 1914 and 1925. The house, which is named “Taliesin”, Welsh for “Shining Brow” or “Radiant Brow”, referring to the hill upon which it is situated, is a long and rambling structure with multiple sections built at different times, with the building serving as a living laboratory for Wright’s organic design philosophy, as well as growing with Wright’s family, wealth, and business. The house sits on a hill surrounded by fields, but is notably located below the top of the hill, which Wright saw as being such a significant feature of the landscape that it should remain untouched by the house’s presence. The house’s westernmost wings served as the home of livestock and farm equipment, as well as a garage, later becoming housing for the Taliesin Fellowship, where aspiring architects apprenticed with Frank Lloyd Wright. The central wing served as the Frank Lloyd Wright studio, where Wright and his apprentices and employees worked on projects for clients, as well as where Wright often met with clients. The eastern wing served as the Wright family’s residence, and was rebuilt twice, in 1914 and 1925, after being destroyed by fire, and is overall the newest section of the complex, though some portions of the west and central wings were added after the main phase of construction of the residence was complete.
The house is clad in stucco with a wooden shingle hipped and gabled roof, with stone cladding at the base and on piers that often flank window openings, large casement windows, clerestory windows, outdoor terraces and balconies, stone chimneys, and glass french doors, all of which connect the interior of the building to the surrounding landscape. The interior of the buildings feature vaulted ceilings in common areas, stone floors, stone and plaster walls, decorative woodwork, custom-built furniture, and multiple decorative objects collected by Wright during his life. The exterior of the house has a few areas distinctive from the rest of the structure, with a cantilevered balcony extending off the east facade drawing the eye towards the surrounding landscape from the living room of the residence, next to a large set of glass doors that enclose the living room and adjacent bedroom from a shallower cantilevered terrace, while to the west of the residence, and south of the central wing, is a landscaped garden, which rests just below the crest of the hill.
The building was the full-time home of Wright from 1911 until 1937, when Wright began to spend his winters at Taliesin West in Phoenix, Arizona, due to the effects of the Wisconsin winters on his health. For the rest of Wright’s life, the house was the summer home of Wright and the Taliesin Fellowship, and following his death, the house was deeded to the Frank Lloyd Wright Foundation, which operated and maintained the house as a museum and the home of multiple programs until 1990. Since 1990, the house has been under the stewardship of the nonprofit Taliesin Preservation Inc., which operates the house in conjunction with the Frank Lloyd Wright Foundation. The building is a contributing structure in the Taliesin Historic District, listed on the National Register of Historic Places in 1973, and designated a National Historic Landmark in 1976. Taliesin was one of eight Frank Lloyd Wright buildings listed as The 20th-Century Architecture of Frank Lloyd Wright World Heritage Site by UNESCO in 2019. Today, Taliesin is utilized as a museum, offering tours and interpretation of Frank Lloyd Wright’s life and work.
ive been playing around with multiple exposures for a while now. Eve, a.k.a Daisy Knightsbridge, is just the perfect lady to practice them with!
Not only are there 3 people in this photo. San and Anna also happen to be the 3rd of 3 kids in each of their respective families.
LtoR: San Le, Joy (Wainscott) Doran, Anna Doran
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Múltiple exposición algorítmica.
En algunas ocasiones ya he puesto imágenes con doble o triple exposición en cámara, técnica creativa, que ya se usaba con la fotografía analógica, anulando el avance de la película antes del siguiente disparo.
Pero en esta ocasión y aunque parezca lo mismo se trata de algo distinto. En la doble exposición en cámara en realidad obtienes dos momentos distintos, de uno o varios sujetos fotográficos, pero dos momentos distintos aunque sea por fracciones de segundo. En ese sentido me convencía más la doble exposición en el procesado pero jugando con diferentes fragmentos de la misma imagen. Es decir de un mismo momento.
Quería que esto fuera algo aleatorio, en la que mi intervención fuera lo menor posible, y me puse manos a la obra, trabajando en un algoritmo matemático que sustrajera partes de la imagen para luego superponerlas sobre ella misma con diferentes niveles de trasparencia. La intención inicial era crear una especie de imágenes cubistas, en las que podemos ver diferentes puntos de vista de un mismo sujeto al mismo tiempo.
Los resultados de esas imágenes tan geométricas no me convencían demasiado a nivel estético, pues aunque la sustracción de los fragmentos era muy sencillo, la forma de casarlos luego se complicaba bastante. Así que al final opte por una solución digamos más orgánica: La sustracción la hago en función de variaciones de color o tono en pixeles adyacentes y la posterior superposición en la imagen original es total, o casi totalmente aleatoria, pues en las matemáticas y la informática no hay nada totalmente aleatorio, pero el hecho es que dado unos parámetros, el resultado escapa de mi control, eso sí.
Ahora ya estoy dándole vueltas a por qué no dotar a ese proceso de cierta inteligencia artificial (IA) para que deseche aquellas imágenes que no cumplan algunas normas estéticas: regla de los tercios, principio de Pareto, etc. etc. y que vaya aprendiendo de sus propios errores. No se, creo que eso ya se me va un poco de las manos, pero por lo pronto estoy muy ilusionado con el proyecto.
Y bueno, entretanto aquí esta el primer resultado que me ha convencido un poco de todos los que he llevado a cabo, y que al menos a mi me transmite algo, a pesar de estar realizado, en parte, por un robot.
Inauguración segundo piso MAC Parque Forestal, Jueves 07 de Septiembre 2017.
- "El tráfico de la tierra" Ignacio Acosta, Louise Purbrick y Xavier Ribas.
- "Default" por Manuela Garretón y Tomás Ossandón / Sala Anilla Mac
- "3 citas con Antonioni" por María Pía Serra
- "La plétora del ápice" por Enrique Matthey
Fotografías por Isabel Herrera
タバコ、止めたい気持ちはあるのだが…。
北海道札幌市
Sapporo, Hokkaido, Japan
instagram photography
multiple exposure
taken with iPhone 4S via Camera+.app, 有限カメラ.app