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Morning light on the vertebra that make up the backbone of the foothills above Boulder. I had headed out with the hopes of clouds above the Flatirons at sunrise, as a potent winter storm was heading our way with high winds out of the northwest. The clouds were present, but not in the right place for good compositions (note however the lenticular in the distance). They mostly blocked the early morning light, which has made its reappearance about 5 minutes before this shot was taken (subtle shadows are still visible in the sky). Today there is around 8 inches (20 cm) of snow on the ground, with near zero visibility in low clouds.
Helen Calder - Arrangement for 15 Colours (15/44)
Christchurch-based artist Helen Calder pulls paint out into open space to explore its sculptural properties. She wrote in 2013:; When paint is freed from a flat support; its thickness and rubbery plasticity is evident. The ‘freed’ paint objects have fronts; edges and backs and of course colour all the way through. The physical ‘undoing of painting’ makes it possible to have parts that are interchangeable rather than fixed; open-ended paintings that can continue to evolve through different locations and time.;
Taken at the Eastbourne Lantern Festival. The lanterns were created by Same Sky Charity and were installed in the Pavilion Gardens.
Funded by the European Regional Development Fund, via the Welcome Back Fund.
The lanterns, ranged from botanical inspired creations to colourful creatures and royal displays to celebrate the the Queen’s 70th year, following her ascent to the throne in February 1952.
Thankfully I got to see it the evening before Storm Eunice hit our shores with up to 122 mph winds.
Juxtaposition of coffee shop umbrellas to Taal Volcano (active) in the background.
© 2010 Bong Manayon | FB: Bong Manayon Photography
Pentax K10D + Vivitar 100-300/5 TX
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This photo has made it to explore! Rank #2 on 2010-9-9 .
This evening’s entertainment aimed at Sliders Sunday started out as a multiple-exposure image. It was taken while we were having tea in the gallery of the Oxford University Natural History Museum. The place is an interesting Victorian building with a steel frame and a glass roof, so there is lots of photogenic light and patterns. As a special bonus you can chat to the dinosaurs standing on the lower floor while munching your cake…
Two shots were blended by the camera using Darken blend (I am fairly sure). One image was taken with the camera upside down - I was looking for complex pretty patterns.
I then adjusted the image using various colour and tone adjustments and dropped it into Nik Color Efex for lots of wand-waving, mainly with a solarisation filter and an IR filter but also with other stuff. I turned the image on its edge to add to the chaos.
I'll post a link to the in-camera image in the first comment as usual.
Thanks for taking the time to look. I hope you enjoy the image. Happy Sliders Sunday :)
An empty parking garage offers a lot of squares. After HDR with Lightroom I enhanced the squares in the picture using the iColorama app. This allowed me to keep the different shades of grey in the shot while removing details. This gave the desired effect showing the squares of different colors.
Accidental double or multiple exposure??
Holga 120GN + Fuji 400H 120 film.
Negative scanned Epson 4990.
LOMO Lubitel 166 Universal and T-22 75mm f/4.5, Fomapan 400 in Rodinal 1+50 for 13 min @ 20°C and digitalized using kit zoom and extension tubes.
Thank you everyone for your visits, faves and comments, they are always appreciated :)
In street photography there is talk about layering so when I saw this shop window, I could not resist this picture. Is this a new trend, what fun if it is?
Photo of oil droplets from the oil & water macro abstract photography assignment captured via Minolta MD Macro Rokkor-X 100mm F/4 lens. Inside the creative halls of the 494 ∞ Labs. Early August 2021.
Exposure Time: 1/8 sec. * ISO Speed: ISO-200 * Aperture: F/8 * Bracketing: None * Color Temperature: 2600 K * Plug-In: Sharp Pop * Adaptor: 1:1 Extension Tube
One of several wineries I visited this past weekend on a tour in Osoyoos and Oliver, BC with five wonderful girlfriends.
....or multiverse.
Shot with FE 55mm f1.8 ZA, at a mere 281g.
Gear nuts loved to complain about this lens and take pictures in broad daylight at wide opened apertures against a high contrast background to support their highfalutin assertions that LoCA (Longitudinal Chromatic Aberration) is this lens’ achilles heel. Gear nuts are probably also mostly “purists”, non believers of the art of post processing.
Fact is, this lens is small but yet has high resolution, great color, fast and accurate AF and smooth bokeh. It was however rather overly expensive at launch yet it’s the only lens I’ve retained from my initial foray into full frame mirrorless system 7 years ago having sold off the FE 28mm f2.0 with its 21mm converter, FE 16-35mm f4.0 ZA OSS and FE 24-70mm f4.0 ZA OSS.
Meanwhile, OM system (previously Olympus) is getting ready to release a new flagship OM-1, apparently it will use a BSI Stacked sensor; m.dpreview.com/news/6861091273/sony-semiconductor-reveals...
OM-1 appears to have the same 20mp resolution and 12bit depth, doubtful there will be any meaningful improvement in dynamic range hence personally that 1,000+ AF points or so many multiples of fps is of limited meaning since high ISO performance will remain inferior to larger sensor rivals.
OM-1 should be a proper, meaningful upgrade from E-M1 MKii which the E-M1 Mkiii was certainly not.
What may be more meaningful is how the camera can leverage on all that speed for handheld multi-shot frame merging/averaging to further reduce noise, improve color and increase resolution.
This is a positive sign that m43 will still be around. Still have and enjoy shooting with my m43 lenses, let’s see how this OM-1 pans out.
OM-1 is a also sign that the stacked sensor is coming to smaller sensor cameras, before long we should see a stacked sensor APS-C camera.
Only a mirrorless stacked sensor can truly replace the separate PDAF module of a DSLR.