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The Fifth Wall is inspired by multiple sources: the unique architecture of the Armory’s Raymond Avenue building; German modernist theater practitioner Bertolt Brecht’s notion of dialectical theater, including the breakdown of the “fourth wall” and the emphasis of function over the binary considerations of form and content; and artwork that challenges the authority of a fixed point of view and suggests a deeper form of reciprocal engagement; and the Armory’s 25th year of programming.
The Fifth Wall consists of works on paper, sculpture, painting, video, and photography by seven artists from Los Angeles, rural Connecticut, Warsaw, and Berlin. Each has created works that take into consideration alternate, or “wrong” points of view or perspectives. Alice Könitz’s Los Angeles Museum of Art, a c. 13’ x 10’ x 10’ outdoor sculpture that also functions as a museum, will be moved from the driveway of her Eagle Rock studio and re-installed in the Armory’s Caldwell Gallery, where it will provide a literal and metaphorical platform for performances to be staged during the run of the exhibition. Evan Holloway’s delicate line drawings of the sides of epic steel sculptures by David Smith, and Marco Rios’s ‘repaintings’ in oil on canvas of his childhood abstractions, consider artworks from unexpected spatial or temporal disruptions. Interior spaces are reconsidered by Corinna Schnitt, who has created a video that shows household and domestic farm animals slowly being introduced into a living room and the mayhem that ensues, and Farrah Karapetian, who uses photograms to render images of architectural interiors in three dimensions.Our physical senses of sight and sound are challenged by Tom Friedman, who confronts basic assumptions about daily life through unexpected use of familiar materials, and Artur Żmijewski, a visual artist and filmmaker who has created lyrical audio/visual works with individuals who are hearing impaired.
Drawing from Brecht’s theatrical practice, the show invites critical self-reflectivity in the viewer. The works in this exhibition “show what is shown in the showing,” to borrow Brecht’s phrasing. The viewer is made aware of ideas of labor, point of view, and architectural and social constructs that affect their perception of a piece of work. This show seeks to de-familiarize viewers with their own experience of art, and to produce a feeling of strangeness toward what would otherwise have been considered only in a canonical context. Brecht’s word for this was the Verfremdungseffekt, or “alienation effect” which, when applied to art, can offer new content in even the most familiar contexts. Just as Brecht wanted his audience to remain aware of the falsity of the spectacle, The Fifth Wall seeks to remind the viewer of the fallacy of point of view. It provides familiarity of subject matter with an estrangement to the object’s original context.
Images by Jeff McLane
Atmosphere==
Multiple Myeloma Research Foundation Laugh for Life==
Pier 60, NYC==
May 2, 2017==
©Patrick McMullan==
Photo - Sylvain Gaboury/PMC==
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Since beginning classes in August, 80 first year medical students at the Hofstra North Shore-LIJ School of Medicine have been training as emergency medical technicians, working shifts on North Shore-LIJ ambulances and responding to 911 calls. Their training culminated recently in a Multiple Casualty Incident (MCI) conducted at the FDNY Training Center at Randall’s Island. Students were expected to provide emergency care during several different emergency exercises, which were all followed by full debriefing.
The MCI day was coordinated by the Fire Department of the City of New York at the department’s Training Academy on Randall’s Island, where more than 2,000 fire fighters and EMS personnel are trained each year.
Get more info at medicine.hofstra.edu/about/news/pressreleases/10072013_ra...
January 3, 2010.
Shot with Olympus Pen EE-S on Fujichrome Provia 100 slide film, expired April, 2001. Crossdeveloped in Tetenal Colortec C-41 for 4 minutes, 5 minutes bleach fix, 3 minutes water rinse, 1 minute stabilizer (depleted solution). – View large.
They say opportunity knocks many times on the same door; its jus that depending on your choices that door may be at a different place in time each time...
multiple exposures
Kodak 35mm 400 Arista
Pentax K1000, SMC Pentax FA 320mm Zoom lens
C-41 color process ©2013auxiliofaux
All my photos are available for multiple purposes, specially for publishing, so if you are interested in to get copies and use permissions, don't hesitate in to contact me (e-mail: visiontorres@gmail.com). The payment of royalties is necessary, but the fees are pretty cheap. I look forward to hearing from you soon.
Esta y otras fotografías están disponibles para su venta en formato digital en alta resolución y en versiones impresas de alta calidad en edición limitada (previa solicitud). Se pueden adquirir los derechos de uso con fines comerciales, educativos o académicos. Para establecer contacto: E-mail: visiontorres@gmail.com
Sara sent in prints of her lovely ladies, button packs, and various prints of her drawings! More info at www.pikaland.com!!
A rural idyll on the Ecclesbourne Valley Railway and an almost perfect recreation of the steam-to-diesel transition period on branch lines during the '50s and '60s, with vintage multiple units.
Taken at the Custard Factory's "The Gallery" during the photosynthesis exhibition "Transformations" which opened for the guest viewing on the 2nd August 2010.
Multiple exposure met 2 beelden, daardoor soft focus gekregen, de kleuren heb ik iets warmer gemaakt omdat de achtergrond nogal wit was.
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Oz Pearlman, Paul Reiser==
Multiple Myeloma Research Foundation Laugh for Life==
Pier 60, NYC==
May 2, 2017==
©Patrick McMullan==
Photo - Sylvain Gaboury/PMC==
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I am not sure how many images I took on one frame. I didn't realize that my camera was set to take multiple exposures.