View allAll Photos Tagged monitoring
Sitting on a rock by the water's edge at Maguk gorge (formerly known as Barramundi gorge) when a shape moving underwater from an upstream waterfall caught my attention. As the shape was gradually wending its way in my general direction, I sat very still. My reward was a close encounter with this beautiful lizard.
The Black-throated Monitor Lizard can be found in Central, Eastern, and Southern Africa. It is the heaviest-bodied lizard in Africa and mature males can weigh up to 35 pounds. This guy's name is Amani and you can visit him at Out of Africa Wildlife Park in Camp Verde.
Wild South Africa
Kruger National Park
The water monitor is one of the most striking members of the Reptile family and is second in size only to the Nile crocodile. Including the tail, large adults can reach lengths of up to nearly 2.5 meters. Its body is adorned with beautiful yellow patterning, aiding it to be well camouflaged in its preferred habitat close to bodies of water and reed beds. Although usually found close to water, these monitors are not water dependent and will actively forage for food on land, traveling large distances from water if need be. They are also capable of climbing trees but are usually found basking on riverbanks.
Monitor lizards feed on a huge variety of food types (eg. insects, crabs, snakes, fish, etc); they control the population of their prey, and in turn are a source of food to larger predators (eg. crocodiles).
The carrion meat that get stuck in the monitor’s teeth are teeming with bacteria that can cause infections in the bite wound. However, the main cause of death of preys is the venom secreted by the monitor.
While the monitor uses its venom to kill its small preys (symptoms include rapid swelling, drop in blood pressure, and blood clot inhibition), it has a relatively mild effect on humans.*
*https://www.nparks.gov.sg/gardens-parks-and-nature/dos-and-donts/animal-advisories/monitor-lizards
This Lace Monitor is a new resident of our zoo. The species is native to Australia and they are the second largest monitors there. Lace Monitors reach a total length of about 2 m (7 ft) and a weight of about 14 kg (30 lb). I think they are beautiful animals and I will certainly try to take more photos of them in the near future.
For my video; youtu.be/5J26ztEZtBA?si=F-xQaB1XJo4zMHX5,
The Asian water monitor (Varanus salvator) is a large varanid lizard native to South and Southeast Asia. It is widely considered to be the second-largest lizard species, after the Komodo dragon. It is distributed from eastern and northeastern India and Bangladesh, the Andaman and Nicobar Islands, Sri Lanka, through southern China and Hainan Island in the east to mainland Southeast Asia and the islands of Sumatra, Borneo, Java, Lombok, the Riau Archipelago, Sulawesi. It is one of the most widespread monitor lizards.
Snapshot from my video.
The Asian water monitor has a natural affinity towards water, inhabiting the surroundings of lakes, rivers, ponds, swamps and various riparian habitats, including sewers, city parks, and urban waterways. It is an excellent swimmer and hunts fish, frogs, invertebrates, water birds, and other types of aquatic and amphibious prey. Due to its apparently large, stable population, it is currently listed as Least Concern on to the IUCN Red List.
The Singapore Botanic Gardens is a 166-year-old tropical garden located at the fringe of the Orchard Road shopping district in Singapore. It is one of three gardens, and the only tropical garden, to be honoured as a UNESCO World Heritage Site
El Monitor Huáscar, Museo Flotante en la Base Naval de Talcahuano, engalanado para el 21 de Mayo de 2018, cuando aún no se disipa el humo de las salvas de honor
A pygmy member of the monitor, or goanna, family of lizards which has some very large members, such as the Perentie, which can grow to 2.5 metres. This is a young resident of Billabong Sanctuary and will probably grow to less than 70 cm.
It is a desert-dweller from the north of W.A., N.T. and Queensland.
The ridged tail looks like it was made from bottle-caps!
Everyday, we have some Water monitor (Varanus salvator) coming to the staff canteen to get some scraps of food dropped (not always by accident) by the staff eating there. As they are used to our presence, they are easy enough to approach and observe. It took the opportunity today to capture a nice portrait of one of them, more than a meter long, that came very close. Of course, it wouldn't be the same without its tongue out.
© photo rights reserved by B℮n
Koh Lipe is the southernmost island of Thailand in the Andaman Sea. It is part of the Adang-Rawi archipelago. This archipelago forms, together with the Tarutao archipelago, the National Park Koh Tarutao. Although it's a small island you can simply hike a few hours and get lost in the the depths of the jungle. A number of wild animals are commonly spotted on Koh Lipe, including huge monitor lizards, wild boars, king fishers, and much more. The sea and the forest combination is not to be missed, taking in nature in all its glory; blue lagoon waters, sand that glows white under the sun and lush green forest together with the rhythm of the jungle. The seawater is emerald green-blue and crystal clear. The island is surrounded by a beautiful coral reef with numerous beautiful tropical fish. That it is a National Park means that the entire island is protected area. This is not for nothing, because nature here is really beautiful. The southern part of the island is a natural haven, with mangroves, dense vegetation and jungle, beautiful beaches, huge cliffs and private beaches.
We're hiking to the secluded Pollo beach on the southern part of the Lipe island. It's a small hour walking through the dense jungle. The sea water of Pollo Beach varying shades of turquoise, from light to dark, but so clear you can see the rocks underwater. This secluded beach has great white sand if you want to work on your tan, plus the water is calm enough for swimming. The main draw for this beach, however, is the excellent diving opportunities, which some describe as world class. The area is famous for it’s beautiful soft coral and macro diving. There is also possibilities to see a few larger marine animals. We have seen many big fish, cuttlefish, the clown fish alias NEMO. Photo of Samantha entering the jungle trail.
Koh Lipe is het meest zuidelijke eiland van Thailand gelegen in de Andamanse Zee. Het maakt deel uit van de Adang-Rawi-archipel. Deze archipel vormt samen met de Tarutao-archipel het Nationaal Park Koh Tarutao. Hoewel het een klein eiland is, kun je gewoon een paar uur wandelen en verdwalen in de dichte jungle op het zuidelijk deel van koh Lipe. Een aantal wilde dieren worden vaak gezien, waaronder enorme hagedissen, wilde zwijnen, ijsvogels en nog veel meer. De combinatie van zee en bos maakt het extra mooi; Het zeewater is smaragdgroen-blauw en glashelder, zand dat wit gloeit onder de zon en weelderig groen bos en dat allemaal met het ritme van de jungle. Het eiland is omgeven door een prachtig koraalrif met talloze prachtige tropische vissen. Dat het een nationaal park is, betekent dat het hele eiland een beschermd gebied is. Dit is niet voor niets, omdat de natuur hier echt mooi is. We wandelen naar het afgelegen Pollo-strand op het zuidelijke deel van het eiland Lipe. Het is een klein uur wandelen door de dichte jungle. Het zeewater bij Pollo Beach varieert in verschillende tinten turquoise, van licht tot donker, maar zo helder dat je de onderwaterwereld prachtig kan bewonderen. Dit afgelegen strand heeft water rustig genoeg is om in te zwemmen. De belangrijkste trekpleister voor dit strand is echter de uitstekende duikmogelijkheden, die sommigen beschrijven als wereldklasse. Het gebied staat bij de kenners bekend om zijn prachtige zachte koraal en macro duiken. Er zijn ook mogelijkheden om een paar grotere zeedieren te zien. We hebben veel grote vissen gezien, inktvissen, de clownvis alias NEMO. Foto van Samantha die het oerwoud in loopt op weg naar Pollo Beach.
The Nile monitor is a large member of the monitor family found throughout most of Sub-Saharan Africa and along the Nile. The population of West Africa forests and savannahs is sometimes recognized as a separate species, the West African Nile monitor. Wikipedia
Mertens water monitor is a medium- to largesized (total length up to 1 m) semi-aquatic monitor, dark brown to black on the back with numerous small dark-edged cream or yellow spots. #D500
"from the family album: from right to left: the child is my grandmother Ninitta, then there is her mother and my great grandmother Anna, her sister Concetta, finally their mother and my great-great-grandmother Nina, respectively daughter, wife, sister-in-law, mother-in-law of the photographer Gaetano D'Agata, whom in a photograph of him (location Mazzarò-Taormina)"
“dall'album di famiglia: da destra verso sinistra: la bambina è mia nonna Ninitta, poi c'è la sua mamma e la mia bisnonna Anna, sua sorella Concetta, infine la loro mamma e mia trisavola Nina, rispettivamente figlia, moglie, cognata, suocera del fotografo Gaetano D'Agata, cui in una sua fotografia (location Mazzarò-Taormina)”
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click to activate the icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream;
or…. Press the “L” button to zoom in the image;
clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;
oppure…. premi il tasto “L” per ingrandire l'immagine;
www.worldphoto.org/sony-world-photography-awards/winners-...
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The photographer Baron Wilhelm von Gloeden: and some "secret stories” of Taormina ...
At the age of about 11-12, I made a very particular discovery, I found a fair number of ancient photographs (they had been well hidden by my grandmother) inside an ancient chest of drawers in our house in Taormina, for me it was a huge surprise, the a taste for the forbidden appeared in me for the first time, they were black and white photographs, they portrayed naked boys, or only partially dressed in drapes or sheets, they were posed to imitate certain statues (or drawings) of the Greco-Roman period; I was very intrigued by them, every now and then I went to look at them, without ever feeling discomfort, I did not consider them vulgar photographs. Some of the photos were the size of a postcard, others of various sizes increasingly larger, up to a format similar to A3; on the back there were stamps, there were also, inside small red cardboard boxes, glass plates, not large, looking at them against the light, they let us glimpse images of naked boys, or only partially dressed: they were photographic negatives made on glass plates. What was that particular photographic material hidden by my grandmother in the dresser of our house? Let's take a step back in time let's teleport to April 2, 1787 when the German poet, narrator, playwright Johan Wolfgang von Goethe (1749-1832) lands in Palermo, following his Grand Tour in Italy (the word "tourism" derives from it) he will say of Sicily that it is a place of splendor, beauty and harmony, but at the same time a place of poverty, suffering, misery and social injustice; Goethe wrote the book "Journey to Italy", revealing himself to be one of Italy's most passionate admirers, stating that "Sicily is the key to everything" (the incredible resemblance of thought with the great Sicilian writer and journalist Leonardo Sciascia (1921-1989) who published in 1979 the book entitled “Sicily as a metaphor”). At the time of Goethe (and for a long time to come) the knowledge of Sicily was made up of stereotyped ideas, it was considered a land of mysteries, a den of brigands, which aroused fear in travelers, tourism did not exist, very few knew a foreign language, journeys with carriages were slow, nothing strange therefore that Taormina was an unknown village at the time. Garibaldi, in the year 1860, frees Sicily from the domination of the Bourbons. In February 1863, Count Ottone (Otto) Geleng (1843-1939) arrives in Taormina from Germany, he is a landscape painter, he begins an intense pictorial activity, thus succeeding in making Taormina and its landscapes known in the various cultural circles of Germany and France. Count Otto thus invites the then painter (who later became a photographer) Baron Wilhelm von Gloeden (1856-1931) to come to Taormina to treat his "subtle ache", pulmonary tuberculosis, which would have benefited from the mild climate of Sicily. Von Gloeden, twenty-two, arrived in Taormina in 1878, became passionate about photography by taking lessons from the local engineer and photographer Giuseppe Bruno (1836-1904), perhaps also a teacher of Giovanni Crupi (1859-1925), landscape photographer friend of von Gloeden, Crupi himself could also have contributed to the training as a photographer of the young von Gloeden. Like Otto Geleng's paintings, the photographs of the young Wilhelm also began to entice the then bourgeoisie across the border to come to Sicily: in the last 20 years of the 1800s the foundations were being laid for tourism in Sicily. The photographs taken by von Gloeden had as their subject young Sicilian adolescents dressed in the old-fashioned way with drapes, or completely naked, at most adorned with wreaths of flowers or laurel leaves placed on their heads, the young models assumed well-studied poses under the directed by the photographer baron, designed to create scenes that wanted to reconstruct the atmosphere of the mythical Arcadia (bucolic landscape of ancient Greece). In his poetics we can find the interest in disguise and transvestism, the young fisherman is made ambiguous by making him wear a wig, made resembling a young Sicilian girl; the images are not produced for the sole and mere trade, they are works that will be published in various famous magazines (such as "The National Geographic Magazine" or "the photographic progress", A. Stieglitz publishes his nudes on “Camera Notes"), also participating in international photographic exhibitions. The young models are filmed among ancient ruins, in rocky environments, outdoors, eliciting a spiritual feeling full of nostalgia, which follows pictorial models of German romanticism. In the photographic book "Verga photographer" (created on the discovery of 327 glass plates and 121 celluloid frames), in Giovanni Verga (1840-1922) great Sicilian narrator, it is possible to observe his photographs interwoven with "realism", while in the photographs of von Gloeden the symbolism andthe spiritualism predominate, however Wilhelm will also produce documentary-type photographs, photographing the terrible earthquake (and tsunami) of Messina (and Reggio Calabria) of 1908. Von Gloeden seems fully integrated into the Taormina society , nevertheless suffers heavy homophobic attacks from the local press and from important characters from Taormina, including Otto Geleng himself, who will be sued by the baron, which will then be withdrawn upon payment of 896 lire, and a restorative declaration published in the "Gazzetta di Messina" . Von Gloeden worked in his house-studio in front of the Hotel San Domenico Palace, with him lived his sister Sofia Raabe (1847-1930), daughter of his mother's first husband, who helped him manage the house-studio, and in the to receive the illustrious guests who visited him (such as Oscar Wilde, FA Krupp, Richard Strauss, the German emperor Wilhelm II, Eleonora Duse). Von Gloeden died on February 16, 1931 at the age of 74, he was buried in the non-Catholic cemetery of Taormina, his heir was his all-around assistant Pancrazio Buciunì known as "il moro" (1879-1963) ("u 'moru", family nickname), which continues the activity, selling the prints: he undergoes two searches in full fascist regime with partial seizure and destruction of the photographic material that belonged to von Gloeden (fascism persecuted homosexuals, the repression of homosexuality was entrusted to the fascist police, which confined many homosexuals to the islands of the Mediterranean, Lipari was one of these, see the beautiful film by Ettore Scola "a special day"), Buciunì undergoes two trials for detention of obscene material, and, despite an adverse appraisal by the appointed expert prof. Stefano Bottari, holder of the chair of history of medieval and modern art at the University of Messina, who declares much of the seized material obscene, the Court of Messina, demonstrating tolerance and open-mindedness, acquits Buciunì. At this point in the story we return to my grandmother's dresser and reveal the little mystery: the hidden photographs belonged to my great-grandfather Don Gaetano D'Agata (1883-1949), von Gloeden's assistant photographer, also on the baron's teaching, he made nude photographs, as well as landscape or portrait photographs; Don Gaetano was a globetrotter, in our family album he is portrayed in various parts of the world, always in the company of beautiful women: but I will never know if those "forbidden photos" were taken by my great-grandfather Gaetano or by Von Gloeden himself, because my grandmother, having understood that I was going to peek at them in secret, made them disappear permanently, and I never heard anymore of that photographic material. For my part, it is only right to mention other figures who contributed to making Taormina the current destination for international tourism. Lady Florence Trevelyan (1852-1907), was Queen Victoria's lady-in-waiting, she was then sent into exile in various parts of the world by Queen herself, she arrived in Taormina and stayed there forever, she was a woman of exceptional gifts, endowed with great sensitivity and humanity, animal rights activist, philanthropist, passionate about esotericism, she was married to the then mayor and doctor of Taormina dr. Salvatore Cacciola, she were one of the first women admitted to world Freemasonry (her husband Cacciola also belonged to Freemasonry): I have already talked about it previously in one of my photographic stories. On the occasion of the XXI festival of the two worlds in Spoleto, in 1978, the essayist and literary critic Roland Barthes (1915-1980) curated an exhibition entitled "Wilhelm von Gloeden", with interventions by artists such as Andy Warhol, M. Pistoletto and J. Beuys. Finally, Raffaella Perna, Researcher in History of Contemporary Art at the University of Catania, underlines in her book on "Wilhelm von Gloeden, disguises, portraits, tableaux vivants", of how LaChapelle, Witkin, Mapplethorpe are the contemporary artists who they are indicated as heirs of von Gloeden's poetics.
P.S. Von Gloeden's photographs were made by photographing both the large panels with gigantographic reproductions of von Gloeden's works, which are located at the entrance of the Mocambo bar in Taormina, and in the shop-bazaar of the photographer from Taormina, my late friend, Nino Malmbrì (owner of the baron's original photographic material). The photographs of Gaetano D’Agata, were taken from my family album: in a photo a little damaged, but exceptional for its historical and emotional value, my great-grandfather, the photographer Gaetano D'Agata, here very young, holds his daughter "Ninitta" (a of the four children, had by three wives), she is my paternal grandmother; in another photo, the photographer Gaetano D'Agata poses next to her a few years later, with my grandmother already a young girl; always made by great-grandfather D'Agata there is both a portrait photo, a close-up, of my very young grandmother "Ninitta", and there is a photo of her posing as a peasant girl, with a painted backdrop behind her, as if used in studio photos; finally I put two photos taken by my great-grandfather Gaetano "en plein air" of bathers, "the location" is the beach of Mazzarò (Taormina). The photographs of the tombstones of the characters mentioned in the story were taken in the Catholic and non-Catholic cemetery of Taormina; the monumental funerary complex of Count Otto Geleng at the top presents the bust of his son Ermanno, the presence of symbolisms such as the hourglass, the rooster, the book (the Holy Bible) and the god mercury, makes me believe that Count Otto was part of the Masonic lodge of Taormina, at the time the mayor of Taormina was also part of it, dr. Cacciola and his wife Lady Florence Trevelyan: in his palace, Dr. Cacciola, built a temple, which became the first Masonic lodge in Taormina: the "Renaissance" (1904).
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Il barone fotografo Wilhelm von Gloeden: ed alcune “storie segrete” di Taormina …
Io, all’età di circa 11-12 anni, feci una scoperta molto particolare, trovai un discreto numero di antiche fotografie (erano state ben nascoste da mia nonna) dentro un antico comò in casa nostra a Taormina, per me fu una enorme sorpresa, il gusto del proibito si affacciò in me per la prima volta, erano fotografie in bianco e nero, ritraevano ragazzi nudi, o solo in parte vestiti con drappi o lenzuoli, messi in posa imitavano certe statue (o disegni) del periodo greco-romano; io ne ero rimasto molto incuriosito, ogni tanto le andavo a riguardare, senza mai provare disagio, non le consideravo fotografie volgari. Alcune foto erano della grandezza di una cartolina, altre di varie dimensioni sempre più grandi, fino ad arrivare ad un formato assimilabile all’A3; sul retro c’erano impressi dei timbri, c’erano anche, dentro dei piccoli scatoli in cartoncino di colore rosso, delle lastrine in vetro, non grandi, guardandole in controluce, lasciavano intravedere immagini di ragazzi nudi, o poco vestiti: erano i negativi fotografici realizzati su vetro. Cosa ci faceva quel materiale fotografico, così particolare, nascosto da mia nonna nel comò di casa nostra? Facciamo un salto indietro nel tempo teletrasportiamoci al 2 aprile 1787 quando a Palermo sbarca il poeta, narratore, drammaturgo tedesco Johan Wolfgang von Goethe (1749-1832), in seguito al suo Grand Tour in Italia (turismo deriva da esso) dirà della Sicilia che essa è luogo di splendore, bellezza ed armonia, ma al tempo stesso luogo di povertà, sofferenza, miseria ed ingiustizia sociale; Goethe scrive il libro “Viaggio in Italia”, rivelandosi uno dei più appassionati ammiratori dell’Italia, affermando che “la Sicilia è la chiave di tutto” (incredibile la rassomiglianza di pensiero col grande scrittore e giornalista siciliano Leonardo Sciascia (1921-1989) che pubblica nel 1979 il libro dal titolo “la Sicilia come metafora”). Ai tempi di Goethe (e per molto tempo ancora) la conoscenza della Sicilia era fatta di idee stereotipate, era considerata terra di misteri, covo di briganti, il che incuteva timore nei viaggiatori, il turismo non esisteva, pochissimi conoscevano una lingua straniera, i viaggi con carrozze ertano lenti, nulla di strano quindi che Taormina fosse all’epoca un villaggio sconosciuto. Garibaldi, nell’anno 1860, libera la Sicilia dalla dominazione dei Borboni. Nel febbraio del 1863, dalla Germania giunge a Taormina il conte Ottone (Otto) Geleng (1843-1939), egli è un pittore paesaggista, inizia una intensa attività pittorica, riuscendo in tal modo a far conoscere Taormina ed i suoi paesaggi nei vari circoli culturali della Germania e della Francia. Il conte Otto invita così l’allora pittore (poi divenuto fotografo) barone Wilhelm von Gloeden (1856-1931) a venire a Taormina per curare il suo “mal sottile”, la tubercolosi polmonare, che avrebbe tratto giovamento dal clima mite della Sicilia. Von Gloeden, ventiduenne, nel 1878 giunge a Taormina, si appassiona alla fotografia prendendo lezioni dall’ingegnere e fotografo locale Giuseppe Bruno (1836-1904), forse anche insegnante di Giovanni Crupi (1859-1925), fotografo paesaggista amico di von Gloeden, il quale Crupi stesso potrebbe anche aver contribuito alla formazione come fotografo del giovane von Gloeden. Così come i dipinti di Otto Geleng, anche le fotografie del giovane Wilhelm incominciarono ad invogliare l’allora borghesia d’oltre confine, a venire in Sicilia: negli ultimi 20 anni dell’800 si stavano gettando le basi per il turismo in Sicilia. Le fotografie realizzate da von Gloeden avevano come soggetto giovani adolescenti siciliani vestiti all’antica con drappi, o completamente nudi, tutt’al più adornati da coroncine di fiorellini o foglie d’alloro messi sul capo, i giovani modelli assumevano pose ben studiate sotto la regia del barone fotografo, atte a realizzare scene che volevano ricostruire l’atmosfera della mitica Arcadia (paesaggio bucolico dell’antica Grecia). Nella sua poetica possiamo riscontrare l’interesse per il travestimento ed il travestitismo, il giovane pescatore viene reso ambiguo facendogli indossare una parrucca, reso somigliante ad una giovane ragazza siciliana; le immagini non vengono prodotte per il solo e mero commercio, sono opere che verranno pubblicate su varie riviste famose (come “The National Geographic Magazine” o “Il Progresso fotografico”, A. Stieglitz pubblica i suoi nudi su “Camera Notes”), partecipando anche ad esposizioni fotografiche internazionali. I giovani modelli sono ripresi tra antichi ruderi, in ambienti rupestri, all’aperto, elicitando un sentimento spirituale carico di nostalgia, il che ricalca modelli pittorici del romanticismo tedesco. Nel libro fotografico “Verga fotografo” (realizzato su ritrovamento di 327 lastre in vetro e 121 fotogrammi in celluloide), in Giovanni Verga (1840-1922) grande narratore siciliano, è possibile osservare le sue fotografie intessute di “verismo”, mentre nelle fotografie di von Gloeden predomina il simbolismo e lo spiritualismo, purtuttavia Wilhelm produrrà anch’egli fotografie di tipo documentaristico, andando a fotografare il terribile terremoto (e maremoto) di Messina (e di Reggio Calabria) del 1908. Von Gloeden sembra pienamente integrato nella società taorminese, ciononostante subisce pesanti attacchi omofobi dalla stampa locale e da importanti personaggi taorminesi, incluso lo stesso Otto Geleng, i quali verranno querelati dal barone, querela che verrà poi ritirata dietro pagamento di 896 lire, ed una dichiarazione riparatoria pubblicata sulla “Gazzetta di Messina”. Von Gloeden lavorava nella sua casa-studio di fronte l’Hotel San Domenico Palace, con lui viveva sua sorella Sofia Raabe (1847-1930), figlia del primo marito di sua madre, che lo aiutava a governare la casa-studio, e nel ricevere gli illustri ospiti che lo andavano a trovare ( come Oscar Wilde, F.A. Krupp, Richard Strauss, l’imperatore tedesco Guglielmo II, Eleonora Duse). Von Gloeden muore il 16 febbraio 1931 all’età di 74 anni, viene sepolto nel cimitero acattolico di Taormina, il suo erede è il suo assistente tutto fare Pancrazio Buciunì detto “il moro” (1879-1963) (“u’ moru”, soprannome di famiglia), che ne prosegue l’attività, vendendone le stampe: il quale subisce in pieno regime fascista due perquisizioni con parziale sequestro e distruzione del materiale fotografico che apparteneva a von Gloeden (il fascismo perseguitò gli omosessuali, la repressione dell’omosessualità fu affidata alla polizia fascista, che confinò molti omosessuali nelle isole del mediterraneo, Lipari fu una di queste, vedi il bellissimo film di Ettore Scola “una giornata particolare”), Buciunì subisce due processi per detenzione di materiale osceno, e, nonostante una perizia avversa da parte del nominato perito prof. Stefano Bottari, titolare della cattedra di storia dell’arte medioevale e moderna dell’Università di Messina, che dichiara osceno gran parte del materiale sequestrato, il Tribunale di Messina dimostrando tolleranza ed apertura mentale, assolve il Buciunì. A questo punto del racconto ritorniamo al comò di mia nonna e sveliamo il piccolo mistero: le fotografie nascoste appartenevano al mio bisnonno don Gaetano D’Agata (1883-1949), assistente fotografo di von Gloeden, anch’egli sull’insegnamento del barone, realizzò fotografie di nudo, oltre che di paesaggio o ritratto; don Gaetano era un giramondo, nel nostro album di famiglia lui è ritratto in varie parti del mondo, sempre in compagnia di belle donne: ma io non saprò mai se quelle “foto proibite” erano realizzate dal mio bisnonno Gaetano o da Von Gloeden stesso, perché mia nonna, avendo capito che le andavo a sbirciare di nascosto, le fece sparire definitivamente, e di quel materiale fotografico non ne seppi più nulla. Da parte mia, è doveroso citare altre figure che contribuirono a rendere Taormina l’attuale meta del turismo internazionale. Lady Florence Trevelyan (1852-1907), era dama di corte della regina Vittoria, dalla stessa regina Lady Florence fu poi mandata in esilio in varie parti del mondo, giunse a Taormina e qui vi restò per sempre, era una donna dalle doti eccezionali, dotata di grande sensibilità ed umanità, animalista, filantropa, appassionata di esoterismo, fu sposa dell’allora sindaco e medico di Taormina dott. Salvatore Cacciola, fu una delle prime donne ammesse alla massoneria mondiale (apparteneva alla massoneria anche il marito Cacciola): ne ho già parlato in precedenza in un mio racconto fotografico. Robert Hawthorn Kitson (1873-1947) era un pittore britannico omosessuale, egli lasciò l’Inghilterra a causa dell’emendamento Labouchere, che rendeva illegale qualsiasi atto omosessuale nel Regno Unito (1885), giunse a Taormina e qui si stabilì, costruendo nel 1905 Casa Cusani, una villa con vista sull’Etna, oggi casa museo; nella sua sala da pranzo si trovano gli affreschi “proibiti” realizzati da Frank Brangwyn, essi narrano dell’amore omosessuale tra Kitson ed il suo compagno Carlo Siligato: nel 1908 in seguito al terremoto che distrusse Messina (e Reggio Calabria), essi adottarono un bambino che era rimasto orfano, divenendo di fatto una famiglia omosessuale, all’epoca assolutamente proibita; gli affreschi di Casa Cuseni sono ispirati alle fotografie di von Gloeden, così come nella villa, si trova una “autocromia a colori” del 1910, realizzata da von Gloeden, documento eccezionale che testimonia la volontà del barone di sperimentare nuove tecniche. In occasione del XXI festival dei due mondi di Spoleto, nel 1978, il saggista e critico letterario Roland Barthes (1915-1980) cura una mostra intitolata “Wilhelm von Gloeden”, con interventi di artisti quali Andy Warhol, M. Pistoletto e J. Beuys. Infine, Raffaella Perna, Ricercatrice in Storia dell'arte contemporanea all'Università degli Studi di Catania, sottolinea nel suo libro su “Wilhelm von Gloeden, travestimenti, ritratti, tableaux vivants”, di come LaChapelle, Witkin, Mapplethorpe siano gli artisti contemporanei che vengono indicati come eredi della poetica di von Gloeden.
P.S. le fotografie di Von Gloeden sono state realizzate fotografando sia i grandi pannelli con gigantografiche riproduzioni delle opere di von Gloeden, che si trovano all’ingresso del bar Mocambo di Taormina, sia nel negozio-bazar del fotografo taorminese, compianto mio amico, Nino Malmbrì (possessore di materiale fotografico originale del barone). Le fotografie di Gaetano D’Agata, sono state prese dal mio album di famiglia: in una foto un pò rovinata, ma eccezionale per il suo valore storico e per me affettivo, il mio bisnonno, il fotografo Gaetano D'Agata, qui molto giovane, tiene in braccio sua figlia "Ninitta" (una dei quattro figli, avuti da tre mogli), lei è la mia nonna paterna; in un'altra foto, il fotografo Gaetano D'Agata posa accanto a lei qualche anno dopo, con mia nonna già ragazzina; sempre realizzate dal bisnonno D'Agata c'è sia un foto-ritratto, un primo piano, di mia nonna "Ninitta" molto giovane, e c'è la foto di lei mentre posa come contadinella, con dietro un fondale dipinto, come si usava nelle foto da studio; infine ho messo, due foto realizzate dal mio bisnonno Gaetano "en plein air" a delle bagnanti, "la location" è la spiaggia di Mazzarò (Taormina). Le fotografie delle tombe dei personaggi menzionati nel racconto, sono state fatte nel cimitero cattolico ed acattolico di Taormina; il complesso monumentale funerario del conte Otto Geleng in alto presenta il mezzobusto del figlio Ermanno, la presenza di simbolismi come la clessidra, il gallo, il libro (la Sacra Bibbia) ed il dio mercurio, mi fa ritenere che il conte Otto facesse parte della loggia massonica di Taormina, all’epoca ne faceva parte anche il sindaco di Taormina, dott. Cacciola e sua moglie Lady Florence Trevelyan: nel suo palazzo il dott. Cacciola, realizzò un tempio, che divenne la prima loggia massonica di Taormina : la "Rinascimento"(1904).
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Wildlife Photography.
See the reflection in the water ?
That's The Dog Palace roof.
Directly behind me is the nuns place.
To my right is Mama, to my left is
Micky. Rocky is leaning on me.
This is The Monkey Temple.
And yes this is a young lizard.
I've seen adults at 100 kilos.
They are very fast and can
catch a running chicken.
Everything is on their menu !
FYI,
About 10 meters over to the right
monkeys swim from The Dog Palace
over to this side as a jungle shot cut.
So what's that mean you ask ? Well,
think of it like when the zebras try
to swim a river full of crocodiles.
The bigger adult lizards can
wait under water for thirty
minutes before needing
new air. See where
this is going ?
Thanks for stopping by ;-)
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www.etsy.com/listing/505015395/bjd-monitor-set?ref=shop_h...
Twitter : @pepepemiko
Site : studioinsert.com
It's time for his second vaccination shot and we had to make sure he's ready for it. He's well ahead of the general 100-grams-per-week rule so he'll be paying his second visit to the vets tonight. The progress in his interaction with Pip, Pebbel and Poeka is slow but noticeable. He wants to play with them so badly that he often charges into them and is then told off in a very clear way.
Found this magnificent lizard on my way down from climbing the Sigiriya rock fortress in Sri Lanka. It must have been at least 3m long if not more.
Mala Mala Game Reserve
Near Kruger National Park
South Africa
Click on the image twice for the best view.
With the lizard climbing up a tree, some of the tail does not show so a larger image could be made of the rest of the lizard.
Another image of the lizard can be seen in the first comment section.
Here is a video of a giant rock monitor lizard in Kruger National Park - www.youtube.com/watch?v=zUpxxCobh6U
Looking for something different to photograph on a game drive, we came upon a rock monitor lizard up a tree broken in half in the middle. The lizard seemed not to mind as long as we did not get too close, so we took a few minutes to photograph it.
From Wikipedia - The rock monitor (Varanus albigularis), also called the legavaan or white-throated monitor, is a species of monitor lizard found in Central, East and southern Africa. It is the second-longest lizard found on the continent, and the heaviest bodied.
This monitor ranges in these areas: Central Africa (Democratic Republic of the Congo/Zaire), Southern Africa (Namibia, Botswana, Republic of South Africa, Swaziland, Zimbabwe, Mozambique, Zambia, Angola), the African Great Lakes (Kenya, Uganda, Tanzania), and the Horn of Africa (Ethiopia, Somalia). It is found in a variety of dry habitats, including steppes, prairies, and savannahs, but is absent from desert interiors, rainforests, and thick scrub forests.