View allAll Photos Tagged monitoring
The Kunsthochschule Kassel has a big exhibition in Kassel right now - embedded in the project Spaziergang Kassel; and I am shooting a little documentary on it *yay*.
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Canyonlands National Park, Utah
Pentax 645NII
Pentax smc FA 645 75mm f/2.8
Kodak Ektar 100
Fuji Frontier SP-3000 Scanner
Monitor pano - dedicated to Liz Mack on her birthday, 1st October 2018!
You can check out her very cool photostream here:
42 inch Clouded Monitor Lizard walking through the grounds of the Vivanta by Taj Hotel, Rebak Island, Malaysia
Wild South Africa
Kruger National Park
Photographed in a tree at the Phalaborwa entrance to the Kruger National Park. This is the second-largest species of lizard in southern Africa.They regularly climb trees and may bask several meters above the ground.
Such a gorgeous creature ❤️
At nearly two meters (7 ft) long, the Nile monitor (Varanus niloticus) is Africa’s largest lizard and one of the most intelligent reptiles on Earth.
With keen eyesight, sharp claws, and a powerful tail, it is an apex predator in many freshwater ecosystems.
Revered and feared, the Nile monitor plays a vital role in maintaining the delicate balance of riverine and wetland habitats across sub-Saharan Africa.
junger Bengalwaran, Varanus bengalensis
This young, very tiny monitor comes sometimes for sunbathing at our front gate at Karandeniya, Sri Lanka
The Black-throated Monitor Lizard can be found in Central, Eastern, and Southern Africa. It is the heaviest-bodied lizard in Africa and mature males can weigh up to 35 pounds. This guy's name is Amani and you can visit him at Out of Africa Wildlife Park in Camp Verde.
Wild South Africa
Kruger National Park
The water monitor is one of the most striking members of the Reptile family and is second in size only to the Nile crocodile. Including the tail, large adults can reach lengths of up to nearly 2.5 meters. Its body is adorned with beautiful yellow patterning, aiding it to be well camouflaged in its preferred habitat close to bodies of water and reed beds. Although usually found close to water, these monitors are not water dependent and will actively forage for food on land, traveling large distances from water if need be. They are also capable of climbing trees but are usually found basking on riverbanks.
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“The Cross is not a Roman pole, but the wood on which God wrote his gospel”.
“La Croce non è un palo dei romani, ma il legno su cui Dio ha scritto il suo vangelo.
(Alda Merini)
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click to activate the icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream;
or…. Press the “L” button to zoom in the image;
clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;
oppure…. premi il tasto “L” per ingrandire l'immagine;
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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Good Friday is an anniversary which in Sicily acquires a cathartic meaning for those who are searching, not only photographically, for popular traditions (we find them widespread throughout Sicily), which are nothing other than a social, cultural event, which merge into a single past and present; from the web "popular traditions are a historical memory linked to customs and rituals that have given shape to the values and beliefs of that culture". Easter in Sicily can be a source of research, it can appear not without contradictions, citing the thoughts of that great Sicilian thinker Leonardo Sciascia, for him Sicily cannot be called Christian referring to the Sicilian festivals, at most it is only in appearance, in those properly pagan explosions tolerated by the Church; Sciascia addresses the topic as an introductory essay in the book "Religious celebrations in Sicily", illustrated with photographs of a young and still unknown Ferdinando Scianna, a book that did not fail to raise some controversy due to the Sicilian thinker's introductory note, thus being in open controversy with the sacredness of that popular Sicilian devotion (the book was criticized by the Holy See newspaper, the Osservatore Romano), Sciascia writes: “what is a religious festival in Sicily? It would be easy to answer that it is anything but a religious holiday. It is, first of all, an existential explosion; the explosion of the collective id, where the collectivity exists only at the level of the id. Since it is only during the celebration that the Sicilian emerges from his condition of a single man, which is the condition of his vigilant and painful superego, to find himself part of a class, of a class, of a city". Another Sicilian thinker, writer and poet, Gesualdo Bufalino, provides interesting indications on the meaning that Sicilians give to these traditional popular events, he says "during Easter every Sicilian feels not only a spectator, but an actor, first sorrowful and then exultant , for a Mystery that is its very existence. The time of the event is that of Spring, the season of metamorphosis, just as the very nature of the rite is metamorphic in which, as in a story from the Puppet Opera, the battle of Good against Evil is fought. Deception, Pain and Triumph, Passion, Death and Resurrection of Christ are present."
In short, Easter in Sicily is a deeply felt anniversary throughout the island since ancient times, it has always had as its fulcrum the emotional participation of the people, with representations and processions which have become rites and traditions which unequivocally characterize numerous Sicilian centres, which they recall the most salient moments narrated in the Gospels and which recall the Passion, Death and Resurrection of Jesus Christ, with processions formed by the various brotherhoods (sometimes with theatrical re-enactments) which have within them contents and symbols often coming from the Spanish domination, which took place in Sicily between the 16th and 17th centuries. This year, on the occasion of Good Friday I went to the pretty town of Licodia Eubea (in the province of Catania), I'll start by saying that in this procession a unique character comes to life in statue form that cannot be found anywhere else place in Sicily, it is called "Ciurciddu" (translated "Circello"), he pulls Christ with a rope tied around his neck while he carries the Cross, this bad character has a profound symbolic-allegorical meaning, he represents "the Evil that exists in the world, the refusal towards the Truth announced by Christ", causing him suffering by pulling him with the rope tied around his neck. The boys and men "carriers of the floats" gather together, preparing for the moment when, once the procession has begun, the "'a Giunta" will take place around 10:00 a.m., or rather the very painful "encounter" between Christ ( who carries the Cross, linked to Ciurciddu) and His Mother of Sorrows (with her heart pierced by a sword, an iconic image of Spanish origin), during the meeting "the bow or greeting takes place" between the two floats, it is the Greeting that Mother and Son do in one of the most characteristic moments of this procession. While the two vares are brought to an ancient church, another event takes place which strongly characterizes this tradition, the "auction of the Cross" takes place, the ability to carry the Cross, weighing 70 kg, on one's shoulder, up to Churc of Calvary (a long uphill journey to reach the upper part of the town), is put up for auction, the highest bidder wins this possibility, after which an extraordinary event occurs: the devotee who wins the auction is embraced by numerous villagers, with great transport and affection, this is because those who participate in the auction certainly do so out of devotion but also possibly because they have had someone in their family with more or less serious health problems, and this is why people hug them and encourage them by showing their closeness . In the afternoon the procession resumes, now the Christ is dead, he is in the vara with the Urn, and is called "'u Signuri' a cascia" (by which term means "the Lord in the coffin"), the two vare (the dead Christ and His Mother of Sorrows) are carried in procession up to the Church of Calvary, where the heavy and ancient Cross carried on the shoulder by the devotee was hoisted; here, even if Christ is dead, the Crucifixion takes place , the mystical moment is accompanied by ancient songs-lamentations by the singers of the SS association. Crucifix; subsequently Christ is placed from the Cross in the urn, and descends back into the center of the town, where in the church of the Capuchin Fathers the devout people "make peace with the Lord", an act of reconciliation and request for forgiveness before the figure of Christ Died. Subsequently, late in the evening, Christ and his Mother are led into the Mother Church.
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Il Venerdì Santo è una ricorrenza che in Sicilia acquista un significato catartico per chi è alla ricerca, non solo fotografica, delle tradizioni popolari (le troviamo diffuse in tutta la Sicilia), che altro non sono che un evento sociale, culturale, che fondono in un tutt’uno passato e presente; dal web “le tradizioni popolari sono una memoria storica legata ad usanze e ritualità che hanno dato forma ai valori e alle credenze di quella cultura”. La Pasqua in Sicilia può essere fonte di ricerca, essa può apparire non priva di contraddizioni, citando il pensiero di quel grande pensatore Siciliano che fu Leonardo Sciascia, per lui la Sicilia non può dirsi cristiana riferendosi alle feste Siciliane, al massimo lo è solo in apparenza, in quelle esplosioni propriamente pagane, tollerate dalla Chiesa; Sciascia affronta l’argomento come saggio introduttivo nel libro “Feste religiose in Sicilia”, illustrato con fotografie di un giovane ed ancora sconosciuto Ferdinando Scianna, libro che non mancò di sollevare qualche polemica per la nota introduttiva del pensatore Siciliano, essendo così in aperta polemica con la sacralità di quella devozione popolare Siciliana (il libro fu oggetto di una stroncatura da parte del quotidiano della Santa Sede, l’Osservatore Romano), Sciascia scrive: “che cos’ è una festa religiosa in Sicilia? Sarebbe facile rispondere che è tutto, tranne che una festa religiosa. E’, innanzi tutto, un’esplosione esistenziale; l’esplosione dell’es collettivo, dove la collettività esiste soltanto a livello dell’es. Poiché è soltanto nella festa che il siciliano esce dalla sua condizione di uomo solo, che è poi la condizione del suo vigile e doloroso super io, per ritrovarsi parte di un ceto, di una classe, di una città ”. Altro pensatore, scrittore e poeta Siciliano, Gesualdo Bufalino, fornisce indicazioni interessanti sul senso che i Siciliani danno a questi eventi popolari tradizionali, egli dice “durante la Pasqua ogni siciliano si sente non solo uno spettatore, ma un attore, prima dolente e poi esultante, per un Mistero che è la sua stessa esistenza. Il tempo dell’evento è quello della Primavera, la stagione della metamorfosi, così come metamorfica è la natura stessa del rito nel quale, come in un racconto dell’Opera dei Pupi, si combatte la lotta del Bene contro il Male. Sono presenti l’Inganno, il Dolore e il Trionfo, la Passione, la Morte e la Resurrezione di Cristo”.
In breve, la Pasqua in Sicilia è una ricorrenza profondamente sentita in tutta l’isola fin dall’antichità, essa ha sempre avuto come fulcro la commossa partecipazione del popolo, con rappresentazioni e processioni divenuti riti e tradizioni che caratterizzano inequivocabilmente numerosissimi centri Siciliani, che rievocano i momenti più salienti narrati nei Vangeli e che ricordano la Passione, la Morte e la Resurrezione di Gesù Cristo, con cortei formati dalle varie confraternite (a volte con rievocazioni teatrali) che hanno in se contenuti e simbologie spesso provenienti dalla dominazione Spagnola, avvenuta in Sicilia tra il XVI ed il XVII secolo.
Quest’anno, in occasione del Venerdì Santo mi sono recato nel grazioso paese di Licodia Eubea (in provincia di Catania), inizio col dire che in questa processione prende vita, in forma statuaria, un personaggio unico che non si trova in nessun’altro luogo della Sicilia, si chiama “Ciurciddu” (tradotto “Circello”), egli tira con una corda legata al collo il Cristo mentre porta la Croce, questo tristo personaggio ha un profondo significato simbolico-allegorico, egli rappresenta “il Male che c’è nel mondo, il rifuto verso la Verità annunciata dal Cristo”, creandogli sofferenza tirandolo con la corda legata al collo. I ragazzi e gli uomini “portatori delle vare” si riuniscono tra loro, preparandosi al momento in cui, iniziata la processione, si realizzerà attorno alle ore 10:00 “ ‘a Giunta”, ovvero “l’incontro” dolorosissimo tra il Cristo (che porta la Croce, legato a Ciurciddu) e Sua Madre l’Addolorata (col cuore trafitto da una spada, immagine iconica di origine spagnola), durante l’incontro “avviene l’inchino o saluto” tra le due vare, è il Saluto che Madre e Figlio si fanno in uno dei momenti più caratteristici di questa processione. Mentre le due vare vengono portate in una antica chiesa, avviene un altro evento che caratterizza fortemente questa tradizione, ha luogo “l’asta della Croce”, il poter portare in spalla la Croce, del peso di 70 kg, fino alla Chiesa del Calvario (un lungo percorso in salita a raggiungere la parte alta del paese), viene messo all’asta, il maggiore offerente si aggiudica questa possibilità, dopodiché avviene un fatto straordinario: il devoto che si è aggiudicato l’asta viene abbracciato da numerosissimi paesani, con grande trasporto ed affetto, questo perché chi partecipa all’asta lo fa certamente per devozione ma anche possibilmente perché in famiglia ha avuto qualcuno con problemi più o meno gravi di salute, ed è per questo che le persone lo abbracciano e lo incoraggiano mostrandogli la loro vicinanza. Nel pomeriggio riprende la processione, adesso il Cristo è morto, si trova nella vara con l’Urna, ed è chiamato “ ‘ u Signuri ‘ a cascia” (col quale termine si intende “il Signore nella cassa da morto”), le due vare (il Cristo morto e Sua Madre l’Addolorata) vengono portate in processione fin sopra la Chiesa del Calvario, dove la pesante ed antica Croce portata in spalla dal devoto è stata issata, qui, anche se il Cristo è morto, avviene la Crocifissione, il mistico momento è accompagnato da antichi canti-lamentazioni ad opera dei cantori dell’associazione SS. Crocifisso; successivamente il Cristo viene deposto dalla Croce nell’urna, e ridiscende nel centro del paese, ove nella chiesa dei Padri Cappuccini il popolo dei devoti “ fa ‘ a Paci co’ Signuri”, atto di riconciliazione e richiesta di perdono innanzi la figura del Cristo Morto. Successivamente, in tarda serata, il Cristo e Sua Madre vengono condotti nella Chiesa Madre.
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Venerdì Santo Mattina Licodia Eubea 2024
Venerdì Santo Pomeriggio Licodia Eubea 2024
A giunta-Venerdì Santo 28/03/2024 a Licodia Eubea...
"La crocifissione"-Venerdì Santo 2024 a Licodia Eubea
I riti della Settimana Santa 2024 a Licodia Eubea
Asta della Croce-Venerdì Santo 28/03/2024 a Licodia Eubea
Venerdì Santo 2024 a Licodia Eubea..."A naccata sulle note della Sollevazione di Cristo"
Canti devozionali della settimana santa a Licodia Eubea
Curunedda di Maria Addulurata - Li sette spati
I Canti devozionali della Settimana Santa a Licodia Eubea
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Backstage del Film "Su Re" di Giovanni Columbu
Su Re (2012) • Tornate a splendere!
Incontro con Giovanni Columbu, regista di SU RE (Italia 2013)
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Monitor lizards feed on a huge variety of food types (eg. insects, crabs, snakes, fish, etc); they control the population of their prey, and in turn are a source of food to larger predators (eg. crocodiles).
The carrion meat that get stuck in the monitor’s teeth are teeming with bacteria that can cause infections in the bite wound. However, the main cause of death of preys is the venom secreted by the monitor.
While the monitor uses its venom to kill its small preys (symptoms include rapid swelling, drop in blood pressure, and blood clot inhibition), it has a relatively mild effect on humans.*
*https://www.nparks.gov.sg/gardens-parks-and-nature/dos-and-donts/animal-advisories/monitor-lizards
Varanus varius
Striking colours on this individual. Seen 3 within 20 minutes at my local. Previous years I would have been lucky to see one in many visits
This Lace Monitor is a new resident of our zoo. The species is native to Australia and they are the second largest monitors there. Lace Monitors reach a total length of about 2 m (7 ft) and a weight of about 14 kg (30 lb). I think they are beautiful animals and I will certainly try to take more photos of them in the near future.
The lace monitor (Varanus varius), also known as the tree goanna, is a member of the monitor lizard family native to eastern Australia. A large lizard, it can reach 2 metres (6.6 ft) in total length and 14 kilograms (31 lb) in weight.
If the female Lace Monitor can’t find a termite nest to lay her eggs in, she will nest in a hole in the ground and fill it with grass or leaf litter. The heat from the decomposing vegetation keeps the eggs warm.
Monitors are the only lizards that have a forked tongue.
This one is shedding its skin.
Unfotunetly this beach is the last place for this monitor, it has some serious injuries and probably fell down from the cliffs into the ocian before.
Fitzgerald River NP, Western Australia
a monitor lizard or iguana at Entopia, Penang. These lizards are very common in South-East Asia. Although I live in an urban area in Kuala Lumpur, one (about 4-5 feet long) came into my garden and up to my window a few years back. They are quite harmless but their claws are really sharp and can do serious damage to our skins.