View allAll Photos Tagged modulation
Hey, Wave of Modulation, G. is now wearing the shirt you originally gave V. because it was too small for T.
Intention: My intention was to capture all the details and texture of this deer skull using front light.
Reference to the reading : Freeman talks about how In visual terms, black and white allows more expression in the modulation of tone, in conveying texture, the modeling of form, and defining shape
Outcome: With such hard lighting I was able to capture lots of textures and tones in this photo.
Edits: This photo was cropped, turned to black and white. I also added a levels adjustment layer. I turned the contrast up, highlights down, and upped the texture a bit and turned down the clarity. I upped the greens, yellows and blues to darken the background more.
Free to use but please credit with a link to www.guitarchalk.com/
Shots of the EarthQuaker Sea Machine chorus, a boutique, high-end modulation pedal with six different tweaking mechanisms and true bypass.
Tens 3000 comes standard with a Safety Amplitude Cap, which is a transparent pivoting cap that closes over the amplitude knobs to help protect the user from power jolts from accidental knob movements. Technical Specifications: Dual Channel, 3 Modes, Timer, & Safety Amplitude Cap, 3 Mode: Burst, Modulation, Constant, Microprocessor Technology for precision dial performanc
El edificio de la Municipalidad de Santiago es la sede de la Ilustre Municipalidad de Santiago. Se encuentra en el costado norte de la Plaza de Armas, en la esquina de la calle Monjitas con el paseo 21 de Mayo, a un costado del antiguo Palacio de la Real Audiencia que hoy alberga al Museo Histórico Nacional.
Este solar fue destinado desde la fundación de Santiago a albergar un edificio público, siendo ocupado originalmente por el cabildo de la ciudad y la antigua cárcel colonial. Un primer edificio fue construido entre 1578 y 1647. En 1679 el edificio fue demolido y más tarde, entre 1785 y 1790, fue construido un segundo edificio por el arquitecto italiano JoaquÃn Toesca, ahora con estilos neoclasicistas.
La fachada tiene una modulación neoclásica, arcos de medio punto, balcón corrido y vanos rectangulares. Antiguamente en el eje del pórtico se elevaba una torre. La transformación posterior le dio un sello neoclásico con elementos de renacimiento italiano, un plomo nuevo marca el acceso como cuerpo central, recorriendo un balcón, conteniendo éste, tres grandes vanos enmarcados en pilastras. La planta se desarrolla en dos niveles, rodeando un hall vidriado, y un subterráneo abovedado, ocupa parte de la planta bajo nivel
Un incendio en 1891 obligó a una reconstrucción realizada por el arquitecto Eugène Joannon. El tercer edificio del solar –que se conserva hasta la actualidad fue inaugurado en 1895 y oficialmente declarado como sede de la administración comunal. En el año 1976 fue declarado Monumento Histórico.
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The Santiago Municipality building is the headquarters of the Illustrious Municipality of Santiago. It is located on the north side of the Plaza de Armas, on the corner of Monjitas Street and Paseo 21 de Mayo, next to the old Palace of the Royal Court that today houses the National Historical Museum.
Since the founding of Santiago, this site was intended to house a public building, originally occupied by the city council and the old colonial prison. A first building was built between 1578 and 1647. In 1679 the building was demolished and later, between 1785 and 1790, a second building was built by the Italian architect JoaquÃn Toesca, now with neoclassicist styles.
The façade has a neoclassical modulation, semicircular arches, a continuous balcony and rectangular openings. Formerly, a tower stood on the axis of the portico. The subsequent transformation gave it a neoclassical seal with Italian Renaissance elements, a new lead marks the access as a central body, running along a balcony, which contains three large openings framed in pilasters. The floor plan is developed on two levels, surrounding a glazed hall, and a vaulted basement, occupying part of the ground floor.
A fire in 1891 forced a reconstruction by the architect Eugène Joannon. The third building on the site – which is preserved to this day – was inaugurated in 1895 and officially declared the headquarters of the communal administration. In 1976 it was declared a Historical Monument.
Very warm sounding and very controllable. Based on a vintage type circuit with a couple of neat mods. Thanks, dudes!
Vincent van Amsterdam, accordion/hammer/sheet of glass, Emma Breedveld and Janneke van Prooijen, violin, Frank Brakkee, viola and Eilidh Martin, cello;
Componistenportret: Willem Boogman;
Orgelpark, Amsterdam,
February 24th, 2019;
© co broerse
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: Detail view of the south facade that has brise-soleils, and screens to protect from the sun but let in the cool breezes.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Plants
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 3072H X 2304W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0275 Concha.JPG
Record ID: WB2010-0275
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
OnLine - The Performance - Premiere - Venice Biennale of Architecture 2014 - Fundamentals, Salon d'Armi, Arsenale, opening day, 7th June 2014, Venice, Italy. Face tracking, clmtrackr portrait leaks. Code modulation by Henner Wöhler.
Blacktron Gold - Listening and Assault Unit
Spacecraft equipped with:
- stereo cockpit
- optoechoic head
- white noise generator
- modulation metronome
- dual megabass cannon
- large aperture antenna with phrase scanning
- dual IR (iridium) jam-session-er
- powerful pro-tone torpedo
- dual frequency Hi-Fi-per sonic missiles
After almost eighteen years of deceptive silence, Brazen is back with Distance, an ambitious indie-rock epic where melancholic modulations and vocal harmonies intertwine on a soaring instrumental carpet. The eight tracks that make up the album are characterised by refined songwriting, carried by an epic breath that makes each track a journey in its own right. Composed, arranged and recorded remotely between London and Geneva over the course of almost a decade, the album is as musically polished as it is rich in narrative twists. The meticulous care taken in its conception gives it a timeless character that in no way detracts from its emotional intensity.
OnLine - The Performance - Premiere - Venice Biennale of Architecture 2014 - Fundamentals, Salon d'Armi, Arsenale, opening day, 7th June 2014, Venice, Italy. Face tracking, clmtrackr portrait leaks. Code modulation by Henner Wöhler.
A recount of the events of the night 8th–9th May 1942, when an intended raid on Norwich, by the Luftwaffe, was diverted away from the city by decoys and fires. In the confusion Stoke Holy Cross, Caistor St. Edmund and Poringland bore the brunt of the attack. This was one night during the ''Baedeker'' raids period.
On this night 80 Wing, the R.A.F. Counter-measures Unit were able to hear the 'Supersonic modulation' signals being imposed over the ordinary 'X'-Beams on their remodified equipment, thus allowed to put the 'Supersonic jamming' into use, use the local decoy sites to full effect, with the result the Pathfinder aircraft taken unawares were unable to effectively locate and mark, the intended target in Norwich.
The parachute flares dropped outside the City boundary, 'J' Group report ''Over Upper Stoke'' resulting in the attack developing over the Poringland Stoke Holy Cross, Caistor St.Edmund area; only 2 HE bombs actually fell on Norwich, both on the Woodlands Hospital Boiler House, causing considerable damage.
The balloon barrage was raised to 3,500ft at the onset, thus preventing any low passes attempting to locate the target, or dive bombing. This was an extremely lucky escape for Norwich, the more so because for the first time during the Baedeker series against the City parachute mines were being carried. 37 night fighters were airborne in an attempt to repel the attackers.
From the 'J' Group Log Book.
At 00:56hrs flares dropped over Upper Stoke, and intensive gunfire from Norwich and local guns; immediately followed by fall of bombs (Incendiary and HE), and a continuous and heavy dive bombing attack, covering all parishes within Group 'J', and surrounding villages. Communication by telephone found impossible, all lines down, attack continued until 01:35hrs and then slackened and ceased.
Communication with sectors 'J' 2. & 'J' 3. only by messenger service. Attached report sent over land phone from a gun position, and a further copy of it by volunteer messenger to Norwich for transmission by telephone to Wymondham Control. Casualties attended to, and persons bombed out found temporary accommodation.
At dawn, approx 05:15hrs, search made for all Ux-B's, and report of same sent by Foreman N.C.C. working party and messenger (Warden Thurston) to A.R.P. Divisional Officer, Tombland.
Fire at Howard's Farm, Stoke dealt with by local fire brigade. Local ambulance and First Aid Party on duty at first aid point.
One person (Mrs Easter of Norwich) killed by shrapnel wound at Rest Centre (Poringland Parish Hall). Mr Page (wounds dressed & despatched in ambulance to N.& N. Hospital) & Miss Johnson, both of Oak Avenue, Poringland, cut by glass & only casualties. Miss Johnson had wounds attended to and kept in First Aid Post.
Mrs Spruce, Octagon House, Bixley taken to ''Woodlands'' Hospital, Norwich by military, died next day.
At dawn approx 05.15 hrs search made for all U.X.B's & report of same sent by Foreman N.C.C. working party and messenger (Warden Thurston) Lo A.R.P. Divisional Officer. Tombland.
U.X.B.'s caused closing of following roads:
1. Poringland Street. Poringland Church to Railway P.H. at 5 cross ways.
2. Long Road, Framingham Earl, Rectory Lane to 5 cross ways at school.
3. Main Loddon Road, ''The Slads'' to Gull P.H.
4. Brickle Road (Upper Stoke), Nudists camp to 4 cross roads.
5. Lane from R.A.F. 'R' Station to Kennels Highfields) S.H.C. also Caistor Lane blocked by fallen tree in Caistor parish & Group.
One enemy plane (a Dornier) brought down & burst in flames as per report attached.
Plan of bombs fallen in Group J. also attached.
signed G.L.C.
D0217 AT WEST PORINGLAND ON 9th MAY, 1942
''ONE SOURCE OF INFORMATION GIVES THE TIME OF THE CRASH AS 0130 HOURS, AND THE LOCATION AS ABBOTS FARM, EAST PORINGLAND. NO DOUBT YOUR KNOWLEDGE OF THE AREA CAN CORRECT THIS (! B.C.) THE a/c APPARENTLY STRUCK A BALLOON CABLE AT A HEIGHT OF 3,500 FT, AND THEN DIVED TO A LOW ALTITUDE. REPORT STATED THAT IT PASSED OVER AN RAF STATION* (LOCATION NOT GIVEN) AND WAS ENGAGED BY LIGHT A.A. FIRE PROBABLY BOFORS. THE GUNNERS CONCERNED STATED THAT TRACER BULLETS WERE SEEN ENTERING THE FUSELAGE, SO THIS MAY HAVE INDICATED L (LEWIS B.C.) MG FIRE AS WELL. IT CRASHED IN A SHALLOW DIVE AND BURST INTO FLAMES ON IMPACT. THE COMPLETE COCKPIT AND WINGS OUT TO THE ENGINES WERE DESTROYED, BUT ABOUT 15 FT. OF THE REAR OF THE FUSELAGE COMPLETE WITH TAIL-UNIT AND ABOUT 12 FT. OF ONE OF THE WINGS WERE LEFT IN REASONABLY INTACT CONDITION. ONE INTERESTING POINT WAS THAT THERE WERE SEVERAL GASHES IN THE TAIL WHICH MIGHT HAVE BEEN CAUSED BY ANTI-AIRCRAFT SPLINTERS.**
THE FUSELAGE MARKING WAS U5+EH, REPEATED ON THE OUTSIDE OF EACH FIN IN WHITE LETTERS, 7 INCHES HIGH. THIS CONFIRMS THE AIRCRAFT'S UNIT AS 1/KG.2. VARIOUS MANUFACTURER'S PLATES RECOVERED SHOWED THE TYPE AS DORNIER WERKE TYPE E2 (DO 217 E-2) BUT ONE PIECE OF PLATING GAVE TYPE E4. THE WERK-NR. APPEARED TO BE 375, AS THIS NUMBER WAS FOUND STENCILLED IN SEVERAL PLACES INSIDE THE FUSELAGE.
ARMS AND ARMAMENT: TRACES WERE FOUND OF A POWERED TURRET (00217 E2) PLUS THE REMAINS OF ONE 13mm. MG 131 AND ONE 7.9mm MG15 HAD BEEN THROWN CLEAR OF THE WRECKAGE. A FURTHER MG 131 WAS FOUND IN THE REMAINS OF THE NOSE/COCKPIT AREA, PROBABLY REPLACING THE 20mm OERLIKON FF CANNON PREVIOUSLY FOUND IN D0217 AIRCRAFT. FINALLY IN ADDITION TO NORMAL INTERNAL BOMB STOWAGE (2 x 1,000kg and 2 x 500kg) 3 EXTERNAL 500/X11 CARRIERS WERE FOUND, A FOURTH PROBABLY BEING DESTROYED. THIS WAS THE FIRST TIME EXTERNAL RACKS HAD BEEN FOUND ON A CRASHED D0217, ALTHOUGH IT WAS KNOWN THAT STRONG POINTS FOR EXTERNAL CARRIERS EXISTED. THE REMAINS OF A BZA 1 DIVE-BOMBING SIGHT WERE ALSO FOUND.
YOU ARE CORRECT IN STATING THAT ONLY THREE BODIES WERE FOUND, ALTHOUGH A FOURTH CREW MEMBER WAS PROBABLY CARRIED.***
* Almost certainly this means the STOKE C.H. radar Station.
** Probably from the heavy 3.7-inch gun sites in the City.
*** The inference is that the fourth crew-member was burned to ashes possibly in the ventral gun position.
Memories of the Stoke Holy Cross 1942 Air Raid. Recorded by Derek Bales in June 2018.
My vivid memory of the very heavy air raid on Stoke Holy Cross district on the night of 8th May 1942.
Following an air raid alert the family were sheltering under a large oak table in the living room, about half an hour into the raid which began just before 1am our windows were breaking and ceilings falling, my father who had served in the First World War thought the house could collapse on us so decided to make for a small meadow we owned situated 200 yards south of our farmhouse, his decision was based on the fact that in 1939 an army TA unit had used the meadow for a brief period and in so doing had dug some deep holes which remained unfilled, father hoped these grave size holes would afford us some protection.
Making this perilous journey was my father Herbert aged 46, mother Kate 43, brother Dennis 14, myself 8 & sister Mary 6, our oldest sister Gwen 20 was on duty with the auxiliary fire service. Every time we heard the whistle of a falling bomb father would lie on top of me, and mother on top of Mary.
We were only some 30 yards from the house when we first had to drop flat, as we got to our feet I saw tracers from a nearby bofors gun heading skyward and at the same time observed a plane with traces of flickering flames. I learned later that this was almost certainly the Dornier which had seconds earlier collided with a balloon cable. The bomber crashed in Poringland soon after.
We had to lie flat a number of times whilst making the 200 yard journey with at times shrapnel cutting through the tall hedge beside us, incidentally shrapnel is still being found at the site. After reaching the safety of one of the open holes we stayed put until the all clear sounded.
Within seconds of the all clear Mr. Barnard who lived in a house nearby called out ''is everybody alright'' soon after any people assembled at the Froude family home nearby.
Daybreak revealed that just 100 yards from where we had been sheltering 3 bungalows had been destroyed, debris from a Mr Keens car had been blasted some 60 yards into the Froudes back garden, Mr Froude, Mr Barnard and my father were attempting to put out burning car tyres, Father tied a scarf around his face to try to keep out the toxic fumes.
Four HE bombs fell on our 29 acre farm leaving our house stripped of roof tiles in addition to the other damage.
The following morning I ventured into one of the bomb craters, the blast from this had scorched an area of emerging swede crop, on the surface of the same field I found an incendiary bomb which I reported to father.
The Stoke radar receiving station was less than 200 yards from our house, whilst walking the perimeter fence I observed some machine gun damage to the metal fence and have a vague memory of some downed fencing. Just yards from the NE corner of the radar R site was a dry pit which incendiaries had set ablaze early in the raid, I still remember the smell of burning bracken and also seeing some incinerated rabbits.
Three of the bombs that fell on our land were each recorded as 250kg the other bomb was 500kg, however 2 of the 250kg left only smallish craters (about 4ft deep) this suggests they were fitted with Karf rings, a band fitted around the waist of the bomb to prevent deep penetration and so cause more surface damage.
The Dornier 217 E-4's lost crew:
Lost their Iives on the 9th of May 1942 after a crash landing.
▪︎Albert Otterbach – L-R Unteroffizier (junior non-commissioned officer) Luftwaffe.
▪︎Rudolf Bucksch – Oberfeldwebel (senior Non-Commissioned Officer)
▪︎Wener Böllert – Oberleutnant (First Lieutenant)
▪︎Mathias Speuser – Unteroffizier ( junior non-commissioned officer)
''L'' for Luftflotte and ''R'' for RLM (Air Ministry)
L (Luftflotte): This was the largest operational and administrative unit in the Luftwaffe. It translates to ''Air Fleet'' for example, Luftflotte 2 operated primarily in the Mediterranean and Western Europe.
''R'' (RLM): This stands for the Reichsluftfahrtministerium (Reich Aviation Ministry), which controlled all aspects of aviation in Nazi Germany. You will also see Ob.d.L. which means Oberbefehlshaber der Luftwaffe (Commander-in-Chief of the Air Force).
sites.google.com/poringlandarchive.co.uk/poringland-archi...
www.myspace.com/wholesalenashville
From Edmunds (http://www.edmunds.com/lexus/gs350/2008/review.html) -
What Edmunds.com says
Competing in the hotly contested luxury performance sedan segment, the 2008 Lexus GS 350 offers exceptional value and remains a top choice for those seeking refined manners at a reasonable price.
Pros
Powerful V6 engine, refined suspension, quiet and luxurious cabin, superb fit and finish.
Cons
Minor ergonomic shortcomings, brake modulation could be smoother, taller folks may find headroom lacking.
What's New for 2008
Like other GS models, the 2008 Lexus GS 350 receives minor exterior styling updates, turn signals integrated in the side mirrors, interior trim refinements and restyled gauges.
Group 3_
Alejandro Candela, Georgina Muñoz, Carlos Paz, Berenice Jimenez, Laura Antelo, Gabriel Manriquez
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
We designed our buffers clean up your sound and allow the maximum tone from your pickups and cables to your amp. Low output impedance can send the signal through long cables without losing response and top frequencies. Not operable with battery.
Alain Wergifosse
création/résidence art sonore | Geluidskunst/creatie
Alain Wergifosse, l'ancien Belge des scènes experimentales de Barcelone est revenu chercher sous nos brumes et grisailles l'inspiration pour ses nouveaux projets sonores et visuels. La bas il à travaillé avec son power-trio Obmuz, avec Nad Spiro, Macromassa, Marcel.li Antunez, Cluster, Zbigniew Karkoski, Francisco Lopez et bien d'autres. il à aussi co-organisé les festivals NONOlogic avec Eli Gras et le LEM de GTS.
Il s'installe pendant 6 semaines a la Gare Bruxelles-Congrès qu'il inondera de sons bizarres, d'architectures impossibles, d'ondes radio en très basses fréquences, de microscopies, de modulations lumineuses, d'érosions, de perturbations électro-magnétiques, de quelques dichroïsmes et d'autres abérrations temporaires des champs sensoriels dans une exposition/installation sonore/résidence/atelier en work in progress qui évoluera semaine a semaine pour aboutir le 18 février en un concert bien bruiteux mettant tout l'espace en résonance où Alain Wergiosse fera chanter les trains et flipper les rats.
Alain Wergifosse, Belg die geruime tijd in de experimentele scene van Barcelona actief was, is naar zijn grijs en nevelig thuisland teruggekeerd om er inspiratie te vinden voor zijn nieuwe klank- en beeldprojecten. In Spanje werkte hij met zijn power-trio Obmuz, met Nad Spiro, Macromassa, Marcel.li Antunez, Cluster, Zbigniew Karkoski, Francisco Lopez en anderen. Hij organiseerde ook mee het festival NONOlogic met Eli Gras en het LEM van GTS.
Gedurende 6 weken zal hij het station Brussel Congres innemen en bespelen. We krijgen onbestaande architectuur te zien, microscopische beelden, erosies, lichtmodulatie, electromagnetische golven worden hoorbaar gemaakt. Het geheel is één groot ‘work in progress’ (atelier/tentoonstelling/residentie) dat zijn publiek toonmoment zal kennen op 18 februari in een luidruchtig klankexperiment/concert dat de hele ruimte zal doen weerklinken als een instrument. Alain Wergifosse zal de treinen doen zingen en de ratten doen flippen.
18/02/2016
Photo // Yves André - TOUS DROITS RESERVES - ALL RIGHTS RESERVED
Tel : +32 476 421 267 // yvesandre@gmx.com
Finally set on equipment. Would like to get a DD5 on this for another input for the drum machine.
Crestline L6S Copy -- DS1 -- Rat -- Ernie Ball Volume -- Holy Grail --- Octave -- Super Shifter -- Memory Man -- Bi-Amped into Sunn and Marshall
OnLine - The Performance - Premiere - Venice Biennale of Architecture 2014 - Fundamentals, Salon d'Armi, Arsenale, opening day, 7th June 2014, Venice, Italy. Face tracking, clmtrackr portrait leaks. Code modulation by Henner Wöhler.
These modifications of this Gristleism are identical to the modifications made by A.S.M.O. and used by all four members of Throbbing Gristle at their last gig on 23rd October 2010 at Village Underground, Hackney, London, UK. The Gristleism has an added LFO circuit which modulates the pitch and rhythmically triggers the loops. The LFO has 5 controls" speed, depth, wave shape and two momentary switches to engage the modulation and loop trigger. There is also an added switched jack output to connect to larger amplification.
Alain Wergifosse
création/résidence art sonore | Geluidskunst/creatie
Alain Wergifosse, l'ancien Belge des scènes experimentales de Barcelone est revenu chercher sous nos brumes et grisailles l'inspiration pour ses nouveaux projets sonores et visuels. La bas il à travaillé avec son power-trio Obmuz, avec Nad Spiro, Macromassa, Marcel.li Antunez, Cluster, Zbigniew Karkoski, Francisco Lopez et bien d'autres. il à aussi co-organisé les festivals NONOlogic avec Eli Gras et le LEM de GTS.
Il s'installe pendant 6 semaines a la Gare Bruxelles-Congrès qu'il inondera de sons bizarres, d'architectures impossibles, d'ondes radio en très basses fréquences, de microscopies, de modulations lumineuses, d'érosions, de perturbations électro-magnétiques, de quelques dichroïsmes et d'autres abérrations temporaires des champs sensoriels dans une exposition/installation sonore/résidence/atelier en work in progress qui évoluera semaine a semaine pour aboutir le 18 février en un concert bien bruiteux mettant tout l'espace en résonance où Alain Wergiosse fera chanter les trains et flipper les rats.
Alain Wergifosse, Belg die geruime tijd in de experimentele scene van Barcelona actief was, is naar zijn grijs en nevelig thuisland teruggekeerd om er inspiratie te vinden voor zijn nieuwe klank- en beeldprojecten. In Spanje werkte hij met zijn power-trio Obmuz, met Nad Spiro, Macromassa, Marcel.li Antunez, Cluster, Zbigniew Karkoski, Francisco Lopez en anderen. Hij organiseerde ook mee het festival NONOlogic met Eli Gras en het LEM van GTS.
Gedurende 6 weken zal hij het station Brussel Congres innemen en bespelen. We krijgen onbestaande architectuur te zien, microscopische beelden, erosies, lichtmodulatie, electromagnetische golven worden hoorbaar gemaakt. Het geheel is één groot ‘work in progress’ (atelier/tentoonstelling/residentie) dat zijn publiek toonmoment zal kennen op 18 februari in een luidruchtig klankexperiment/concert dat de hele ruimte zal doen weerklinken als een instrument. Alain Wergifosse zal de treinen doen zingen en de ratten doen flippen.
18/02/2016
Photo // Yves André - TOUS DROITS RESERVES - ALL RIGHTS RESERVED
Tel : +32 476 421 267 // yvesandre@gmx.com
These modifications of this Gristleism are identical to the modifications made by A.S.M.O. and used by all four members of Throbbing Gristle at their last gig on 23rd October 2010 at Village Underground, Hackney, London, UK. The Gristleism has an added LFO circuit which modulates the pitch and rhythmically triggers the loops. The LFO has 5 controls" speed, depth, wave shape and two momentary switches to engage the modulation and loop trigger. There is also an added switched jack output to connect to larger amplification.
OnLine - The Performance - Premiere - Venice Biennale of Architecture 2014 - Fundamentals, Salon d'Armi, Arsenale, opening day, 7th June 2014, Venice, Italy. Face tracking, clmtrackr portrait leaks. Code modulation by Henner Wöhler.
The Postcard
A Wrench Series postcard that was posted in Selby using a ½d. stamp on Monday the 22nd. October 1906. It was sent to:
Miss M. Ratcliffe,
Raglan Road,
Leeds.
The pencilled message on the divided back of the card was as follows:
"Dear Mary,
Just a line to wish you
many happy returns of
the day.
I will give you my present
Mary when I see you.
I hope Mother & all are
well.
Love to the children &
all.
Lots of love,
Yours ever,
Susan."
Paul Cézanne
So what else happened on the day that Susan posted the card to Mary?
Well, the 22nd. October 1906 marked the death of Paul Cézanne.
Paul Cézanne, who was born in Aix-en-Provence, France on the 19th. January 1839, was a French Post-Impressionist painter whose work introduced new modes of representation.
Paul influenced avant-garde artistic movements of the early 20th. century and formed the bridge between late 19th.-century Impressionism and early 20th. century Cubism.
While his early works were influenced by Romanticism – such as the murals in the Jas de Bouffan country house – and Realism, Cézanne arrived at a new pictorial language through intense examination of Impressionist forms of expression.
He altered conventional approaches to perspective, and broke established rules of academic art by emphasizing the underlying structure of objects in a composition and the formal qualities of art.
Cézanne strived for a renewal of traditional design methods on the basis of the impressionistic colour space and colour modulation principles.
Cézanne's often repetitive, exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields. The paintings convey Cézanne's intense study of his subjects.
His painting initially provoked incomprehension and ridicule in contemporary art criticism. Until the late 1890's it was mainly fellow artists such as Camille Pissarro and the art dealer and gallery owner Ambroise Vollard who discovered Cézanne's work, and who were among the first to buy his paintings.
In 1895, Vollard opened the first solo exhibition in his Paris gallery, which led to a broader examination of Cézanne's work.
Both Henri Matisse and Pablo Picasso are said to have remarked that:
"Cézanne is the father of us all."
-- The Death of Paul Cézanne
On the 15th. October 1906, Cézanne was caught in a storm while working outdoors. He decided to go home; but on the way he collapsed and lost consciousness due to hypothermia. He was taken home by a passing driver of a laundry cart.
His old housekeeper rubbed his arms and legs to in order to restore the circulation, and as a result, he regained consciousness.
The next day, Cézanne went out into the garden to work on his last painting, Portrait of the Gardener Vallier, and wrote an impatient letter to his paint dealer, bemoaning the delay in the delivery of paint, but later on he fainted.
Vallier called for help; Paul was put to bed, and he never left it. His wife Hortense and son Paul received a telegram from the housekeeper, but they were too late.
He died a few days later, on the 22nd. October 1906 of pneumonia at the age of 67, and was buried at the Saint-Pierre Cemetery in his hometown of Aix-en-Provence.
Gertrude Ederle
The 22nd. October 1906 was also the day before Gertrude Ederle was born in NYC.
Gertrude Caroline Ederle was an American competition swimmer, Olympic champion, and world record-holder in five events.
On the 6th. August 1926, she became the first woman to swim the English Channel. Gertrude commented:
"People said women couldn't
swim the Channel, but I proved
they could."
Among other nicknames ("Trudy" and "Gertie"), the press called her "Queen of the Waves".
-- Gertrude Ederle - The Early Years
Ederle grew up in Manhattan where her father ran a butcher shop on Amsterdam Avenue, and learned to swim in Highlands, New Jersey.
She later trained at the Women's Swimming Association (WSA), founded by Charlotte Epstein. The WSA was a historic organization whose leadership and members campaigned for Women's suffrage, and worked both to create more swimming events open to women and to increase their participation in the Olympics.
Ederle joined the club when she was only twelve and immediately took to learning the American crawl, developed at the WSA by Head Coach Louis Handley.
The same year, she set her first world record in the 880-yard freestyle, becoming the youngest world record holder in swimming. She set eight more world records after that, seven of them in 1922 at Brighton Beach. In total, Ederle held 29 US national and world records from 1921 until 1925.
-- Gertrude Ederle 1924 Paris Olympic Medalist
At the 1924 Summer Olympics in Paris, Ederle won a gold medal as a member of the first-place U.S. team in the 4×100 meter freestyle relay. Together with her American relay teammates she set a new world record of 4:58.8 in the event final.
Individually, Gertrude received bronze medals for finishing third in the women's 100-meter freestyle and women's 400-meter freestyle races. The U.S. Olympic team had its own ticker-tape parade in 1924.
-- Gertrude Ederle's Professional Career
In 1925, Ederle turned professional. The same year she swam the 22 miles (35 km) from Battery Park to Sandy Hook in 7 hours and 11 minutes, a record time which stood for 81 years before being broken by Australian swimmer Tammy van Wisse.
Ederle's nephew Bob later described his aunt's swim as a "midnight frolic" and a "warm-up" for her later swim across the English Channel.
-- Gertrude Ederle's English Channel Crossing
In 1925, the Women's Swimming Association sponsored Helen Wainwright and Ederle in an attempt at swimming across the English Channel. Helen Wainwright cancelled due to an injury, so Ederle decided to go to France on her own.
She trained with Jabez Wolffe, a swimmer who had attempted to swim the English Channel 22 times.
On the 18th. August 1925, Ederle made her first attempt at swimming the Channel whereupon she was disqualified when Wolffe ordered another swimmer (who was keeping her company in the water), Ishak Helmy, to recover her from the water.
Gertrude bitterly disagreed with Wolffe's decision, and it was speculated that he did not want Ederle to succeed.
She returned to New York and began training with coach Bill Burgess who had successfully swum the Channel in 1911. Ederle also received a contract from both the New York Daily News and Chicago Tribune which paid her expenses and provided her with a modest salary.
Approximately one year after her first attempt, she was successful in swimming the Channel. She started at Cap Gris-Nez in France at 07:08 am on the 6th. August 1926, and came ashore at Kingsdown, Kent, 14 hours and 34 minutes later.
The first person to greet her was a British immigration officer who requested a passport from the bleary-eyed, waterlogged teenager.
Gertrude's record stood until Florence Chadwick swam the Channel in 1950 in 13 hours and 23 minutes.
Prior to Ederle, only five men had completed the swim across the English Channel, with the best time of 16 hours, 33 minutes by Enrique Tirabocchi.
When Ederle returned home, she was greeted with a ticker-tape parade in Manhattan, with more than two million people along the parade route.
-- Gertrude Ederle - The Later Years
Gertrude made an arrangement with Edward L. Hyman to appear at the Brooklyn Mark Strand Theatre, who paid her significantly more than any prior individual performer.
Subsequently, she went on to play herself in a movie ('Swim Girl, Swim', starring Bebe Daniels) and tour the vaudeville circuit, including later Billy Rose's Aquacade.
She met President Coolidge and had a song and a dance step named for her. However her manager, Dudley Field Malone, was not able to capitalize on her fame and popularity, diminishing the financial potential of her vaudeville career.
The Great Depression also affected the success of her career. A fall down the steps of her apartment building in 1933 twisted her spine and left her bedridden for several years, but she recovered sufficiently to appear at the 1939 New York World's Fair.
-- The Death of Gertrude Ederle
As a result of childhood measles, Ederle had poor hearing most of her life, and by the 1940's had lost most of her hearing.
Aside from her time in vaudeville, she worked for much of her life as a swimming instructor for deaf children. She never married, and by 2001 was living in a nursing home.
Gertrude died on the 30th. November 2003 in Wyckoff, New Jersey, at the age of 98. She was laid to rest in the Woodlawn Cemetery in the Bronx, New York City.
-- Gertrude Ederle's Legacy
Ederle was inducted into the International Swimming Hall of Fame as an "Honor Swimmer" in 1965. She was inducted into the National Women's Hall of Fame in 2003.
An annual swim from New York City's Battery Park to Sandy Hook, New Jersey, is named the Ederle Swim in order to honor her, and follows the course she swam.
The Gertrude Ederle Recreation Center, which opened in 2013 and is located in the Upper West Side of Manhattan, was named for her, and includes an indoor swimming pool.
A BBC Radio 4 play, The Great Swim, by Anita Sullivan, based on the 2008 book of the same name by Gavin Mortimer, was first broadcast on the 1st. September 2010. It dramatizes Ederle's record-breaking crossing of the English Channel.
A biographical film, Young Woman and the Sea, based on the book of the same name by Glenn Stout, was produced by Walt Disney Pictures and Jerry Bruckheimer, directed by Joachim Rønning, and starring Daisy Ridley as Ederle. The film was released on the 31st. May 2024.
OnLine - The Performance - Premiere - Venice Biennale of Architecture 2014 - Fundamentals, Salon d'Armi, Arsenale, opening day, 7th June 2014, Venice, Italy. Face tracking, clmtrackr portrait leaks. Code modulation by Henner Wöhler.
Moments before the attach, a Ciliate appears above the dancing Dinoflagellate. Photomicrograph is at 1,000x magnification with Hoffman Modulation Contrast optics in an Olympus microscope. Camera is a Nikon Coolpix 885 at 3x zoom. Cyanobacterial filament, Dinoflagellate, and Ciliate came from Heron's Head Park salt marsh, pond site OS1, on San Francisco Bay.
TO THE OWNER OF THE EARTH WE GAVE THE FEEL EVER EVERY INCH OF EARTH SHALL BE ABLE TO PRODUCE COULD NOT BE.
SO HE SILLY WENT INTO STUDY OF MATTER UNDER WE INTO CREVICES OF THE MIND HIS AS A WE AS A STUDY.AS A SPIRTUALIST STUDYING THE EARTH THROUGH GOD.IT IS A SUPREME PROCESS IN SCIENCE POLATABLE BY A VERY VERY FIRMEST MIND AS A MEMORY.NON ABUSIVE ONLY SHOULD TRY.WE DO NOT WORLD.EXTREMELY LOWER PERCENTAGE OF MEN======NO WOMEN MIND IT AS IT REQUIRED LARGE MIND................SEQUENCED TO AND FRO AT HIGH SPEED ALTER AS A WE TO NONE REACHING EVER AS A ALTER ALTERNATING CURRENT DOES AS A SOMENATH TEMPLE IN A SHIVLING WERE NOT GETTING HUNG IN THE MIDDLE OF THE ROOM AS WERE SAID TO BE AS A TALE AS A CENTURIES ASA FIVE AS A AGO KEPT WITH RESPECT............MA LOVE AS A WE TOO CIRCLED THE STRUCTURE OF FOUR FEET AS A OVAL CYLINDER ROUNDED AND CLOSED TIGHTLY AS A CAST AS A NOT LOOKING ASA SEAM OR A JOINT ANY ANYWHERE AS IF WERE SENT BY A DIFFERENT LAND PLACED IN A CASE NOT BUT LIKE IT PUT SO NO ONE TOUCHED IT.MA LOVE SAW EYES OF THE BOY STANDING THERE AS A GUARD OF FIFTEEN IN A SLIGHT AS A CLOTH AROUND WAISTE...PRAYED TOO TO HE AS A BIG BROTHER SIR WE CAME FROM DELHI TO SEE IT OUT GURU SHIV MAHARAJ. WE WANT TO TOUCH IT AND HANG IT.I ALONE CAN LIFT IT AND DO IT I FEEL WILL YOU JOIN ME OR I SHOULD PUT IT IN PLACE OVER THERE WHERE IT IS TO BE AS A ARJUN EYED AS A TRAINED BOWMAN.HE SAID I WILL SEEK PERMISSIONS.THEY TWO TRIED.IN FIRST TRY IT STILLED THERE WHERE IT WERE A CENTURY A GO AS A FIVE CENTURY AS.IN IT A LESSON WE PUT TO YOU A CHILD OF ONE YEAR TWO WEEKS DID WHAT NEVER WERE THERE AS A WE AS A STEAR AS A WERE TO SEX HIS MOTHER AS A SENTRY TO PAY SEX REGARDS FROM THOSE TO MAHAMAYI IF SHE SO PERMITS A TOUCH TO HER .WE HAD A DIFFICULTY TILL HE ROSE TO HILT AND STOOD GUARD AS A NOT BUT SAY DID I AM SHIV MYSELF STOP IT OR I WILL BURN YOU ALL WITH MY THIRD EYE.THEY ASKED WHERE IT IS.HE SAID I KEEP IT ALWAYS HIDDEN.I GAVE POWER TO THIS BOY TOO TO LIFT A FIVE HUNDRED KG CALLED BY YOU ALL AS A SOLID IRON.BUT YOU ARE WRONG SO I WILL LET YOU FALL IF YOU FALL.A MAN ROSE TO START A EXPERIMENT.HE WE SAW ROSE TOO BEFORE HIS FATHER OR MOTHER COULD SAY A WORD AS A HE BY SAID TO STOP AS A GESTURE.HE LOOKED INTO EYE OF THE BOY OF THIRTY HE FELL.OTHERS BACKED OUT THEY WERE ALLOWED TO LEAVE OTHERWISE THEY WERE TO BE AS PER A GOVERNMENT ORDER TO BE BUTCHERED BEFORE THE SON.AT PURI THEY FACED SIMILAR ..NEHRU KNOWING THE RATH OF VISHNU NEVER WERE IN A SHAPE TO MOVE ASKED THEY TO TAKE IT OUT ON A EXHIBITION THROUGH STREET ALL OF THE PURI LAID WITH STONE ONLY .UNEVEN SURFACE WITH DIPS AT EVERY STEP.SEVEN DAYS OVER THE DEPUTY COMMISSIONER SAID I SEEK PERMISSION IN WRITING SO NO MISHAP O.K. IN THE WE AS A YOU TAKING IT ON YOU IS.IT IS IN SHREDS.WOOD IS CENTURIES AS A OR EVEN FURTHER OLD IT CAN CRACK PEOPLE IN IT OR ON IT WILL FALL TOO SO MANY ONLOOKERS AS A WE TO ACCUSE BE AS A BIWI YOU AS A HATH JID AS A WE AS A SEE IS AS A CHILD YOURS AS A LOVE LET WE IT I WILL PERMIT AS WAS AS A S.S. KOHLI ENCIRCLED BY THIRTY FIVE MEN TWO WOMEN SUCCUNED WE AS A WE AS ASKED HIS SON WE ASK WE TO STOP IT.HE SAID WELL A I SEE TIME IS GOING TO BE IN A YEAR THAT IF IT DOES NOT MOVE WORLD WILL FALL TOO IN THE MELEE THEN TOO THE GOD WILL NOT RELINQUISH THE MATTER OF IT MOVING TODAY OR IN A TEN FROM IT.HAVOC BE.HER THOUGHT WERE IN PERSUADING HER INSULTS BE BUT THE GOD OF ALL MUST NOT BE MADE ANGRY.LOOKING TO HE BE.THAT WAS LISTENED BY THE D.C. STANDING IN VISHNU TEMPLE SO HE SAID WE FOREGO .HERE WE PERMIT THE REPAIR AS A IT TOO TO BE STILL TO GO TO IT AS A RATH GOING TO STREET IT WILL TAKE A WEEK LET WE BE AT REST WITH WE AS A TALK PERSUADED HE WE TO BE STATE GUESTS BUT COULD NOT RESTRAIN HIMSELF..IS BEING WRITTEN WE AS A IN AS A SHRI K.K.PAUL------WE ASK WHY?--LOOKING AT THE WE WRITING WHY YOU PREEMPT OR DESIRE A REACTIVITY THAT REFLECTS YOU.WE NEVER DO IT.OUR SON NEVER DID IT.NO ACCURATE DOES IT.INPUT IS THE MOTIVATOR .WE SIMPLE AS A WE POLATE TO RELAX INTERACTIVES AS A WE BECAUSE THEY TILL WE PATIENTLY WANT TO BE SO THEY DO NOT FEEL LEFT OUT AS A SMALLED PERSON AS A FEW NOT ALL BUREAUCRAT WERE AND ARE SINCE METHODICAL ENGLISH STUDIOUS FOUND BY WE AS A ANTI-EMOTIONALITY IN WE LEFT AS A THOUGHT AS A WERE AS A VERY RESERVED AS A SIMPLE LOOKING GREAT WHO FIXING THEY THE IMAGES RISING FALLING IN THE SKY AS A PEOPLE'S MIND CORRECTED WE AS A SECOND IN A HANDS AS A WATCH'S AS A WE AS A DIRECT..AS A SPOTTING THE TIME AS A POLATES AS A WE TO DIRECTLY POINTED AS A BACHU OURS DOING AS WE DO IN THE NEED WE IN THE THEY AS A WE AS A TYPE AS A MISTER MOHINDER SINGH RANDHAWA WAS.OF A IMPERIAL CIVIL SERVICES OPPOSING WE BUT NEVER ASKING US A PLOT OF LAND THOUGH KNOWING WE WERE LANDOWNER INDIA AND WORLD...LIVING WITHIN HIS MEANS AT KHARAR WHERE A MISTER AMRINDER SINGH CAME CALLING WE UNKNOWN NEVER POLATABLE AS A KNOWING BEING SO PUT BY A WAYWARD WOMAN..LIKE WE AS A SHRIMATI WHOSE AS A WE TO ASCRIBES AS A CHIEF COMMISSIONER CHANDIGARH ASSING THE WE AS A GOD.SLUT DOING SEXES THREE TILL A DAY AS A WERE THERE IN THE STREET DELHI AS A DHARS AS A SHRI BJP AS A POLITICAL CALLED PURE THIEVES THAT CAME OUT TODAY TO SAY SWITZERLAND IN DHAN THEIRS IS A NATIONAL ASSET NOT TO BE TREATED AS A UNDER OVER THE TABLE AS A TAKEN DISLOCATED,IN DATE THREE OF OUR WRITING AWAY IT AS A SWISHED AS A WE AS A TREATMENT .WE STOP IT.
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OLIMPO.D.C. AS A LOVE AS A DEMAND WE SAY IS A CORRUPTIONS AS.SO SWISHED BE IT AS A TEMPLES AS A ALL IN THE WORLD IN ALL ISMS .
HE WE SAW AS A WE AS A INVESTIGATORS LOOKING INTO ALL THAT HAPPENS ON ANY EARTH IN THE OUR MATTER AS A WE AS A MADE OF IN THE WE AS A SAYS AS.
AS A INVENTOR LISTED IN THE COURT OF PATENTS AS A SEEN BY ME IN THE COURT IN THE YEAR WE.WE IS NINETEEN FIFTY THREE.DATAS CONVEYED BY THE YADWINDRA SINGH LATER RENAMED THEN IKKI NAMED BY POLICE IN ERROR OF A SWIBES RESTING NEAR A POND IN MEHRAULI.
THE POLICE WERE NEW.
OLD HAD BEEN REMOVED BY THE YADWINDER TRIBE OF PURITANS IN THE ART OF THE TRAINING AS A ENGLAND TRAINED TRAINERS TO BRING UP EARTH AS GOD HAD COME TO EARTH.
POLICE INDIA WAS A PRIMITIVE POLICE.
NEHRU WAS A PRIMITIVE PERSON ON THE LIST WE WITH A COUNTRY EVEN MORE PRIMITIVE.
THEY HAD NO MONEY.NO FOOD FOR YEARS.
THEY WERE A SLAVE COUNTRY.
A TRADER ENGLAND BY PURCHASED INCH BY INCH FROM OTHER TRADING.
PLAYING ON JEW.
LENDING THEIR MONEYS TAKEN FROM THEM BY HOOK OR CROOK.USING BHATRAS AND THUGS AS A A.S. BRAR GROUP HAS COME OUT TO BE FROM A SIKH AS A BEARING IN WHICH THERE WERE NO MALICE OR UNTRUTH AS A MARGIN.
A TRAIN OF THUGS NOW MOUNT INDIA.
THE STUDY IN THUGS AS A IS AS A YEAR NINETEEN THIRTY.
AS A POLICE LONDON,ENGLAND. ON REQUEST OF THE COURT OF LONDON WHICH WE AS WE AS A DOUBT IN ARRESTED A MAN THUD AS A THUGGY IN THE THEIR OFFICE AS A PROCLAIMED BAR AT LAW ASKING A COPY OF A JUDGEMENT THEY RELEASED THAT DAY OF THE POPE AS A TO BE RELEASED AS A MOST HIGHEST AS AS A JUSTICE AUTHORITY OF THE CHRISTIANS BY ALL THE CHRISTIAN COURTS.SEVEN TILL A COURT IN ARGENTINA,LONDON,GENEVA,LUXEMBORG AS A DID RELEASE THE SAME MOMENT CHOSEN BY THE FOREFATHER AS A TO BE HOW BUT ADDRESSED AS A WE AS A ITS AS A TO WE THE HEAVENS.SAYING LAND AS A BE TO GOD IF..AS A WE TO PRAYERS AS A WE AS A COMING IN THE BHATS BE DECLARED AS A WE AS A SEE TO FLARE UP HOW A WORLD WAR AS A WE AS A SEAS FALLING TO KNEES AS A IS AS A JAMES BOND AS A SIXTY FOUR AS A RELEASES AS A FILM "FOR YOUR EYES ONLY " AS A CHALLENGE.TO THE WE NOT BUT TO FLARE WE AS A BOYS TOO TO JOIN THE JAMES AS A ROYALE BUT A M.S.KOHLII CHOSE TO BE IN THINKING WHAT CAN WE LEARN FROM THE FILM AS A WE ASKING MORE IT GAVE A WE TO THREE BEFORE WE READIED WE TOO TO SEE THEY TILL VIEW AS A SOLE PURPOSE OF SUCH A SERIOUS AS A ACCUSE AS A TO THE RUSSIA AS A SERIES AS AND CHINA AS A SINGLE AS A DOCTOR NO.
Pattern of a dual pendulum swinging a modulated LED. The LED is an RGB tricolor, and the modulation is manually controlled through a microcontroller.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Oscillatoria with salt crystals, 1000x Hoffman Modulation Contrast optics. From Heron's Head Salt Marsh.
Schematic from Bionic Eye Virtex-6 FPGA Headset. Designed to provide advanced resonant tracking, Frequency-Phase Modulation, Impedance Characterisation. Provides power transfer, Duplex communication, Power management. Eye/coil position compensation.
A very high magnification photomicrograph of a single Cyanobacterial cell and filament of cells. From Heron's Head Park salt marsh, San Francisco. 1,000x magnification with Hoffman Modulation Contrast Optics and 3x zoom, Nikon Coolpix 885. Text Version.