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Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: View of a model of the hotel with proposed expansion.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 2304H X 3072W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0257 Concha.JPG
Record ID: WB2010-0257
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
So, today was one of those days that I was like, "Whoa...mind blown."
I have been trying to document my trip really well this December, but it is not always easy to find other people or toys who are willing to take pictures of me. Then today, while I was listening to the frequency modulation radio, I heard this song that was talking about people about taking pictures of themselves. And that's when it hit me. I don't always need other people or toys to take pictures of me! I can do it myself sometimes too!
So I thought I'd give it a try. The first method I tried didn't work out so well. The light was very, very bright in my eyes, and when the picture printed out, it didn't look too good. Plus, I would never be able to carry such a big machine around with me to take pictures. Then I realized that Hudson's mama had an old mobile cellular smart device that I might be able to use. I just had to wait until she went to bed to find it.
Song: Dabrye - Special (Instrumental)
Dancer: Julie Chapple
Glitch Overlays: betacrack
Glitch, editing and a dancer come together to form a dance for video that will never be seen live.
Watch this video on Vimeo. Video created by Stuart Maxwell.
Group 4_
Aaron Onchi, Betty Sanchez, Roberto Gutierrez, Frank Durán , Belén Olaya GarcÃa
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
IFAM, the Institute for Aesthetic Modulation, is a sub-group of Collective:Unconscious. IFAM has produced work in installation art and visual theater since 1993 at such venues as Theater for the New City, Here, The Knitting Factory, Exit Art, La Plaza Cultural, The 6B Garden, The Coney Island Mermaid Parade, The Pyramid Club, and Mustard.
Collective: Unconscious is a confederation of artists working in the visual and performing arts, founded in early 1995 in the Lower East Side of New York City.
CCSC Riviera de Ensenada -
Ensenada, Baja California
FotografÃa: UABC Ensenada
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Intention/Technical: My intension was to capture the shadow on the bridge using sun light. The sun light comes from the side, and it create harsh shadow on the bridge. The light source is coming exactly opposite from the directions of the shadows fall.
Reference to the reading/ Freeman page 126, In visual terms, black and white allows more expression in the modulation of tone, in conveying texture, the modeling of form, and defining shape.
Outcome/ The black and white image is visually engaging because the shadow is sharp and immediately captures the viewers’ eye.
Edits/ I prefer to present the image black and white to add some drama. it was slightly slid down exposure and shadow and up the contrast and temperature to draw the viewers’ attention to the shadow more.
"Mid-Century Modulation" by Aaron Marshall - 11" x 23" (image size only) - Original Painting - Oil & Acrylic on Board - $1,600 - SOLD
This PCB contains linear regulator circuits for the +5V and +/-15V rails together with the amplifier for the modulation meter
I lovely evening out at Burnham on sea lighthouse,with Pixel Suzy ,Modulation Mike,aperture Andrew,and Gary clevedon clark.
As a classic pattern recognition problem, the modulation recognition of architecturals signals has many important research prospects and application value. In the architectural field, it is a precondition to carry out communication reconnaissance and jamming. Once the signal modulation of the city's communication system is clarified, the city's signals can be demodulated and communication information can be obtained. In the houses l filed, signal modulation recognition can be used to signal confirmation, interference identification, design management, and model monitoring. Therefore, a secure and reliable feature extraction method is needed to effectively recognize the different architecture signal in a complex environment.
Title: Concha Renaissance San Juan Resort
Other title: Concha
Creator: Toro, Osvaldo 1914-1995; Ferrer, Miguel, 1915-2004; Salvadori, Mario George, 1907-1997; Marvel & Marchand Architects
Creator role: Architect
Date: 1958 (original) 2008 (renovation)
Current location: San Juan, Puerto Rico
Description of work: Renaissance Hotels tasked architect Jose R. Marchand and interior designer Jorge Rossello with renovating and saving this beachside landmark. "[B]y the mid-1990s the venerable La Concha hotel had been shuttered, abandoned and left to rot...Originally designed by Osvaldo Toro and Miguel Ferrer, with an eccentric but utterly loveable seashell-shaped restaurant by Mario Salvatori [sic], La Concha was a beautifully massed, expertly sited, vividly inventive building perfectly in sync with its time. Closely attuning the hotel to its sun-swept setting, the architects created deep-shading overhangs, open corridors, windows and doors that gave onto lush interior courtyards and provided cross ventilation, and beautifully lacy quiebra-sol (their take on a brise-soleil) for further modulation of the light and heat" (Frank, Michael. "La Concha Revival". Architectural Digest. Aug 2009, p. 103-104. Print).
Description of view: Detail view of the brise-soleils, which allows for light and ocean breezes to pass through.
Work type: Architecture and Landscape
Style of work: Modern: International Style
Culture: Puerto Rican
Materials/Techniques: Concrete
Source: Pisciotta, Henry (copyright Henry Pisciotta)
Date photographed: May 13, 2008
Resource type: Image
File format: JPEG
Image size: 2304H X 3072W pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. For additional details see: alias.libraries.psu.edu/vius/copyright/publicrightsarch.htm
Collection: Worldwide Building and Landscape Pictures
Filename: WB2010-0245 Concha.JPG
Record ID: WB2010-0245
Sub collection: resorts
Copyright holder: Copyright Henry Pisciotta
Group 4_
Aaron Onchi, Betty Sanchez, Roberto Gutierrez, Frank Durán , Belén Olaya GarcÃa
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
I bought my self a PreenFM2 sound generator kit for my birthday October 2016. Half of the fun was to assemble it. My first electronic device that I soldered together myself. Lots of resistors, capacitors and ICs that has to fit according to a schematic.
What I need it for? Don't know at the moment. Learn how to program FM synth sounds. A very complicated discipline that requires knowledge in the inners of Frequency Modulation synthesis.
I took this self portrait while finishing up production work on Echo One's album titled Moments of Frequent Modulation. I had set up one of my rooms to take pictures of the band, and one night, on a Friday, I decided to take a self portrait.
I like how the shadow of the microphone and "popper stopper" look in the background; I have no idea how I got that to show back there, but sometimes things happen without us even knowing.
This was taken with a Sony DSC-P71.
Like indie music? Visit my blog to hear songs I wrote. www.jesseacosta.com
MIDIbox FM utilizies the Yamaha YMF262 sound chip (also known as OPL3) for generating the famous FM sounds known from Soundblaster (compatible) soundcards of the early 90s. In addition to the OPL3 specific features (6 four-operator voices, 5 percussion instruments) some software implemented modulation sources have been added to allow more expressive and very experimental sound creations.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Three A81 ELGE heat exchangers can handle up to 10 million BTU/Hr in modulation. Built in redundancy, Repair/Maintenance without interuption of service.
We designed our buffers clean up your sound and allow the maximum tone from your pickups and cables to your amp. Low output impedance can send the signal through long cables without losing response and top frequencies. Not operable with battery.
Group 4_
Aaron Onchi, Betty Sanchez, Roberto Gutierrez, Frank Durán , Belén Olaya GarcÃa
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
The common cathode LED display array is connected in a matrix format, with each LED module sequentially scanned, with adjustment of anode drivers to produce the required digit.
For each scanned module, the Arduino sends 18 bits of data, 10-bits for the cathode driver and 8-bits for the anode, through 3x 74HC595 serial to parallel converters. Frame rate for the display is 100Hz.
The interface uses the high speed SPI hardware, with the software simply loading 3x 8-bit bytes and triggering the h/w transfer for each in turn. Data from the first 74HC595 is passed on to the 2nd after 8 clock cycles and then to the third after 8 more.
Pulse width modulation of nLED_ON allows for brightness control. If a column is selected for update to value that column will be brighter than the others. This gives a visual indication of how which decade of the digits will be changed when the rotary encoder is turned.
I found on a very early design that sending data to the display over the conventional serial bus caused the display to freeze and turn off whilst the serial comms was being actioned.
This implementation uses a custom interface that uses 3 pins and an interrupt routine. SER_IN_EN, SER_IN_CLK and SER_IN_DAT form this interface. It is similar to SPI but runs at a relatively low speed, reducing the flicker associated with updates.
The jumper "SIDE" is only fitted on the left hand bank. This pulls down the Arduino GPIO which the s/w reads at boot-up to determine if it needs to configure itself for the left hand mapping. If the jumper is not fitted the s/w configures itself for the right hand mapping.
Ilimit is an output from the Arduino to drive a red or green LED to indicate current limit (red) or voltage limit (green).
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
The heart of my shack! This is the reason why the ESSB audio took place amongst the radio amateur stations. Superb and vivid audio modulation!!!
El edificio de la Municipalidad de Santiago es la sede de la Ilustre Municipalidad de Santiago. Se encuentra en el costado norte de la Plaza de Armas, en la esquina de la calle Monjitas con el paseo 21 de Mayo, a un costado del antiguo Palacio de la Real Audiencia que hoy alberga al Museo Histórico Nacional.
Este solar fue destinado desde la fundación de Santiago a albergar un edificio público, siendo ocupado originalmente por el cabildo de la ciudad y la antigua cárcel colonial. Un primer edificio fue construido entre 1578 y 1647. En 1679 el edificio fue demolido y más tarde, entre 1785 y 1790, fue construido un segundo edificio por el arquitecto italiano JoaquÃn Toesca, ahora con estilos neoclasicistas.
La fachada tiene una modulación neoclásica, arcos de medio punto, balcón corrido y vanos rectangulares. Antiguamente en el eje del pórtico se elevaba una torre. La transformación posterior le dio un sello neoclásico con elementos de renacimiento italiano, un plomo nuevo marca el acceso como cuerpo central, recorriendo un balcón, conteniendo éste, tres grandes vanos enmarcados en pilastras. La planta se desarrolla en dos niveles, rodeando un hall vidriado, y un subterráneo abovedado, ocupa parte de la planta bajo nivel
Un incendio en 1891 obligó a una reconstrucción realizada por el arquitecto Eugène Joannon. El tercer edificio del solar –que se conserva hasta la actualidad fue inaugurado en 1895 y oficialmente declarado como sede de la administración comunal. En el año 1976 fue declarado Monumento Histórico.
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The Santiago Municipality building is the headquarters of the Illustrious Municipality of Santiago. It is located on the north side of the Plaza de Armas, on the corner of Monjitas Street and Paseo 21 de Mayo, next to the old Palace of the Royal Court that today houses the National Historical Museum.
Since the founding of Santiago, this site was intended to house a public building, originally occupied by the city council and the old colonial prison. A first building was built between 1578 and 1647. In 1679 the building was demolished and later, between 1785 and 1790, a second building was built by the Italian architect JoaquÃn Toesca, now with neoclassicist styles.
The façade has a neoclassical modulation, semicircular arches, a continuous balcony and rectangular openings. Formerly, a tower stood on the axis of the portico. The subsequent transformation gave it a neoclassical seal with Italian Renaissance elements, a new lead marks the access as a central body, running along a balcony, which contains three large openings framed in pilasters. The floor plan is developed on two levels, surrounding a glazed hall, and a vaulted basement, occupying part of the ground floor.
A fire in 1891 forced a reconstruction by the architect Eugène Joannon. The third building on the site – which is preserved to this day – was inaugurated in 1895 and officially declared the headquarters of the communal administration. In 1976 it was declared a Historical Monument.
This circuit borrows from Jon Patton's "Hamlet" delay and features DeadAstronaut's envelope controlled modulation.
Demo: youtu.be/fMBzfUTY2wE
closeup of (part of) the PPG Wave 2.2 power supply section, inverter board, modulation assembly and keyboard
Short youtube video here www.youtube.com/watch?v=oEP01N1Up7Y
My latest work in progress. Pin wheels are used to control the amount of light entering to the sensors, controlling frequency and modulation.
This Lexus did not come equipped with Sirius satellite radio, so Shore Cellular added factory-style Sirius capability right through the existing radio. No FM modulation or distorted sound, just high-quality Sirius audio.
Yamaha invented 'FM' synthesis, which involves multiple (2 or more) operators (oscillators) which can be arranged in a fashion which causes modulation to occur between operators. The first commercial synthesisers they produced were 2 operator synths. The classic DX7/TX7 synthesiser engines were 6 operator, allowing a variety of different operator layouts (including a "no FM" or "mix operators" layout). The prototype pictured in this photo taken by Aaron (tfinn) is a 4 operator model. The synth was tested and demoed by a bunch of players and then the synth itself (the rack) hacked at by Yamaha engineers.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Still Life before an Open Window, Place Ravignan
1915
Juan Gris (José Victoriano González Pérez) (Spanish, 1887–1927)
In this breakthrough work, Juan Gris combined indoor and outdoor views within the same painting. The artist achieved this blend of interior and exterior through interrelated pictorial elements and subtle modulations of color, including an intense, unearthly blue that suffuses the work with a dreamy softness. The foreground contains a still-life arrangement featuring a newspaper, book, wineglass, carafe, compote, and bottle of Médoc wine on an upturned tabletop. These objects are refracted through shafts of colored light from the open window that bring the neighboring houses and trees into the composition, as well as the canopy of leaves that frames the top of the picture like an umbrella.
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The Philadelphia Museum of Art (PMoA), originally chartered in 1876 for the Centennial Exposition in Philadelphia, opened in a into its permanent home on Fairmount, a hill located at the northwestern end of the Benjamin Franklin Parkway, in 1928. The main building's Greek Revival design was the product of collaboration of the architectural firms of Horace Trumbauer and Zantzinger, Borie and Medary, but mostly credited to two architects in Trumbauer's firm--Howell Lewis Shay for the building's plan and massing, and Julian Abele, the first African American to graduate from University of Pennsylvania's Department of Architecture, for the detail work and perspective drawings. The museum houses more than 240,000 objects including major holdings of European, American and Asian origin, spread across more than 200 galleries spanning 2,000 years.
In 2007, the Philadelphia Museum of Art was ranked #24 on the AIA 150 America's Favorite Architecture list.
OnLine - The Performance - Premiere - Venice Biennale of Architecture 2014 - Fundamentals, Salon d'Armi, Arsenale, opening day, 7th June 2014, Venice, Italy. Face tracking, clmtrackr portrait leaks. Code modulation by Henner Wöhler.