View allAll Photos Tagged modulation
This circuit borrows from Jon Patton's "Hamlet" delay and features DeadAstronaut's envelope controlled modulation.
Demo: youtu.be/fMBzfUTY2wE
We designed our buffers clean up your sound and allow the maximum tone from your pickups and cables to your amp. Low output impedance can send the signal through long cables without losing response and top frequencies. Not operable with battery.
Group 4_
Aaron Onchi, Betty Sanchez, Roberto Gutierrez, Frank Durán , Belén Olaya García
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
The common cathode LED display array is connected in a matrix format, with each LED module sequentially scanned, with adjustment of anode drivers to produce the required digit.
For each scanned module, the Arduino sends 18 bits of data, 10-bits for the cathode driver and 8-bits for the anode, through 3x 74HC595 serial to parallel converters. Frame rate for the display is 100Hz.
The interface uses the high speed SPI hardware, with the software simply loading 3x 8-bit bytes and triggering the h/w transfer for each in turn. Data from the first 74HC595 is passed on to the 2nd after 8 clock cycles and then to the third after 8 more.
Pulse width modulation of nLED_ON allows for brightness control. If a column is selected for update to value that column will be brighter than the others. This gives a visual indication of how which decade of the digits will be changed when the rotary encoder is turned.
I found on a very early design that sending data to the display over the conventional serial bus caused the display to freeze and turn off whilst the serial comms was being actioned.
This implementation uses a custom interface that uses 3 pins and an interrupt routine. SER_IN_EN, SER_IN_CLK and SER_IN_DAT form this interface. It is similar to SPI but runs at a relatively low speed, reducing the flicker associated with updates.
The jumper "SIDE" is only fitted on the left hand bank. This pulls down the Arduino GPIO which the s/w reads at boot-up to determine if it needs to configure itself for the left hand mapping. If the jumper is not fitted the s/w configures itself for the right hand mapping.
Ilimit is an output from the Arduino to drive a red or green LED to indicate current limit (red) or voltage limit (green).
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
The heart of my shack! This is the reason why the ESSB audio took place amongst the radio amateur stations. Superb and vivid audio modulation!!!
El edificio de la Municipalidad de Santiago es la sede de la Ilustre Municipalidad de Santiago. Se encuentra en el costado norte de la Plaza de Armas, en la esquina de la calle Monjitas con el paseo 21 de Mayo, a un costado del antiguo Palacio de la Real Audiencia que hoy alberga al Museo Histórico Nacional.
Este solar fue destinado desde la fundación de Santiago a albergar un edificio público, siendo ocupado originalmente por el cabildo de la ciudad y la antigua cárcel colonial. Un primer edificio fue construido entre 1578 y 1647. En 1679 el edificio fue demolido y más tarde, entre 1785 y 1790, fue construido un segundo edificio por el arquitecto italiano Joaquín Toesca, ahora con estilos neoclasicistas.
La fachada tiene una modulación neoclásica, arcos de medio punto, balcón corrido y vanos rectangulares. Antiguamente en el eje del pórtico se elevaba una torre. La transformación posterior le dio un sello neoclásico con elementos de renacimiento italiano, un plomo nuevo marca el acceso como cuerpo central, recorriendo un balcón, conteniendo éste, tres grandes vanos enmarcados en pilastras. La planta se desarrolla en dos niveles, rodeando un hall vidriado, y un subterráneo abovedado, ocupa parte de la planta bajo nivel
Un incendio en 1891 obligó a una reconstrucción realizada por el arquitecto Eugène Joannon. El tercer edificio del solar –que se conserva hasta la actualidad fue inaugurado en 1895 y oficialmente declarado como sede de la administración comunal. En el año 1976 fue declarado Monumento Histórico.
----------------------------------------------------------------------------------------
The Santiago Municipality building is the headquarters of the Illustrious Municipality of Santiago. It is located on the north side of the Plaza de Armas, on the corner of Monjitas Street and Paseo 21 de Mayo, next to the old Palace of the Royal Court that today houses the National Historical Museum.
Since the founding of Santiago, this site was intended to house a public building, originally occupied by the city council and the old colonial prison. A first building was built between 1578 and 1647. In 1679 the building was demolished and later, between 1785 and 1790, a second building was built by the Italian architect Joaquín Toesca, now with neoclassicist styles.
The façade has a neoclassical modulation, semicircular arches, a continuous balcony and rectangular openings. Formerly, a tower stood on the axis of the portico. The subsequent transformation gave it a neoclassical seal with Italian Renaissance elements, a new lead marks the access as a central body, running along a balcony, which contains three large openings framed in pilasters. The floor plan is developed on two levels, surrounding a glazed hall, and a vaulted basement, occupying part of the ground floor.
A fire in 1891 forced a reconstruction by the architect Eugène Joannon. The third building on the site – which is preserved to this day – was inaugurated in 1895 and officially declared the headquarters of the communal administration. In 1976 it was declared a Historical Monument.
Avantalk BTDG-20 with patent design is a super small Bluetooth dongle, suitable to connect PC all the time - No need to plug and un-plug anymore. 3 times faster than normal Bluetooth.
Specification
General Radio
--Bluetooth Class 2: 20 meters (in open space)
--Carrier Frequency: 2.4 ~ 2.483GHz
--Data Rate: Up to 3Mbps
(The maximum operating range depends on the environmental factors.)
------------------------------------------------------------------------------------
Bluetooth Standard
--Bluetooth v2.1 + EDR
------------------------------------------------------------------------------------
Spread Spectrum
--FHSS (Frequency Hopping Spread Spectrum)
------------------------------------------------------------------------------------
Modulation Method
--GFSK (1Mbps), ¦Ð/4-DOPSK (2Mbps)
--8DPSK (3Mbps)
------------------------------------------------------------------------------------
I/O Interface
--USB version 1.1
------------------------------------------------------------------------------------
Input Power
--DV 5V (USB Power)
------------------------------------------------------------------------------------
Sensitivity
--/-82 dBm (typical), GFSK
------------------------------------------------------------------------------------
RF Output Power
--13 dBm (typical), GFSK
------------------------------------------------------------------------------------
System Support
--Windows XP/2000/ME/98SE/Vista
------------------------------------------------------------------------------------
Bundled Bluetooth Software
--IVT 2.7
------------------------------------------------------------------------------------
Supporting Profiles
--Serial Port Profile
--Dial Up Networking Profile
--File Transfer Profile
--Human Interface Device Profile
--Hardcopy Cable Replacement Profile
--Headset Profile
--Object Push Profile
--Synchronization Profile
--LAN Access Profile
--FAX Profile
--Personal Area Networking Profile
--Advanced Audio Distribution Profile
--Audio Video Remote Control Profile
--Basic Imaging Profile
Short youtube video here www.youtube.com/watch?v=oEP01N1Up7Y
My latest work in progress. Pin wheels are used to control the amount of light entering to the sensors, controlling frequency and modulation.
This Lexus did not come equipped with Sirius satellite radio, so Shore Cellular added factory-style Sirius capability right through the existing radio. No FM modulation or distorted sound, just high-quality Sirius audio.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Still Life before an Open Window, Place Ravignan
1915
Juan Gris (José Victoriano González Pérez) (Spanish, 1887–1927)
In this breakthrough work, Juan Gris combined indoor and outdoor views within the same painting. The artist achieved this blend of interior and exterior through interrelated pictorial elements and subtle modulations of color, including an intense, unearthly blue that suffuses the work with a dreamy softness. The foreground contains a still-life arrangement featuring a newspaper, book, wineglass, carafe, compote, and bottle of Médoc wine on an upturned tabletop. These objects are refracted through shafts of colored light from the open window that bring the neighboring houses and trees into the composition, as well as the canopy of leaves that frames the top of the picture like an umbrella.
*
The Philadelphia Museum of Art (PMoA), originally chartered in 1876 for the Centennial Exposition in Philadelphia, opened in a into its permanent home on Fairmount, a hill located at the northwestern end of the Benjamin Franklin Parkway, in 1928. The main building's Greek Revival design was the product of collaboration of the architectural firms of Horace Trumbauer and Zantzinger, Borie and Medary, but mostly credited to two architects in Trumbauer's firm--Howell Lewis Shay for the building's plan and massing, and Julian Abele, the first African American to graduate from University of Pennsylvania's Department of Architecture, for the detail work and perspective drawings. The museum houses more than 240,000 objects including major holdings of European, American and Asian origin, spread across more than 200 galleries spanning 2,000 years.
In 2007, the Philadelphia Museum of Art was ranked #24 on the AIA 150 America's Favorite Architecture list.
OnLine - The Performance - Premiere - Venice Biennale of Architecture 2014 - Fundamentals, Salon d'Armi, Arsenale, opening day, 7th June 2014, Venice, Italy. Face tracking, clmtrackr portrait leaks. Code modulation by Henner Wöhler.
OnLine - The Performance - Premiere - Venice Biennale of Architecture 2014 - Fundamentals, Salon d'Armi, Arsenale, opening day, 7th June 2014, Venice, Italy. Face tracking, clmtrackr portrait leaks. Code modulation by Henner Wöhler.
Garland Fielder 'Octahedron Diptych', 2008-2010, Holly Johnson Gallery, Dallas
Garland Fielder exhibit 'Modulations'
The M.207 is an innovative, affordable and reliably rugged 2-channel mixer with loads of features making it perfect for the DJ looking to enhance their performance abilities.
The M.207 continues Stanton's dedication to the DJ mixer market, with an abundance of innovative features onboard. The M.207's unique user interface for controlling effects, the FXGlide, is a continuous strip touch controller utilizing the same innovative touch-slider technology that is used in Stanton's award-winning SCS.3d MIDI controller. In addition to providing real-time performance capabilities, the FX control can also be automated in real-time. This allows the DJ to create a custom modulation of the FX parameter, and then have that play back instead of the normal sweeping FX.
A 1995, 'V.34 (28800)' Zoom Telephonics FaxModem
Details :
PCMCIA V.34 28800
Card Type : Fax, Modem (asynchronous)
Maximum Data Rate : 28.8Kbps
Maximum Fax Rate : 14.4Kbps
Data Bus : PCMCIA Type II
Fax Class : Class I & II
Data Modulation Protocol : Bell 103/212A
ITU-T V.21, V.22, V.22bis, V.23, V.32,
V.32bis, V.34
Rockwell V.FC
Fax Modulation Protocol : ITU-T V.17, V.21CH2, V.27ter, V.29, V.33
Error Correction/Compression : MNP10, V.42bis
NEWS!
"Zoom V.34XE FaxModem named price/performance leader by PC Professionell magazine.
Boston, MA, Feb. 12, 1996 - The Zoom FaxModem V.34XE has been chosen as the price/performance leader by PC Professionell magazine in a comparison of 14 competing V.34 external faxmodems selling in Germany. The award was announced in the February 1996 issue of PC Professionell, a leading German monthly computer trade magazine published by Ziff Verlag GmbH, a subsidiary of Ziff-Davis Publishing Company.
In its review, PC Professionell commented: "The V.34XE FaxModem, a first-time participant, skyrocketed to the front of the pack." The review concluded that the V.34XE's high connectivity and throughput performance, extended status reporting lights, and reasonable cost, plus Zoom's service and 7-year warranty "left the competition behind." "
A nice example of an 'early' modem thats had minimal use. Comes boxed with all cables / connectors, user manual and software you'll need.
Websites :
www.zoomair.com/techsupport/dial_up/external.shtml
www.zoomair.com/techsupport/dial_up/2836C.shtml
This Lexus did not come equipped with Sirius satellite radio, so Shore Cellular added factory-style Sirius capability right through the existing radio. No FM modulation or distorted sound, just high-quality Sirius audio.
It's my last week in Tampa and a Monday so happy for a splendid sunset.
NOFX - "Thank God It's Monday"
Monday is my favorite time of year
I'm gonna tell you what I really think I like about Mondays
Cause they feel like Saturdays
When you don't gotta go to work
Every day is a holiday
I wake up when I want to
I do anything I wanna do
Can't wait for Tuesday
I really never liked Fridays (I don't)
I can't do what I wanna do (Like to)
Sold out at the movies (Go out)
Can't eat at the restaurants (Weekends)
Everybody want a good time
But the bar's full of cigarette smoke
I think I'll stay home
I think I'll wait for Monday
I live a 5 day weekend
I gotta year long holiday
Thank God it's Monday
The only place that I gotta go be
Is at the show or on the first tee
Thank God for irony
Nevermind the aggravation, modulation
Gimme another key
I'll tell you why I like Tuesdays (Wednesday)
Cause the're kinda like Christmas (New Years)
Come to think about Wednesdays (Thursday)
Are a little like Hanukkah (Every day is good)
Thursday's Thanksgiving
I'm talking about good living
I'll think I give thanks
Thank God it's Monday
Thank God it's Monday
Thank God it's Monday
Thank God it's Monday
Thank God it's Monday
Thank God it's Monday
Thank God it's Monday
Arduino running Pulse Width Modulation software with a duty cycle of 50% delivers about 2.5 volts. Arvada Colorado USA. Winter 2012.
This is a tremolo that we have designed as standard sounding with LFO. Transparent and in sinusodial wave form. Extra led indicates LFO's speed. Not operable with battery.Controls: Depth, Rate--SOLD--
Garland Fielder 'Untitled' (Steel Octahedron), 2010, Holly Johnson Gallery, Dallas
Garland Fielder exhibit 'Modulations'
Roger Fox posted this picture on facebook with this caption: "Equipment rack at WCIR transmitter site around 1967-68 ... modulation monitor at the top, remote RF meters, remote control receiving unit and at the bottom; the greatest thing in that day .. an Audimax and Volumax. The relays in the homemade box beside the telephone controlled the reduction from 10KW to 1KW for critical hour operation."
.coursework level 2 .january/february 2008
.each element was made using a different construction process .slabs .coils .modulation
.tutor: martim santa rita
MIDIbox FM utilizies the Yamaha YMF262 sound chip (also known as OPL3) for generating the famous FM sounds known from Soundblaster (compatible) soundcards of the early 90s. In addition to the OPL3 specific features (6 four-operator voices, 5 percussion instruments) some software implemented modulation sources have been added to allow more expressive and very experimental sound creations.
Showing how to assign a moltitude of rhythmic modulations in Omnisphere. It was fun doing some live sound design and get people to see how easy is to create musically rich sounds!
i took this to remember where everything went as i disassembled it to repair a broken VCO modulation slider. but everything is packed in there VERY tightly and soon after this, i chickened out and paid a tech to fix it instead. oh well... works great now!
El edificio de la Municipalidad de Santiago es la sede de la Ilustre Municipalidad de Santiago. Se encuentra en el costado norte de la Plaza de Armas, en la esquina de la calle Monjitas con el paseo 21 de Mayo, a un costado del antiguo Palacio de la Real Audiencia que hoy alberga al Museo Histórico Nacional.
Este solar fue destinado desde la fundación de Santiago a albergar un edificio público, siendo ocupado originalmente por el cabildo de la ciudad y la antigua cárcel colonial. Un primer edificio fue construido entre 1578 y 1647. En 1679 el edificio fue demolido y más tarde, entre 1785 y 1790, fue construido un segundo edificio por el arquitecto italiano Joaquín Toesca, ahora con estilos neoclasicistas.
La fachada tiene una modulación neoclásica, arcos de medio punto, balcón corrido y vanos rectangulares. Antiguamente en el eje del pórtico se elevaba una torre. La transformación posterior le dio un sello neoclásico con elementos de renacimiento italiano, un plomo nuevo marca el acceso como cuerpo central, recorriendo un balcón, conteniendo éste, tres grandes vanos enmarcados en pilastras. La planta se desarrolla en dos niveles, rodeando un hall vidriado, y un subterráneo abovedado, ocupa parte de la planta bajo nivel
Un incendio en 1891 obligó a una reconstrucción realizada por el arquitecto Eugène Joannon. El tercer edificio del solar –que se conserva hasta la actualidad fue inaugurado en 1895 y oficialmente declarado como sede de la administración comunal. En el año 1976 fue declarado Monumento Histórico.
----------------------------------------------------------------------------------------
The Santiago Municipality building is the headquarters of the Illustrious Municipality of Santiago. It is located on the north side of the Plaza de Armas, on the corner of Monjitas Street and Paseo 21 de Mayo, next to the old Palace of the Royal Court that today houses the National Historical Museum.
Since the founding of Santiago, this site was intended to house a public building, originally occupied by the city council and the old colonial prison. A first building was built between 1578 and 1647. In 1679 the building was demolished and later, between 1785 and 1790, a second building was built by the Italian architect Joaquín Toesca, now with neoclassicist styles.
The façade has a neoclassical modulation, semicircular arches, a continuous balcony and rectangular openings. Formerly, a tower stood on the axis of the portico. The subsequent transformation gave it a neoclassical seal with Italian Renaissance elements, a new lead marks the access as a central body, running along a balcony, which contains three large openings framed in pilasters. The floor plan is developed on two levels, surrounding a glazed hall, and a vaulted basement, occupying part of the ground floor.
A fire in 1891 forced a reconstruction by the architect Eugène Joannon. The third building on the site – which is preserved to this day – was inaugurated in 1895 and officially declared the headquarters of the communal administration. In 1976 it was declared a Historical Monument.