View allAll Photos Tagged modelling
Fashion model; Anke
Photographer: Bram van Dal
1/800 F / 1.8 400 Canon 5DmkIII 85mm
When looking for a beautiful setting to take photos, there are several elements that I as a photographer pay attention to.
Elements that you can find in this photo are, for example, creating a rhythm, working with depth in a photo, depth in this photo is not only created by the seats behind the model, the seat in the foreground has the function as ( repoussoir), a repoussoir was already used in painting, by placing an object in the foreground, you will intensify the depth.
Although it is a nice convenient location, this photo is about the model. I looked at whether a repetition could be created. A nice match was the combination of the color of the chairs and the red in her clothes.
Furthermore, a beautiful powerful pose, with which she can influence the balance between light and shadow in the photo.
And then the picture is finished for me.
Model: Elizabeth
www.instagram.com/model_elizabethsumpter/
Photographer: Justin Bonaparte
Female model with hat and dog brooch, 20 October 1938, by Ivan Ives, vintage film negative, State Library of New South Wales, ON 388/Box 032/Item 155 collection.sl.nsw.gov.au/record/9gkRjQq9/gjmDNg2DRLAav
Model: Pauline
Photographer: Bram van Dal
Insta: www.instagram.com/bvdbv_cinematic/
1/250 F/1.8 1250 Canon 5DmkIII Sigma 85mm
Same model, same location, other angle.
Model: Tania d'Anconia
Photographer: Justin Bonaparte​
This is an old picture. I love the hair and make up. I feel so good in white and loved to wear it. Soo nice. I feel so feminine and sexy
I met Jackson when we were both exhibiting at the Seattle Erotic Art Festival. He asked if I'd mind modeling for some photographs, so we did an impromptu photoshoot.
He's not on Flickr Yes he is: jacksonphotografix
And his website is Jacksonphotografix.com
Model: Polina
Backdrop: backdrops by gabriella
Photographer: Bram van Dal
1/160 F/2.2 160 Canon 5DmkIII Sigma 85mm
In this photo I have the lamp to the left of the model, where the model is just over the border where light transitions to shadow.
This gives the light the function of profile light, to emphasize the profile of her body and texture of the clothing and by turning her head towards the light, ensures that you see Rembrandts lighting in the face.
The red of the background and the dark blue hues of her dress ensure that the light parts form a contrast in the photo.