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I tried my hand at shooting a bokeh panorama today, it was my first time trying it and it was only done quickly while lounging around in my room but I like the possibilities it presents. I think with a more interesting subject other than my feet at the end of the bed it could be a fun method to mess around with.
I only recently found out about bokeh panoramas or the Brenizer method which is named after the guy who popularized it, Ryan Brenizer. They are basically multiple shot composites with fast apertures of F/2.8 or faster. I like the idea that you can keep a shallow depth of field while still getting a nice wide field of view. I can see why people use them for portraits.
If you want to know more about it check out this FAQ www.flickr.com/groups/brenizermethod/discuss/721576271843...
36 shots in total were taken to create this image.
Nikon D7000_Nikon 50mm f/1.8D_ISO800_f/2.0_1/125s.
All Rights Reserved © Mike Dunckley_2012
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LONDON, ENGLAND - JANUARY 31: Cara Delevingne attends the "A Dangerous Method" UK Gala film premiere at The Mayfair Hotel on January 31, 2012 in London, England. (Photo by Gareth Cattermole/Getty Images)
Life Net /AIR METHODS CORP
Serial Number 3251
MFR Year 1999
Engine Model TURBOMECA ARRIEL 1SER
On November 2, 2004, at 0731 mountain standard time, a Eurocopter AS350B3, N106LN, experienced a partial power loss after takeoff followed by a hard landing into a parking lot, in Sierra Vista, Arizona. LifeNet, Inc., was operating the helicopter under the provisions of 14 CFR Part 91 as a positioning flight. The commercial pilot and two medical flight crew were not injured, and the helicopter was substantially damaged. Visual meteorological conditions prevailed, and a company flight plan had been filed for the flight that was destined for Portal, Arizona.
The pilot stated in the Pilot/Operator Accident Report and in a telephone interview with the National Transporation Safety Board investigator (IIC), that he and two medical attendants were on a flight to pickup a patient. Prior to takeoff he checked his instrument panel and then lifted the helicopter to a 50-foot hover over the elevated pad at Sierra Vista Hospital, which positioned the helicopter about 100 feet above ground level (agl). After receiving clearance from the Sierra Vista Municipal Airport tower he transitioned to forward flight. About 10 seconds later, at 35 knots and between 150 to 200 feet agl, he sensed the engine turbine start to spool down towards idle. He lowered the collective and saw a red 'GOV' light illuminated on the instrument panel. He
identified a bank parking lot as a possible emergency landing area. He flew the helicopter about 1/8 mile towards the parking lot, working the collective to try to keep the helicopter above the trees and the roofs of houses. He lined up for the parking lot and used all the available rotor rpm to arrest the landing. The helicopter landed hard collapsing the landing skids, and the ship slid about 100 feet, rotating 90 degrees to the left as it did so. After the helicopter's motion had stopped, the main rotor was still rotating at a slower rpm, and the engine was operating at what seemed like a low idle speed. He rolled the twist grip to 'min,' pulled the fuel shutoff valve, and used the rotor brake to stop the rotor. Throughout the emergency landing he did not recall hearing a "low rotor rpm" aural warning.
Using my homebrew method of getting an optical zoom, I got this decent night view of central Manchester city, including Beetham Tower (which includes a Hilton hotel) on the right and other landmark buildings. This photo has been taken from Rochdale, nearly 10 miles away.
Method of inflicting the Branding and Burning Tortures:
There were various methods and devices used to torture or punishing a victim using branding or burning techniques. The red-hot brazier, which was passed backwards and forwards before the eyes of the culprit, until they were destroyed by the scorching heat. Red hot pokers were applied to various parts of the body. Various marks branded on to the flesh using red hot branding irons. A branding-iron had a long bolt with a wooden handle at one end and a brand with a letter at the other. Two iron loops were used for firmly securing the hands during the excruciating process.
featued (l to r): Lana Lesley, Thomas Graves, Jude Hickey, Hannah Kenah, Heather Hanna
photo by Bret Brookshire
Oslo International Film Festival 2011 opens with a gala screening of David Cronenberg’s A Dangerous Method on Wednesday, November 16th. We are proud to present the Canadian director’s latest feature film. A Dangerous Method premiered at the Venice Film Festival earlier this fall, and has since had great success at the film festivals in Toronto, New York, London and Vienna. In his third collaboration with Cronenberg, leading man Viggo Mortensen is cast as Sigmund Freud. The promising psychiatrist Carl Jung is portrayed by Michael Fassbender. Keira Knightley plays Sabina Spilrein, the young Russian patient who will have a decisive influence on the the relationship between Freud and Jung and their work. The plot takes place in Vienna and Zürich in the years prior to World War I. Based on real events, the film tells the story about the pioneers of psychoanalysis and the conflict between them.
DIRECTOR
David Cronenberg (b. 1943). Selected filmography: Scanners (1981), Videodrome (1983), The Fly (1986), Dead Ringers (1988), Naked Lunch (1991), Crash (1996), eXistenZ (1999), A History of Violence (2005) and Eastern Promises (2007).
Faith patiently waiting. Brenizer method of portrait pano with Nikkor 135mm f/3.5 ais @ f/3.5 lens and Nikon D300.
The performers showed considerable ingenuity finding ways to get their posters as high up the advertising pillars as possible and so lessening the chances of them being covered over within the next 3 minutes.
Please remember: All rights are reserved to Cam M. (cm|PHOTO). Please ask before doing anything with my photos.
This technique requires a special method of pouring, it can use Smithwicks, Harp or cider as the tan and of course Guinness as the black. By skilled pourers it can be done at the tap, otherwise a spoon is used to diffuse the pour. The Guinness floats on top because it uses a nitrogen based gas to create the head rather than carbon dioxide which is heavier.
My first ever test try of the Brenizer Method... Stitched with ICE, taken with my Canon 60mm f/2.8 macro lens. It actually worked out much better than I was expecting, allowing for all the terrible light at the time.
There are a number of plastic strips held with magnet strips to act as clamps for holding slips of paper. The edge of the plastic is scored to make it curl up to facilitate slipping the paper under. Ideal for sorting jobs.
For a full description read my blog post on making a slip holder.
Air Methods workshop for the Lexington Fire Department.
Held at Raven Run Nature Sanctuary on November 25, 2015.
Using methods of public intervention and video installation, Daniel Canogar's Storming Times Square is born from a desire to have viewers project themselves, literally and metaphorically, onto their immediate environments.
The video display content will be the result of a public participation performance. In the first phase of the project, local Times Square community, distinguished New Yorkers and neighborhood pedestrians crawl over a green-screen surface while being captured by an over-head video camera, which will be turned into a dynamic video animation for September’s Midnight Moment.
Photo Credit: Clint Spaulding for @TSqArts
The great comedian Sid Caesar does not endorse the following method of improving at foreign languages.
I teach English in Japan, lately with I like to think increasing success, and I speak & write Japanese. My trick for learning foreign languages is....
The Sid Caesar method: If you learn to impersonate languages, no matter how badly, you will also learn how to speak them. Please give this time, and try the experiment.
Gradually it seemed to me that the biggest difficulty with learning a foreign language is not making meaning but the fear of the lack of it.
What do I mean?! The story goes like this.
When I learnt to speak Japanese after studying it for about 4 years I also found myself able to speak and read French. I had never been good at French at school, but something in my head, my psychological attitude to language had changed. I am not saying I am good at French but suddenly I had no problem with blabbing in my bad French. For a long time I did not work out what had changed.
Then two things happened:
1) I came across some research by Steven Heine, extending "terror management theory" arguing that there is not thing more scary than the absence of meaning. You can download his paper here Page on Psych
2) I came across some comedians that "impersonate languages" such as the late great Sid Caesar, and I thought "That's it. That is what changed."
Here is Sid Caesar impersonating French and other languages.
When I was young I had a black friend who (though he is as English as I am) when treated with prejudice in a public place used to reply in his impersonation of an African language. At the time even the thought of impersonating a language filled me with dread. But now I hardly break into a sweat. I am not as good as Sid Caesar in the above video but speaking in gobbledygook no longer hurts. I will append my video at the end.
Many people (especially in Japan) think that foreign languages are very difficult, and that you need to know a lot of grammar and vocabulary. At the same time, many native speakers (especially children) use a small vocabulary and the grammar they use could be written on a postcard. In other words the intellectual, structural, and factual information required of being able to speak like a child in a foreign language is the sort of thing you can learn in a couple of days.
This fact has been known in the language teaching community for some time, and leads to an emphasis upon "acquisition" of language through practice, rather than learning of language (e.g. rote memorisation of grammar and vocab).
But even using Krashen or other acquisition / communication centred techniques, progress is slow. What is the reason for this? One reason is that practice is required, just as it is required in another other skill, such as tennis. You don't become a good tennis player just by learning tennis theory.
But there is another aspect that is peculiar to language. To an extent we live in language, we narrative our selves in it, and when the language lacks meaning it results in a loss of self that is almost as scary as death (see Heine's research above). When we go to speak a foreign language, and let roll with a sentence that may well be all wrong, and may meet with a complete lack of comprehension, we enter that world of unmeaning and experience something akin to death. And this is terrifying.
However, of course, we do not die and we gradually learn not to be scared.
There is quicker route. If you practice impersonating languages, such as by watching a YouTube video of an Italian interview and then practice speaking in fake Italian mimicry (like Sid Caesar above) then you can, gradually, overcome this fear of flying into unmeaning. I am not saying that you will suddenly become a polyglot, but it will make foreign languages easier.
At the least you will become aware of one of the biggest, I would say the biggest, obstacles to foreign language proficiency.
The experiment.
1) Time yourself for a minute. Try and say as much as you can in the foreign language of you are trying to learn.
2) Then watch a video on YouTube of a language that you know nothing about and try impersonating that language for one minute. Do not worry about the quality of your impersonation, just try and make various word like sounds. (You can find some Chinese by searching for "發明" or some Italian, I think, by searching for "intervista")
In which case did you make more sound? I am guessing that you made more sounds in case (1) even though you had to use correct grammar, correct vocabulary. In case (2) you could have made any old noise.
In other words, it is not the words, the meaning, the grammar that is difficult, but the un-meaning that is the biggest, terrifying obstacle to foreign language acquisition.
If you can already "do a Sid Caesar" then I predict you will be quick at learning foreign languages or already can speak one.
Here is me impersonating Chinese. It is not good and makes me cringe a bit still but in times past the mere thought was quite beyond the pale (i.e. s*** scary). Here is a link to my video of me Impersonating Three Languages.
Image of Sid Caesar in 1959 above adapted from this image which is apparently in the public domain
Addendum (Big Mistake)
"My head" is inside my narrative and field of view, not the other way around! This is a very important point and the danger of the scientific worldview. The scientific world is a product of our narration as even some scientists a vow (Wheeler, Mach). Our head is also something we see in our field of view in mirrors, or our nose and brow directly. Our perceptions (including of our whispers) are not inside "me" or my body. To think so would be double death.
Pictured (L to R): Lana Lesley, Jason Liebrecht, Thomas Graves
Created and produced by Rude Mechanicals (aka Rude Mechs)
Original Production:
April 2 - April 14, 2008 at The Long Center for the Performing Arts Rollins Studio Theater
created by: Rude Mechs
written by: Kirk Lynn
directed by: Shawn Sides
Lighting Design: Brian Scott
Scenic Design: Leliah Stewart
Sound Design: Graham Reynolds
Costume Design: Laura Cannon
Video Design: Lowell Bartholomee and Michael Mergen
Photos by Bret Brookshire
For More Info visit: www.rudemechs.com
I altered the sizes of these images to the same scale to show the differences in processing methods. The original (left) is pretty much as the camera saw it, with just slight sharpening due to stacking and wavelets in Registax. No color balance applied. The odd cast is due to the FL-D filter, which enhances the contrast of surface features. The redo (right) is a natural color balance, as well as sharpening due to extreme processing by resampling (enlarging) the original AVI file frames and picking 5 different alignment points, then recombining and resampling back to original size. The artifacts visible along the limb (especially on the right side) are due to the final resizing to match image scales and slight overprocessing. The major benefit is not only sharpening, but also bringing out the atmospheric details such as the clouds, polar hood and the dust storms.
MOUSEOVER: Alignment points.
If you stare at a point midway between these images and let your eyes relax, you may see a very interesting 3D coloration effect.
Scope and mount supplied by 3RF (see www.3rf.org).
Eletricat Dance Method was created and is choreographed by Brazilian Dancer Thaissa Luna aka Eletricat in 1997. Thaissa is originally from Recife, northeast Brazil but moved to Scotland in 1991.
Eletricat Dance Classes are a flowing mix of traditional Samba & Brazilian dances with other Afro-Latin dances, belly-dance moves, fitness exercises & Yoga stretches in a contemporary, round and powerful style!
The idea is to promote the complete workout in a holistic way and the ritual at the end brings about the complete electrifying body experience!
Classes are also fun and all about Joy, Energy, Freedom & Relaxation!
Amor & Axe! (Love & Brazilian Positive Energy!)
Director Theophilus Raynsford Mann
~ a Taiwanese social reformer, philosopher, photographer, and film director
“Do Everything for My People”
馬天亮導演
~ 臺灣的社會改革者，哲學家，攝影師，和電影導演
《造福人民》
SUMMARY
Theophilus Raynsford Mann is a naturalist, occultist, Buddhist and Taoist. In 1982, Mann developed a technique for abstract photography, applied “Rayonism” into photographic works. Mann staged 32 individual, extraordinary exhibitions around Taiwan, who was the first exhibitor around Formosa. Mann’s works is the beginning of modernization in the modern abstract arts in the world. At the University of Oxford, Mann’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”; also an author at the University of California, Berkeley and the University of Michigan in the United States; an alumnus from Christ Church College at the University of Oxford in England, the University of Glamorgan in Wales, and National Taiwan University in Taipei on Taiwan. Mann’s works have been quoted by the scholars many times, making Mann one of the highly cited technological, artistic, and managing public administrators in the academia. Mann was listed in “Taiwan Who’s Who In Business” © 1984, 1987, 1989 Harvard Management Service.
Early Life and Record of Genealogy
Theophilus Raynsford Mann possesses both Taiwanese and German surnames from birth. Usually, whenever anyone asks Mann about where he comes from, he would reply “Formosa” as he grew up and was educated in the Far East and lives in Taiwanese and Japanese lifestyles. Moreover, he often teaches and educates younger generations based on the methods of the Far Eastern teaching he experienced when he was young, though he does not oppose the Western ways of teaching and thinking. Mann takes great pride in his roots, which go back 150 years (since 1864); Mann’s ancestry originates and creates generations, and prepares younger generations to succeed their personality and ethical standards and integrity.
Education in Taiwan and a Brief of Latest Generation of History in Taiwan / Formosa
In 1980, Mann obtained his postgraduate certificate from the Graduate Institute of Electrical Engineering of National Taiwan University in Taipei; successfully completed another graduate studies in Information dBase III Plus and Taiwanese Traditional Chinese Mandarin Information System at National Sun Yat-Sen University in Kaohsiung in 1989.
In history, the Portuguese explorers discovered and called the island (Taiwan), “Formosa” (meaning “Beautiful Island”) in 1590. They are non-Chinese people; it was long a Chinese and Japanese pirate base. Fighting continued, between its original inhabitants of Taiwanese and the Chinese settlers, into the 19th century. In 1894-95 first Sino-Japanese War that ended in Manchus of the Qing (Ching) dynasty defeat, the late Manchu Qing Government forced to cede Formosa to Japan. This result was made by the Treaty of Shomonoseki in 1895 and remained under Japanese control until the end of the Second World War. Early on, Taiwan was conquered by the Qing in 1683 and for the first time became part of older China dynasty. However, today, the home country of Mann’s origin has around 165 institutions (93 universities) of higher education, which now has one of the best-educated populations in Asia. Among the major public (state) ones are the National Taiwan University (NTU) at Taipei, and National Sun Yat-Sen University (NSYSU) at Kaohsiung. NSYSU is also called National Chun-Shan University; according to Times Higher Education 2010-2011, NSYSU ranks as the 3rd university in Taiwan, 21st in Asia, and 163rd worldwide. National Taiwan University is ranked 51 to 60 ranks on Times Higher Education World University Rankings - Top Universities by Reputation 2013, the United Kingdom (see www.timeshighereducation.co.uk/world-university-rankings/...); King's College London (KCL) (21st in the world and 6th in Europe in the 2010, QS World University Rankings), the University of London, and University of Southern California (is one of the world's leading private research universities, located in the heart of Los Angeles), afterward.
Backing to Mann’s early school-time of Taiwan Provincial Kaohsiung Industrial Senior High School (Kaohsiung Municipal Kaohsiung Industrial High school), the professional technical education, which is equivalent to Advanced Level General Certificate of Education, commonly referred to as an A-level in the United Kingdom; China Electronic Engineering College, the distance learning programme, which is in equivalence as UK’s Diploma of Higher Education / Undergraduate Diploma (as an Associate Degree in the United States). An additional, his middle education was taught by the Kaohsiung Municipal Chihjh (Ci Sian) Junior High School; and Kaohsiung Municipal San Min Elementary School was his first school in Taiwan.
Early Career
In 1989, Mann instituted Mann’s Office of Electrical Engineer, he settled himself in electrical technology and industries as a chief engineer in his early years. He put his professional and precise knowledge to good account in business management. A formal business management with business relationship established to provide for regular services, dealings, and other commercial transactions and deed. He had many customers having a business and credit relationship with his firm then he was a successful engineer.
Study Abroad and Immigration into the United Kingdom
In 1998, Mann studied abroad when he arrived in Great Britain; he studied at School of Built Environment, the University of Glamorgan (Prifysgol Morgannwg) in Merthyr Tydfil, Pontypridd, Wales for a master of science in real estate appraisal. Until the summer of 2000, Mann completed an academic course on “Towns through the Ages” from Christ Church College at the University of Oxford (is ranked the 2nd place worldwide on The Times Higher Education, World University Rankings 2012-2013 www.timeshighereducation.co.uk/world-university-rankings/...) in England. Afterward, Mann immigrated into the United Kingdom in the early year of 2004.
PHILOSOPHICAL VIEWS
Mann is a naturalist; he trusts spiritual naturalism and naturalistic spirituality, which teaches that “the unknown” created this wonderful world. “The unknown” arranged the nature with its law so that everything in nature is kept balanced and in order. However, human beings failed to control themselves, deliberately went against the law of nature, and resulted in disasters, which we deserved. He also is an occultist, a Taoist, and a Buddhist; but in Britain, he frequently goes to Christian and Catholic churches, where he makes friends with pastors and fathers as well as churchgoers. In his mind, he recognizes “Belief is truth held in the mind; faith is a fire in the heart”. He is always a freethinker, does not accept traditional, social, and religious teaching, but based on his ideas: a thought or conception that potentially and actually exists in his mind as a product of mental activity - his opinion, conviction, and principle. If people have not come across eastern classics and philosophy, we are afraid that people would never understand Theophilus Raynsford Mann. People cannot judge an eastern philosopher based on western ways of thinking. He studies I Ching discovering eastern classics of ancient origin consisting of 64 interrelated hexagrams along with commentaries. The hexagrams embody Taoist philosophy by describing all nature and human endeavour in terms of the interaction of yin and yang, and the classics may be consulted as an oracle.
Back in the 1990s when Mann just arrived at England, he had been offered places to do Ph.D. and LL.M. degrees (degree in Law and Politics of the European Union) by several western professors in the Great Britain. He has met all the requirements for postgraduate admissions to study at UK’s universities.
During his time at Oxford, he learnt a lot of British culture and folk-custom while carrying out research with many British and Western professors, experts, and archaeologists. This proves that Mann understands various aspects in British society, culture, and lifestyles. Of course, he does not fully understand about the perspectives of thinking of a typical British. For example, what would be the most valuable in life for a British person? What would a British want to gain from life? What is the goal in life for a British? Is it fortune or a lover? Alternatively, perhaps honour? On the other hand, maybe being able to travel around the world and see the world?
FAIRNESS and JUSTICE
As Theophilus Raynsford Mann’s saying are:
“Touching Fairness and Justice”
Feel good about themselves, but do not know the sufferings of the people...
Who can get easy life like them?
What is profile of modern society?
What type and style is truly solemn for this society identify?
Where “the characterization” is? Who can see? Did you see it?
《感動的公平與正義》
自我感覺良好, 不知民間疾苦...
誰能得到安逸的生活如同他們一樣？
這是個什麼樣子的社會？
這個社會認定什麼樣的類型和風格是真正莊重的?
「特徵」在那裡？誰可以看到？你看到了嗎？
Jurisprudence and Political Philosophy and Perspectives
Mann ever studied judicial review and governmental action, the impact of law and legal techniques, constitutional mechanisms for the protection of basic rights, and ensuring the integrity of commercial activity, the impact of law and legal techniques on government, policymaking, and administration, as well as the creation of markets. He tries to understand these critical trends in the political development of modern state. Mann will combine both theoretical and empirical approaches, and the conditions for democratic transition and the nature of state development in the ‘post-industrial’ era of globalisation and economic integration.
According as Mann’s legal experiences, he comprehend that “the knowledge of the law is like a deep well, out of which each man draught according to the strength of his understanding”, and, law and arbitrary power are in eternal enmity. He is also sure law and institutions are constantly tending to gravitate like clocks; they must be occasionally cleansed, and wound up, and set to true time.
The government issues a decree - an authoritative order having the force of law, which charged with putting into effect a country's laws and the administering of its functions. Any of the officials promulgate a law or put into practice relating to the government charged with the execution and administration of the nation's laws then they announce and carry out the creation of any order or new policy that will be responsible for the people.
Mann had knowledge in connexion with construction law; he also understands architectural arts, and as well learnt the forms by combining materials and parts include as an integral part concerning modern construct. I ever built urban buildings and rural architecture in different styles under new housing and building projects by the governmental administration and construction corporations.
Right now, Mann studies the problems caused by ethnic disputes and human armed conflicts in the modern society resulted code of mixed civil and criminal procedure. He wishes an agreement or a treaty to end human hostilities - the absence of war and other hostilities around the world. The interrelation and arrangement of freedom from quarrels and disagreement become harmonious relations living in peace with each other. Actually, erect peace in more friendly ways of making friendships for modern human society is comfortable in my ideal. It is like building monolithic architecture: houses and buildings for the people. Mann would like to do “something beautiful for `the unknown`”.
In the ethnic disagreement and armed conflicts as concerning the poor people and children notwithstanding they live through a bad environment on any of poor or crowded village or town in a particular manner - lived frugally. However, after years of industrialisation as a more educated population, becomes more aware of global plenum, continuing to be alive. Environmental groups are increasing and lobbing government will legislate to stop bad environmental and social practices. The establishments of human rights’ wide and untiring efforts will be alleviated people’s suffering. And as well the poor people shall meet and debate sustainable development and for a concerted government led action towards sustainability is an example that the younger generation are concerned for the future. It shall be making the younger easier for their life and make better on their lives, and help them to build a better future.
In present world, Mann really knows the full meanings of “Fundamental Human Rights and Equal Opportunities for the People”. He thinks ethics is the moral code governing the daily conduct of the individual toward those about him / her. It represents those rules or principles by which men and women live and work in a spirit of mutual confidence and service. Without going into the question of how an ethical code was formulated or why anybody should obey it, we can look at the matter in a common-sense fashion with reference to its influence upon our legal affairs. In brief, from the law point of view, a reputable ethical code embodies the qualities of accuracy, dependability, fair play, sound judgement, and service. It is based upon honesty.
No person can have an ethical code that concerns him / her alone. Living in society, as he / she must, a person encounters others whose rights must be respected as well as his / her own. An honest regard for the rights of others is an essential element of any decent code of ethics, and one that anyone must observe if anybody intends to follow that code. After all, ethics is not something apart from human beings. Indeed, there is no such thing apart from our actions and us. It is the duty, therefore, of every man and woman in legal affairs to see that his daily associations with others are truly in conformity with the plain meaning of the Ten Commandments: “Thou shalt not barratry, thou shalt not bear false witness, thou shalt not receive illegal fee and the rest”.
The knowledge Mann has, in connection with legal affairs, was usually come from his precious experiences of his past over ten year’s law and political careers. In an interval regarded as a distinct period of 1980s, he studied mixed civil and crime, and the code of mixed civil and criminal procedure for the problems caused by ethnic disputes and human armed conflicts in the modern society. He was especially one who maintains the language and customs of the group, and social security in Taiwan.
Since 30 July of 1988, Mann settled himself in law as a chief executive and scrivener at Central Legal, Real Estate, and Accounting Services Office; it is in the equivalent to a solicitor of the United Kingdom. The Office provided full legal, accounting, real estate, and commercial services to the public. He did his job as a person legally appointed by another to act as his or her agent in the transaction of business, specifically one qualified and licensed to act for plaintiffs and defendants in legal proceedings and affairs. Over and above Mann was a chairman and executive consultant at Taiwan Credit Information Company®, founded in 1994. The company offered services to the public in response to need and demand in the area of credit information.
Mann had excellent experiences in political and law work was pertaining to mixed civil and crime, the code of mixed civil and criminal procedure, construction, and commercial law abroad. The experiences of legal services related to the rights of private individuals and legal proceedings concerning these rights as distinguished. In the criminal proceedings, he did many cases for the defendants. Although an act committed or omitted in violation of a law forbidding or commanding it and for which punishment is imposed upon conviction; but he also laid legal claim, required as useful, just, proper, or necessary to the defendants under the human rights in the meantime. This provision ensures to the defendant a real voice in the subject.
The men whose judgement we respect are those who do not allow prejudices, preferences, or personalities to influence their decisions. Profit and self-aggrandisement are likewise ignored in their determination to reach an equitable and fair settlement. What are the basic principles upon which good judgement is founded? A keen intellect, a normal emotionally, a through understanding of human nature, experience of law work, sincerity, and integrity.
Developed a Technique for Abstract Photography and Abstractionist
In 1982, Mann developed a technique for abstractive photography, which applied “rayonism” to the photographic works. In November of 1984, Mann was 26-year-old, he instructed many professors and students of National Taiwan Normal University in photography of abstract impressionism and rayonnisme in Taipei, Taiwan. The word “rayonnisme” is French for rayonism - a style of abstract painting developed in 1911 in Russia.
Photographic Exhibitions
Theophilus Raynsford Mann Photographic Exhibition of “Rayonnisme / Rayonism” Tour - Invitational Exhibition of Taiwan 1983-84.
一九八三〜八四年中華民國臺灣 馬天亮攝影巡迴邀請展
Theophilus Raynsford Mann Photographic Exhibition of Rayonism (32 individual exhibitions) 1983~1985.
馬天亮『光影』攝影特展（個人展32場）1983〜1985年.
Mann staged 32 individual, extraordinary exhibitions and annual special exhibitions on photography of abstractive image and Rayonnisme around Taiwan / Formosa. Mann was the first exhibitor around the country. All of the invited displays were by the Taiwan’s Government, cultural and artistic organisations, and sponsors. Mann’s earliest exhibition took place in the National Taiwan Arts Education Center (Museum) on 19 December 1983 when Mann was 25 years old; Mann was the youngest exhibitor in the history of the Center in any solo exhibitions. The Center that was opened in March 1957, kept a collection of Mann’s work. It is currently updating the Center’s internal organisation and strengthening co-operation with leading centers and museums around the world. Meanwhile, it widened the center’s scope to increase its emphasis on Taiwan’ regional culture and folk arts.
Modernization in the Modern Abstract Arts of Taiwan
Mann’s works is the beginning of modernization in the modern abstract arts of Taiwan, China and greater Chinese society in the world. The use of “modernisation” as a concept that is opposed to “Traditional” of “Conservative” ideas began with the approach of the 20th century. It spreads rapidly through academic circles, and was broadly accepted as a means to reform society. Chinese Manchu Qing (Ching) dynasty’s first steps toward modernisation began in the Tung-chih era (1862-1874) with the “Self-Empowerment Movement”. During the late 19th century, as late Manchu dynasty was confronted on all sides by foreign aggression, voices throughout society debated the most effective means to reform and strengthen the country. Some advocated “combining the best of East and West”, while others went so far as to call for “complete Westernisation”. Taiwan was at the centre of these waves of reform. Faced with direct threats against the island by foreign enemies, the Chinese Ching dynasty court took special steps to push Taiwan’s modernisation.
In a role just like that of a gardener wanting to create a rich and fertile environment for the seeds of culture, one in which Mann may sprout, grow and bloom. Mann aims to provide an educational stimulus for society by introducing his works - Mann can express the neo-romantic spirit deftly from various creations and supporting international artistic exchanges. Mann believes that the first step in creating such a new and independent state is the real emergence of culture and arts, for which the art and science of designing and erecting buildings, and fine arts (including photography and motion picture) of the civilization is a good measurement of success. For the foreseeable future, Mann should be continuing to forge ahead, working diligently and unceasingly towards its mission of raising China and Formosa / Taiwan’s culture in his spare time.
Became an Author and a Scholar
In 1980, Theophilus Raynsford Mann completed his first book - scenario original “The Soul's Sentimentalizing”, also named: “Hun Yun : Jin Qi Tu Rui” 電影原著《魂韻》(衿契吐蕊) then Mann was at the age of 22. In 1983, The General Library of the University of California, Berkeley in the United States of America, collected and kept Mann’s writings - scenario original 「魂韻 : 衿契吐蕊」“Hun Yun : jin qi tu rui”, included a musical composition of his own – “Sonate Nr. 1 C-dur op. 3 für Klavier (piano)”, composed on 3rd April 1977 then Mann was 18 years old. The works were published in 1980; the theme was based on “The Soul's Sentimentalizing”. Another masterpiece was an Album of Academic Work for News Publication “Theophilus Raynsford Mann Photographic Exhibition of Rayonnisme / Rayonism”, published in 1985. The Hathi Trust Digital Library, the University of Michigan also collected and kept Mann’s writings.
Authorship
Mann’s articles and writings were published in more than 200 different kinds of domestic and foreign magazines, newspapers, and periodicals, in the period between May of 1972 and 1990s. It was all started when Mann was just 13-year-old. Many of which have been very influential. These have been quoted by Western and Eastern scholars many times in the last few years, making Mann one of the highly cited technological, artistic, and managing public administrators in the world in the late 20th and early 21st century. The Ministry of the Interior in Taiwan had registered Mann’s professional writings and given him two certificates of copyright. The numbers are 33080 and 33081 on 4th July of 1985; and Taiwan’s Gazette of The Presidential Office issue No. 4499, featured his writings on 4th September 1985.
Became an Academic and Film Director
Today, Mann is a professor at Space Time Life Research Academy, a photographer (portrait, fashion, commercial, digital, architectural, abstract photography), film director, and computer engineer now live and work in London; and most currently engage in his vocational professions of ‘Consultant of Immigration and Translations’. Mann is an author at the University of California, Berkeley, and the University of Michigan; an alumnus from Christ Church College at the University of Oxford, the University of Glamorgan, and National Taiwan University in Taipei on Taiwan.
Director Works:
FILMS:
Experimental Film “New Image for the Spring” © 1982
Documentary Film “Rayonnisme” © 2011
“The Soul's Sentimentalizing” of the feature film is based on the scenario original “The Soul's Sentimentalizing” (preparation)
FASHION SHOWS:
New Image for the Spring of Shapely Models International © 1982
High Lights on the Summer and Fall Fashion of Shapely Models Int’l © 1982
ART EXHIBITIONS:
The Cadillac Club International Fine Arts Exhibition © 1981
The Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts © 1981
Musician Work:
MUSIC COMPOSITION:
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) © 1977, © 1980, © 1981, © 1983, the theme was based on “The Soul's Sentimentalizing”.
PHOTOGRAPHIC ALBUMS:
Portrait and Landscape in France © 2000
Portrait and Landscape in Scotland © 2001
Portrait and Landscape in England © 2009
Portrait at Queen Mary, University of London © 2010
Rayonism of London © 2011
Portrait at The University of Nottingham, United Kingdom © 2011
Snowy London © 2012
Portrait at King's College London © 2013
BOOKS:
Scenario Original 「魂韻」(衿契吐蕊) “Hun yun: jin qi tu rui” © December 1980, © 1981, © 1983 (Date of First Publication: 31 December 1980, Second Edition on 29 July 1981, Date of Revision: Revised Edition on 8 May 1983), Languages: Chinese (traditional), and English language.
“Album of the Cadillac Club International Fine Arts Exhibition” © 1981
“Album of the Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts” © 1981
“Album of New Image for the Spring of Shapely Models International” © 1982
“Album of High Lights on the Summer and Fall Fashion of Shapely Models Int’l” © 1982
“Romantic Carol” © 1982
Album of Academic Work for News Publication: “Theophilus Raynsford Mann Photographic Exhibitions of Rayonnisme” © May 1985
New version of scenario original “The Soul's Sentimentalizing” (to be published)
「曾經輝煌到頂天立地」 “The Indomitable Spirit Was Brilliant to Successful” (The indomitable spirit was brilliant to towering a great height from earth reaching the sky!
Individual biography, to be published)
“My Life, My History, and My Love” (based on a legend, to be published, a film scenario will be developed later)
「感動的公平與正義」“Touching Fairness and Justice” (political science and social studies, to be published)
Research Interests:
University of Oxford
Research Studies in Archaeology:
Mann’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”.
National Taiwan University
Graduate Certificate,
Graduate Institute of Electrical Engineering:
Mann’s monograph of seminar was “Applied the sequence control in the electric power distribution engineering”.
University of Glamorgan
M.Sc. Course,
Master of Science in Real Estate Appraisal:
Mann’s thesis - major subject, with relevant construction law was “The Assignment is under Economics of Construction Management in Architecture”.
National Sun Yat-Sen University
Postgraduate Certificate,
Postgraduate Studies in Computing:
Mann’s required subject was Information dBase III Plus and Taiwanese Traditional Mandarin Chinese Information System. He combined academic course work and practical laboratory sessions in “Applied Mandarin Phonetic Symbols into Traditional Taiwanese Personal Computer and Its Information System”.
Associations:
Member of The Kaohsiung Life Line Association since 11 January 1979, an association established in the USA.
Member of The Society of Youth Writers, Tien (Catholic) Educational Center, Taipei since 1980.
Since 1980, a member of Chinese Taipei Film Archive (CTFA, National Film Archive, Taiwan; founded in 1978), The Motion Picture Foundation, R.O.C. (member of Fédération Internationale des Archives du Film, FIAF; The International Federation of Film Archives was founded in Paris in 1938 by the British Film Institute, the Museum of Modern Art in New York City, the Cinémathèque Française and the Reichsfilmarchiv in Berlin.)
Commissioner of the cinema, photography, radio, and television committee of The Culture and Arts Association (Chinese Writers and Artists Association) of Taiwan ever since September 1983.
Classic member, the membership is equivalent to a doctorate membership of the Chinese Institute of Electrical Engineering since 23 March 1984.
On 15 March 1989, Mann promoted and founded the Consortium Juridical Person Mr. Theophilus Raynsford Mann Social Benefit Foundation 財團法人馬天亮先生社會公益基金會籌備處 (Social Charity 社會慈善事業) in Taiwan.
near.archives.gov.tw/cgi-bin/near2/nph-redirect?rname=tre...
Classic member, the membership is equal to a professor or associate professor of The Chinese Institute of Engineers since 30 September 1991.
Honours:
Listed on ‘Taiwan Who’s Who In Business’, © 1984, © 1987, and © 1989 Harvard Management Service.
中華民國企業名人錄編纂委員會, 哈佛企業管理顧問公司.
On 26 August 1985, Mann was awarded a professional certificate of the Outdoor Artistry Activities issued by Education Bureau, Kaohsiung City Government, Taiwan. He acquired awards and certificates of honour about twenty times from National Taiwan Arts Education Center (Museum) on 24 December 1983; Kaohsiung Municipal Social Education Center on 17 March 1984, Kaohsiung Cultural Center, Taipei Cultural Center (Taipei Municipal Social Education Hall); and Taiwan Province Government, Taipei City Government, Kaohsiung City Government, and many cultural centres and art galleries, and so on.
Careers:
Honorary Professor at Space Time Life Research Academy, 7 June 2012 to present; Professor at Space Time Life Research Academy, 1 September 2011 to 1 June 2012 in London, United Kingdom:
Academia,
Teaching and Research:
business management and consultant, political philosophy, Chinese classics, Chinese humanities, modern Chinese language and literature, photography (portrait, fashion, commercial, digital, architectural, abstract photography), visual arts and filmmaking.
教學與研究：
企業管理及顧問、政治哲學、中華經典 (古典漢學、文學、藝術、語言) 、中華人文、中華現代語言與文學、攝影 (人像、時裝、商業、數位/數碼、建築、抽象攝影) ，視覺藝術和製作影片。
Consultant and Translator at Eternal Life Consultants of Immigration and Translations Services, 10 March 2004 to present in London, United Kingdom:
consultants of immigration, translations, and legal services.
永生移民顧問翻譯服務社的移民諮詢顧問和翻譯：
移民事務，翻譯和法律服務。
Computer Hardware & Networking Engineer at Mann Office of Electrical Engineer, 8 March 2004 to present in London, United Kingdom:
Computer Engineering and Network Services. Repairing of Motherboards, Monitors, Power Supplies, CD-ROM Drives; UPS, Hard Disk Drives, H.D.D Data Recovery; BIOS Programming, and all types of Computer Hardware and Software Solutions.
計算機工程和網絡服務。維修主機板，顯示器，電源供應器，光碟機/光盘驱动器，不斷電系統，硬碟/硬盘，硬盤數據恢復，基本輸入輸出系統編程，以及所有類型的電腦/計算機硬體/硬件和軟體/軟件解決方案。
Film Director and Photographer at Shapely Studio of Creative and Cultural Industries, 2 April 2007 to present in London, United Kingdom:
1) Photo, Video and Film Production; 2) Graphic Design, Web Design, Social Networking, Social Media and Advertising; 3) Architectural Design and Interior Design.
Reformer and Philosopher at Taiwanese Social Reformer and Philosopher, 7 April 2012 (location: Los Angeles, California) to present in London, United Kingdom:
Social Reform in Taiwan
www.facebook.com/twreform/info
《魂韻》(衿契吐蕊) - 馬天亮22歲寫的電影原著。Theophilus Raynsford Mann (TianLiang Maa) wrote “Hun Yun” (Jin Qi Tu Rui), scenario original “The Soul’s Sentimentalizing” © 1980, 1981, 1983, was at the age of 22.
Website
mtltwp.pixnet.net/album/set/1265174
photo.roodo.com/photos/mtltwp/albums/small/100469.html
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) by Theophilus Raynsford Mann (TianLiang Maa 馬天亮) © 1977, © 1980, © 1981, © 1983. The Sonate composed on 3rd April 1977 then Mann was 18-year-old. The work was published in 1980; the theme was based on “The Soul's Sentimentalizing”.
Website
mtltwp.pixnet.net/album/set/1265208
www.facebook.com/sonate1c/info
LINKS:
University of California, Berkeley
berkeley.worldcat.org/search?q=Ma%2C+Tianliang&dblist...
berkeley.worldcat.org/title/hun-yun/oclc/813684284?refere...
oskicat.berkeley.edu/record=b11283690~S1
University of Michigan
mirlyn.lib.umich.edu/Record/006237256
catalog.hathitrust.org/Record/006237256
WorldCat® Identities
www.worldcat.org/search?q=au%3AMa%2C+Tianliang%2C&dbl...
www.worldcat.org/wcidentities/np-ma,%20tianliang$1958
Google Books
books.google.co.uk/books?id=PkyaAAAAIAAJ&redir_esc=y
books.google.co.uk/books?id=JfxnMwEACAAJ&dq=editions:...
scholar.google.com/scholar?cluster=3569983911138966023&am...
National Bibliographic Information Network (NBINet)
nbinet3.ncl.edu.tw/search~S10?/a%7bu99AC%7d%7bu5929%7d%7b...
192.83.186.170/search*cht/a%E9%A6%AC%E5%A4%A9%E4%BA%AE
National Yang Ming University 國立陽明大學
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National Taiwan University of Science and Technology 國立臺灣科技大學
millennium.lib.ntust.edu.tw/record=b1016706~S1
Wikimedia Commons 維基共享資源
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commons.wikimedia.org/wiki/File:馬天亮_TianLiang_Maa.jpg
國家圖書館 期刊文獻資訊網, 臺灣期刊論文索引
readopac3.ncl.edu.tw/nclJournal/search/search_result.jsp?...
聲音藝術的審美角度, 大學雜誌, 天然
readopac3.ncl.edu.tw/nclJournal/search/detail.jsp?sysId=0...,
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為文化中心把脈, 幼獅文藝
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科學家與守財奴, 中國地方自治
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Yahoo, Bing, Google Search
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画像検索
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Japan Photos and Pictures
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A Story of Professor Theophilus Raynsford Mann
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Sports Wallpapers
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Travel Splash
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AskJot
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University of Oxford
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University of Glamorgan
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art galleries uk
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Mitrasites system
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articles.whmsoft
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German
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www.pediatr.org.tw/DB/News/file/1913-1.pdf
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Typus, Topos, Tektonik, …?
Inhalt und Methodik der Grundlagenlehre
Was umfasst eine gute Grundlagenlehre? Sollte sie auf die wesentlichen Disziplinen konzentriert sein, wie sie mit der Trias aus Typus, Topos, Tektonik beschrieben wird – also dem architektonischen Entwurf, eingebettet in Kontext und Konstruktion? Oder ist das Studium der Architektur inhaltlich und methodisch zu überdenken, um den Anforderungen der heutigen Generation von Studierenden und gewandelten Berufsbedingungen gerecht zu werden?
Architekt zu sein heißt, unterschiedliche Wissensgebiete zu verarbeiten und aus teilweise konträren Ansprüchen ein schlüssiges Projekt zu synthetisieren. Dies gelingt nur, wenn das Studium über das „rein Fachliche“ hinausgeht und ebenso universelles Denken, ökonomische und soziale Kompetenzen, Kreativität und ein Bewusstsein für die gesellschaftliche Relevanz von Architektur schult.
Welche Inhalte müssen dafür in einer fundierten Kernausbildung gelehrt werden? Sollten Fächer obligatorischer Bestandteil der Ausbildung sein, um Architekten zur Konzeption und Realisierung elementare Bauaufgaben – wie beispielsweise das Wohnen –zu befähigen?
Mit welcher Struktur und Methodik kann ein kompetenzorientiertes Studieren gefördert werden, das Interdependenzen zwischen den Fächern vermittelt und zugleich Freiräume für die individuelle Entfaltung eröffnet? Wie ist dabei die Lehre zwischen konzeptionellem Entwerfen und baulicher Realität zu gestalten? Und gibt es eine spezifische Didaktik für die Architekturlehre?
Der Hochschultag der Architektur fragt nach Inhalten und Methodik der Grundlagenausbildung, um Architektur als Einheit aus strukturellem Denken und Kreativität, aus fachlichem Wissen und wissenschaftlicher Methodik, aus sozialer Verantwortung und künstlerischer Tätigkeit zu lehren.
Der Hochschultag des BDA am 10. März 2017, 11 bis 18 Uhr, im Deutschen Architektur Zentrum DAZ in Berlin lädt Studierende, Hochschullehrer, wissenschaftliche Mitarbeiter und Architekten sind zu einem kritischen Dialog über eine zukunftsorientierte Ausbildung herzlich ein.
Zusammen wollen wir dann mit am Abend um 18 Uhr wieder die „Architettura Bolognese“ unter dem Motto Kochen – Reden – Essen veranstalten. Vortragende und Teilnehmer sind herzlich eingeladen.
Anmeldung erforderlich, begrenzte Teilnahme.
Zur Anmeldung
Das Programm
11 Uhr
Eröffnung und Einleitung
Heiner Farwick, Präsident des BDA, Berlin /Ahaus
Gunther Adler, Staatssekretär im Bundesministerium für Umwelt, Naturschutz, Bau und Reaktorsicherheit, Berlin
11.30 Uhr
Was macht die gute Grundlagenlehre aus? Anspruch an Inhalt und Methodik
Donatella Fioretti, Professur für Entwerfen und Baukonstruktion, TU Berlin
Karl-Heinz Schmitz, Professur für Entwerfen und Gebäudelehre, Bauhaus Universität Weimar
Katja Pahl, Professur für Entwerfen und Darstellung/Gestaltung, School of Architecture, Hochschule Bremen
12.30 Uhr
Was macht die gute Grundlagenlehre aus?
Diskussion mit den Referenten und
Sabina Priese, Wissenschaftliche Mitarbeiterin, TH Köln
Stephan Birk, Professur für Baukonstruktion und Entwerfen, TU Kaiserslautern
14.30 Uhr
Curriculum und Lehrmethoden für die Grundlagenlehre im Vergleich
Vorstellung von Fakultäten und Diskussion
TU Graz: Petra Petersson, Institut für Grundlagen der Konstruktion und des Entwerfens
The Pennsylvania State University: Alexandra Staub, Associate Professor of Architecture
ETH Zürich: Christian Kerez, Professur für Architektur und Entwurf
17 Uhr
Synthese zu Curricula und Lehrmethoden
Moderation:
Thomas Welter, BDA-Bundesgeschäftsführer, Berlin
Andreas Denk, Chefredakteur der architekt, Berlin und Institut für Entwerfen. Konstruieren. Gebäudelehre., TH Köln
Ort
Deutsches Architektur Zentrum DAZ
Köpenicker Str. 48/49
10179 Berlin
Using methods of public intervention and video installation, Daniel Canogar's Storming Times Square is born from a desire to have viewers project themselves, literally and metaphorically, onto their immediate environments.
The video display content will be the result of a public participation performance. In the first phase of the project, local Times Square community, distinguished New Yorkers and neighborhood pedestrians crawl over a green-screen surface while being captured by an over-head video camera, which will be turned into a dynamic video animation for September’s Midnight Moment.
Photo Credit: Clint Spaulding for @TSqArts