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Shrimp fishing on horseback has existed on the Belgian coast since 1510, according to historical archives. The fishing method, in which a horse pulls a net, was spread along the entire North Sea where the gently sloping beach allowed this. Since 2013, this old fishing method is Unesco Intangible Cultural Heritage.
Picked up another one while sifting back through the archives, one that I had always intended to post but somehow never got round to.
A straight Pano-Sabotage shot, with no photo-manipulation. Saturation was bumped up, white glare reduced and contrast enhanced. C'est toute !
Despite the many different shifts in styles and methods since I began photography in earnest 8 years ago, the common theme of the undermining of the straight line and the dominance of Euclidean absoluteness is demonstrated here. Einstein over Newton one might say.
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© Richard S Warner ( Visionheart ) - 2015, 2018. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.
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This method allows viewing the vast, incredibly complex construction process in one 2-dimensional picture.
Created from my space-time photos of objects and a M3D creation. Digitally styled...the luminous electric-blues developed nicely.
All rights reserved. This photo is not authorized for use on your blogs, pin boards, websites or use in any other way. You may NOT download this image without written permission from iSEEthings, Jeff Fornear.
Exit to the left!
"2 Conflict Paintings + Color Method in 7 Layers (2022)" by Boy & Erik Stappaerts.
Koninklijk Museum voor Schone Kunsten (Royal Museum of Fine Arts), Antwerp, Belgium.
This is one beautiful place. The calm river flowing, birds chirping around and the bells from wonderful churches around ! Great architecture. Did'nt get much time to dig around.
I used a different method for processing this time. Took 2 exposures and tuned them in lightroom - 1 for lower temperature to get the sky right and the second for the light on the buildings - warmer temp. Tuned a couple more exposures for the bridge and clouds. Brought them into CS3 and Vertorama'ed /Layer masked them together.
By Shell Beach @ Woodcrest
You can buy this pose (with deck and ramp!) here: II Pause Poses
Or visit the mainstore in SL: II Pause Poses
This pose is now available for purchase at SL18B! 50% off!
I thought doing a more scenic capture would be different for me, I liked the greens around the mushroom. I stacked 56 images Method B in Helicon. I wanted that Bird's Nest just to the viewers left of the toadstool in focus.
Methods of PP techniques have been varied for each image in this Hastings series hopefully making them individually more appealing.
Cette église originalement méthodiste, érigée en 1889, est la plus grande église protestante à Montréal. Caractérisée par son extérieur de style gothique et son intérieur victorien, elle loge un cabaret, Le Balcon, qui propose une formule souper-spectacle.
How's about a great big red HMM kiss. The lip colour is Loreal True Red. Used the reversed mount ring method with my 50 mm lens.
Stack aus 29 Aufnahmen mit 85 mm zur Herstellung einer Weitwinkelaufnahme mit Tiefenunschärfe, auch wenn die hier noch zu undeutlich ist.
The Brenizer method, sometimes referred to as bokeh panorama or bokehrama, is a photographic technique characterized by the creation of a digital image exhibiting a shallow depth of field in tandem with a wide angle of view. Created by use of panoramic stitching techniques applied to portraiture, it was popularized by photographer Ryan Brenizer.
The combination of these characteristics enables a photographer to mimic the look of large format film photography with a digital camera. Large format cameras use a negative that is at least 4×5 inches (102×127 mm) and are known for their very shallow depth of field when using a wide aperture and their unique high level of clarity, contrast and control. Image sensor formats of common digital cameras, in comparison, are much smaller, ranging down to the tiny sensors in camera phones. The Brenizer method increases the effective sensor size of the camera, simulating the characteristics of large format photography.
While the aesthetics of this form of imaging most closely resemble large format analog photography, its look has also led it to being compared to tilt shift photography. Both techniques create images that exhibit an unusually shallow depth of field.
Die Brenizer-Methode, manchmal auch als Bokeh-Panorama oder Bokehrama bezeichnet, ist eine fotografische Technik, die durch die Erstellung eines digitalen Bildes mit geringer Schärfentiefe und gleichzeitig großem Blickwinkel gekennzeichnet ist. Es wurde mithilfe von Panorama-Stichtechniken für Porträts erstellt und durch den Fotografen Ryan Brenizer populär gemacht.
Die Kombination dieser Eigenschaften ermöglicht es einem Fotografen, mit einer Digitalkamera das Aussehen einer großformatigen Filmfotografie nachzuahmen. Großformatkameras verwenden ein Negativ von mindestens 102 x 127 mm (4 x 5 Zoll) und sind bekannt für ihre sehr geringe Schärfentiefe bei Verwendung einer großen Blende und ihr einzigartig hohes Maß an Klarheit, Kontrast und Kontrolle. Im Vergleich dazu sind die Bildsensorformate gängiger Digitalkameras viel kleiner und reichen bis hin zu den winzigen Sensoren in Fotohandys. Die Brenizer-Methode vergrößert die effektive Sensorgröße der Kamera und simuliert so die Eigenschaften der Großformatfotografie.
Während die Ästhetik dieser Form der Bildgebung am ehesten der analogen Großformatfotografie ähnelt, wird sie aufgrund ihres Aussehens auch mit der Tilt-Shift-Fotografie verglichen. Beide Techniken erzeugen Bilder, die eine ungewöhnlich geringe Schärfentiefe aufweisen.
MKU_1312-Pano
"The only fitting method to fighting a monster is to bring your own, your orders~?"
I really loved this jacket that Val'more made, as well as the Revolver itself and the customization. Had to absolutely get a pretty picture for it. :> (Thanks man!)
NB1 - In case you want to try it, here is my method for hand-held "Turbulentics-Style" Photos:
Shooting
- Turbulentics works best in bright sunlight.
- Set ISO high enough to force a high f-stop (ISO 400 here).
- Use auto-focus.
- Use a zoom lens so you can isolate the water you want.
- Use stabilization (built into lens or camera + luck).
- Shoot shutter-priority with a slow-ish shutter speed (1/30s here),
- Since you are shooting hand-held at a slow shutter speed, take several spontaneous shots. Getting a sharp image is partly luck at slow shutter speeds.
- Get a resultant high f-stop (f/29here) which will give you lots of depth of field, even though you are shooting telephoto.
Editing
According to your taste;
- Tilt colors toward blue or green
- Saturate colors & raise the contrast..
- Sharpen luminance to emphasize the long sprays created by the slow shutter speed.
NB2 - My all-time most-viewed Flickr photo is one of these kinds of shots:
www.flickr.com/photos/49304401@N00/32836329217/in/album-7...
Location: River Wiese, Lange Erlen, Basel BS Switzerland.
In my album: Dan's Water World.
Bibio marci mating (male on the left, female on the right), field-stack from 67 images, Helicon-Focus method C
A patch of clouds—small enough to evade satellite or any other detection method but large enough to completely ruin a morning—plays with my feelings as I set up a shot, dancing around the scene as the train approaches. After numerous passes over the tracks, the impending shadow is cast upon the hills in the background at go time, showcasing an interesting effect, and most importantly, sunlight on the main subject.
This coal train came out of Belle Ayr Mine in the coal fields of eastern Wyoming, a mine located between Caballo and Rojo mines on BNSF’s Orin Subdivision. As I understand it, Rojo Mine is now no longer operating, one of many mines that will cease operating within the near future. Arch Resources, which owns Coal Creek and Black Thunder, has long held a public stance that they want out of the coal business, and the numbers reflect that. Coal production out of Coal Creek and Black Thunder have dropped dramatically in recent years, including a 44% reduction at Coal Creek in Q2 this year compared to last year, and a 36.2% reduction at Black Thunder in Q2 this year compared to last year. These are cherrypicked numbers, so coal will rebound in the second half as both mines were sitting on huge stockpiles, but it shows how quickly coal production is slowing. For reference, Arch CEO recently said he expects coal production to fall 5-10% per year going forward in the Power River Basin. The decline is part of what was responsible for coal shipments falling off a cliff earlier this year in addition to utilities sitting on large stockpiles as a result of a mild winter. As if you weren’t already aware, now is the time to shoot every coal train you see. They are disappearing much faster than you’d think.
Unfortunately, next year is another year of scheduled coal plant retirements. Some of these plants may have their dates extended, as others have been, but every year moving forward will see continued retirements. Because of BNSF’s symboling, you can basically count the number of coal trains that will disappear. This train is destined for the Baldwin Generating Plant in Baldwin, IL. The plant is slated for closure by the end of 2025, though it may cease at any point during the year. It’s all a part of a monumental shift in energy production and the U.S economy away from coal, of which we may or may not ever realize how devastating the effects will be.
C BAMCEB0 85A
September 11, 2024 - 8:58AM
Hecla, NE // BNSF Sand Hills Sub
These are test images for planning a project, "Painting with light" now the method is well known and is used in different ways in photography, in these photos the effect for illustration purposes has so far only been created digitally artificially, using an LR preset which was originally created for a completely different purpose, but it darkens the photo around the areas of three of these photos that were illuminated in real time.
Here in this video, On the video channel of "Newcastle Photography College" it is explained well in my opinion youtu.be/RdTSZHdML-E
I was happy to finish this piece. The method is called "thread painting" and I can see many more projects using it to applied appliqué pieces.
not a simple grey scale conversion -
this contains 27 968 shades of grey - ( I had no idea there were so many !!)
if you are interested in the method- can read about it in theinvertedimage blog at www.theinvertedimage.com
(Thanks Victor!!)
colour processing remains hit or miss ; - ))
After finding Adamson's calotype method didn't permit much time between coating and developing when it was warm here, I decided to try Arsène Pélegry's method as modified by Rick Lanning. Aside from some speckles (my fault) it worked a treat. It's 2 stops slower than Adamson's method and perhaps more expensive, but the negatives just might last long enough to take on a trip - that would be wonderful.
Plus it seems to work well right up to the edge. I had problems with my Adamson's negatives where the varying ratios of chemicals - plus my fingerprints - would cause a lot of crap near the borders.
Out playing at the park with Effy and found that the Cherry Trees were blooming here in Las Cruces.
This is a panoramic stitch (known as the Brenizer method) made up of 30+ images.
Sony A7
AF Nikkor 50mm f/1.4D
Post Processing done in Lightroom 5/Photoshop CC
© 2015 Robert Stebler
This is my last image of 2016. It was a year of extreme ups and downs, failure and success, plenty of joy, happiness and just as much heartbreak and sadness. But I'm still here and I'm telling this story. So it's all good. I'm looking forward to see what 2017 will bring.
Featured is Downtown Dubai and of course, Burj Khalifa, captured and mixed from night time to daytime with my own, 'TDIB' (Time-Dilation Image Blending) post-processing method. Layered fog was that something extra this image needed to look special. And I got that too.
Happy New Year folks. See you on the other side.
kalki avatar kalki avataar sadgurudev shri ramlalji siyag gurudev guru siddhayoga shaktipat method of meditation awakening kundalini shakti kling kreeshn kling spiritual the comforter next prophet judaism, christianity, hinduism.
The Comforter, next Prophet or Kalki of Christians, Jews and Hindus has already arrived or not ??? – a method to Prove that whether the Supramental Force, Supreme Power, Comforter, next Prophet or Kalki of Christians, Jews and Hindus has already arrived on Earth or Not.
It may sound mind blowing to scientific minded people, surprisingly this method is especially for the Scientist and Intellectual Community of the World, who experiment and scrutinize every new concept before believing it, yes, and we must be able to prove it ourselves before believing or accepting it.
Yes; it is a complete and more advanced science than the modern science says Guru Siyag, capable of giving on the spot results just like modern science. Of course it was limited to myths, stories, faith and belief till today, because we were not able to prove it as a factual subject, it was regarded as a mere baseless theory. Guru Siyag has proved it to be a Practical Science; he has discovered and disclosed a new formula or Practical experimental Method, using this Method every Positive minded curious Human Being of the World can himself do this experiment to realize and visualize the truth of spiritual science, leading to spiritual evolution and holistic healing. Guru Siyag has proved that through Siddha Yoga method of Meditation it is possible to get rid of even the so called incurable diseases like cancer, AIDS, Arthritis, Insomnia, and Mental Stress and so on. The Practitioner also gets rid drug and other addictions like alcohol, tobacco, Brown sugar, Morphine, Opium, Heroine etc. These results are nothing but the removal of hurdles in the way to complete development of Human Beings, to attain a Divine Bodily Form, in other words we can call it the journey from man to superman.
Another surprising Disclosure by Guru Siyag is the Method to prove whether the Comforter, Next Prophet or kalki Avatar of Christians, Jews and Hindus has already arrived on Earth or not, yes we can test the truth about presence of that supramental force on earth. It takes only 15 to 20 minutes to experiment it, right now. The Method ---
1. Sit in a comfortable posture on the ground with crossed legs.
2. Close the eyes and concentrate on the Forehead between the Eyebrows.
3. Make a Mental Prayer to that Supramental Force, saying that if the Comforter, Prophet or Kalki is Present on Earth, then I must get the proof, if the Supramental Force is Present on Earth, then I must go into automatic (Kundalini controlled) Spiritual Meditation for 15 or 20 minutes.
4. After this mental prayer start continuous mental repetition(Chanting) of any one sacred word of your choice(God, Jesus, Allah, Rama, Krishna, Buddha, etc.,) in the mind without moving lips or tongue, simultaneously keep concentrating on the forehead between the eyebrows.
5. Continue this process and within a few minutes you will be induced by automatic spiritual meditation, might even hear and see visualizations during this state of meditation.
6. Don’t panic if your body starts moving automatically during this process, these are the Yogic body movements (Real Yoga is induced automatically by inner spiritual power Kundalini), required to free the body from physical, mental and spiritual diseases of all kinds, these will stop automatically after 15 or 20 minutes, and you will come out of spiritual meditation into normal state.
7. To get complete results and benefits, it has to be practiced regularly in the morning and evening at any convenient time, empty stomach, before having food.
8. The time taken to get the results is totally dependent on our Positive approach and curiosity to realize the truth.
9. No barriers of Race, Religion, Cast, Country or Gender, no rules and no regulations.
More info and Free Download of
Method of Meditation from
Another way to get into automatic spiritual meditation is by listening to Guru Siyag's voice with closed eyes.
O Forte de Nossa Senhora da Graça, ou Forte da Graça, ergue-se majestosamente perto de Elvas, no Alentejo. Este exemplar da arquitetura militar portuguesa, construído entre 1763 e 1792 durante o reinado de D. José I, sob a direção do engenheiro militar francês Conde de Lippe, integra o conjunto de fortificações de Elvas, classificado como Património Mundial da UNESCO desde 2012. Situado estrategicamente no Monte da Graça, o forte, uma das mais sofisticadas fortificações abaluartadas da Europa, apresenta uma imponente estrutura circular em pedra, coroada por um distintivo reduto central octogonal amarelo. Este reduto, projetado segundo o método holandês de fortificação, alberga a Casa do Governador nos pisos superiores, uma capela no piso térreo e uma cisterna escavada na rocha no subsolo. Combinando função defensiva com elementos estéticos barrocos, a estrutura reforçava as defesas da cidade fronteiriça, sendo o edifício amarelo no topo também o centro de comando militar.
The Fort of Nossa Senhora da Graça, or Fort of Graça, stands majestically near Elvas, in the Alentejo. This example of Portuguese military architecture, built between 1763 and 1792 during the reign of King José I, under the direction of the French military engineer the Count of Lippe, is part of the Elvas fortifications complex, classified as a UNESCO World Heritage Site since 2012. Strategically located on Monte da Graça, the fort, one of the most sophisticated bastioned fortifications in Europe, has an imposing circular stone structure crowned by a distinctive yellow octagonal central redoubt. This redoubt, designed according to the Dutch method of fortification, houses the Governor's House on the upper floors, a chapel on the first floor and a cistern dug into the rock underground. Combining a defensive function with Baroque aesthetic elements, the structure reinforced the defenses of the border town, with the yellow building at the top also serving as the military command center.
17/100 square
1/10 processing
Experimenting with different methods of producing Impressionist-style photographs - this one is a combination of 12 images layered together, using varying opacity and blending modes.
Tulajdonképpen nincs is a módszerhez szükséges nagy gyújtótávolgású és szűk blendéjű objektívem, de unatkoztam annyira (még júniusban), hogy megcsináljam ezt a képet. Nem vágtam "rendesre", szerintem így érdekesebb.
Hűséges modellem az egyik paripám volt.
My entry for round 1 of The Middle Earth LEGO Olympics over on MOCpages. The category was to create a build based on one of J.R.R Tolkien’s poems or songs. Here is the one I chose:
Farewell we call to hearth and hall!
Though wind may blow and rain may fall,
We must away ere break of day
Far over wood and mountain tall.
To Rivendell, where Elves yet dwell
In glades beneath the misty fell,
Through moor and waste we ride in haste,
And whither then we cannot tell.
With foes ahead, behind us dread,
Beneath the sky shall be our bed,
Until at last our toil be passed,
Our journey done, our errand sped.
We must away! We must away!
We ride before the break of day!
I tried to portray the 3 main themes of the song: hearth and home, travel through the wild, and Rivendell.