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How to diff and merge files and directories on Linux
If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com
Merged Image by James McCron, Class of 2013 Professional Photo-Imaging Program
Original Photograph by: W.J. Moore and provided by the City of Vancouver Archives. CVA# Str N220.2
View of Granville Street at Hastings Street
This is a leftover shot from a walk around downtown Denton, TX... I'm not quite sure why I didn't use this one, but I think it was because the other shots of the bicycles I got I liked more.... Once I plugged this one in and processed it, I decided it was worthy of a post here...
I particularly like the way the straight bars almost merge with one another towards the left of the photo...
Processed using Adobe Lightroom....
Merged Image by Taylynne Mitschke, Class of 2013 Professional Photo-Imaging Program
Original Photograph by: Dominion Photo Co. and provided by the City of Vancouver Archives. CVA# 677-164
C.P.R. Station (601 West Cordova Street)
Digital composite by Sam Voros
Langara College Professional Photography Program
Class of 2019
Original Photograph by Jack Lindsay
CVA 1184-1810
Pedestrians crossing Hastings Street at Granville
Between 1940 and 1948
My cousin Kyle gave me the idea for merging images of this old guy riding the newest stretch of the Stony Creek Metropark to Metro Beach trail inside Riverbends Park in SHelby Township, Michigan.
This really happened at the St. Petersburg Saturday Street Market, I just didn't capture it all at one time.
(Week 7--Visio Divina)
Visceral: Quiet, sacred, peaceful, smooth sailing. But, something is about to happen. Anticipation, merging into a whole. Ships passing in the night, or merging into a single line. But, there will not be a collision of these lines.
Color: I am SO a blue person! One of my favorite things to do is collect color chips at the paint store and try and match them to the shades of blue I see out my window on the lake, everyday--when I get to be at home. For the past few exercises in our class, I went to the last photos I took before I left home for Santa Fe, two weeks ago, and this one stood out.
While blue is, by far, my favorite color, until the last 15 years or so, it was clearly red, for as long as I can remember. My current home...my homeplace...is decorated in shades of ethereal blues--colors that change with the light during the day. But, i have accents of cherry and ruby red everywhere, and feel they balance the dreamy and mysterious blues I am searching for constantly.
In reading Kim's wonderful links about color, I loved Goethe's (whose writing is such a favorite of mine). About red, he wrote: "The affect of this colour is as peculiar as its nature. It conveys an impression of gravity and dignity, and at the same time of grace and attractiveness."
And, of blue, he wrote: "a kind of contradiction between excitement and repose."
Well, maybe this contradiction is ME!! And, the horizontal lines in this photo are the "edge where things happen" as Patricia Turner wrote. Sally said that horizontal lines "organize that content for you", and, "heighten my awareness to the present moment."
This exercise helps me not feel so crazy about the dread I feel in leaving home, along with the anticipation of exploring someplace new. Goethe wrote: "We love to contemplate blue--not because it advances to us, but because it draws us after it."
Maybe, now, after nearly two weeks away from home, I can pick up my camera and photograph Santa Fe!
Merge Quilt featuring HRT's Read more about it here!
Sorry - all my pics are super blurry! I'll post more soon.
A side-view, a 4-frame tile panoramic on Maurizio Cattelan's Felix as displayed in Tate Modern. See a traditional front view of the same.
Tenuous Link: without flesh
Merge Quilt featuring HRT's Read more about it here!
Sorry - all my pics are super blurry! I'll post more soon.
Three months before its scheduled arrival at Saturn, the Cassini
spacecraft has observed two storms in the act of merging. With diameters
close to 1,000 kilometers (621 miles), both storms, which appear as spots
in the southern hemisphere, were seen moving west, relative to the
rotation of Saturn's interior, for about a month before they merged on
March 19 through 20, 2004.
This set of eight images was taken between Feb. 22 and March 22, 2004.
The top four frames span 26 days. They are portions of images from the
narrow angle camera taken through a filter accepting light in the
near-infrared region of the spectrum centered at 619 nanometers, and
they show two storms approaching each other. Both storms are located
at 36 degrees south latitude and sit in an anti-cyclonic shear zone,
which means that the flow to the north is westward relative to the flow
to the south. Consequently, the northern storm moves westward at a
slightly greater rate than the southern one, 11 meters versus 6 meters
per second (25 and 13 mph), respectively. The storms drift with these
currents and engage in a counterclockwise dance before merging with each
other.
The bottom four frames are from images taken on March 19, 20, 21 and
22, in a region of the spectrum visible to the human eye; they illustrate
the storms' evolution. Just after the merger, on March 20, the new
feature is elongated in the north-south direction, with bright clouds
on either end. Two days later, on March 22, the storm has settled into
a more circular shape, and the bright clouds have spread around the
circumference to form a halo. Whether the bright clouds are particles
of a different composition or simply at a different altitude is
uncertain.
The new storm is a few tenths of a degree farther south than either
of its progenitors. There, its westward velocity is weaker, and it is
almost stationary relative to the planet's rotation. Although these
particular storms move slowly west, storms at Saturn's equator move
east at speeds up to 450 meters per second (1,000 mph), which is 10
times the speed of Earth's jet streams and three times greater than
the equatorial winds on Jupiter. Saturn is the windiest planet in the
solar system, which is another mystery of the ringed giant. The image
scale ranges from 381 kilometers (237 miles) to 300 kilometers (186
miles) per pixel. All images have been processed to enhance
visibility.
The Cassini-Huygens mission is a cooperative project of NASA, the
European Space Agency and the Italian Space Agency. The Jet Propulsion
Laboratory, a division of the California Institute of Technology in Pasadena,
manages the Cassini-Huygens mission for NASA's Office of Space Science,
Washington, D.C. The Cassini orbiter and its two onboard cameras, were
designed, developed and assembled at JPL. The imaging team is based at
the Space Science Institute, Boulder, Colo.
For more information, about the Cassini-Huygens mission visit, saturn.jpl.nasa.gov/ and the Cassini
imaging team home page, ciclops.org/.
credit: NASA/JPL/Space Science Institute
No multiple exposures this time around; two shots merged into one, done in-camera.
Sometimes I`m bored, and then I fight it with pointless imagery :)
Mabie Forest, Near Dumfries, 30th May 2015. Lomography Diana F+ with Kodak Portra 400. Standard plastic lens. C41 Processed and scanned by AG Photolab